(Percussion Ensembles for Young Musicians). By Mari Schay. For Orff Instrument, ...(+)
(Percussion Ensembles for
Young Musicians). By Mari
Schay. For Orff
Instrument, small
percussion, boomwhackers.
General Music. Parts and
CD. Published by Heritage
Music Press
Arranged by Teena Chinn. For Choir. (SATB). Choral Octavo. Secular, Christmas. ...(+)
Arranged by Teena Chinn.
For Choir. (SATB).
Choral Octavo. Secular,
Christmas. Level:
Moderate (grade III).
Choral Octavo. 16 pages.
Published by Alfred
Publishing.
Piano seul [Partition] - Intermédiaire Edward B. Marks Music Company
Composed by Ernesto Lecuona (1896-). For solo piano. Format: piano solo book. Wi...(+)
Composed by Ernesto
Lecuona (1896-). For solo
piano. Format: piano solo
book. With introductory
text. Latin and spanish.
192 pages. 9x12 inches.
Published by Edward B.
Marks Music
Performed by Big Tiny Little. Pianosoft (Yamaha software for the Disklavier pian...(+)
Performed by Big Tiny
Little. Pianosoft (Yamaha
software for the
Disklavier pianos - this
is NOT sheet music).
Floppy disk. Size 5x5.5
inches. Published by Hal
Leonard.
Arranged by Teena Chinn. For Choir. (2-Part). Choral Octavo. Secular, Christmas...(+)
Arranged by Teena Chinn.
For Choir. (2-Part).
Choral Octavo. Secular,
Christmas. Level:
Moderate (grade III).
Choral Octavo. 16 pages.
Published by Alfred
Publishing.
Jazz Piano Cocktails * Volume 1 with CD composed by Various. Arranged by Bob Kai...(+)
Jazz Piano Cocktails *
Volume 1 with CD composed
by Various. Arranged by
Bob Kail and Craig
Stevens. For jazz piano.
This edition: Paperback.
Collection. Jazz
Standards. Book and CD.
Text Language: English.
48 pages. Published by
Santorella Publications
A Bit of Holiday Cheer Chorale 3 parties 3 parties Mixtes [Octavo] - Intermédiaire Alfred Publishing
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Secular, Chr...(+)
Arranged by Teena Chinn.
For Choir. (3-part
Mixed). Choral Octavo.
Secular, Christmas.
Level: Moderate (grade
3). Choral Octavo. 16
pages. Published by
Alfred Publishing.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Choir SKU: HP.C5928C Composed by Allen Pote. Piano with Optional Solo. Le...(+)
Choir
SKU:
HP.C5928C
Composed by
Allen Pote. Piano with
Optional Solo. Lent,
General Worship, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5928C.
Published by Hope
Publishing Company
(HP.C5928C).
UPC:
763628959289. Tom S.
Long. Matthew
25:35-40.
Original
anthem From Allen Pote
and Tom Long this
scriptural paraphrase
poses the question, Lord,
where have you gone? -
and answers - when you
love the weak and when
you lay down your life, I
am revealed in you. The
question is sung by a
soloist, and the answer
comes from the choir. The
flowing melodic lines,
alternating between
unison and harmonized
singing, lends itself to
a poignant and moving
treatment of the Matthew
25 text.
Singing voice, Piano - Level 4 SKU: BA.BA11558 Composed by Zdenek Fibich....(+)
Singing voice, Piano -
Level 4
SKU:
BA.BA11558
Composed
by Zdenek Fibich. Edited
by Barbora Kubecková.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Singing Score, anthology.
Baerenreiter Verlag
#BA11558_00. Published by
Baerenreiter Verlag
(BA.BA11558).
ISBN
9790260108653. 30 x 23 cm
inches. Language: German.
Preface: Kubeckova,
Barbora. Johann Wolfgang
von Goethe.
The
Czech composer Zdenek
Fibich (1850–1900)
had a keen interest in
classical German
literature. It therefore
comes as no surprise that
he had already set songs
to texts by Johann
Wolfgang von Goethe while
still a student at the
Leipzig
Conservatory.
Betw
een 1865 and 1871 he
composed 16 songs on
texts by this famous
German author for voice
and piano. Ten of them
have survived: the song
“An den
Mondâ€, dating from
1869, and nine further
songs from
Goethe’s novel
“Wilhelm Meisters
Lehrjahre†were
composed immediately
after Fibich’s
return to Prague in 1871.
All ten now appear here
in a single-volume Urtext
edition edited by Barbora
Kubecková.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
((Piano/Vocal/Guitar)). For Guitar; Keyboard; Piano; Voice. This edition: Piano/...(+)
((Piano/Vocal/Guitar)).
For Guitar; Keyboard;
Piano; Voice. This
edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Hit
the Keys!. Christmas;
Winter. 204 pages.
Published by Alfred Music
Publishing
SKU: BA.BA05855 Singspiel in three acts. Composed by Georg Philipp...(+)
SKU: BA.BA05855
Singspiel in three
acts. Composed by
Georg Philipp Telemann.
Edited by Wolfgang
Hirschmann. This edition:
Edition of selected
works, Urtext edition.
Linen. Telemann Musical
Works. Volume 37.
Singspiel (Choral).
Edition of selected
works, Score. TWV 21.
Duration 1 hour, 39
minutes, 59 seconds.
Baerenreiter Verlag
#BA05855_00. Published by
Baerenreiter Verlag
(BA.BA05855).
ISBN
9790006497942. 33.1 x
26.1 cm inches. Text:
Christoph Gottlieb
Wend.
In Die
Last-tragende Liebe oder
Emma und Eginhard (1728)
several strands and
levels of plot are
interwoven in complex
fashion. The serious is
intertwined with the
comic, affairs of state
with the individually
human. People of high
rank and lower rank
communicate with each
other, one group
perfectly understanding
the language of the other
and even capable of
speaking it if
necessary.
Charlem
agne, emerging victorious
from a war, learns that
his daughter Emma and his
secretary Eginhard have
fallen in love with each
other. As Emperor,
Charlemagne, pressed by
his wife Fastrath, has to
oppose this relationship,
but as a loving father he
comes into conflict, as
Emma has to decide
between her love or a
marriage befitting her
social standing. In
addition to this, Emma is
wooed by Prince Heswin
who in turn is loved by
Emma’s friend
Hildegard. The servant
Barbara, who is pursued
by the factotum Urban, is
in love with Eginhard,
but it is Steffen, the
commentator on
everything, who succeeds
in winning
her.
Telemannâ€
™s highly complex
music, expressive and
emotional, artistic and
stylish, is suited to
each and every situation
and level –
“an incomprable
masterpiece by Herr
Telemann who is never
praised enoughâ€, as
the printed libretto
stated.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Kevin Olson. Sheet Music. The FJH Piano Ensemble Series. Solo Shee...(+)
Composed by Kevin Olson.
Sheet Music. The FJH
Piano
Ensemble Series. Solo
Sheet.
The FJH Music Company Inc
#E1111. Published by The
FJH
Music Company Inc
Chorus and piano SKU: BR.CHB-3539-02 Motet. Composed by Johann Seb...(+)
Chorus and piano
SKU:
BR.CHB-3539-02
Motet. Composed by
Johann Sebastian Bach.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Motet; Baroque.
Choral score. 20 pages.
Breitkopf and Haertel
#ChB 3539-02. Published
by Breitkopf and Haertel
(BR.CHB-3539-02).
ISBN
9790004404706. 7.5 x 10.5
inches.
Motets (BWV
118, 225-231) account for
a rather small work group
within the great number
of sacred vocal works
composed by Johann
Sebastian Bach. Only six
motets have survived;
their most striking
feature being their
mostly double-chorus
texture, often without a
verifiable instrumental
or continuo
accompaniment. They were
presumably written at the
beginning of Bach's time
in Leipzig, i.e. after
1723.The present work,
Lobet den Herrn, alle
Heiden, is one of only
two motets by Bach in
which the entire text
comes from the Bible, in
this case the two verses
of Psalm 117.Performance
editions of all other
sacred vocal works by
Johann Sebastian Bach are
also available at
Breitkopf & Hartel.
By John W. Schaum. Edited by Gail Lew. Arranged by John W. Schaum, Wesley Schaum...(+)
By John W. Schaum. Edited
by Gail Lew. Arranged by
John W. Schaum, Wesley
Schaum. Piano
method/supplement
(electric piano). Level:
elementary, level 1. 28
pages. Published by
Belwin.
Ubuntu Orchestre d'harmonie - Débutant RWS Music Company
Grade 1 SKU: CL.RWS-2004-01 I Am Because We Are. Composed by Banks...(+)
Grade 1
SKU:
CL.RWS-2004-01
I
Am Because We Are.
Composed by Bankston.
Young Concert Band. Extra
full Score. Composed
2020. RWS Music Company
#RWS-2004-01. Published
by RWS Music Company
(CL.RWS-2004-01).
Teach your
young musicians to work
together with this
African groove that comes
from the heart. With
limited ranges and
technical demands, your
students will be able to
focus on balance,
intonation and rhythmic
accuracy. Not only will
they enhance their
musical skills, they will
have fun playing music
together and presenting
it to their audience.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Arranged by David Carr Glover. For Piano. Piano - Glover Library Supplement. Lev...(+)
Arranged by David Carr
Glover. For Piano. Piano
- Glover Library
Supplement. Level: Level
2 (Big Note). Book. 88
pages. Published by
Alfred Publishing.
