| Kunterbund Liedersonne (kunterbund 8) Schott
(GEH) SKU: HL.49023838 Composed by Kunterbund. This edition: Saddle stitc...(+)
(GEH) SKU:
HL.49023838 Composed
by Kunterbund. This
edition: Saddle
stitching. Sheet music.
Kunter-bund-edition.
Melody line (with
chords). 96 pages. Schott
Music #BUND 71115.
Published by Schott Music
(HL.49023838). ISBN
9783795756659.
5.75x8.25x0.147 inches.
German. Die
Liedersonne bringt eine
liebevoll
zusammengestellte Auswahl
von rund 90 Liedern.
Schwerpunkte in der
Liedersonne sind: Neue
Kinderlieder, von heiter
bis besinnlich;
deutschsprachige Lieder
von Herbert Gronemeyer,
Ina Deter, Munchener
Freiheit, Erste
Allgemeine Verunsicherung
und vielen anderen;
sudamerikanische Lieder,
russische Lieder und
naturlich internationale
Hits. $14.99 - Voir plus => Acheter | | |
| Complete Songs Volume 2 (urtext) Piano, Voix Peters
By Edvard Grieg. Edited by Fog/Grinde. For voice, piano. Op. 58,59,60,61,67,69, ...(+)
By Edvard Grieg. Edited
by Fog/Grinde. For voice,
piano. Op.
58,59,60,61,67,69, and
70; EG 121-157, Edition
in original keys in
accordance with Edvard
Grieg: Complete Works
(volume 14), edited by
the Edvard Grieg
Committee, Oslo (urtext).
Published by C.F. Peters.
$56.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In Damascus (Full Score and Parts) Quatuor à cordes: 2 violons, alto, violoncelle Peters
Tenor & String Quartet SKU: PE.EP72822 Composed by Jonathan Dove. Voice(s...(+)
Tenor & String Quartet
SKU: PE.EP72822
Composed by Jonathan
Dove. Voice(s) & Various
Instruments. Edition
Peters. Living Composer.
Score and Part(s). 164
pages. Duration 00:30:00.
Edition Peters
#98-EP72822. Published by
Edition Peters
(PE.EP72822). ISBN
9790577011769. 232 x
303mm inches.
English. I have
only visited Damascus
once, twenty years ago,
on the way to
Palmyra. I had a
purpose (I was writing
music for a play about
Palmyra’s Queen
Zenobia) but essentially
I was a tourist.
Like any visitor, I was
thrilled to step out of
the noisy modern city
into the magical ancient
world of the walled Old
City, its vibrant souk
leading to the
magnificent mosque, and a
labyrinth of winding,
narrow streets filled
with the smell of
unleavened
bread. In Palmyra,
I was met with
extraordinary kindness
everywhere. On one
occasion, a little
Bedouin boy noticed that
I was risking sunstroke
wandering bare-headed
among the spectacular
ruins: he showed me how
to tie a turban, then
took me to have tea with
his family in their
tent. Since then, I
have watched helplessly
as these places of wonder
have been devastated and
their inhabitants
scattered and
killed. When the
Sacconi Quartet suggested
that I might choose a
Syrian poet for our
collaboration, I welcomed
the idea. I
searched for a long time
to find a contemporary
poet whose work might
gain from any music I
could imagine. I
felt it was important to
find first-hand accounts
of the Syrian experience
– but, of course, I
was always reading them
in translation. In
an anthology
called Syria
Speaks, I was
astonished to read
something that looked
like prose, but was full
of poetry. It was
Anne-Marie
McManus’s fine
translation of Ali
Safar’s A
Black Cloud in a Leaden
White Sky
– an
eloquent, thoughtful,
contained yet vivid
account of life in a
war-torn country, all the
more moving for its
restraint. In
setting these words, I
have not attempted to
imitate Syrian
music. However,
there is what might be
called a linguistic
accommodation in my
choice of scale, or
mode. Several
movements are in a mode
that I first discovered
while writing a cantata
commemorating the First
World War: it has a
tuning that I associate
with war, its violence
and desolation.
This eight-note
mode is similar to scales
found in Syrian
music. I did not
choose it in the
abstract: it emerged from
the harmonies I was
exploring in the earlier
work, and emerged again
as I was looking for the
right musical colours to
set Ali Safar’s
words. In this
work, its Arabic aspect
is more prominent. -
Jonathan
Dove This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $120.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas A Cappella Chorale SATB SATB [Partition] Barenreiter
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
(3)$36.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Joy to the World 2 Euphoniums (duo) [Partition + CD] - Intermédiaire De Haske Publications
28 Easy Christmas Duets Trombone, Euphonium B.C. By Robert van Beringen. De Hask...(+)
28 Easy Christmas Duets
Trombone, Euphonium B.C.
By Robert van Beringen.
De Haske Play-along Book.
Size 9x12 inches. 32
pages. Published by De
Haske Publications.
(2)$13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joy to the World 2 Flûtes traversières (duo) [Partition + CD] De Haske Publications
28 Easy Christmas Duets Flute. By Robert van Beringen. De Haske Play-along Book....(+)
28 Easy Christmas Duets
Flute. By Robert van
Beringen. De Haske
Play-along Book. Size
9x12 inches. 32 pages.
Published by De Haske
Publications.
(2)$13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joy to the World 2 Saxophones (duo) [Partition + CD] De Haske Publications
28 Easy Christmas Duets Saxophone. By Robert van Beringen. De Haske Play-along B...(+)
28 Easy Christmas Duets
Saxophone. By Robert van
Beringen. De Haske
Play-along Book. Size
9x12 inches. 32 pages.
$13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joy to the World - 28 Easy Christmas Duets (Trumpet) 2 Trompettes (duo) [Partition + CD] - Intermédiaire De Haske Publications
(for Trumpet, Flugelhorn, Cornet, or Euphonium T.C.) Arranged by Robert van Beri...(+)
(for Trumpet, Flugelhorn,
Cornet, or Euphonium
T.C.) Arranged by Robert
van Beringen. Trumpet
duet book for trumpet
duet (or flugelhorn,
cornet, euphonium t.c.).
With standard notation.
32 pages. Published by De
Haske Publications.
(3)$13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joy to the World 2 Violons (duo) [Partition + CD] - Débutant De Haske Publications
28 Easy Christmas Duets Violin. By Robert van Beringen. De Haske Play-along Book...(+)
28 Easy Christmas Duets
Violin. By Robert van
Beringen. De Haske
Play-along Book. Size
9x12 inches. 32 pages.
Published by De Haske
Publications.
(1)$13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joy to the World 2 Clarinettes (duo) [Partition + CD] - Intermédiaire De Haske Publications
28 Easy Christmas Duets Clarinet. By Robert van Beringen. De Haske Play-along Bo...(+)
28 Easy Christmas Duets
Clarinet. By Robert van
Beringen. De Haske
Play-along Book.
Published by De Haske
Publications
$13.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Ultimate Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standard...(+)
Over 400 Songs to Strum
and
Sing. Composed by
Various.
Ukulele. Folk, Standards.
Softcover. 632 pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hits For Buskers Showtunes Bes Music Sales
| | |
| Carols For Choirs Book 1 Chorale SATB [Partition] Oxford University Press
Carols for Choirs 1 (Fifty Christmas Carols). By Jacques and Willcocks. Edited b...(+)
Carols for Choirs 1
(Fifty Christmas Carols).
By Jacques and Willcocks.
Edited by Reginald
Jacques, David Willcocks.
For mixed choir. Mixed
Voices. ...for Choirs
Collections. Christmas,
Choral Collection. Choral
collection. 192 pages.
Published by Oxford
University Press
(2)$28.50 - Voir plus => Acheter | | |
| Showtunes Non Stop Music Music Sales
| | |
| Cabaret Songbook Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Piano/Vocal/Chords Mixed Folio (Arrangements for piano and voice with guitar cho...(+)
Piano/Vocal/Chords Mixed
Folio (Arrangements for
piano and voice with
guitar chords). Size 9x12
inches. 232 pages.
Published by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418780 No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780). ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Paul McCartney Paroles et Accords [Partition] Hal Leonard
Guitar Chord Songbook (6 inch. X 9 inch.). By Paul McCartney. Guitar Chord Songb...(+)
Guitar Chord Songbook (6
inch. X 9 inch.). By Paul
McCartney. Guitar Chord
Songbook. Softcover. 152
pages. Published by Hal
Leonard.
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Das Ständchenheft Music Distribution Services
Brass instruments (trombones) - intermediate SKU: M7.MGSL-2150 Bläser...(+)
Brass instruments
(trombones) -
intermediate SKU:
M7.MGSL-2150
Bläsermusik für
viele Gelegenheiten.
Composed by Various.
Sheet music. Performance
score. MDS (Music
Distribution Services)
#MGSL 2150. Published by
MDS (Music Distribution
Services) (M7.MGSL-2150).
German. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Into the Golden Vessel of Great Song Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418800 No. 4
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41880.
Published by Theodore
Presser Company
(PR.312418800). ISBN
9781491138151. UPC:
680160640225. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The final
movement, INTO THE GOLDEN
VESSEL OF GREAT SONG is
an appassionato call to
overcome! The poem
exhorts us to “sing
out” with hope,
determination, and
strength. The music
contrasts turmoil and
times of strife with a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, with the
closing music in major,
resonant and strong.
. SECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418790 No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790). ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $4.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song of a Second April Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418770 No. 1
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41877.
Published by Theodore
Presser Company
(PR.312418770). ISBN
9781491138120. UPC:
680160640195. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The first
movement, SONG OF A
SECOND APRIL is dramatic,
detailing a time of
personal strife and
tragedy, perhaps the end
of a relationship or even
the end of a life. The
music is intense, fast,
in a minor key, creating
a feeling of powerful,
relentless emotions.
Little by little, the
music almost dies away,
getting quieter and
quieter, creating a
feeling of resignation,
but with a surprise
Picardy Third in the
final chord –
suggesting a bit of
hope!. SECOND APRIL
for S.A.T.B. Chorus and
Piano is a four-movement
set, based on the poetry
of Edna St. Vincent
Millay. I have long been
enamored with the poetry
of Millay for its
wonderfully vivid and
descriptive imagery, and
its often powerful and
profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solstice Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS41 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS41
Composed by Larry Clark.
Carl Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
16+10+16+4+10+10+4+12
pages. Carl Fischer Music
#YAS41. Published by Carl
Fischer Music (CF.YAS41).
ISBN 9780825861291.
UPC: 798408061296. 8.5 X
11 inches. Key: G
major. Larry Clark
does it again with this
tuneful new feel good
piece. You and your
students will walk away
humming this tune. There
is even a nice
contrasting lyrical
middle section in the
relative minor to break
up the
piece. Solstice: one
of two times in the year
when the sun is at its
greatest distancefrom the
celestial equator.A
solstice happens at the
mid-point of summer,
about June 21, and the
midpoint of winter, about
December 22. Each of
those times of year is
delightful. The carefree
days of summer have just
begun around June 21,
when the mind wanders to
long bike rides or walks
on the beach. During the
winter solstice the mind
is filled with all of the
delights that the holiday
season has to offer.
Either way, a solstice is
a joyous and fun filled
time of year, and this
piece is intended to
bring to mind some of
these wonderful times.
The main theme should be
performed in a light
carefree manner, which is
then contrasted by the
more lyrical and
passionate middle
section.As with all of my
pieces for younger
students, the tempo
indicated is merely a
guide. Adjust the tempo
to fit the needs of your
students. It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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