Vocal Duet SKU: HP.8962 Arranged by Joel Raney. Piano with Optional Instr...(+)
Vocal Duet
SKU:
HP.8962
Arranged by
Joel Raney. Piano with
Optional Instruments.
Vocal Score. 12 pages.
Hope Publishing Company
#8962. Published by Hope
Publishing Company
(HP.8962).
UPC:
763628189624.
Origi
nal anthem This Communion
original from Joel Raney
speaks through the voice
of Christ saying, come
and follow me; my life I
give so you may live.
Useful for any Communion
service, it is
particularly useful
during the season of Lent
and Holy Week as it
builds to the scene at
Calvary with the words,
Father, let this cup
please pass from me.
Choirs will appreciate
the melodic lines and the
intensity that it builds
to before finally
returning to the key
phrase, think of me and
remember.
Orchestra Piano SKU: AP.12-0571538983 No sere yo quien diga nada. ...(+)
Orchestra Piano
SKU:
AP.12-0571538983
No sere yo quien diga
nada. Composed by
Francisco Coll. Full
Orchestra (Full Score);
Larger Works;
Masterworks; Performance
Music Ensemble. Faber
Edition. Form: Concerto.
20th Century; Masterwork.
Score. Faber Music
#12-0571538983. Published
by Faber Music
(AP.12-0571538983).
ISBN 9780571538980.
English.
Francisco
Coll's vivid and
unpredictable Piano
Concertino: No sere yo
quien diga nada (I'm not
saying nothing) is one of
his most striking scores
to date. Written for
Nicolas Hodges this
four-movement work, with
its idiosyncratic
instrumentation (a
bottom-heavy ensemble of
lower strings, wind,
brass, and percussion),
flinty harmonies, and
taut rhythmic profile
will make a strong and
lasting impression on
audiences.
Composed by Christine H. Barden; Gayle Kowalchyk; E. L. Lancaster. Method/Instru...(+)
Composed by Christine H.
Barden; Gayle Kowalchyk;
E. L. Lancaster.
Method/Instruction; Piano
- Music for Little
Mozarts. Music for Little
Mozarts. Children.
Accessories. Alfred Music
#00-14653. Published by
Alfred Music
(Cantata for the 1st day of Pentecost). By Johann Sebastian Bach (1685-1750). Ed...(+)
(Cantata for the 1st day
of Pentecost). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
Soli SB, SATB Choir, 2
trumpets, Timpani, 2
Violin, Viola, Basso
Continuo. This edition:
Paperbound. C-Dur (C
major). G Vocal Score
Cantatas, Whitsun,
Reformation day
Arranged by
Joel Raney. Piano with
Optional Instruments.
Lent, Holy Week, General
Worship, Sacred. Vocal
score. 12 pages. Hope
Publishing Company #8894.
Published by Hope
Publishing Company
(HP.8894).
UPC:
763628188948.
Origi
nal anthem This Communion
original from Joel Raney
speaks through the voice
of Christ saying, come
and follow me; my life I
give so you may live.
Useful for any Communion
service, it is
particularly useful
during the season of Lent
and Holy Week as it
builds to the scene at
Calvary with the words,
Father, let this cup
please pass from me.
Choirs will appreciate
the melodic lines and the
intensity that it builds
to before finally
returning to the key
phrase, think of me and
remember.
Composed by
Rhiannon Randle. SSAA
unaccompanied (with
solos). . This PRINTED
version is available to
purchase as a regular
sheet music title for
delivery by post. Octavo.
Stainer & Bell Ltd.
#CN23P. Published by
Stainer & Bell Ltd.
(ST.CN23P).
ISBN
9790220225147.
Comm
issioned by the BBC as
part of the celebrations
for International Women's
Day, and reflecting its
theme of hope, Like a
Singing Bird was
premiered live on Radio 3
on 8 March 2015 by Sarah
Connolly and the St
Catharine's Girls' Choir,
conducted by Edward
Wickham. The distinctive
vocal scoring features a
small solo group of
sopranos or
mezzo-sopranos drawn from
the upper-voice ensemble.
The anthem is the first
of three which are
collectively entitled
Echoes from Willow
Wood, the second
also being available in
Choral Now. The text,
Christina Rossetti's poem
'A Birthday', features in
Virginia Woolf's classic
essay A Room of One's
Own, based on
lectures delivered at
Newnham College and at
Randle's own Cambridge
alma mater, Girton, an
institution at the
forefront of women's
education for two
centuries. Inspired by
the clock in Girton's
Stanley Library, the
'chiming rhythms' which
are a driving force
within the piece offer a
further level of
connection. The music
moves from quiet
anticipation to bright
affirmation, the sense of
something life-changing
heralded by an Advent
plainchant quoted in the
second half. The final
couplet is set apart in a
hushed recitative,
reflecting, in the
composer's words, 'the
hope I and other young
female composers can have
as we try to make our
mark in what has
traditionally been a male
domain.'.
Trumpet and Piano with Online Accompaniments. Composed by Stephen Sondheim (1...(+)
Trumpet and Piano with
Online Accompaniments.
Composed by Stephen
Sondheim
(1930-). Broadway,
Movies.
Softcover Audio Online.
64
pages. Published by Hal
Leonard
Keyboard - Beginning SKU: GI.G-5632 Hymn Tunes, Songs, and Carols by R...(+)
Keyboard - Beginning
SKU: GI.G-5632
Hymn Tunes, Songs, and
Carols by Randall
Sensmeier. Composed
by Randall Sensmeier.
Hymn Tune Collection.
Sacred. Hymn tune
collection. 112 pages.
GIA Publications #5632.
Published by GIA
Publications (GI.G-5632).
ISBN 9781579991579.
English. Text source:
Various authors. Text by
Various.
Martin E.
Marty, Emeritus Professor
at the University of
Chicago, says it best in
the forward of this new
hymn tune collection,
“Teach Our Hearts
is full of music that
will indeed belong in
cathedrals and inspire
their choirs. But I am
here called upon to
witness to the fact that
everything in this book
is singable among smaller
worshipping communities,
where volunteer choirs
help lead ordinary
congregations-if there
are such-in
singing.†54 new
hymns, songs and carols
are presented here texts
by a plethora of
well-known writers.
CONTENTS: BEFORE THE
FRUIT IS RIPENED BY THE
SUN • YOU, LORD,
ARE BOTH LAMB AND
SHEPHERD • YOU ARE
SALT, WHICH, SHAKEN OUT
• THE HILLS ARE
STILL • GO TO THE
WORLD • FAR FROM
HOME • TO
BETHLEHEM TWO STRANGERS
• O RISEN CHRIST
• LORD, HELP US
WALK • A WOUNDED
MAN • BESIDE THE
ALIEN RIVER • FOR
THE MUSIC • MEET
THE WOMAN WHO ANOINTED
• O GOD, WHOSE
HEALING POWER • YOU
ARE CALLED • FAR
MORE THAN PASSION •
ONE WITH GOD •
GLORY GILDS THE EASTERN
• CREATING GOD
• LOVING SPIRIT
• O GOD, YOU KNOW
US • WHEN JESUS
CAME • ALL
PRAISE BE TO GOD •
REMEMBER AND REJOICE
• A CHRISTMAS
PRAYER • ALL PEOPLE
JOIN • BECAUSE
CHRIST LIVES •
CRASHING WATERS •
MOTHERING GOD
• HOW SHOCKING
• IT STARTED
WITH • O GOD WHO
MADE • THEY
CAME, A MILLING CROWD
• THOUGH WE MAY
SPEAK HYMN • WE
PRAISE YOU, GOD! •
WEEP FOR EVE
• MARTHA MARY
• MAY
GOD’S LOVE BE
FIXED • THE TEMPLE
RANG • TELL ME
AGAIN • AS WE
GATHER AT YOUR TABLE
• COME, JOIN IN
CANA’S FEAST
• IN ALL OUR
GRIEF • HOLY GOD
• BLEST BE THE GOD
• NOW, O LORD,
DISMISS YOUR SERVANTS
• SHADOWS FROM
THE CROSS • STAY
WITH US, LORD
• REST, O CHRIST
• THESE THINGS
DID THOMAS
• COME TO TEND
GOD’S GARDEN
• AND DID YOU RISK
YOURSELF, O CHRIST
• BLESS THE LORD
IN PSALM AND CHORUS
• CHRIST, YOU
FORMED THE CHURCH.
22 Sacred Gems for Piano, Voice and Guitar composed by Various. Arranged by Jona...(+)
22 Sacred Gems for Piano,
Voice and Guitar composed
by Various. Arranged by
Jonathon Robbins. For
piano. This edition:
Paperback. Collection.
Sacred. Book. Text
Language: English. 64
pages. Published by
Santorella Publications
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC2. Published
by The Frederick Harris
Music Company (FH.VC2).
ISBN
978-1-55440-538-1.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Chaconne -
Handel, George Frideric
arr. Peter Heilbut Un
ballo (A Ball) -
Steibelt, Daniel arr.
Eugen Rapp Schwedisch
(Swedish) - Romberg,
Bernhard arr. Percy
Such When I Am Laid in
Earth (from Dido and
Aeneas) - Purcell,
Henry Concertino No. 4
in C Major, op. 22 -
Breval, Jean-Baptiste
arr. L.-R.
Feuillard Ombra mai fu
(Never Was a Shade)
Handel, George Frideric
arr. Gaston
Borch Traditional and
Romantic
Repertoire: The Joker,
op. 126b, no. 3 -
Grechaninov,
Alexandr Anitra's
Dance - Grieg, Edvard
arr. Ann Lindsay She's
Like the Swallow -
Canadian folk song arr.
Forrest Kinney Joyeuse
(Joyful) - Squire,
William Henry After
the Bass Is Over -
Harris, Charles K. arr.
Pat Legg and Alan
Gout Repertoire
Composed after ca
1930: Hen and Rooster
- Konicek,
Zdenek Latin Nights -
Blackwell, David and
Kathy
Blackwell Running of
the Bulls - Cheney,
Elliott W. Wrist Watch
- Birston,
Harold Sunday Drag -
Perry, Anita
D. Soft-Shoe Dance -
Reubart, Dale For a
Blue Note - Allerme,
Jean-Marc.
Piano SKU: AP.1-ADV9021 Volume 1. Composed by Bill Dobbins. Improv...(+)
Piano
SKU:
AP.1-ADV9021
Volume 1. Composed
by Bill Dobbins.
Improvisation; Piano CD;
Piano Supplemental; Solo;
Solo Small Ensembles.
Advance Music. Form:
Prelude. Jazz. CD.
Advance Music
#01-ADV9021. Published by
Advance Music
(AP.1-ADV9021).
UPC:
805095090215.
English.
Hear the
composer perform his
Preludes (Vol. 1) plus
seven jazz standards.
Titles: Prelude I
* Prelude II * Prelude
III * Prelude IV *
Prelude V * Prelude VI *
Close Enough For Love
(Mandel/Williams) * The
Lady Sings the Blues
(Wilder/Engvick) *
Hearsay
(Ellington/Strayhorn) *
There Was Nobody Looking
(Ellington) * Oh Bess, Oh
Where's My Bess?
(Gershwin/Heyward) * This
Is New (Weill/Gershwin) *
Over the Rainbow
(Arlen/Harburg).
First Recital Series. (Snare Drum with accompaniment CD). By Various. Curnow Pla...(+)
First Recital Series.
(Snare Drum with
accompaniment CD). By
Various. Curnow
Play-Along Book. Play
Along. 21 pages. Curnow
Music #085103. Published
by Curnow Music