Composed by Mel Torme and Robert Wells. Arranged by R. Gipson. Percussion ensemb...(+)
Composed by Mel Torme and
Robert Wells. Arranged by
R. Gipson. Percussion
ensemble. For bells,
vibraphone I, vibraphone
II, crotales, marimba I
(4-octave), marimba II
(4-octave), marimba III
(4-octave), marimba IV
(4-octave), bass marimba
(5-octave), percussion I
(finger cymbals,
suspended cymbal),
percussion II (triangle),
percussion III (m (12
players). Difficulty:
Medium. Duration 3:25.
Published by C. Alan
Publications
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. ...(+)
Orchestra
SKU:
BA.BA10989
Laudon. Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Wolfgang Stockmeier.
This edition: urtext
edition. Stapled. Score.
Baerenreiter Verlag
#BA10989_00. Published by
Baerenreiter Verlag
(BA.BA10989).
ISBN
9790006575534. 31 x 24.3
cm inches. Key: C
major.
Letters of
the composer have come
down to us only on a few
of Haydn’s
symphonies, amongst them
the “Laudonâ€
Symphony Hob. I:69. In
one of these letters,
Haydn agrees to the
publisher’s
suggestion to name the
symphony after the widely
known and favoured
general Gideon Ernst von
Laudon (1717-1790). By
using this name, both
composer and publisher
hoped to increase the
commercial success of the
work which possibly
deserved a military
eponym considering its
instrumentation with
timpani and trumpets.
Also, the symphony
requires two bassoons,
but no flutes,
corresponding with the
available musicians at
the court of Esterházy
between 1775 and 1776.
In continuation
of the collaboration
between Bärenreiter
and G. Henle Verlag, this
edition is based on the
Urtext of the Complete
Edition “Joseph
Haydn Worksâ€
published by G. Henle
Verlag.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Aus: Drei
Motetten. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Gunter Graulich. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Surrexit pastor
bonus. Sacred, Motets;
Stuttgart Urtext
editions; Use during
church year: Easter and
Eastertide. Full score.
Composed 1830. MWV B 23.
Duration 9 minutes. Carus
Verlag #CV 40.703/30.
Published by Carus Verlag
(CA.4070330).
ISBN
9790007076832. Key: G
major. Language:
Latin/English.
Insp
iration for the Three
Motets op. 39 was a visit
to the romanesque church
of Trinita dei Monti. On
20 Dec 1830 Mendelssohn
wrote to his parents: The
French nuns sing there,
and it is wonderfully
lovely. ... Now, one
should know one more
thing: that one is not
allowed to see the
singers. Therefore I have
come to an unusual
decision: I will compose
something for their
voices, which I rememer
exactly.... Score
available separately -
see item CA.4070300.
Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S).
UPC:
680160682119.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L).
UPC:
680160682126.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
It Takes Four to Tango Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] Theodore Presser Co.
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff....(+)
For 3 B-Flat Clarinets
and Bass Clarinet
(Quartet or Ensemble). By
Daniel Dorff. Wind
quartet. For Clarinet I,
Clarinet II, Clarinet
III, Bass Clarinet. Score
and parts. 4 pages.
Duration 2:30. Published
by Theodore Presser
Company.
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
Performing Score Harp Accompaniment; Soprano (Performance Score) SKU: HL.4904...(+)
Performing Score Harp
Accompaniment; Soprano
(Performance Score)
SKU: HL.49047410
For Soprano and Harp
Performing Score.
Composed by Toshio
Hosokawa. Edition Schott.
Chamber, Classical,
Vocal. Softcover.
Duration 1200 seconds.
Schott Music #SJ1224.
Published by Schott Music
(HL.49047410).
UPC:
196288216377.
Angel
s exist between this
world and a world beyond
this world that cannot be
seen. They are the
messengers who let us see
a glimpse of the other
world. In recent years, I
have become interested in
shamanism and have
composed music where the
musicians assume the role
of shamans who let us see
the world beyond this
world through the use of
sound. In this work, the
soprano plays the role of
both an angel and a
shaman (miko). The texts
Ive chosen are by a
Jewish German poet, Else
Lasker-Schüler, and a
Jewish philosopher and
critic of religion,
Gershom Scholem. Toshio
Hosokawa.
Flute, Clarinet, Violin, Cello, Guitar, Vibraphone, Piano Chamber SKU: HL.140...(+)
Flute, Clarinet, Violin,
Cello, Guitar,
Vibraphone, Piano Chamber
SKU: HL.14008995
Composed by Poul Ruders.
Music Sales America.
Classical. Score. 36
pages. Music Sales
#KP00055. Published by
Music Sales
(HL.14008995).
ISBN
9788759878217.
Danish.
Poul Ruders
DIFERENCIASDIFERENCIAS
was an old Spanish naming
of musical compositions
dealing with various
techniques involving
theme and variation. In
modern Spanish it simply
means differences. It's a
nice title, however, and
as to the present piece,
a very fitting one
indeed, because I wrote
it especially to The
Elsinore Players for
their South America-tour
in 1981.Actually nothing
happens to the clipping
of wellknown Bach (the
first four bars of the
chorale: jesu, Joy of
Man's Desiring, cantata
No. 147), apart from the
continuous changing of
the succession-pattern of
the 11 triplets and one
duplet, the latter of
which creates the
recognizable 8/8 pattern
amidst the flow of 9/8
spinnrad-rolling. To put
it popularly, I haven't
included anything that
Bach does not have in the
book himself.In addition
to that, the
unpredictable accents and
various instrumental
colours are the only
means of differences.
There are no modulations,
no tricky polyphony,
nothing but a long,
thoughtful tasting the
beautiful piece of tune.
Well, of course, the
chorale itself enters the
picture in the very last
section, but that is
merely for me to have the
pleasure of tossing it
away again before it
comes to a proper
end.Finally, I really do
think, that the
Cage/Morgan poem quoted
below, is the most
suitable prologue to
DIFERENCIAS:14 variations
on 14 wordsI have nothing
to say and I am saying it
and that is poetry. John
CageI have to say poetry
and is that nothing and I
am saying itI am and I
have poetry to say and is
that nothing saying itI
am nothing and I have
poetry to say and that is
saying itI that am saying
poetry have nothing and
it is I and to sayAnd I
say that I am to have
poetry and saying it is
nothingI am poetry and
nothing and saying it is
to say that I haveTo have
nothing is poetry and I
am saying that and I say
itPoetry is saying I have
nothing and I am to say
that and itSaying nothing
I am poetry and I have to
say that and it isIt is
and I am and I have
poetry saying say that to
nothingIt is saying
poetry to nothing and I
say I have and am that
Poetry is saying I have
it and I am nothing and
to say that And that
nothing is poetry I am
saying and I have to say
itSaying poetry is
nothing and to that I say
I am and have itEdwin
MorganPoul Ruders.
Four
sacred compositions,
appendix. Composed by
George Frideric Handel.
Edited by Gerald Hendrie.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 4. Complete
edition, Score.
Baerenreiter Verlag
#BA04038_00. Published by
Baerenreiter Verlag
(BA.BA04038).
ISBN
9790006443451. 33.1 x
25.6 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Red Thunder Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
By Larry Clark. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II...(+)
By Larry Clark. Concert
Band. For Flute, Oboe,
Flute II, Clarinet I,
Clarinet II, Bass
Clarinet, Alto Saxophone,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Baritone (Bass Clef),
Bassoon, Baritone (Treble
Clef in Bb), Tuba, Bells,
Xylophone, Timpani, Snare
Dru. Carl Fischer First
Plus Performance Series.
Grade 1.5. Score and Set
of Parts. Standard
notation. 16 pages.
Published by Carl Fischer
Choral (ShowTrax CD) SKU: HL.155368 Composed by George L.O. Strid and Mar...(+)
Choral (ShowTrax CD)
SKU: HL.155368
Composed by George L.O.
Strid and Mary Donnelly.
Voices Together.
Graduation,
Inspirational, Young
Choir, Youth Choir. CD.
Duration 145 seconds.
Published by Hal Leonard
(HL.155368).
UPC:
888680547219. 5.0x5.0x0.2
inches. Mary
Donnelly/George L.O.
Strid.
Your choir
will enjoy this cheerful
original that sings of
following the sun and
making dreams come true.
A fine selection for
spring concerts, it will
be easily learned and an
excellent showcase of
choral skills you have
developed over the
year.
Caged Bird Chorale SATB SATB, Piano Alfred Publishing
From Like Dust I Rise (A Choral Song Cycle). Composed by Mark Hayes (1953-). ...(+)
From Like Dust I Rise (A
Choral Song Cycle).
Composed
by Mark Hayes (1953-).
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12
pages. Alfred Music #00-
46415. Published by
Alfred
Music
Composed by Brazilian
Folk Song. Arranged by
Eduardo Lakschevitz Elisa
Dekaney. Fold.
Performance Score. 12
pages. Duration 2
minutes, 28 seconds. Carl
Fischer Music #CM9602.
Published by Carl Fischer
Music (CF.CM9602).
ISBN 9781491154243.
UPC: 680160912742. 6.875
x 10.5 inches. Key: Gb
major. Portuguese.
Brazilian Folk
Song.
