| Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original. Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Klezmer Miniatures [Conducteur et Parties séparées] - Facile EMB (Editio Musica Budapest)
Chamber Ensemble - early intermediate SKU: BT.EMBZ14884 For Young Musi...(+)
Chamber Ensemble - early
intermediate SKU:
BT.EMBZ14884 For
Young Musicians.
Composed by Jávori
Ferenc. Educational Tool.
Set (Score & Parts).
Composed 2014. 70 pages.
Editio Musica Budapest
#EMBZ14884. Published by
Editio Musica Budapest
(BT.EMBZ14884).
English-Hungarian.
Klezmer Miniatures has
been compiled for young
musicians who, by playing
an instrument, would like
to become acquainted with
the musically-varied
world of Klezmer. The
series comprises two
duos, four trios and two
quartets, which can be
performed with different
combinations of
instruments - violin,
clarinet, flute, cello,
double bass, bass guitar
and trumpet. The
composer, Ferenc
Jávori, is a major
figure of world music in
Europe and is a prolific
composer, orchestrator
and performer. He is the
founder and leader of the
Budapest Klezmer Band.
Jávori was born into a
Hungarian-Jewish
community in Munkács
(Mukacheve, Ukraine),
where the years before
the Second World
Warwitnessed a golden age
of Klezmer, the
traditional, instrumental
folk music of
Yiddish-speaking Jewish
communities. He has
collected and compiled
numerous melodies and
songs from the last
representatives of this
formerly vibrant musical
culture. Each of the
Klezmer Miniatures
reflects a different
traditional genre of
Klezmer. In these pieces
Jávori has used
certain motifs from
Moisei Beregosky's folk
music collection.
Klezmer
Miniatures has been
compiled for young
musicians who, by playing
an instrument, would like
to become acquainted with
the musically varied
world of Klezmer. The
series comprises two
duos, four trios and two
quartets, which can
beperformed with
different combinations of
instruments - violin,
clarinet, flute, cello,
double bass, bass guitar
and trumpet. The
composer, Ferenc
Jávori, is a major
figure of world music in
Europe and is a prolific
composer, orchestrator
and performer. Each of
the Klezmer Miniatures
reflects a different
traditional genre of
Klezmer.
Die
Klezmer-Miniaturen
entstanden für junge
Musiker, die sich beim
Spielen auf ihrem
Instrument mit der
vielfältigen Musikwelt
des Klezmer vertraut
machen wollen. Diese
Ausgabe umfasst zwei
Duos, vier Trios und zwei
Quartette, die sich
inunterschiedlichen
Besetzungen sowohl auf
der Violine als auch auf
der Klarinette, der
Flöte, dem Cello, dem
Kontrabass, der
Bassgitarre und der
Posaune vortragen
lassen.
Klezmer
Miniatures a
été réalisé
pour les jeunes musiciens
qui voudraient se
familiariser avec le
style de musique Klezmer.
Ce recueil comprend des
duos, trios et quatuors
offrant de multiples
combinaisons
instrumentales (Violon I
& II, Fl teI & II,
Clarinette I & II,
Violoncelle).
K
lezmer Miniatures
è pensato per tutti i
giovani musicisti
interessati a
familiarizzare con lo
stile della musica
Klezmer. Questa raccolta
include duetti, trii e
quartetti che offrono
molteplici combinazioni
strumentali (Violino,
Clarinetto,Flauto,
Violoncello,
Contrabbasso, Chitarra
basso e Tromba). $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto G Minor For 2 Cellos, Str Orch And Bc, Rv531 Score, Urtext 2 Violoncelles (duo) - Intermédiaire Schott
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Violoncello/Kontrabass -
1 Basso continuo) -
intermediate SKU:
HL.49019633
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Softcover. 28 pages.
Schott Music #CON267.
Published by Schott Music
(HL.49019633). ISBN
9790001191289. UPC:
841886019614.
9.25x12.0x0.13
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
'Concerto for Two
Violoncellos, String
Orchestra and Basso
continuo in G minor (RV
531)' written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. $22.99 - Voir plus => Acheter | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano,
alto voice, bass Guitar,
bass voice, soprano
voice, tenor voice
SKU: CF.CM9743IN
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mendelssohns Möwen (2012) Violoncelle - Avancé Barenreiter
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043). ISBN
9790006543229. 33.5 x
25.5 cm
inches. Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| At Her Ladyship's Request Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Chimes, Clarinet 1, Clarinet 2, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass, Contrabass
Clarinet, Contrabassoon,
Crash Cymbals, Euphonium,
Flute 1, Flute 2, Flute
3, Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.11540233L A
Period Piece for Bands of
Winds. Composed by
Carter Pann. Spiral.
Large Score. 58 pages.
Duration 12:30. Theodore
Presser Company
#115-40233L. Published by
Theodore Presser Company
(PR.11540233L). ISBN
9781491129418. UPC:
680160674367. 11 x 14
inches. At Her
Ladyship's Request (2016)
was an idea born out of
admiration for the wind
works of Percy Grainger -
most notably his
Lincolnshire Posey. The
names and places here are
all fictitious. Four
countrymen have come
forward at Her Ladyship's
request as we commoners
(and for as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship. I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father's fortune.
Cecil Abel may be the
richest man in the land
save for His Lordship.
Tom, his only son, will
run his face straight
into that pile the moment
his old man kicks. II. It
is rare to spy Father
Daniel Bennett, High
Priest from the Abbey at
Lockwood Cross, loitering
in our very own town
square...but not as of
late. III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway? IV. Pettybone!
Conniving... insidious. I
don't believe there has
been a greater rivalry
among men for
generations. The Duke's
ego alone could run our
nation. The grudges he
grows are notorious. His
mount is legendary. The
day has come to collect
his toll. At Her
Ladyship’s Request
(2016) was an idea born
out of admiration for the
wind works of Percy
Grainger – most
notably his Lincolnshire
Posey.The names and
places here are all
fictitious. Four
countrymen have come
forward at Her
Ladyship’s request
as we commoners (and for
as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship.I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father’s
fortune. Cecil Abel may
be the richest man in the
land save for His
Lordship. Tom, his only
son, will run his face
straight into that pile
the moment his old man
kicks.II. It is rare to
spy Father Daniel
Bennett, High Priest from
the Abbey at Lockwood
Cross, loitering in our
very own town
square…but not as
of late.III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway?IV. Pettybone!
Conniving…
insidious. I don’t
believe there has been a
greater rivalry among men
for generations. The
Duke’s ego alone
could run our nation. The
grudges he grows are
notorious. His mount is
legendary. The day has
come to collect his
toll. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144402180 After Zurbarán. ...(+)
Chamber Music String
Quartet SKU:
PR.144402180 After
Zurbarán. Composed
by James Primosch. Set of
Score and Parts. With
Standard notation.
20+8+8+8+8 pages.
Duration 18 minutes.
Merion Music #144-40218.
Published by Merion Music
(PR.144402180). UPC:
680160027156. 9.5 x 13
inches. The
concerts and exhibits of
the Cleveland Museum of
Art were an important
formative influence for
me during my student
days. So when the
invitation came to create
a new work celebrating
this institution on its
seventy-fifth
anniversary, I was not
only happy to accept, but
knew immediately that I
wanted to write a piece
that would somehow relate
specifically to the
museum. I decided to make
the work a reflection on
a painting in the
museum's collection:
Zurbaran's The Holy House
of Nazareth. My quartet
is not program music in a
narrative sense, but
rather a kind of
meditation that takes its
tone from this painting's
remarkable integration of
intense affect,
mysterious repose and
secret geometry. Besides
Zurbaran's painting, the
piece is occupied with a
purely musical object of
contemplation: the hymn
tune Picardy, best known
with the text Let All
Mortal Flesh Keep
Silence. This tune
permeates the harmonic
and melodic life of the
quartet, sometimes
appearing in a very
simple, straightforward
fashion, but often hidden
amidst more complex
structures. I was
attracted to the melody
for its musical
qualities, but later
realized that the hymn's
text also resonates with
the mood of the painting;
the words speak of a
reverent awe, of cherubim
with sleepless eye, and
of the mystery of the
Incarnate Word who must
suffer: King of kings,
yet born of Mary... $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Merion Music
Chamber Music String Quartet SKU: PR.14440218S After Zurbarán. ...(+)
Chamber Music String
Quartet SKU:
PR.14440218S After
Zurbarán. Composed
by James Primosch. Full
score. With Standard
notation. Duration 18
minutes. Merion Music
#144-40218S. Published by
Merion Music
(PR.14440218S). UPC:
680160027170. 9.5 x 13
inches. The
concerts and exhibits of
the Cleveland Museum of
Art were an important
formative influence for
me during my student
days. So when the
invitation came to create
a new work celebrating
this institution on its
seventy-fifth
anniversary, I was not
only happy to accept, but
knew immediately that I
wanted to write a piece
that would somehow relate
specifically to the
museum. I decided to make
the work a reflection on
a painting in the
museum's collection:
Zurbaran's The Holy House
of Nazareth. My quartet
is not program music in a
narrative sense, but
rather a kind of
meditation that takes its
tone from this painting's
remarkable integration of
intense affect,
mysterious repose and
secret geometry. Besides
Zurbaran's painting, the
piece is occupied with a
purely musical object of
contemplation: the hymn
tune Picardy, best known
with the text Let All
Mortal Flesh Keep
Silence. This tune
permeates the harmonic
and melodic life of the
quartet, sometimes
appearing in a very
simple, straightforward
fashion, but often hidden
amidst more complex
structures. I was
attracted to the melody
for its musical
qualities, but later
realized that the hymn's
text also resonates with
the mood of the painting;
the words speak of a
reverent awe, of cherubim
with sleepless eye, and
of the mystery of the
Incarnate Word who must
suffer: King of kings,
yet born of Mary... $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Saga of the Mississippi [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2
Oboes, 3 Clarinets, 3
Flutes, 3 Trombones, 3
Trumpets, 4 Horns, Bass
Drum, Contra-bassoon,
Cymbal, English Horn,
Percussion: Snare Drum,
Strings, Timpani, Tuba
SKU: PR.466411770
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770). UPC:
680160640850. 9 x 12
inches. Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Holy Light Chorale SATB SATB [Vocal Score] - Intermédiaire MorningStar Music Publishers
By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt...(+)
By Robert A. Hobby
(1962-). For Two-Part
Mixed Voices or SATB,
Soprano Solo, opt.
Congregation, opt.
Children's Choir or
Treble Solo with Organ,
Piano, Brass Quintet,
Percussion, Handbells or
Full Orchestra. Choral.
Christmas, Advent. Medium
to Moderately Difficult.
Published by MorningStar
Music Publishers
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Raad Tidings We Bring! - Choral Book Chorale Unison Unison/2-parties, Piano - Facile Word Music
Unison/2-part choir - Easy SKU: WD.080689659171 Composed by Daniel Semsen...(+)
Unison/2-part choir -
Easy SKU:
WD.080689659171
Composed by Daniel
Semsen. Choral, cantatas.
Christmas. Choral score
and book. Word Music
#080689659171. Published
by Word Music
(WD.080689659171).
UPC:
080689659171. Ever
wonder what it was like
on that one starry night
in Bethlehem long ago?
That night when angels
sang, shepherds rejoiced,
and a young couple gazed
at their precious,
newborn baby boy. You may
think you’ve heard
it all before; that you
know all there is to know
about that night and that
special baby’s
birth. But until
you’ve heard the
story told by the animals
who were there with Mary
and Joseph, you just
might be missing an
important perspective on
all that happened that
first Christmas night!
Now you can hear all
about it in Raad
Tidings We
Bring…The
Animals’
Christmas Story, new,
from Christy and Daniel
Semsen! The
Animals’ Christmas
Story begins with two
revered
“old-timersâ€
€¦ two celebrated
“senior
citizens†of the
animal community in
Bethlehem. Meet Ruthie
and Eleanor; one, a wise
old donkey, the other, a
shall we say,
long-in-the-tooth, camel,
both reminiscing about
the night when Christ was
born. Our two old friends
are joined throughout the
musical by others who all
came together to
experience this
miraculous birth.
You’ll hear from
birds on their way to
Bethlehem for the census,
meet theater mice and a
thespian cat who
entertain guests at the
inn, and be introduced to
a super-smart sheepdog
and a super-chill flock
of sheep- you know, those
sheep who saw the angels
on the hillside, outside
of Bethlehem! Raad
Tidings We Bring…
The Animals’
Christmas Story, is a
paws-i-tively amazing,
meow-fully wonderful,
hee-haw-fully marvelous
re-telling of
God’s love
story…the story of
a Savior, the story of
redemption, the story of
Christmas! $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
$2.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sinfonias in D Trompette Breitkopf & Härtel
Trumpet, piano (original scoring: trp(2trp),str,bc) SKU: BR.MR-2240 Compo...(+)
Trumpet, piano (original
scoring:
trp(2trp),str,bc) SKU:
BR.MR-2240 Composed
by Giuseppe Torelli.
Edited by A. Knipschild
and C. I. Sanders. Solo
instruments; Softcover.
Musica Rara. Symphony;
Solo concerto;
Renaissance/early
Baroque; Baroque. Piano
reduction. 40 pages.
Breitkopf and Haertel #MR
2240. Published by
Breitkopf and Haertel
(BR.MR-2240). ISBN
9790004487884. 9 x 12
inches. Giuseppe
Torelli was born in
Verona, Italy in 1658. He
was a famous violinist,
teacher, and composer.
His career allowed
travels to Germany and
Vienna, but centered in
Bologna, Italy, where he
was a violinist and
violist in the Accademia
Filarmonica and later,
worked as a musician at
the Basilica San
Petronio. Torelli was an
especially important
figure in the development
of the instrumental
concerto, with particular
emphasis on both the solo
concerto and concerto
grosso forms.The Sinfonia
in D Major (G21) is a
piece originally scored
for one or two trumpets,
first and second solo
violins, first and second
ripieno violins, solo
viola, ripieno viola,
violoncello ripieno,
violoncello continuo,
violone ripieno, and
organo.The exact date of
the composition is not
known, but the work is
presumed to have been
completed in the latter
period. This edition is
based on the autograph
manuscript located in the
musical archives at the
Basilica San Petronio in
Bologna, Italy. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Requiem - Partitur Chorale SATB [Conducteur] Gehrmans Musikforlag
SATB choir divisi, soprano voice solo, bass voice solo & orchestra (2 horns-timp...(+)
SATB choir divisi,
soprano voice solo, bass
voice solo & orchestra (2
horns-timpani-strings
(64442)) SKU:
GH.GE-11183 Composed
by Fredrik Sixten. Score.
With Language: English,
Latin, Swedish. Gehrmans
Musikforlag #GE 11183.
Published by Gehrmans
Musikforlag
(GH.GE-11183). ISBN
9790070111836. Text:
Bengt Pohjanen / from the
Ordinary Mass. For
soprano, bass, mixed
chorus and orchestra.
Lyrics from the death
mass and by Bengt
Pohjanen in English
translation by John
Hearne.
Fredrik
Sixten: When my dear
friend Patrik Runeke
became seriously ill and
died - only 37 years old
- feelings and thoughts
concering life and death
overwhelmed me. It was
natural for me to turn to
Bengt Pohjanen, with whom
I had collaborated
earlier, to ask him to
formulate: * words of
anger and of gratitude *
words of guilt and of
forgiveness * words of
consolation, of love and
hope.These words of
Bengt's, in combination
with the classical texts
from the Latin Requiem
Mass, form a kind of
testament to mankind's
yearning for unity and
perfection. In the final
movement, In Paradisum,
this yearning is borne
forth to the God whom
Bengt describes as being:
Wisdom deep and
loving. Stronger than
death. Order a
free promotion CD
below. $167.92 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mixed Bag No.6: Graham Lyons - Christmas Carol Suite (Score/Parts) Chester
Wind Ensemble SKU: HL.14019714 Mixed Bag No. 6. Composed by Graham...(+)
Wind Ensemble SKU:
HL.14019714 Mixed
Bag No. 6. Composed
by Graham Lyons. Arranged
by Graham Lyons. Music
Sales America. Classical.
Set. Composed 2002.
Chester Music #CH55215.
Published by Chester
Music (HL.14019714).
Graham Lyons's
lively mind is apparent
in this arrangement of
Christmas carols for wind
ensemble created to
mixed-ability ensembles
to make music together.
Part I is the most
demanding while Parts 2
and 3 are more
simplified. Then there
are 'filler' parts for
beginning musicians. The
parts can be doubled
however your needs and
tastes desire. The sheet
music includes a score
and double sets of parts
and is sure to be a
concert favourite,
includingmelodies of The
Wassail Song, The Holly
and The Ivy, Away in a
Manger, The Coventry
Carol and Unto Us A Boy
Is Born.Graham Lyons is
something of a polymath,
which is not that unusual
among musicians.
Originally a pianist,
heswitched to clarinet
when he was inspired by
Benny Goodman, but he
also plays jazz bassoon.
Lyons has performed with
Orchestras and ensembles
throughout the world,
both in live performance
and on broadcasts and
recordings. Hehas written
a book on Soviet
international policy. If
you or your students
began your clarinet
career on a Clarineo, a
scaled-down instrument
appropriate for younger
students, then you have
Lyons to thank as he is
its inventor. $38.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Canticles & Anthems with Orchestra (XCI) [Conducteur] Stainer and Bell
SKU: ST.MB91 Composed by William Croft. Edited by Donald Burrows. Library...(+)
SKU: ST.MB91
Composed by William
Croft. Edited by Donald
Burrows. Library Volumes.
Edited by Donald Burrows.
First published in 2011..
Pages: 288. Format:
Hardback. Dimensions
(mm): 330 x 254 x 33.
Full Score. Stainer &
Bell Ltd. #MB91.
Published by Stainer &
Bell Ltd. (ST.MB91).
ISBN
9790220222726. Will
iam Croft's career as the
leading native-born
composer of English
church music was
established in the period
between the death of
Purcell and the arrival
of Handel in London. His
education took place
among musicians from
Purcell's circle, and his
style was modified by the
influence of Handel's
'Utrecht' Te Deum and
Jubilate of 1713. All the
music in this volume was
composed for various
royal church services
that took place between
1709 and 1720, in the
Chapel Royal at St
James's Palace and in St
Paul's Cathedral. The
contents include the
Te Deum and Jubilate
Deo, sung at the
coronation of George I,
and the anthems The
Lord is a sun and a
shield, O give
thanks unto the Lord, and
call upon his name,
O give thanks unto
the Lord, for he is
gracious, and
Rejoice in the Lord,
O ye righteous.
Performing material
is available for
rental. $176.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Taiwan Fantasia for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé Cherry Classics
Brass Quintet - Advanced SKU: CY.CC3020 Composed by John van Deursen. Arr...(+)
Brass Quintet - Advanced
SKU: CY.CC3020
Composed by John van
Deursen. Arranged by John
van Deursen. Classical.
Score and Parts. Cherry
Classics #CC3020.
Published by Cherry
Classics (CY.CC3020).
ISBN 9781774310601.
8.5 x 11 in
inches. About the
Taiwan Fantasia, van
Deursen states: After
having lived in Taipei
for a number of years, I
learned many of the local
folk and popular songs.
Some of the melodies are
exceptionally beautiful,
and my idea was to
somehow combine all the
elements that have made
up my musical experiences
over these years -
Chinese melodies, western
orchestral music and
jazz; I wanted to see if
these songs could survive
with a totally different
harmonic structure and
concept. My original goal
was to write a simple
arrangement of the two
songs, but quickly I
discovered more melodies
building upon the
original ones and thus
the Variations were born.
Composed in 1995, this
work of about 10 minutes
in length is in one
continuous movement, but
is divided into seven
short sections of
contrasting moods
including two cadenzas,
for Trumpet and Trombone.
The music is appropriate
for advanced performers.
Parts in C and B-flat are
supplied for the
Trumpets. A recording of
Taiwan Fantasia can be
purchased on iTunes from
the album by the Yeh Shu
Han Brass Quintet. $37.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| At Her Ladyship's Request Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Co...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
Flute 1, Flute 2, Flute
3, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Piccolo, Trombone 1,
Trombone 2, Trumpet 1,
Trumpet 2 and more.
SKU: PR.115402330
A Period Piece for
Bands of Winds.
Composed by Carter Pann.
Folio. Set of Score and
Parts.
16+16+16+8+16+16+24+24+24
+16+8+8+8+8+16+16+16+16+1
6+16+16+8+8+8+8+16+16+16+
16+32+20+8+8+8+4+4+60
pages. Duration 12:30.
Theodore Presser Company
#115-40233. Published by
Theodore Presser Company
(PR.115402330). ISBN
9781491129555. UPC:
680160667727. 9 x 12
inches. Armed with
a prodigious gift for
forging musical
identities, “Lord
Carter Nicholas
Pann†presents an
offering inspired by the
Elizabethan Era and an
appreciation for the
works of Percy Grainger.
Pann’s suite tells
a story of palace
intrigue, outlined by the
movement titles:1.
Overture - Young Tom
Abel, Heir to Cecil
Abel’s Fortune2.
Sarabande - Father Daniel
Bennett from the Abbey at
Lockwood Cross3.
Pastorale - Joseph
Dimplesweet, His
Lordship’s Oldest
Farmhand4. Gallop - Lord
William H. Pettybone,
Duke of Bremingham. At
Her Ladyship’s
Request (2016) was an
idea born out of
admiration for the wind
works of Percy Grainger
– most notably his
Lincolnshire Posey.The
names and places here are
all fictitious. Four
countrymen have come
forward at Her
Ladyship’s request
as we commoners (and for
as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship.I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father’s
fortune. Cecil Abel may
be the richest man in the
land save for His
Lordship. Tom, his only
son, will run his face
straight into that pile
the moment his old man
kicks.II. It is rare to
spy Father Daniel
Bennett, High Priest from
the Abbey at Lockwood
Cross, loitering in our
very own town
square…but not as
of late.III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway?IV. Pettybone!
Conniving…
insidious. I don’t
believe there has been a
greater rivalry among men
for generations. The
Duke’s ego alone
could run our nation. The
grudges he grows are
notorious. His mount is
legendary. The day has
come to collect his
toll. $225.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Anthems I Chorale SATB SATB, Orgue [Conducteur] Stainer and Bell
SKU: ST.MB57 Composed by Samuel Sebastian Wesley. Edited by Peter Horton....(+)
SKU: ST.MB57
Composed by Samuel
Sebastian Wesley. Edited
by Peter Horton. Library
Volumes. Edited by Peter
Horton. First published
in 1990. Pages: 270.
Format: Paperback.
Dimensions (mm): 330 x
254 x 20. Score. Stainer
& Bell Ltd. #MB57.
Published by Stainer &
Bell Ltd. (ST.MB57).
ISBN
9790220218293. 11
anthems by this vigorous
reformer of Victorian
church music show
Romantic harmony and
Bachian counterpoint
combined with imaginative
structures. These works
brought new life to a
uniquely English genre
that had fallen into
neglect at the time of
their composition.
CONTENTS Blessed
be the God and Father (S
solo SATB and Organ)
Glory to God on high
(SATB and Organ) Let
us lift up our heart (B
solo SATB and Organ)
Man that is born of woman
(SATB and Organ) O
give thanks unto the Lord
(S solo SATB and
Organ) O God, whose
nature and property
(original version) (SATB
and Organ) O God,
whose nature and property
(revised version) (SATB
and Organ) O Lord,
thou art my God (B solo
SATB and Organ) Tho'
round thy radiant throne
on high (SS and
Organ) To my request
and earnest cry (B solo
SSATB and Organ)
Trust ye in the Lord (S
solo SATB and Organ)
Wash me throughly (S solo
SATB and Organ) Ye
who the widdow's griefs
have cheer'd (SS and
Organ). $188.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Annette et Lubin Barenreiter
Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano...(+)
Soprano voice solo/3
tenor voice solos/3
baritone voice
solos/orchestra (Soprano
Voice Solo, 3 Tenor Voice
Solo, 3 Baritone Voice
Solo, Orchestra) SKU:
BA.BA08812-01
Comedy in one act in
verses, with ariettes and
vaudevilles. Composed
by Adolphe Benoît
Blaise and
Marie-Justine-Benoîte
Favart. Edited by Andreas
Münzmay and Janine
Droese. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 2.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Baerenreiter
Verlag #BA08812_01.
Published by Baerenreiter
Verlag (BA.BA08812-01).
ISBN 9790006543182.
33.1 x 26.5 cm inches.
Text Language: French.
Preface: Münzmay,
Andreas. Text: nach
Jean-Francois
Marmontel. Annette
et Lubin
Justine
Favart and Adolphe
Blaise'sAnnette et
Lubinwas premiered on 15
February 1762 at the
Paris Opera-Comique - the
first new production at
that theater following
its merger with the
Comedie-Italien. It was a
resounding success: by
the time the season came
to an end, on 3 April, it
had been almost
continuously on the
program with no decline
in interest from the
public, and it remained
in the repertoire for
more than thirty years.
Countless new editions,
translations, and
parodies of the play bear
witness to its impact far
beyond the borders of
Paris. Like all of
Favart's works, it deals
with the subject of
natural love,
unencumbered by
considerations of money
or social status
endangering it from the
outside through powerful
aristocratic or wealthy
rivals. The plot is based
on a literary model, the
like-named tale by
Jean-Francois Marmontel,
which is in turn based on
a contemporary
occurrence.
Annette and her
cousin Lubin are sharply
reprimanded for their
love by an estate
administrator (Le Bailli)
who himself has designs
on Annette. He takes
advantage of Annette's
illegitimate pregnancy to
extort her: only by
marrying him can she
escape condemnation by
society and the church.
But Annette and her lover
are able to gain the
protection of the local
squire (Le Seigneur), and
the story ends happily
with a conciliatory
gesture from the lord of
the manor.
The
second volume in our
series OPERA, Annette et
Lubin, consists of a
cloth-bound book and an
Edirom file stored on a
USB card in credit-card
format. The number of
simultaneous users of the
edition's digital
component is
unlimited. Further
information on the work
and the OPERA series can
be found at http://www.
opera-edition.com/en/anne
tteetlubin_en.htm.
OPERA: Spectrum
of European Music Theatre
in Separate Editions is
dedicated to critical
editions of outstanding
works of European music
theatre from the 17th to
the 20th centuries.
Compositions of
French, Italian, German,
English, Scandinavian and
Slavic origin are being
edited. These include
specific genres which
have seldom been given
attention in editorial
undertakings until now
and which present their
own editorial problems,
such as ballet, theatre
music, melodrama or
operetta.
A new
feature is the form of
the presentation in
so-called hybrid
editions. While the
scores appear in
traditional cloth-bound
volumes, the musical and
textual sources, the
editions of the dramatic
texts, as well as the
critical commentaries are
prepared and presented on
an electronic platform
(Edirom). Thanks to
this ability to access
the underlying sources,
the editorial decisions
are completely
transparent to the
user. This
special editorial access
being implemented by
OPERA's editions uses the
software Edirom, which
was developed in a
project of the Deutsche
Forschungsgemeinschaft
(German Research
Foundation) based at the
University of Paderborn.
All components of the
electronic part are
encoded according to the
modern standard of XML.
The text components
follow the standard of
the Text Encoding
Initiative (TEI).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$372.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moyses Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(Biblical Poem). By Federico Agnello. For concert band. Grade 4.5. Score and...(+)
(Biblical Poem). By
Federico
Agnello. For concert
band.
Grade 4.5. Score and full
set
of parts. Duration 16
minutes.
Published by Scomegna
Edizioni
Musical srl
$316.69 $300.8555 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Emmelia Violoncelle [Conducteur] University Of York Music Press
Cello SKU: BT.MUSM570366453 Composed by Evis Sammoutis. Classical. Score ...(+)
Cello SKU:
BT.MUSM570366453
Composed by Evis
Sammoutis. Classical.
Score Only. 10 pages.
University of York Music
Press #MUSM570366453.
Published by University
of York Music Press
(BT.MUSM570366453).
English. 'Brice
Catherin, a cellist and a
composer exploring the
notion of the
one-man-band concept,
commissioned this work;
this composition was
subsequently the result
of our collaboration. My
aim has been to create a
work where the cellist
produces sounds using his
full body: his hands
(employing a variety of
extended techniques on
the Cello and external
objects), his feet, his
mouth (singing and
playing the harmonica and
flexible tube) and even
his face on one occasion
to muffle the strings.
There are two central
themes in the work:
virtuosity and theatre,
both strong, frequent
features of my
compositional oeuvre.
After several meetings
and experimentation with
Brice, I chose asetup
that enhances the musical
scope without visually
cluttering the stage. I
am also using a rather
unusual scordatura that
not only changes the
timbre of the instrument
itself, but also helps
create unique soundscapes
that blend together with
the sounds from the
spring drums, the human
voice (whistling, groans
and other effects), a
singing bowl, a harmonica
and a flexible tube among
others. The work is
entitled Emmelia and
there are two reasons for
this: Emmelia derives
from the prefix en (in)
and the noun melos
(harmony), thus meaning
in harmony. The
composition is structured
and developed in clearly
defined sections (noisy,
harmonious, distorted,
etc.), based on
information revealed by a
spectral analysis of an
F1 spectrum on the cello
(tuned a fifth below low
C), played and recorded
using a variety of
attacks and triggering
objects and methods.
Emmelia is also the name
of my baby daughter, who
has been my constant
inspiration since she was
born.' - Evis
Sammoutis. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Song in Winter Theodore Presser Co.
Chamber Music Flute, Percussion, Piano, Zheng SKU: PR.114409470 For Fl...(+)
Chamber Music Flute,
Percussion, Piano, Zheng
SKU: PR.114409470
For Flute, Zheng,
Piano, and
Percussion. Composed
by Chen Yi. Christmas and
Holiday. World Premiere:
Boston. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1993. 15+2+2
pages. Duration 8
minutes. Theodore Presser
Company #114-40947.
Published by Theodore
Presser Company
(PR.114409470). UPC:
680160014200. 8.5 x 11
inches. The idea of
Song in Winter came from
the imagination of the
pine and the bamboo. They
are so persistent and
dauntless. Standing in
the frigid winter, they
are evergreens. In
Chinese paintings, they
are featured characters;
in Chinese literature,
they are praised as
symbols against evil
influences and unhealty
trends. Chen Yi admires
their beautiful
appearances and their
strong spirit and
expresses their feelings
through their music,
which combines Chinese
and Western musical
materials and medium. The
silence between the
gestures is like the
space in brush painting
and calligraphy. Song
in Winter is a trio
written for harpsichord,
dizi (bamboo flute) and
zheng (Chinese
zither). My idea for
this piece came from the
pine and the bamboo.Â
Such persistent and
dauntless trees!Â
Standing in the frigid
winter, they are
evergreens. In
Chinese paintings, they
are the featured
characters, while in
Chinese literature, they
are praised as symbols
against evil influences
and unhealthy trends.Â
I admire their beautiful
appearances and their
strong spirit. I
express my feelings
through my music, which
combines Chinese and
Western musical materials
and media. Using the
harpsichord, an old
Western instrument, and
the zheng and dizi, two
old Chinese instruments,
I mix keyboard, plucking
and blowing instruments
into a whole. The
silence between the
gestures is like the
space in Chinese brush
painting and
calligraphy. Although
I have been living in a
western society for seven
years, I have found my
thinking closely linked
with Chinese arts. I
merged them into my
musical language in the
trio. Song in Winter
was commissioned and
inspired by Prof. Joyce
Lindorff, the winner of
the Pro Musicis
Foundation's
international
competition, for her
March 23, 1994 concert at
Weill Recital Hall at
Carnegie Hall in New
York, sponsored by the
Foundation. It is
dedicated to Ms. Lindorff
and Ms. Susan Cheng, the
founder and executive
director of Music From
China, who has been
enthusiastically
supporting Chinese new
music in New York for
many years. The work
has been recorded on the
album “Sparkle:
Chamber Music of Chen
Yi†on CRI,
released in New York in
1999. The trio has
also been adapted for
quartet: flute, zheng
(Chinese zither), piano
and percussion, for ALEA
III, for the premiere
concert in Feb. 4, 1994,
in Boston.—Chen
Yi(born in China,
1953). $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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