Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Ukulele,
Baritone Ukulele, Guitar,
Mandolin, Banjo. By
Various. Arranged by Mark
Phillips. Strum Together.
Pop, Standards.
Softcover. 144 pages.
Published by Hal Leonard
(HL.294400).
ISBN
9781540053374. UPC:
888680941772.
9.0x12.0x0.355
inches.
The Strum
Together series enables
players of five different
instruments – or
any combination of them
– to “strum
together†on 70
great songs. This
easy-to-use format
features melody, lyrics,
and chord diagrams for
five popular folk
instruments: standard
ukulele, baritone
ukulele, guitar,
mandolin, and banjo. This
collection includes: All
My Loving • The
Boys of Summer •
Can You Feel the Love
Tonight • Don't You
(Forget About Me) •
Everybody Wants to Rule
the World • Free
Bird • Hello
• I Will Always
Love You • My Girl
• Open Arms •
Sweet Child O' Mine
• Unchained Melody
• What a Wonderful
World • You're the
One That I Want •
and more. Note: each
player will need their
own book.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band
SKU:
PR.16500104F
Three
Places in the East.
Composed by Dan Welcher.
Full score. Theodore
Presser Company
#165-00104F. Published by
Theodore Presser Company
(PR.16500104F).
ISBN
9781491132159. UPC:
680160681082.
Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work.
(C Edition). By Various. For voice and C instrument. Hal Leonard Fake Books. Pop...(+)
(C Edition). By Various.
For voice and C
instrument. Hal Leonard
Fake Books. Pop Vocal and
Vocal Standards.
Difficulty: easy-medium.
Fakebook. Vocal melody,
lyrics and chord names.
396 pages. Published by
Hal Leonard fakebook
Pop Vocal and Vocal
Standards
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9787
Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original.
The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As weÂ
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51
occur, invite students to
share some of their own
mantras and affirmations,
or feel free to borrow
from the words my
students in the Crosby HS
choir inspired me to
write:Allow yourself
graceI am persistentI am
fragile, not brokenYou
are worthyI am worthyI
know that your success is
not my demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay
to not be okayBreatheI
love and I am
lovedPrepare yourself for
not only a powerful
performance, but a
rewarding experience and
conversations with your
students.THIS is the
piece you want stuck in
your students’
heads!~CRM.
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Piano and congregation SKU: HP.9085 Composed by Daniel Charles Damon. Aut...(+)
Piano and congregation
SKU: HP.9085
Composed by Daniel
Charles Damon. Author
Collections. General
Worship. Hymn Collection.
144 pages. Hope
Publishing Company #9085.
Published by Hope
Publishing Company
(HP.9085).
UPC:
763628190859.
In
Little Seeds you will
find new hymns from my
heart. My devotional life
is given to you in my
hymnwriting. During the
past three years I have
been writing songs for
the unity of the church -
songs reminding us of our
baptism. I have been
writing biblical story
hymns for lesser-known
characters. I have
written paperless songs
that may be easily
memorized. I set a Rumi
poem. There are new hymns
for Christian missions
from everywhere to
everywhere. You will find
new texts and musical
settings for folk songs
from around the world. I
hope I have treated these
with the love and respect
they deserve. You will
find alternate
arrangements of some
songs that may be useful
in different settings.
Lim Swee Hong composed
three tunes for this
collection at my request.
I am also pleased to
include Lianne Tan's
first published hymn tune
in Little Seeds.
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
Easy Piano Piano/Keyboard SKU: HL.282479 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282479
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Motown, Pop,
Rock. Softcover. 410
pages. Published by Hal
Leonard (HL.282479).
ISBN 9781540034366.
UPC: 888680789237.
9.0x12.0x1.01
inches.
Starting
with the songs released
just after Woodstock all
the way through the disco
era, this collection
features almost 100 songs
from the 1970s arranged
for easy piano with
lyrics: ABC •
American Pie •
Bridge over Troubled
Water • (They Long
to Be) Close to You
• Dancing Queen
• Free Bird •
Goodbye Yellow Brick Road
• How Deep Is Your
Love • I Shot the
Sheriff • I Will
Survive • Imagine
• Killing Me Softly
with His Song •
Layla • Lean on Me
• Maybe I'm Amazed
• Piano Man •
Reeling in the Years
• Smoke on the
Water • Stairway to
Heaven • Stayin'
Alive • Sweet Home
Alabama • Time in a
Bottle • Walk This
Way • We Will Rock
You • Y.M.C.A.
• and more.
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Piano; Piano/Keyboard SKU: HL.329906 By Various. Super Easy Songbook. Pop...(+)
Piano; Piano/Keyboard
SKU: HL.329906
By
Various. Super Easy
Songbook. Pop, Standards.
Softcover. 112 pages.
Published by Hal Leonard
(HL.329906).
ISBN
9781540084224. UPC:
840126907490.
9.0x12.0x0.372
inches.
It's super
easy! This series
features accessible
arrangements for piano,
with simple right-hand
melody, letter names
inside each note, basic
left-hand chord diagrams,
and no page turns. This
edition includes 60
simple songs ideal for
beginners: All My Loving
• Beauty and the
Beast • Do-Re-Mi
• Fields of Gold
• Happy Birthday to
You • I'm Yours
• Love Me Tender
• Morning Has
Broken • People Get
Ready • The Rainbow
Connection • The
Sound of Silence •
A Thousand Years •
Wonderful Tonight •
You Are My Sunshine
• and more.
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular...(+)
By Tom Jones, music by
Harvey Schmidt. Arranged
by Larry Shackley. Choir
Secular. This edition:
SoundTrax CD. Choral
Octavo. Pop Choral.
Broadway. Accompaniment
and performance CD
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular...(+)
By Tom Jones, music by
Harvey Schmidt. Arranged
by Larry Shackley. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral.
Broadway. 24 pages
By Russell Mauldin. Arranged by Russell Mauldin. For SATB choir. Inspirational a...(+)
By Russell Mauldin.
Arranged by Russell
Mauldin. For SATB choir.
Inspirational and Sacred.
Moderate. Octavo. 16
pages. Published by
Lillenas Publishing
Company