Sing 8 Chart-Topping Hits with Sound-Alike CD Tracks. Performed by Various. Pro Vocal. Book and CD Package. With notes and tablature. Size 9x12 inches. 36 pages. Published by Hal Leonard.

By Bruno Mars. Arranged by Ishbah Cox. Contemporary Marching Band. Softcover. Published by Hal Leonard

As recorded by Bruno Mars. Composed by Christopher Brown, Jeremy Reeves, Jonathan Yip, Bruno Mars, Philip Lawrence, James Fauntleroy, Ray Romulus, and Ray McCollough II. Arranged by Michael Story. Full Orchestra; Part(s); Score. Pop Intermediate String/Full Orchestra. Light Concert; Pop; Pop/Rock; Radio; Rock. 142 pages. Published by Alfred Music

By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Michael Brown and Will Rapp. Score and Parts. Esprit Marching Band. Grade 3

As recorded by Bruno Mars. Composed by Christopher Brown, Jeremy Reeves, Jonathan Yip, Bruno Mars, Philip Lawrence, James Fauntleroy, Ray Romulus, and Ray McCollough II. Arranged by Michael Story. Full Orchestra; Score. Pop Intermediate String/Full Orchestra. Light Concert; Pop; Pop/Rock; Radio; Rock. 12 pages. Published by Alfred Music

Marching Band - Grade 3

SKU: AP.47040S

As Recorded by Bruno Mars. Composed by Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, and Philip Lawrence. Arranged by Ralph Ford. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Pop. Score. 8 pages. Alfred Music #00-47040S. Published by Alfred Music (AP.47040S).

UPC: 038081541426. English.

Bruno Mars is one of today's hottest stars. Out of the six GRAMMY-Awards he won in 2018, three of them amazingly went to his single That's What I Like. Ralph Ford's full-sounding arrangement features lots of great sounds, and is perfect for the stands as well as for dance and drill teams.

As Recorded by Bruno Mars. Composed by Christopher Brody Brown; Jeremy Reeves; Jonathan Yip; Philip Lawrence; James Fauntleroy; Bruno Mars. Arranged by Ralph Ford. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Pop. Part(s); Score. 110 pages. Alfred Music #00-47040. Published by Alfred Music (AP.47040).

Compact Disc (CD) (Studiotrax CD)

SKU: HL.35027782

Composed by Kirby Shaw. Choral. Concert, Festival, Gospel, Sacred, Secular, Spiritual. CD only. Published by Shawnee Press (HL.35027782).

UPC: 884088539849. 5x5 inches.

This gospel-rock original by Kirby kicks from start to finish. With familiar spiritual-like phrases sprinkled throughout, and an exciting track full of rhythm and horns, your young singers will sound like a million bucks and have a blast learning and performing! Available: 3-Part Mixed; 2-Part, Digital Instrument Pack (gtr, bass, drums, t.sax, tbn, tpt 1 & 2); StudioTrax CD. Duration: ca. 2:46.

(Easily Prepared Arrangements for Weddings, Easter, and Funerals). Arranged by Cindy Berry. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Easter; Sacred; Spring; Wedding. Late Intermediate. 112 pages. Published by Alfred Music

Composed by Manny Rodriguez and Tony Pabon. Arranged by Paul Murtha. Young Jazz (Jazz Ensemble). Mambo. Softcover. Published by Hal Leonard

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.

(Baritone Vocal Feature). Composed by Duke Ellington (1899-1974). Jazz Ensemble. Jazz Ensemble; Score. Essentially Ellington: Jazz at Lincoln Center Library. Jazz. Grade 4. 16 pages. Published by Alfred Music

(Baritone Vocal Feature). Composed by Duke Ellington (1899-1974). Jazz Ensemble. Jazz Ensemble; Part(s); Score. Essentially Ellington: Jazz at Lincoln Center Library. Jazz. Grade 4. 46 pages. Published by Alfred Music

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pages. Published by Hal Leonard.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.

By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Piano Solo. Published by Jackman Music Corporation.
Level: Very Easy.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.