| Planeterne, Op. 80 [Conducteur] Wilhelm Hansen
Full Score SKU: HL.50602314 For Voice, Flute, Percussion, Viola, and G...(+)
Full Score SKU:
HL.50602314 For
Voice, Flute, Percussion,
Viola, and Guitar Full
Score. Composed by
Poul Rovsing Olsen.
Score. Classical.
Softcover. 48 pages.
Edition Wilhelm Hansen
#WH31915. Published by
Edition Wilhelm Hansen
(HL.50602314). UPC:
840126906585. The
Planets, op. 80 for
mezzo-soprano, flute,
viola and guitar, was
composed in spring 1978
and given its first
performance on 30 July
the same year at the
Lerchenborg Music Days.
The occasion which led to
the composition of the
work was the 50th
anniversary of the
finding of a block book
from the second half of
the 15th century with
texts on the planets. The
inspiration came from
Louise
Lerche-Lerchenborg, who
organised the Lerchenborg
Music Days, and the work
is dedicated to her. In
connection with the
concert at Lerchenborg,
Poul Rovsing Olsen wrote
the following about his
opus: The Planets derives
from the block book found
in Lerchenborg's library
in 1928. Seven fine,
coloured drawings tell of
the seven celestial
bodies which in many
European languages have
given the weekdays their
names. Each drawing is
accompanied by a Latin
text, under which there
is a two-line dictum that
briefly - though very
concisely - gives an
account of the
characteristics of the
children who belong to
that particular celestial
body. And these
concentrated portrayals
form the basis for the
music. In the music I
have attempted to give
indications of my own
experience of the
particular power and
nature characterizing
each one of the heavenly
bodies, just as I have
allowed this cycle of
planet songs to pass like
a journey through the
ethereal realms with
motifs that appear, are
repeated, are varied and
disappear (but only so as
to be replaced by new
ones), until we finally
return to the point of
departure. The
introduction - Aether -
is purely instrumental.
Two of the planets -
Venus and Luna - are
female; in the music
written for them small
(Indian) cymbals are used
that are also present in
Aether.. $46.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Planeterne Op.80 [Conducteur] Wilhelm Hansen
Voice, Flute, Percussion, Viola and Guitar SKU: BT.WH31915 Composed by Po...(+)
Voice, Flute, Percussion,
Viola and Guitar SKU:
BT.WH31915 Composed
by Poul Rovsing Olsen.
Contemporary Music. Score
Only. Composed 2019. 48
pages. Edition Wilhelm
Hansen #WH31915.
Published by Edition
Wilhelm Hansen
(BT.WH31915). ISBN
9788759829004. The
Planets, op. 80 for
mezzo-soprano, flute,
viola and guitar, was
composed in spring 1978
and given its first
performance on 30 July
the same year at the
Lerchenborg Music Days.
The occasion which led to
the composition of the
work was the 50th
anniversary of the
finding of a block book
from the second half of
the 15th century with
texts on the planets. The
inspiration came from
Louise
Lerche-Lerchenborg, who
organised the Lerchenborg
Music Days, and the work
is dedicated to her. In
connection with the
concert at Lerchenborg,
Poul Rovsing Olsen wrote
the following about his
opus: “The Planets
derives from the block
book found in
Lerchenborg’s
library in 1928. Seven
fine,coloured drawings
tell of the seven
celestial bodies which in
many European languages
have given the weekdays
their names. Each drawing
is accompanied by a Latin
text, under which there
is a two-line dictum that
briefly though very
concisely gives an
account of the
characteristics of the
children who belong to
that particular celestial
body. And these
concentrated portrayals
form the basis for the
music. In the music I
have attempted to give
indications of my own
experience of the
particular power and
nature characterizing
each one of the heavenly
bodies, just as I have
allowed this cycle of
planet songs to pass like
a journey through the
ethereal realms with
motifs that appear, are
repeated, are varied and
disappear (but only so as
to be replaced by new
ones), until we finally
return to the point of
departure. The
introduction Aether is
purely instrumental. Two
of the planets Venus and
Luna are female; in the
music written for them
small (Indian) cymbals
are used that are also
present in
Aether.â€. $60.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Voices I Hear GIA Publications
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral A...(+)
SKU: GI.G-10678
A Philosophical and
Practical Approach to the
Choral Art. Composed
by Will Kesling. Music
Education. 472 pages. GIA
Publications #10678.
Published by GIA
Publications
(GI.G-10678). ISBN
9781622776436. Draw
ing from his five decades
of success as a conductor
and educator in the
choral field, Will
Kesling has compiled a
comprehensive choral
methods resource that
addresses every necessary
fundamental for achieving
artistry in the choral
art. Written in clear and
conversational language,
this resource covers:
Building a healthy and
beautiful choral sound
Dealing with vocal issues
Selecting repertoire and
programming concerts
Developing score study
skills and interpretive
insights Understanding
the characteristics of
musical periods and
composers Planning,
preparing for, and
running rehearsals The
Voices I Hear also
explores important but
often overlooked topics,
including a discussion of
performing sacred music
in secular education
settings, techniques for
performing
choral-orchestral works,
choral versus orchestral
conducting, and how to
become a true
“maestro.â€
Individual chapters also
function as standalone
topics of study. A
valuable read for
emerging and seasoned
conductors alike, The
Voices I Hear is an
expert study of the
aesthetic, intellectual,
and practical aspects of
the choral art. Dr. Will
Kesling is Professor of
Choral and Orchestral
Conducting at the
University of Florida,
where he has taught for
two decades. He has
conducted hundreds of
choral ensembles and
nearly fifty of the
world’s finest
symphony orchestras. His
ensembles have received
international attention
for their excellence and
musical expression. Â
Thank you, Dr. Kesling,
for the decade you gave
of yourself to write the
most complete and
comprehensive writing on
the topics of choral
techniques, methods, and
conducting I have seen.
It is in-depth yet
practical, to the point
of being a valuable
resource for both the
young conductors entering
the choral field to the
well-established
professionals. You have
given us a solid
foundation in all
significant areas of the
choral art, including,
among many others, the
production of beautiful
vocal tone, detailed
physical vocal
production, textual and
physical components of
English diction,
repertoire programming,
appropriate style,
interpretation and
phrasing, and a pathway
to successful conducting
of combined choral and
orchestral forces. Your
enormous and highly
successful career, with
worldwide performances
and numerous awards and
honors, has enabled you
to bring validity and
integrity to the entire
writing. —Donald
Neuen  Â
Distinguished Professor
Emeritus, UCLA Â Â
Former member of the
Robert Shaw Chorale Â
 Mr. Shaw’s
Assistant Conductor with
the Atlanta Symphony
Orchestra and Choruses
For more than 50 years,
Dr. Will Kesling has been
and continues to be a
prominent figure and
voice in the
International and
American choral
profession. His new book,
The Voices I Hear, is the
distillation of his long
and distinguished career
as a conductor and choral
music educator. The
driving and consuming
passion throughout
Kesling’s life is
the preparation and
performance of the
world’s rich and
diverse choral and
orchestral repertoire and
the education,
development, and growth
of those who perform and
conduct it. This book is
a summation of a lifetime
immersed in the choral
art and all its many
aspects. It overflows
with insights into the
choral art that will not
only instruct the
beginning conductor but
also will enlighten and
entertain the seasoned
professional conductor
and educator. It is
filled with wit, wisdom,
and practical advice to
all practitioners of the
choral arts. I
enthusiastically
recommend
Kesling’s
enlightening new book as
an important addition to
the choral pedagogy
bibliography and for use
as an invaluable new text
for choral practicum
classes for both graduate
and undergraduate
students. Dr. Kesling has
brought to the choral
profession significant
new insights to all
lovers of the choral art.
—Craig Jessop Â
 Professor of Music,
University of Utah Â
 Former Music
Director of the
Tabernacle Choir and
Orchestra at Temple
Square   and the
United States Air Force
Singing Sergeants Will
Kesling’s book,
The Voices I Hear, is
practical and
philosophical, useful and
inspirational, focused
and comprehensive. The
observations and advice
are based on his vast
personal experiences on
the podium with choirs
and orchestras, and the
book is a monumental
resource for both the
young conductor and the
veteran. Containing a
broad spectrum of musical
styles, composers, and
topics, Kesling’s
direct and practical
writing connects
immediately with
today’s choral
musician. Keep The Voices
I Hear nearby as there
will be many times down
the road where the
information and opinions
in Dr. Kesling’s
book will answer the
questions you have, as
well as the ones you
didn’t even know
to ask! —Jerry
Blackstone  Â
Professor Emeritus of
Music (conducting) and
Director of Choirs
(retired) Â Â
School of Music, Theatre
& Dance, University of
Michigan This is the
textbook I wish had been
available when I was
beginning my studies. It
is comprehensive in
scope, practical and
helpful in its
suggestions, and, perhaps
most surprising in a book
from an academic,
superbly written in clear
and powerful English.
Kesling speaks with
conviction, clarity, and
polish, and he finds
colorful and memorable
ways of making his points
and presents the material
from the perspective of
one who has done all
these things for decades
at a highly professional
level. I give this volume
the highest possible
recommendation.
—Daniel Gawthrop
  Composer &
Conductor. $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| If I Had a Hammer Hal Leonard
Lyrics/Chords All Instruments SKU: HL.295574 A Pete Seeger Sing-Along ...(+)
Lyrics/Chords All
Instruments SKU:
HL.295574 A Pete
Seeger Sing-Along
Songbook. By Pete
Seeger. Edited by Annie
Patterson and Peter
Blood. Personality. Folk.
Softcover. With lyrics
and chords. 60 pages.
Published by Hal Leonard
(HL.295574). ISBN
9781540056306. UPC:
888680947811.
8.0x11.0x0.15 inches.
Edited by Annie Patterson
& Peter Blood. This
songbook features over 50
of the most memorable
songs by legendary folk
singer, songwriter and
banjo player Pete Seeger
presented with words and
chords. Edited by Annie
Patterson and Peter
Blood, the creators of
the Rise Up Singing
books, it also includes
background information on
many of the songs with
quotations by Seeger
drawn from his
autobiography Where Have
All the Flowers Gone: A
Singalong Memoir. Songs
include: All Mixed Up *
The Bells of Rhymney *
Goodnight, Irene * How
Can I Keep from Singing *
If I Had a Hammer (The
Hammer Song) * Kisses
Sweeter Than Wine * Last
Night I Had the Strangest
Dream * Lonesome Valley *
Midnight Special * Old
Time Religion * Sing
People Sing * This Land
Is Your Land * Turn!
Turn! Turn! (To
Everything There Is a
Season) * Water Is Wide *
We Shall Overcome * Where
Have All the Flowers
Gone? * and more. Spiral
bound. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Little Seeds Hope Publishing Company
Piano and congregation SKU: HP.9085 Composed by Daniel Charles Damon. Aut...(+)
Piano and congregation
SKU: HP.9085
Composed by Daniel
Charles Damon. Author
Collections. General
Worship. Hymn Collection.
144 pages. Hope
Publishing Company #9085.
Published by Hope
Publishing Company
(HP.9085). UPC:
763628190859. In
Little Seeds you will
find new hymns from my
heart. My devotional life
is given to you in my
hymnwriting. During the
past three years I have
been writing songs for
the unity of the church -
songs reminding us of our
baptism. I have been
writing biblical story
hymns for lesser-known
characters. I have
written paperless songs
that may be easily
memorized. I set a Rumi
poem. There are new hymns
for Christian missions
from everywhere to
everywhere. You will find
new texts and musical
settings for folk songs
from around the world. I
hope I have treated these
with the love and respect
they deserve. You will
find alternate
arrangements of some
songs that may be useful
in different settings.
Lim Swee Hong composed
three tunes for this
collection at my request.
I am also pleased to
include Lianne Tan's
first published hymn tune
in Little Seeds. $11.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Real Book - Volume IV Instruments en Sib [Fake Book] Hal Leonard
(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcov...(+)
(B-flat Edition). By
Various. By Various. For
Bb Instruments. Fake
Book. Softcover. 512
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume IV Instruments en Do [Fake Book] Hal Leonard
(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published ...(+)
(C Edition). By Various.
By Various. Fake Book.
Softcover. 464 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume IV Bass Clef Instruments Hal Leonard
(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Boo...(+)
(Bass Clef Edition). By
Various. By Various. For
Bass Clef Instruments.
Fake Book. Softcover. 464
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume IV Instruments en Mib [Fake Book] Hal Leonard
(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcov...(+)
(E-flat Edition). By
Various. By Various. For
Eb Instruments. Fake
Book. Softcover. 464
pages. Published by Hal
Leonard
$54.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book Instruments en Do [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway.
Softcover.
696 pages. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Broadway Fake Book Instruments en Do Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For I Know I Have Plans For You Chorale SATB Beckenhorst Press
SATB choir SKU: BP.2129 Composed by David Schwoebel. Arranged by David Sc...(+)
SATB choir SKU:
BP.2129 Composed by
David Schwoebel. Arranged
by David Schwoebel.
Sacred octavos. Sacred.
Octavo. Beckenhorst Press
#2129. Published by
Beckenhorst Press
(BP.2129). $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Barcarolles for a Sinking City [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139S Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S). UPC:
680160682119. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballads for Trombone with Orchestra Trombone [Partition + CD] Music Minus One
By Alan Kaplan. Music Minus One. Softcover with CD. 40 pages. Music Minus One #M...(+)
By Alan Kaplan. Music
Minus One. Softcover with
CD. 40 pages. Music Minus
One #MMO3990. Published
by Music Minus One
(HL.148614).
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139L Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L). UPC:
680160682126. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Activate! Dec 08/Jan 09 Heritage Music Press
Unison choir, Orff instrument - Grades K-6 SKU: LO.AC1208 Music, Movem...(+)
Unison choir, Orff
instrument - Grades K-6
SKU: LO.AC1208
Music, Movement and
More! The Music Magazine
for Grades K-6.
Composed by Kris Kropff.
CD, games, lesson,
movement. Heritage Music
Press #AC1208. Published
by Heritage Music Press
(LO.AC1208). ISBN
9780893283636. Acti
vate! is an all-you-need
resource for the K-6
classroom teacher. Each
jam-packed compilation
includes: songs to help
students discover their
voices; opportunities to
utilize classroom
instruments, from the
traditional to the
creative; folk dances and
other movement
activities; and
pencil-to-paper games and
activities addressing a
variety of music
concepts. Lesson plans
are provided and a CD
with numerous
complementary recordings
is included in each book.
You want more? Okay. The
National Standards for
Music Education are
referenced and all
student pages are
reproducible! $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Vocal Book - Volume III Voix haute [Fake Book] Hal Leonard
(High Voice). By Various. For Vocal. Fake Book. 438 pages. Published by Hal Leon...(+)
(High Voice). By Various.
For Vocal. Fake Book. 438
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Vocal Book - Volume III Voix basse Hal Leonard
(Low Voice). Composed by Various. For Vocal. Fake Book. 440 pages. Published by ...(+)
(Low Voice). Composed by
Various. For Vocal. Fake
Book. 440 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Chicken Foot Transplant, score and parts Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lemminkainen's Return Op. 22/4 Orchestre [Conducteur] Breitkopf & Härtel
Orchestra (2picc.0.2.2.2 - 4.3.3.1 - timp.perc - str) SKU: BR.PB-5585 ...(+)
Orchestra (2picc.0.2.2.2
- 4.3.3.1 - timp.perc -
str) SKU:
BR.PB-5585
Lemminkainen palaa
kotitienoille - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 68
pages. Duration 7'.
Breitkopf and Haertel #PB
5585. Published by
Breitkopf and Haertel
(BR.PB-5585). ISBN
9790004213957. 10 x 12.5
inches. Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen's Return
Sibelius commented: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!. $61.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lemminkainen Suite Op. 22 Breitkopf & Härtel
Study score (2(2picc).2.cor ang.2.Bb-clar.2 - 4.3.3.1 - timp.perc - hp - str) (+)
Study score
(2(2picc).2.cor
ang.2.Bb-clar.2 - 4.3.3.1
- timp.perc - hp - str)
SKU: BR.PB-5576-07
4 Legends - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Suite;
Early modern. Study
Score. Duration 50'.
Breitkopf and Haertel #PB
5576-07. Published by
Breitkopf and Haertel
(BR.PB-5576-07). ISBN
9790004213865. 6.5 x 9
inches. Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Definitely the overture
had, it is now known and
loved as The Swan of
Tuonela.Lemminkainen
became popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen and the
Maidens on the Island a
critic opined: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works.
Sibelius himself said
about Lemminkainen in
Tuonela: The cradle song
at the end of the work is
maternal love, which
rakes the pieces of
Lemminkainen together
from the River Tuonela.
and commented on
Lemminkainen's Return: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!. $53.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lemminkainen Suite Op. 22 Breitkopf & Härtel
Orchestra (2(2picc).2.cor ang.2.Bb-clar.2 - 4.3.3.1 - timp.perc - hp - str) S...(+)
Orchestra (2(2picc).2.cor
ang.2.Bb-clar.2 - 4.3.3.1
- timp.perc - hp - str)
SKU: BR.PB-5576
4 Legends - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Suite;
Early modern. Study
Score. Duration 50'.
Breitkopf and Haertel #PB
5576. Published by
Breitkopf and Haertel
(BR.PB-5576). ISBN
9790004213865. 6.5 x 9
inches. Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Definitely the overture
had, it is now known and
loved as The Swan of
Tuonela.Lemminkainen
became popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen and the
Maidens on the Island a
critic opined: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works.
Sibelius himself said
about Lemminkainen in
Tuonela: The cradle song
at the end of the work is
maternal love, which
rakes the pieces of
Lemminkainen together
from the River Tuonela.
and commented on
Lemminkainen's Return: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!. $53.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Swan of Tuonela Op. 22/2 Orchestre [Conducteur] Breitkopf & Härtel
Orchestra (0.1.cor ang.0.B-clar.2 - 4.0.3.0 - timp.perc - hp - str) SKU: BR.P...(+)
Orchestra (0.1.cor
ang.0.B-clar.2 - 4.0.3.0
- timp.perc - hp - str)
SKU: BR.PB-5583
Tuonelan joutsen -
Urtext based on the
Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 24 pages. Duration
10'. Breitkopf and
Haertel #PB 5583.
Published by Breitkopf
and Haertel (BR.PB-5583).
ISBN 9790004213933. 10
x 12.5
inches. Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Definitely the overture
had, it is now known and
loved as The Swan of
Tuonela. Lemminkainen
became popular from the
beginning and has
attained a fixed position
in the concert
repertoire. $27.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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