Heft 2: for soprano recorder with unterlegtem Gesstext. By Rudolf Schafer. Recor...(+)
Heft 2: for soprano
recorder with unterlegtem
Gesstext. By Rudolf
Schafer. Recorder. For
soprano recorder. Level:
1-2. 24 pages. Published
by Doblinger (Austrian
import).
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
SKU: CA.9001700 Untersuchung der Entstehungsgeschichte . Edited by...(+)
SKU: CA.9001700
Untersuchung der
Entstehungsgeschichte
. Edited by Wolfgang
Hochstein. This edition:
Paperbound.
Schriftenreihe der
Hasse-Gesellschaften in
Hamburg-Bergedorf und
Munchen. Hasse-Studien,
Sonderreihe, Band 2.
German title: Cleofide.
Sonderreihe Band 2. Hasse
Studies, Studies of
composers. Book. Composed
2011. 120 pages. Carus
Verlag #CV 90.017/00.
Published by Carus Verlag
(CA.9001700).
ISBN
9790007130046. Language:
German.
Johann
Adolf Hasse (1699-1783)
is considered the most
successful composer from
the middle third of the
18th century. He spent
the most important and
longest portion of his
professional musical
career as Music Director
at the Dresden Court of
Friedrich August II. The
fact that Hasse was
offered this prestigious
position was due to the
success of his opera
Cleofide, which was
performed in Dresden in
September 1731 - still
during the reign of
August the Strong - with
his wife, Faustina (nee
Bordoni), singing the
female lead. In
connection with the first
edition of Cleofide
(Johann Adolf Hasse,
Werke, Vol. I/1,
Stuttgart, 2008) the
editor, Zenon Mojzysz,
undertook extensive
research of the
cultural-historical
environment surrounding
this opera. With
reference to numerous
original sources, in the
present volume the
circumstances which led
to the composer's
appointment at the
Dresden Court and to the
performance there of
Cleofide will be brought
to light.
Clarinet Ensemble - early intermediate SKU: BT.DHP-1135422-070 From Th...(+)
Clarinet Ensemble - early
intermediate
SKU:
BT.DHP-1135422-070
From The Planets.
Composed by Gustav Holst.
Arranged by Robert van
Beringen. De Haske
Clarinet Series. Set
(Score & Parts). Composed
2013. 8 pages. De Haske
Publications #DHP
1135422-070. Published by
De Haske Publications
(BT.DHP-1135422-070).
9x12
inches.
Jupiter
Hymn is a beautiful,
easy-to-play arrangement
from the wonderful fourth
movement of the
seven-part orchestral
suite The Planets<(I>
by Gustav Holst:
Jupiter, the Bringer
of Jollity. Holst
took inspiration for this
suite—one of his
best-known
works—from the
astrological aspect of
the planets rather than
their astronomical or
physical characteristics.
Holst wrote The
Planets at the
beginning of the 20th
century, at a time when
certain features of the
work, such as exotic time
signatures (5/4),
dissonances and unusual
instrumentation were
uncommon.
Jupit
er Hymn is een mooie,
eenvoudig speelbare
bewerking van het
schitterende vierde deel
uit de zevendelige
orkestsuite The
Planets van Gustav
Holst: ‘Jupiter -
The Bringer of
Jollity’. Holst
liet zich voor de suite,
een van zijn bekendste
werken, inspireren door
het astrologische
karakter van de planeten,
en dus niet op de
astronomische of fysische
eigenschappen. Hij
schreef The
Planets aan het begin
van de 20e eeuw. Voor die
tijd in het oog
springende bijzonderheden
zijn de toepassing van
ongebruikelijke
instrumenten, de ongewone
maatsoorten (5/4) en de
dissonante
samenklanken.
J
upiter Hymn ist eine
schöne, einfach
spielbare Bearbeitung aus
dem glanzvollen vierten
Satz der siebenteiligen
Orchester-Suite The
Planets von Gustav
Holst: Jupiter - The
Bringer of Jollity.
Holst ließ sich für
dese Suite, die eines
seiner bekanntesten Werke
ist, von dem
astrologischen Aspekt der
Planeten inspirieren und
nicht von deren
astronomischen oder
physischen Eigenschaften.
Er schrieb The
Planets zu Beginn des
20. Jahrhunderts.
Auffällig für seine
Zeit waren die Verwendung
ungebräuchlicher
Instrumente,
ungewöhnlicher
Taktarten (5/4) und
Dissonanzen.
String quartet (2V,Va,Vc) SKU: BA.TP00930 Composed by Ludwig van Beethove...(+)
String quartet (2V,Va,Vc)
SKU: BA.TP00930
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Study score. Opus
130. Baerenreiter Verlag
#TP00930_00. Published by
Baerenreiter Verlag
(BA.TP00930).
ISBN
9790006203093. 22.5 x
16.5 cm inches. Key:
B-flat major. Preface:
Donat, Misha.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: GI.G-10383 Tools for Addressing Societal Challenges through Music...(+)
SKU: GI.G-10383
Tools for Addressing
Societal Challenges
through Music.
Composed by Jason Max
Ferdinand. Music
Education. 106 pages. GIA
Publications #10383.
Published by GIA
Publications
(GI.G-10383).
ISBN
9781622775378.
Incl
udes course pack with
activities and four hours
of video interviews.
Includes access codes for
25 students. Purchase
includes digital access
to complete book and
videos for 25 students
plus a physical copy of
the book. Jason Max
Ferdinand's book Teaching
With Heart is the first
book to directly help us
address the societal
issues in our choral
rehearsals. Not
attempting to separate
the music from social
issues, this new tool in
the classroom uses
musical examples to
address uncomfortable
topics and hopefully
'open minds and hearts.'
Built to ask singers to
read, watch, listen and
then to respond and
discuss, this resource
has been developed with
the help of nine
outstanding contributors
and ten composers and
arrangers. I strongly
urge you to take a look
at this new resource for
your classroom.
--Jo-Michael Scheibe,
D.M.A. Professor,
Department of Choral and
Sacred Music Conductor,
University of Southern
California Thornton
Chamber Singers Teaching
With Heart is a timely
and relevant resource
that offers a
well-crafted,
research-based approach
to choral music
education. Students will
learn how diverse choral
repertoire can be used as
a tool to not only
advance musicianship, but
also as an access point
for critical thinking and
the enhancement of social
emotional learning
skills. --Rollo A.
Dilworth, D.Mus. Vice
Dean and Professor of
Choral Music Education
Center for the Performing
and Cinematic Arts,
Temple University Through
valuable repertoire
suggestions, listening
examples, video
interviews, quotes, and
teaching activities, this
resource provides
designed lessons helping
students apply,
synthesize, evaluate, and
comprehend music from an
artistic perspective and,
more importantly, a human
perspective. --Brandon
Boyd, Ph.D. Assistant
Professor Choral
Conducting, Choral Music
Education University of
Missouri 'How would you
suggest a Caucasian
teacher talk about social
justice issues with
students of color?' a
student from Georgia
Southern University asked
via ZOOM. Dr. Ferdinand
responded by quoting from
Teaching With Heart,
specifically sharing
inspiration from the
module titled 'Justice,
or Just Us?' Powerful
conversation ensued and
our future educators were
immediately on fire to
get ahold of these
teaching tools! We are so
grateful for Dr.
Ferdinand's generous
leadership and his
extremely well-timed
Choral Conductor's
Compendium to help guide
us through current times
and into the future.
--Shannon Jeffreys,
D.M.A. Director of Choral
Activities Georgia
Southern University Jason
Max Ferdinand is a Full
Professor, Chair of the
Music Department, and
Director of Choral
Activities at Oakwood
University, where he
conducts the Aeolians of
Oakwood University. He
maintains an active
schedule as a presenter,
adjudicator, and guest
conductor for high
schools, collegiate, and
church choirs throughout
North America, Asia,
Europe, and the
Caribbean. Learn more
about this new resource
in the short video
below:.
Play Handel (Oboe) Hautbois [Partition + CD] - Intermédiaire De Haske Publications
Oboe. By George Frideric Handel. (Oboe). De Haske Play-Along Book. Book and CD P...(+)
Oboe. By George Frideric
Handel. (Oboe). De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 34 pages.
Published by De Haske
Publications.
Bravo! Flute Flûte traversière et Piano Boosey and Hawkes
Flute and Piano. By Carol Barratt. Arranged by Margaret Ogonovsky. (Flute). Boo...(+)
Flute and Piano. By Carol
Barratt. Arranged by
Margaret Ogonovsky.
(Flute). Boosey and
Hawkes Chamber Music.
Size 9x12 inches. 52
pages. Published by
Boosey & Hawkes.
2 solo tenor voice, solo baritone voice, speaker, Mixed choir: SSTTBB, orchestra...(+)
2 solo tenor voice, solo
baritone voice, speaker,
Mixed choir: SSTTBB,
orchestra (Tenor solo
(2), Baritone solo,
Speaker, Mixed choir:
SSTTBB, Orchestra)
SKU: BA.BA05447
Lyric monodrama in six
parts. Composed by
Hector Berlioz. Edited by
Peter Bloom. This
edition: complete
edition, urtext edition.
Linen. New Berlioz
Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 7. Complete
edition, anthology. Hol.
55. Baerenreiter Verlag
#BA05447_00. Published by
Baerenreiter Verlag
(BA.BA05447).
ISBN
9790006471461. 33.1 x 26
cm inches. Text Language:
French. Translation:
Gerard de Nerval. Hector
Berlioz.
Llio was
composed during Berlioz's
stay in Italy in 1831. In
April of that year he set
out from Rome, where he
held a scholarship as
winner of the Prix de
Rome, and travelled as
far as Nice on hearing
that his fiancee Camille
Moke had rejected him in
favour of another suitor.
He had intended to return
to Paris to exact
revenge, but then he
abandoned his plan and
instead spent three weeks
in Nice, returning in
stages to Rome. On this
return journey he
conceived the idea of a
semi-theatrical work that
combined music and
monologues to express the
idea of returning to life
after a profound
traumatic experience.
The composition
was finished in Rome in
Iune 1831. In the spring
of 1832, while staying
with his parents in
Dauphin, Berlioz copied
the orchestral and vocal
parts, and the work was
first performed in
conjunction with the
Symphonie fantastique at
the Paris Conservatoire
on 9 December 1832. It
was heard again three
weeks later and again on
3 May 1835.
While
designated as the second
part of the Episode in
the Life of an Artist,
Lelio can never- theless
be performed on its own,
without the Symphonie
fantastique to precede
it.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: BR.BV-410 Complete Letters in 35 Volumes and Supplements. Com...(+)
SKU: BR.BV-410
Complete Letters in 35
Volumes and
Supplements. Composed
by Richard Wagner. Edited
by Andreas Mielke. Linen.
Buchverlag Breitkopf &
Hartel (Music Books).
Romantic period. Complete
Works. 656 pages.
Breitkopf and Haertel #BV
410. Published by
Breitkopf and Haertel
(BR.BV-410).
ISBN
9783765104107. 5.5 x 8.5
inches.
German.
With the
publication of Volume 11
in November 1999, Werner
Breig's fundamentally new
scholarly concept begins
to make itself felt more
strongly. All editorial
differences aside: with
respect to their
contents, Volumes 9-11
can be neatly categorized
as the Tristan letters
volumes, the genesis of
each act of Tristan und
Isolde can be assigned to
one specific
chronological section.
Wagner was working on the
first act (beginnung his
correspondance with
Mathilde Wesendonck at
the same time) in Zurich
during the period of the
letters compiled in
Volume 9. Volume 10 plays
in Venice and documents
the origin of the second
act. And in Volume 11,
the reader can relive the
completion of the
epoch-making stage work
in the letters Wagner
sent from Lucerne.
Concerning this Volume we
have obtained the
following fax by the
English Wagner expert
Stewart Spencer, who
wittily praises Werner
Breig's fundamental new
concept: There is a
general problem of
reviewing such
magnificent volumes. They
are the yardstick by
which all other writings
on Wagner will be judged.
It is like sending
someone to inspect the
standard metre rule in
Paris and asking them to
review it. All one can
say is that it exists and
that it is in a class of
its own. I'd like to
congratulate you on its
publication and thank you
most warmly for picking
up this edition. (Stewart
Spencer, October 11,
2000).
Concert Band/Harmonie/Fanfare Band/Brass Band SKU: BT.DHP-1053885-170 ...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band
SKU:
BT.DHP-1053885-170
Lift Up Your Heads, Ye
Gates. Arranged by
Robert van Beringen.
Musica Sacra. Festive and
Solemn Music. Score Only.
Composed 2005. 16 pages.
De Haske Publications
#DHP 1053885-170.
Published by De Haske
Publications
(BT.DHP-1053885-170).
9x12 inches.
English-German-French-Dut
ch.
The numerous,
mostly religious works of
the Bohemian composer
Andreas Hammerschmidt are
composed with great
craftmanship, and sound
full and catchy. They
were composed for 17th
century village churches,
in which they were sung
by the
congregation—and
they are still familiar
and popular today. Robert
van Beringen took the
advent hymn Lift Up
Your Heads, Ye Gates
and created this
beautiful arrangement.
De talrijke,
overwegend religieuze
composities van de
Boheemse componist
Andreas Hammerschmidt
zijn solide gecomponeerd,
klinken vol en liggen
goed in het gehoor. Deze
eenvoudige werken werden
in de zeventiende eeuw
vooral voor dekerkkoren
gecomponeerd. Zo zijn ze
tot op de dag van vandaag
bekend en populair
gebleven. Robert van
Beringen koos de titel
Machet die Tore
weit om het te bewerken
voor harmonie- en
fanfareorkest.
Die
zahlreichen, vorwiegend
geistlichen Kompositionen
des böhmischen
Komponisten Andreas
Hammerschmidt sind
handwerklich solide
komponiert, voll klingend
und eingängig. Sie
wurden im 17. Jahrhundert
vor allem für
Dorfkirchen komponiert,
wo sie von Laienchören
gesungen wurden und so
bis heute sich großer
Verbreitung und
Beliebtheit erfreuen.
Robert van Beringen nahm
sich des
vorweihnachtlichen Titels
Machet die Tore
weit an und schuf
daraus dieses
wunderschöne
Arrangement.
I
numerosi mottetti,
concerti sacri e pezzi
religiosi del compositore
organista barocco ceco
Andreas Hammerschmidt,
sono risolutamente
sonori, melodiosi e
coinvolgenti,
caratterizzati da una
struttura tradizionale
del XVI secolo fino a
elementi della nuova
musica italiana. Numerose
sue composizioni sono
cantate ancora oggi e
godono di grande
popolarit . Robert van
Beringen propone un
arrangiamento del salmo
24, Machet die Tore
weit.
Voice, Piano SKU: FG.042-08585-1 Composed by Armas Jarnefelt. Edited by M...(+)
Voice, Piano
SKU:
FG.042-08585-1
Composed by Armas
Jarnefelt. Edited by
Matti Tuloisela. Album.
Published by Fennica
Gehrman (FG.042-08585-1).
ISBN
979-0-042-08585-1.
The collection of the
main solo songs by Armas
Jarnefelt was accelerated
by a donation made by his
son, Arvi, in Stockholm
to the University of
Helsinki: dozens of
previously unpublished
manuscripts thus found
their way home to
Finland. Sweden was
father Jarnefelt's second
home, since he spent a
couple of decades as
conductor of the Royal
Opera in Stockholm. He
concentrated almost
exclusively on solo
songs, the reason no
doubt being that his
father-in-law was Jean
Sibelius, a master of
large-scale form.
Jarnefelt's vocal lyrics
spring from the
National-Romantic ethos
nurtured on the archaic
rune-singing of the
national epic, the
Kalevala, and the distant
lands of Karelia. The
folk-like elements of his
youthful songs were in
time joined by
Impressionistic and in
places even
Expressionistic timbres.
This collection is edited
by Matti Tuloisela.
Contents: Aallon
kehtolaulu / Vagens
vaggsang / Der Welle
Wiegenlied * Am stillen
Dorfe erhebt sich *
Berceuse / Kehtolaulu *
En spel- och dansvisa *
Hamara / Skymning /
Dammerung * I
solnedgangen / Im
Sonnenuntergang *
Isanmaan kasvot *
Kanteleelle * Kehtolaulu
/ Vaggsang (Liekku liiku)
* Kehtolaulu / Vaggsang
(Hiljaa, hiljaa) * Laula,
laula! * Leivo / Larkan *
Liina / Lina / Line *
Milloin muistelet minua?
/ Sag, nar minnes du mig?
/ Sag', gedenkst Du
meiner? * Nar alla
klockor klamtat tolf /
Wenn alle Uhren zwolf
geschlagen * Sina / Du *
Solsken / Sonnenschein *
Sunnuntaina / Sondag *
Suvirannalla / Sommarnatt
pa stranden * Titania *
Toivoni / Onskan *
Uneksijan laulu elamalle
/ En drommarens sang till
livet / Eines Traumers
Sang an das Leben *
Unelma / Drom * Viel' ois
virtta tieossani / An en
visa vill jag sjunga.
String Ensemble (Parts) SKU: HL.48024809 Realisation for String Septet...(+)
String Ensemble (Parts)
SKU: HL.48024809
Realisation for String
Septet by Rudolf Leopold
Parts. Composed by
Richard Strauss. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 60
pages. Duration 1440
seconds. Boosey & Hawkes
#M060136665. Published by
Boosey & Hawkes
(HL.48024809).
ISBN
9781784545604. UPC:
888680978990.
9.0x12.0x0.169
inches.
In 1990 a
short score of Strauss's
late masterpiece
Metamorphosen was
discovered in Switzerland
and acquired by the
Bavarian State Library in
Munich. It is headed
'Metamorphosen. Andante
(für 2 Violinen, 2
Bratschen, 2 Celli[,]
Contrabass) Richard
Strauss'. This gives rise
to the assumption that
the composer had clearly
conceived the piece as
scored for seven strings
and then changed his
mindon receiving a
commission from Paul
Sacher to write a work
for a larger string
group. The short score
bears the date 31 March
1945 at the end, the full
score for twenty-three
strings having already
been started on 13 March.
Rudolf Leopold, concert
cellist and professor of
cello at the University
of Music, Graz, prepared
the septet performing
version of Metamorphosen,
of which the study score
was published in 1996. He
explains that, for the
most part, the 23-part
version consists of
doublings. “In the
realisation of the
'original version' for
string sextet and double
bass I have made use of
both the short score and
the final score so that
the complete tonal image
appears in a chamber
music format whilst
retaining certain
interesting details from
the short score (for
example the original
closing
modulation).â€.
Selected and arranged by Denes Agay and Frank Metis. Book. Published by Music S...(+)
Selected and arranged by
Denes Agay and Frank
Metis. Book. Published by
Music Sales. (YK21826)
Featuring easy-to-play
arrangements of Handel's
best-loved music,
including favorite
selections from "The
Messiah." Although
simplified, all of the
settings are true to the
beloved originals, making
this folio a joy for the
beginning to intermediate
pianist.
SKU: GI.G-1109 Music of the Paschal Triduum / Música del Triduo Pas...(+)
SKU: GI.G-1109
Music of the Paschal
Triduum / Música del
Triduo Pascual.
Composed by Tony Alonso
S.J. Sacred. GIA
Publications #1109.
Published by GIA
Publications (GI.G-1109).
Rondo Barocco Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0981286-140 Composed by Otto ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0981286-140
Composed by Otto M.
Schwarz. Applause Series.
Original Light Music.
Score Only. Composed
1998. De Haske
Publications #DHP
0981286-140. Published by
De Haske Publications
(BT.DHP-0981286-140).
The Baroque is
a period of frills and
ornaments, wether in
architecture, painting or
music. An easy melody
passes through a variety
of arrangements. From
brass quintet and
different tutti parts,
all the sections are in
action. Fortified by a
drum set and an
(optional) electric bass,
the piece is given a
modern touch and becomes
more acceptable to the
audience. A follow-up to
Rondo Romantica, this
piece was composed in
December 1997.
De
barok: een tijdperk van
speelsheid in de
architectuur, de
schilderkunst en de
muziek. In dit werk wordt
een eenvoudig in het
gehoor liggende melodie
door veel verschillende
arrangementen geleid. Van
het koperkwintet tot
enkele tuttidelen zijn
alle secties in actie.
Versterkt door de drumset
en de basgitaar krijgt
het stuk een moderne
touch. Hierdoor wordt het
extra aantrekkelijk voor
het publiek!
In
diesem fröhlichen Werk
des österreichischen
Komponisten Otto M.
Schwarz kommt wirklich
jede Instrumentengruppe
Ihres Blasorchesters zum
Zuge. Ein spielerisches
Barock-Thema wird durch
einen flotten
Schlagzeug-Rhythmus
unterlegt und wird somit
zu einer swingenden
Nummer für Ihr
nächstes Konzert!
Low Voice. By Franz Schubert. Edited by D!Rr, Walther. For Low voice, Piano. Col...(+)
Low Voice. By Franz
Schubert. Edited by D!Rr,
Walther. For Low voice,
Piano. Collection;
Playing Score; Urtext
Edition. Published by
Baerenreiter-Ausgaben
(German import).
Drama Queens Voix Mezzo-Soprano, Piano Boosey and Hawkes
(13 Selected Arias from Early Baroque to Classic Mezzo-Soprano/Soprano). By Vari...(+)
(13 Selected Arias from
Early Baroque to Classic
Mezzo-Soprano/Soprano).
By Various. Edited by
Alan Curtis. For
Mezzo-Soprano, Soprano,
Piano Accompaniment.
Boosey and Hawkes Voice.
Softcover. 88 pages. Bote
and Bock #M202523438.
Published by Bote and
Bock
