| Wonderland (A New Alice. A New Musical)
Piano, Voix et Guitare [Partition] Cherry Lane
(A New Alice. A New Musical.). By Frank Wildhorn. Piano/Vocal/Guitar Songboo...(+)
(A New Alice. A New
Musical.).
By Frank Wildhorn.
Piano/Vocal/Guitar
Songbook.
Softcover. 144 pages.
Published by Cherry Lane
Music
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I will lift up mine Eyes [Conducteur] Peermusic Classical
Mixed Choir a cappella SKU: BT.PMC3676 Mixed chorus a cappella. Co...(+)
Mixed Choir a cappella
SKU: BT.PMC3676
Mixed chorus a
cappella. Composed by
Morten Lauridsen. Score
Only. 8 pages. Peermusic
Classical #PMC3676.
Published by Peermusic
Classical (BT.PMC3676).
These two
anthems are examples of
Lauridsen's style in
embryo, as it were, for
both were written while
the composer was just
twenty-seven years old.
Both anthems evince the
contrapuntal mastery that
would prove an enduring
featureof the composer's
technique. The pure and
austere lines of I will
lift up mine eyes, an a
cappella setting of Psalm
121, evoke ancient
organum and the imitative
devices of Medieval
polyphony. Complex chord
structures and
elaboratecanonic
procedures give O come,
let us sing unto the Lord
a sense of inexorable
forward momentum. The
coruscating organ part
further enhances the
prevailing mood of joy
that pervades this
anthem. --Byron
Adams. $48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| I Will Lift Up Mine Eyes Chorale SATB SATB A Cappella [Partition] Peermusic Classical
By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 8 pages. Peer...(+)
By Morten Lauridsen
(1943-). SATB. Peermusic
Classical. Softcover. 8
pages. Peermusic
#62180-121. Published by
Peermusic
$1.90 $1.805 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Top 300 Contemporary Christian Songs Voix seule Lillenas Publishing Co.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Want Jesus to Walk with Me Chorale Soprano seul, SATB, Clavier [Octavo] Exaltation Publications
| | |
| Night Pieces: Five Preludes for Piano Piano seul Edward B. Marks Music Company
Composed by William Bolcom. E.B. Marks. Classical, Contemporary. Softcover. 12 p...(+)
Composed by William
Bolcom. E.B. Marks.
Classical, Contemporary.
Softcover. 12 pages.
Edward B. Marks Music
#EBM210361. Published by
Edward B. Marks Music
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O come let us sing unto the Lord Peermusic Classical
Mixed Choir a cappella SKU: BT.PMC3677 Mixed chorus a cappella. Co...(+)
Mixed Choir a cappella
SKU: BT.PMC3677
Mixed chorus a
cappella. Composed by
Morten Lauridsen. Choral
Score. 18 pages.
Peermusic Classical
#PMC3677. Published by
Peermusic Classical
(BT.PMC3677).
These two
anthems are examples of
Lauridsen's style in
embryo, as it were, for
both were written while
the composer was just
twenty-seven years old.
Both anthems evince the
contrapuntal mastery that
would prove an enduring
featureof the composer's
technique. The pure and
austere lines of I will
lift up mine eyes, an a
cappella setting of Psalm
121, evoke ancient
organum and the imitative
devices of Medieval
polyphony. Complex chord
structures and
elaboratecanonic
procedures give O come,
let us sing unto the Lord
a sense of inexorable
forward momentum. The
coruscating organ part
further enhances the
prevailing mood of joy
that pervades this
anthem. --Byron
Adams. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praises (Orchestration) Chorale SATB [Conducteur et Parties séparées] Lillenas Publishing Co.
SATB choir SKU: LP.OR-9177 Three Decades of Inspirational Song -- 27 S...(+)
SATB choir SKU:
LP.OR-9177 Three
Decades of Inspirational
Song -- 27 Stirring
Classics & Exciting New
Standards. Arranged
by Thomas Fettke. Choral.
Masters Chorale.
Multicultural and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9177). UPC:
765762090804. Incre
dible treasury of
powerful choral
arrangements by Tom
Fettke 27 stirring
classics and exciting
standards Covers a wide
range of styles including
contemporary gospel
praise and worship and
southern gospel Large
folio-sized
solo/accompaniment
edition provides an
outstanding collection of
medium-high voice solo
arrangements as well as
the full piano
accompaniments for the
choral book Split-channel
accompaniment trax are
available specifically
for solo use. Choral
music enthusiasts will
enjoy the stereo
listening recording
available in cassette or
CD. This excellent
recording is produced by
Tom Fettke and features
the Master's Chorale.
Sample titles include:
High and Lifted Up;
Praises; I Stand Here
Forgiven; Think About His
Love; God So Loved the
World; Home Where I
Belong; I Am; The Gates
of Hell Shall Not
Prevail; Joy of My
Desire; My Life Is in You
Lord. $395.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Lamb Boosey and Hawkes
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed...(+)
(SSAATTBB choir) SKU:
HL.48024952 SATB
Divisi a cappella.
Composed by Becky
McGlade. Boosey & Hawkes
Sacred Choral. Octavo.
Boosey & Hawkes
#M060137235. Published by
Boosey & Hawkes
(HL.48024952). ISBN
9781784545987. UPC:
840126947243. 6.75x10.5
inches. I was
introduced to William
Blake's poem The Lamb
many years ago through
John Tavener's famous
setting and, when
commissioned by York
Minster to write a carol
for their 2019 nine
lessons and carols
services, the idea of
writing my own setting of
this beautiful poem was
hard to resist. For me,
the biblical symbol of
the lamb represents one
of the most profound
theological mysteries.
That divine omnipotence
as represented by the
symbolic lamb speaks
volumes of the humility
and self-sacrificing
nature of God; complexity
illustrated in
simplicity. The poet has
seen within the
vulnerability of the
lamb, the profundity of
God's self-sacrifice. I
looked to convey the
innocence of the lamb
through the gentle
opening of the piece with
its simple melody and
harmony. The harmonies
gradually intensify as
the questions of the text
continue, and there is a
stronger feel to the
second verse as those
questions begin to be
answered and it is
revealed that the Creator
God is Himself the Lamb.
A feeling of space should
prevail, without the
tempo dragging. The
commas in bars 29, 33,
46, 51 and 52 imply there
should be room to
breathe, but not a whole
quaver's worth of breath
if possible. $4.95 - Voir plus => Acheter | | |
| Marche fatale Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; st...(+)
Piano SKU:
BR.EB-9253 Composed
by Helmut Lachenmann.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253). ISBN
9790004185537. 9 x 12
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Marche fatale Orchestre [Conducteur] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU:
BR.PB-5432 Composed
by Helmut Lachenmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432). ISBN
9790004212790. 10 x 12.5
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $63.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Thanatopsis, Op. 4 Piano, Voix G. Henle
Alto; Soprano; Vocal (Voice and Piano) SKU: HL.51481487 For Female Voi...(+)
Alto; Soprano; Vocal
(Voice and Piano) SKU:
HL.51481487 For
Female Voice and
Piano. Composed by
Evgeny Kissin. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1487. Published by G.
Henle (HL.51481487).
UPC: 840126989342.
8.25x11.75x0.079
inches. It is a
great pleasure to
present, with
Thanatopsis, maestro
Kissin's opus 4, an
expressive setting of the
ground-breaking poem from
the quill of William
Cullen Bryant. Published
in in the form known
today in 1821, it is an
early example of American
romantic poetry of the
19th century. Bryant is
today reckoned among the
group of “Fireside
Poets†or
“Schoolroom
Poets,†names that
allude to the places
where their poems were
usually recited. His
poems – first and
foremost Thanatopsis
(“A Consideration
of Deathâ€) as his
most famous – are
rooted in the English
tradition, but at the
same time show Bryant's
openness to a genuine
American language and
lifeworld. Evgeny
Kissin's setting is a
large vocal scene
intensely informed by
recitative, which
congenially allows the
prevailing mood of the
text to resound. Our
edition additionally
includes German and
French translations of
the poem and an
informative afterword
about Bryant's life and
work and the genesis of
Thanatopsis.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$21.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |