For voice and piano. Format: fakebook (spiral bound). With vocal melody, lyrics ...(+)
For voice and piano.
Format: fakebook (spiral
bound). With vocal
melody, lyrics and chord
names. Disney. Series:
Hal Leonard Fake Books.
240 pages. 9x12 inches.
Published by Hal Leonard.
Choral SSAA choir, piano accompaniment, optional flute, optional synthesized str...(+)
Choral SSAA choir, piano
accompaniment, optional
flute, optional
synthesized strings
SKU: CF.CM9581
Composed by Traditional
Appalachian Carol
Anonymous. Arranged by
Ruth Elaine Schram. Fold.
Performance Score. 12
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #CM9581.
Published by Carl Fischer
Music (CF.CM9581).
ISBN 9781491154038.
UPC: 680160912537. 6.875
x 10.5 inches. Key: G
minor. English.
Traditional Appalachian
Carol.
This
arrangement of the
beautiful Appalachian
carol is very expressive
and meant to be performed
with much freedom and
thoughtful attention to
the words, dynamic
contrasts, and tempo
alterations. Once you
have learned this piece
and are familiar with
these changes to volume
and tempo indications,
watch your director very
carefully for cues for
these subtleties. It is
very important that you
stay together and make
these changes as a
unified group. The effect
will be amazing! Even
though this song begins
very gently, be certain
to pronounce your words
carefully and with good
diction. There are many
words that sound similar:
wonder / wander / under,
for example. The beauty
of the poetry and
alliteration will be lost
on your listener if your
lyrics cannot be
understood. Also, the
story is in the words,
carried to the listener
on the wings of the
melody and arrangement.
Always, no matter what
your volume level and
even at the very softest
levels, pronounce,
pronounce, pronounce!
Enjoy the ethereal beauty
and reflective musings of
this meditative piece! ~
Ruth Elaine
Schram. This
arrangement of the
beautiful Appalachian
carol is very expressive
and meant to be performed
with much freedom and
thoughtful attention to
the words, dynamic
contrasts, and tempo
alterations. Once you
have learned this piece
and are familiar with
these changes to volume
and tempo indications,
watch your director very
carefully for cues for
these subtleties. It is
very important that you
stay together and make
these changes as a
unified group. The effect
will be amazing!Even
though this song begins
very gently, be certain
to pronounce your words
carefully and with good
diction. There are many
words that sound similar:
wonder / wander / under,
for example. The beauty
of the poetry and
alliteration will be lost
on your listener if your
lyrics cannot be
understood. Also, the
story is in the words,
carried to the listener
on the wings of the
melody and arrangement.
Always, no matter what
your volume level and
even at the very softest
levels, pronounce,
pronounce,
pronounce!Enjoy the
ethereal beauty and
reflective musings of
this meditative piece!~
Ruth Elaine Schram.
300 Sacred Songs Piano, Voix et Guitare [Fake Book] - Facile Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Sacred. 182 pages.
9x12 inches. Published by
Creative Concepts
SATB choir SKU: WD.080689645174 Composed by Marty Hamby. Book. Word Music...(+)
SATB choir
SKU:
WD.080689645174
Composed by Marty Hamby.
Book. Word Music
#080689645174. Published
by Word Music
(WD.080689645174).
UPC:
080689645174.
Featu
ring 10 of the newest and
best Southern Gospel hit
songs, with a variety of
arrangements to meet all
your southern gospel
choir needs; songs and
arrangements full of grit
and attitude, like Gotta
Be Saved; songs that
celebrate being sons and
daughters of the Most
High like We Are God’s
Children; songs that
express the promise of
eternal life and declare
a longing to go home like
I Know I’ll Be There,
and Resurrection Morn;
songs that speak to the
depth of God’s love for
us and the lengths to
which He will go to
rescue us like Lost and
Just When You Thought;
songs that tell of His
faithfulness to us and
songs that speak of our
desire to be found
faithful; songs that will
bring a smile to your
face, a tear to your eye,
and a spring to your
step, that will make your
heart soar to think of
how much He loves us! No
sound this side of heaven
rivals the sound of a
spirited choir raising
their voices together to
sing an emotion-filled
Southern Gospel song of
testimony, deliverance,
victory, promise, and
forgiveness. Gather your
choir together soon to
let them experience the
joy and blessing of
ministering to people
through the message and
sounds of a Southern
Gospel song!
Composed by
Heather Sorenson.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48973. Published by
Alfred Music (AP.48973).
UPC: 038081562971.
English.
Commission
ed by Texas A&M
University in remembrance
of a lost friend and
fellow Cadet, this
thought-provoking piece
is designed to be a
conversation starter
about mental illness,
depression, grief, and
suicide. Harmonically
rich, musically
expressive, and
emotionally stirring,
singers will be changed
and encouraged. What if I
could tell you no one has
to walk alone? This title
is available in MakeMusic
Cloud.
Choir Secular (Women's Choir) SKU: AP.48974 Composed by Heather Sorenson....(+)
Choir Secular (Women's
Choir)
SKU:
AP.48974
Composed by
Heather Sorenson.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48974. Published by
Alfred Music (AP.48974).
UPC: 038081562988.
English.
Commission
ed by Texas AandM
University in remembrance
of a lost friend and
fellow Cadet, this
thought-provoking piece
is designed to be a
conversation starter
about mental illness,
depression, grief, and
suicide. Harmonically
rich, musically
expressive, and
emotionally stirring,
singers will be changed
and encouraged. What if I
could tell you no one has
to walk alone?
Composed by
Heather Sorenson.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48975. Published by
Alfred Music (AP.48975).
UPC: 038081562995.
English.
Commission
ed by Texas AandM
University in remembrance
of a lost friend and
fellow Cadet, this
thought-provoking piece
is designed to be a
conversation starter
about mental illness,
depression, grief, and
suicide. Harmonically
rich, musically
expressive, and
emotionally stirring,
singers will be changed
and encouraged. What if I
could tell you no one has
to walk alone? This title
is available in MakeMusic
Cloud.
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
Quintet Piano et Orchestre EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ6338
Composed
by Bela Bartok. Set
(Score & Parts). Composed
1970. 304 pages. Editio
Musica Budapest
#EMBZ6338. Published by
Editio Musica Budapest
(BT.EMBZ6338).
Béla Bartók
composed his Piano
Quintet while at grammar
school in Pozsony
(Pressburg, now
Bratislava), and it still
shows the influence of
Brahms in its melody and
harmony. The work was
always resoundingly
successful at his
youthful concerts. When
on 7 January 1921 the
Waldbauer Quartet wanted
to repeat the programme
of a concert given ten
years previously, Bartók
was displeased that this
early work of his should
be performed once again.
Finally he consented to
the performance, and
played the piano part
himself. The quintet was
greeted with tumults of
applause, unlike the
other pieces on the
programme, which were
written later. According
to a communication by
Márta Ziegler,Bartók
threw away the score in
anger, and for many years
it was believed to have
been destroyed. In 1963,
the editor Denijs Dille
received a package inside
which were the score and
parts, which had been
thought lost. Denijs
Dille wrote: 'In
preparing the text of
this edition for
practical purposes, I
used the autograph score,
and Bartók's own
handwritten parts for the
first and second violins,
viola, and cello. [...]
Bartók made so many
deletions and significant
changes in the score that
the resulting version was
somewhat different from
the original. In this
edition we give the last
version, supplemented
with the minor changes
and signs that can be
found in the string
parts.'.