| I Skies Tis Agapis [Conducteur] University Of York Music Press
Voice SKU: BT.MUSM570200795 The Shades of Love. Composed by David ...(+)
Voice SKU:
BT.MUSM570200795
The Shades of
Love. Composed by
David Blake. Score Only.
89 pages. University of
York Music Press
#MUSM570200795. Published
by University of York
Music Press
(BT.MUSM570200795).
English. Six
songs to poems by C P
Cavafy (also English
version by the composer).
First performance: Akis
Lalousis and the
Orchestra of the State
Conservatoire,
Thessaloniki, conducted
by the composer, 10th
November 2000. UK
Premiere by Stephen
Varcoe with the
University of York
Orchestra, conducted by
the composer. $62.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Voices I Hear GIA Publications
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral A...(+)
SKU: GI.G-10678
A Philosophical and
Practical Approach to the
Choral Art. Composed
by Will Kesling. Music
Education. 472 pages. GIA
Publications #10678.
Published by GIA
Publications
(GI.G-10678). ISBN
9781622776436. Draw
ing from his five decades
of success as a conductor
and educator in the
choral field, Will
Kesling has compiled a
comprehensive choral
methods resource that
addresses every necessary
fundamental for achieving
artistry in the choral
art. Written in clear and
conversational language,
this resource covers:
Building a healthy and
beautiful choral sound
Dealing with vocal issues
Selecting repertoire and
programming concerts
Developing score study
skills and interpretive
insights Understanding
the characteristics of
musical periods and
composers Planning,
preparing for, and
running rehearsals The
Voices I Hear also
explores important but
often overlooked topics,
including a discussion of
performing sacred music
in secular education
settings, techniques for
performing
choral-orchestral works,
choral versus orchestral
conducting, and how to
become a true
“maestro.â€
Individual chapters also
function as standalone
topics of study. A
valuable read for
emerging and seasoned
conductors alike, The
Voices I Hear is an
expert study of the
aesthetic, intellectual,
and practical aspects of
the choral art. Dr. Will
Kesling is Professor of
Choral and Orchestral
Conducting at the
University of Florida,
where he has taught for
two decades. He has
conducted hundreds of
choral ensembles and
nearly fifty of the
world’s finest
symphony orchestras. His
ensembles have received
international attention
for their excellence and
musical expression. Â
Thank you, Dr. Kesling,
for the decade you gave
of yourself to write the
most complete and
comprehensive writing on
the topics of choral
techniques, methods, and
conducting I have seen.
It is in-depth yet
practical, to the point
of being a valuable
resource for both the
young conductors entering
the choral field to the
well-established
professionals. You have
given us a solid
foundation in all
significant areas of the
choral art, including,
among many others, the
production of beautiful
vocal tone, detailed
physical vocal
production, textual and
physical components of
English diction,
repertoire programming,
appropriate style,
interpretation and
phrasing, and a pathway
to successful conducting
of combined choral and
orchestral forces. Your
enormous and highly
successful career, with
worldwide performances
and numerous awards and
honors, has enabled you
to bring validity and
integrity to the entire
writing. —Donald
Neuen  Â
Distinguished Professor
Emeritus, UCLA Â Â
Former member of the
Robert Shaw Chorale Â
 Mr. Shaw’s
Assistant Conductor with
the Atlanta Symphony
Orchestra and Choruses
For more than 50 years,
Dr. Will Kesling has been
and continues to be a
prominent figure and
voice in the
International and
American choral
profession. His new book,
The Voices I Hear, is the
distillation of his long
and distinguished career
as a conductor and choral
music educator. The
driving and consuming
passion throughout
Kesling’s life is
the preparation and
performance of the
world’s rich and
diverse choral and
orchestral repertoire and
the education,
development, and growth
of those who perform and
conduct it. This book is
a summation of a lifetime
immersed in the choral
art and all its many
aspects. It overflows
with insights into the
choral art that will not
only instruct the
beginning conductor but
also will enlighten and
entertain the seasoned
professional conductor
and educator. It is
filled with wit, wisdom,
and practical advice to
all practitioners of the
choral arts. I
enthusiastically
recommend
Kesling’s
enlightening new book as
an important addition to
the choral pedagogy
bibliography and for use
as an invaluable new text
for choral practicum
classes for both graduate
and undergraduate
students. Dr. Kesling has
brought to the choral
profession significant
new insights to all
lovers of the choral art.
—Craig Jessop Â
 Professor of Music,
University of Utah Â
 Former Music
Director of the
Tabernacle Choir and
Orchestra at Temple
Square   and the
United States Air Force
Singing Sergeants Will
Kesling’s book,
The Voices I Hear, is
practical and
philosophical, useful and
inspirational, focused
and comprehensive. The
observations and advice
are based on his vast
personal experiences on
the podium with choirs
and orchestras, and the
book is a monumental
resource for both the
young conductor and the
veteran. Containing a
broad spectrum of musical
styles, composers, and
topics, Kesling’s
direct and practical
writing connects
immediately with
today’s choral
musician. Keep The Voices
I Hear nearby as there
will be many times down
the road where the
information and opinions
in Dr. Kesling’s
book will answer the
questions you have, as
well as the ones you
didn’t even know
to ask! —Jerry
Blackstone  Â
Professor Emeritus of
Music (conducting) and
Director of Choirs
(retired) Â Â
School of Music, Theatre
& Dance, University of
Michigan This is the
textbook I wish had been
available when I was
beginning my studies. It
is comprehensive in
scope, practical and
helpful in its
suggestions, and, perhaps
most surprising in a book
from an academic,
superbly written in clear
and powerful English.
Kesling speaks with
conviction, clarity, and
polish, and he finds
colorful and memorable
ways of making his points
and presents the material
from the perspective of
one who has done all
these things for decades
at a highly professional
level. I give this volume
the highest possible
recommendation.
—Daniel Gawthrop
  Composer &
Conductor. $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Piccolo and Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641145S Composed by Lowell Liebermann. Stud...(+)
Orchestra Orchestra
SKU: PR.11641145S
Composed by Lowell
Liebermann. Study Score.
80 pages. Duration 20
minutes. Theodore Presser
Company #116-41145S.
Published by Theodore
Presser Company
(PR.11641145S). ISBN
9781491136553. UPC:
680160689408. The
Concerto for Piccolo and
Orchestra Op.50 was
commissioned by Jan
Gippo, principal Piccolo
of the St. Louis
Symphony, who gave the
premiere of the work on
August 18th, 1996, in New
York City with the New
Jersey Symphony Orchestra
conducted by Glenn
Cortese. The occasion was
the annual convention of
the National Flute
Association, who
sponsored the
commission.Jan Gippo had
enthusiastically pursued
the idea of commissioning
a Piccolo concerto from
me ever since he played
orchestral Piccolo in the
premiere of my Concerto
for Flute with James
Galway and the St. Louis
Symphony. Won over by his
enthusiasm, I agreed to
write this work for an
instrument which has had
virtually no concerto
repertoire since the
baroque era. In doing so
I was eager to stress the
lyrical and expressive
qualities of an
instrument which is too
often stereotyped as
being useful for only
brilliant and ornamental
flourishes.The work falls
into three movements
which are united by
thematic and motivic
materials, significant
among which is a twelve
note row which forms the
basis of the second
movement’s
variations. The final
movement, which puts the
seriousness of the first
tow movements aside for
an unbridled romp, makes
use of three explicit
musical quotations at
strategic structural
moments, one of which is
an implicit homage to
Shostakovich, who quoted
from the same work in his
own second Violin
Concerto.Orchestration of
the Concerto was
completed at the
Loew’s Hotel in
Monte Carlo, where I was
situated for the
rehearsal period of my
opera The Picture of
Dorian Gray.The Concerto
for Piccolo and Orchestra
has been recorded for
release on the BMG label
by James Galway with the
London Mozart Players
conducted by the
composer. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Suite No. 2 - Dance I Orchestre d'harmonie [Conducteur et Parties séparées] Amstel Music
Score and Parts. By Dmitri Shostakovich. Arranged by Johan De Meij. Amstel Conce...(+)
Score and Parts. By
Dmitri Shostakovich.
Arranged by Johan De
Meij. Amstel Concert
Bands. Size 9x12 inches.
Published by Amstel
Music.
$119.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 6 Characters in Search [Vocal Score] Theodore Presser Co.
By Hugo Weisgall. Arranged by Denis Johnston. For Flute I, Flute II, Piccolo, Al...(+)
By Hugo Weisgall.
Arranged by Denis
Johnston. For Flute I,
Flute II, Piccolo, Alto
Flute, Oboe I, Oboe II,
English Horn, Clarinet I,
Clarinet II, Bass
Clarinet, Bassoon I,
Bassoon II,
Contrabassoon, French
Horn I, French Horn II,
Trumpet I, Trumpet II,
Trombone I, Trombone II,
Tuba, Timpani, Percu.
First performance: New
York City Opera Company
at the New York City
Center on April 26, 1959
- conducted by Sylvan
Levin and staged by
William Ball. Piano/Vocal
Score. 367 pages.
Published by Theodore
Presser Company.
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Love the 207 Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125251-010 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1125251-010
Composed by Itaru Sakai.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125251-010. Published by
De Haske Publications
(BT.DHP-1125251-010).
9x12 inches.
English-German-French-Dut
ch. I Love the
207 was composed in
February 2010 for a
commission by Osumi
Symphonic Band in Kyoto.
It was first performed on
25 April 2010 by Osumi
Symphonic Band, conducted
by Masanori Ozaki. This
piece begins with an
introduction to present
the instruments, followed
by a light scherzo. The
title is an affectionate
reference to the commuter
rail 207 series of the
West Japan Railway
Company. When the band
started their activity,
the 207 series trains
began running through the
fields next to the
building where they
practice. The composer
hopes that the trains
continue to run and bring
smiles to people’s
faces.
I Love
the 207 is in
februari 2010
gecomponeerd in opdracht
van de Osumi Symphonic
Band uit Kyoto, Japan.
Dit orkest bracht op 25
april 2010 de
première, onder
leiding van dirigent
Masanori Ozaki. Het werk
begint met een
inleidingwaarin de
instrumenten worden
gepresenteerd, gevolgd
door een licht scherzo.
De titel verwijst naar de
forenzentrein van het
type 207 van de West
Japan Railway Company.
Toen het orkest begon,
begonnen ook de treinen
uit de207-serie door de
velden te rijden naast
het gebouw waar wordt
gerepeteerd. De componist
hoopt dat de treinen
zullen blijven rijden tot
tevredenheid van de
mensen die er gebruik van
maken.
I Love
the 207 wurde im
Februar 2010 als
Auftragswerk für die
Osumi Symphonic Band in
Kyoto (Japan) komponiert.
Die Urraufführung fand
am 25. April 2010 mit der
Osumi Symphonic Band,
unter der Leitung von
Masanori Ozaki, statt.
Das Stück beginnt
einer Einleitung zur
Vorstellung aller
Instrumente; dann folgt
ein leichtes Scherzo. Der
Titel ist eine liebevolle
Anspielung auf die
Pendlerzüge der Serie
207 der West-Japanischen
Eisenbahngesellschaft.
Während der
Anfangszeit des
Blasorchesters begannen
die Züge der
207er-Serie die Felder
ganz in der Nähe des
Proberaums zu
durchqueren. Mit diesem
Stück will der
Komponist seiner Hoffnung
Ausdruck verleihen, dass
die Züge auchweiterhin
fahren und ein Lächeln
auf die Gesichter der
Menschen zaubern
mögen.
Cette
pièce a été
composée en février
2010 pour honorer une
commande de
l’Orchestre Vent
d’Osumi, Kyoto
(Japon). Elle a été
créée le 25 avril
2010 par cet orchestre,
sous la direction de
Masanori Ozaki. I Love
the 207
s’ouvre avec une
présentation de chacun
des pupitres, suivie
d’un scherzo
léger. Le titre fait
affectueusement
référence aux
trains de banlieue de la
série 207 de la West
Japan Railway Company. En
effet, les débuts de
l’orchestre co
ncidèrent avec
l’introduction de
ces trains sur la ligne
qui traverse les champs
avoisinant le b timent
où se déroulent les
répétitions. Le
compositeur espère que
les trains continueront
de rouler et de faire
sourire les
gens.
Questo brano
è stato commissionato
a Itaru Sakai
dall’orchestra di
fiati di Osumi in
Giappone. I Love the
207 inizia con la
presentazione di ogni
sezione della banda,
seguita da un leggero
scherzo. Il titolo si
riferisce affettuosamente
e con un tocco ironico ai
treni della periferia
della serie 207 della
West Japan Railway
Company. In effetti, la
data di fondazione
dell’orchestra di
fiati che ha
commissionato il brano
coincide con la nascita
di questi treni che
attraversano le campagne
e sfrecciano vicino alla
sede della banda. $155.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Love the 207 Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125251-140 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1125251-140
Composed by Itaru Sakai.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 36 pages.
De Haske Publications
#DHP 1125251-140.
Published by De Haske
Publications
(BT.DHP-1125251-140).
9x12 inches.
English-German-French-Dut
ch. I Love the
207 was composed in
February 2010 for a
commission by Osumi
Symphonic Band in Kyoto.
It was first performed on
25 April 2010 by Osumi
Symphonic Band, conducted
by Masanori Ozaki. This
piece begins with an
introduction to present
the instruments, followed
by a light scherzo. The
title is an affectionate
reference to the commuter
rail 207 series of the
West Japan Railway
Company. When the band
started their activity,
the 207 series trains
began running through the
fields next to the
building where they
practice. The composer
hopes that the trains
continue to run and bring
smiles to people’s
faces.
I Love
the 207 is in
februari 2010
gecomponeerd in opdracht
van de Osumi Symphonic
Band uit Kyoto, Japan.
Dit orkest bracht op 25
april 2010 de
première, onder
leiding van dirigent
Masanori Ozaki. Het werk
begint met een
inleidingwaarin de
instrumenten worden
gepresenteerd, gevolgd
door een licht scherzo.
De titel verwijst naar de
forenzentrein van het
type 207 van de West
Japan Railway Company.
Toen het orkest begon,
begonnen ook de treinen
uit de207-serie door de
velden te rijden naast
het gebouw waar wordt
gerepeteerd. De componist
hoopt dat de treinen
zullen blijven rijden tot
tevredenheid van de
mensen die er gebruik van
maken.
I Love
the 207 wurde im
Februar 2010 als
Auftragswerk für die
Osumi Symphonic Band in
Kyoto (Japan) komponiert.
Die Urraufführung fand
am 25. April 2010 mit der
Osumi Symphonic Band,
unter der Leitung von
Masanori Ozaki, statt.
Das Stück beginnt
einer Einleitung zur
Vorstellung aller
Instrumente; dann folgt
ein leichtes Scherzo. Der
Titel ist eine liebevolle
Anspielung auf die
Pendlerzüge der Serie
207 der West-Japanischen
Eisenbahngesellschaft.
Während der
Anfangszeit des
Blasorchesters begannen
die Züge der
207er-Serie die Felder
ganz in der Nähe des
Proberaums zu
durchqueren. Mit diesem
Stück will der
Komponist seiner Hoffnung
Ausdruck verleihen, dass
die Züge auchweiterhin
fahren und ein Lächeln
auf die Gesichter der
Menschen zaubern
mögen.
Cette
pièce a été
composée en février
2010 pour honorer une
commande de
l’Orchestre Vent
d’Osumi, Kyoto
(Japon). Elle a été
créée le 25 avril
2010 par cet orchestre,
sous la direction de
Masanori Ozaki. I Love
the 207
s’ouvre avec une
présentation de chacun
des pupitres, suivie
d’un scherzo
léger. Le titre fait
affectueusement
référence aux
trains de banlieue de la
série 207 de la West
Japan Railway Company. En
effet, les débuts de
l’orchestre co
ncidèrent avec
l’introduction de
ces trains sur la ligne
qui traverse les champs
avoisinant le b timent
où se déroulent les
répétitions. Le
compositeur espère que
les trains continueront
de rouler et de faire
sourire les
gens.
Questo brano
è stato commissionato
a Itaru Sakai
dall’orchestra di
fiati di Osumi in
Giappone. I Love the
207 inizia con la
presentazione di ogni
sezione della banda,
seguita da un leggero
scherzo. Il titolo si
riferisce affettuosamente
e con un tocco ironico ai
treni della periferia
della serie 207 della
West Japan Railway
Company. In effetti, la
data di fondazione
dell’orchestra di
fiati che ha
commissionato il brano
coincide con la nascita
di questi treni che
attraversano le campagne
e sfrecciano vicino alla
sede della banda. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone SKU:
PR.114419290 Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290). ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches. Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sinfonia Concertante Theodore Presser Co.
Orchestra Bassoon, Bassoon solo, Cello, Clarinet, Clarinet solo, Contrabass, Flu...(+)
Orchestra Bassoon,
Bassoon solo, Cello,
Clarinet, Clarinet solo,
Contrabass, Flute, Flute
solo, Horn I, Horn II,
Oboe, Oboe solo,
Percussion I, Percussion
II, Timpani, Trumpet I,
Trumpet II, Viola, Violin
I, Violin II SKU:
PR.446411450 For
Four Winds and Orchestra
(Full Score).
Composed by Henri
Lazarof. World Premiere
by the New York Chamber
Symphony, conducted by
Gerard Schwarz, Alice
Tully Hall, New York;
November 11, 2000. Large
Score. With Standard
notation. Composed 1999.
Duration 17 minutes.
Theodore Presser Company
#446-41145. Published by
Theodore Presser Company
(PR.446411450). UPC:
680160096671. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Sonnetti Lussuriori Chester
Piano, String Quartet (Parts) SKU: HL.14043808 Parts for String Quarte...(+)
Piano, String Quartet
(Parts) SKU:
HL.14043808 Parts
for String Quartet and
Piano. Composed by
Michael Nyman. Music
Sales America. Classical.
Softcover. Chester Music
#CH8423801. Published by
Chester Music
(HL.14043808). UPC:
888680606589. 9.5x12
inches. I Sonetti
Lussuriosi is a
collection of pieces by
world-renowned composer
Michael Nyman . This work
is a setting of 8 pieces
of erotic poetry by
Italian poet Pietro
Aretino. These are the
Parts of this work,
including Violin I,
Violin II, Viola, Cello
and Piano. I Sonetti
Lussuriosi was
inspired by Renaissance
engravings of couples
engaged in sexual
intercourse, which caused
outrage among authorities
at the time. At the world
premiere of Nyman 's
work, Marie Angel voiced
both the male and female
characters, with the
Orchestra di Santa
Cecilia, conducted by
Michael Nyman
himself. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Sonnetti Lussuriori Chester
Piano Quintet; Voice (Full Score) SKU: HL.14043809 For Voice and Piano...(+)
Piano Quintet; Voice
(Full Score) SKU:
HL.14043809 For
Voice and Piano Quintet -
Full Score. Composed
by Michael Nyman. Music
Sales America. Classical,
Contemporary. Softcover.
96 pages. Chester Music
#CH84238. Published by
Chester Music
(HL.14043809). UPC:
888680606626.
9.0x12.0x0.252
inches. I Sonetti
Lussuriosi is a
collection of pieces by
world-renowned composer
Michael Nyman . This work
is a setting of 8 pieces
of erotic poetry by
Italian poet Pietro
Aretino. This is the Full
Score and is arranged for
Voice and Piano Quintet.
I Sonetti Lussuriosi
was inspired by
Renaissance engravings of
couples engaged in sexual
intercourse, which caused
outrage among authorities
at the time. At the world
premiere of Nyman 's
work, Marie Angel voiced
both the male and female
characters, with the
Orchestra di Santa
Cecilia, conducted by
Michael Nyman
himself. $47.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony D Major Hob. I:93 Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061). UPC:
840126932836.
6.75x9.5x0.22
inches. The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony in E-Flat Major, Hob. I:103 Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489071 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489071
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9071. Published by G.
Henle (HL.51489071).
UPC: 840126989397.
6.75x9.5x0.268
inches. The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
E-flat-major Symphony no.
103 was composed in 1795
as the penultimate of the
London Symphonies. It
owes its epithet to its
unique beginning; a solo
drumroll in the timpani
ushers in the slow
introduction. This
opening bar, marked with
Haydn's heading
“Intrada†and
a pause, even inspires
many a performer to
venture a short timpani
improvisation. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony in B-Flat Major, Hob. I:102 Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489070 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489070
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9070. Published by G.
Henle (HL.51489070).
UPC: 840126989410.
6.75x9.5x0.259
inches. The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
energetic, surging
B-flat-major Symphony no.
102 belongs to the group
of the last three
symphonies premiered in
early 1795.
Exceptionally, Haydn here
dispenses with the
clarinets that are
otherwise generally
featured in his late
symphonies. The
instrumentation of the
Adagio is also unusual,
in that Haydn includes
trumpets and timpani,
both muted. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony C Minor Hob. I:95 Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063). UPC:
840126932867.
6.75x9.5x0.204
inches. The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fiddle-me-oo-re-i-re-a - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS90
Working on the
Railway. Composed by
Irish Folk Song. Arranged
by Virginia Croft.
Collate - FS SWS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
12+16+16+4+10+10+10+3
pages. Duration 2
minutes, 4 seconds. Carl
Fischer Music #YAS90.
Published by Carl Fischer
Music (CF.YAS90). ISBN
9780825884009. UPC:
798408084004. 8.5 x 11
inches. Key: G
major. Fiddle-me-oo
-re-i-re-a is a purely
gleeful fiddling piece in
the Celtic style, and
Virginia Croft’s
arrangement makes it
downright infectious. We
guarantee no complaints
from your students when
you say Okay, from the
top!. Virginia Croft
holds Bachelor of Science
and Master of Education
degrees in Music
Education from the
Pennsylvania State
University. Long active
in public school and
church music, she has
conducted large and small
instrumental and vocal
ensembles in
Pennsylvania, Oregon,
Vermont, and Ontario,
Canada. For the past
thirty-one years, she has
directed a large,
award-winning elementary
school band which she
initially began as a
“mother
volunteer†in
Houston, Texas; but as a
violinist and mother of a
fine cellist, her real
love is the orchestra.She
is the recipient of
letters of commendation
from her United States
Congressman, Mayors of
Houston, and the Governor
of Texas, and was three
times chosen
“Teacher of the
Year†by her fellow
faculty members. She is
listed in the fifth
through eleventh
Southwestern editions of
“Who’s Who
Among America’s
Teachers,†has been
named “Teacher of
the Year†by her
local Rotary Club, was
honored by MiraMax Films
with their “Music
of the Heart†Award
in recognition of her
strong commitment and
support of community
music education, and is a
2005 recipient of the
Goldin Award for
Excellence in
Education.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I in Them and You in Me Chorale SATB Wilhelm Hansen
SATB a cappella Choral (SATB) SKU: HL.263190 SSAATTBB a cappella. ...(+)
SATB a cappella Choral
(SATB) SKU:
HL.263190 SSAATTBB
a cappella. Composed
by Bent Sø and
rensen. Choral.
Classical, General
Worship, Sacred.
Softcover. 20 pages.
Duration 300 seconds.
Edition Wilhelm Hansen
#WH33022. Published by
Edition Wilhelm Hansen
(HL.263190). 8.0x11.0
inches. I in Them
and You in Me for mixed
voices SSAATTBB by Bent
Sorensen (2017).
Commissioned by the
Council of Lutheran
Churches in Great Britain
for a Service held in
Westminster Abbey on the
31st of October 2017 to
mark the 500th
Anniversary of the
Reformation and first
performed by the Special
Service Choir of
Westminster Abbey,
conducted by James
O'Donnell. $11.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony in G Major, Hob. I:94 (Surprise Symphony) Orchestre G. Henle
Orchestra SKU: HL.51489062 Study Score. Composed by Franz Joseph H...(+)
Orchestra SKU:
HL.51489062 Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Music Folios.
Classical. Softcover. 66
pages. G. Henle #HN9062.
Published by G. Henle
(HL.51489062). UPC:
840126951950.
6.75x9.5x0.263
inches. The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. To
this day, the G-major
symphony, first performed
in March 1792, numbers
among Haydn's most
popular works. It owes
its English nickname
“Surprise†to
the striking tutti chords
in the Andante, which
apparently caught the
audience off guard. Haydn
had consciously
incorporated this effect
at a later stage - and
was thus subsequently
also perfectly willing to
authorize this nickname
that had been dreamt up
by a London musician.
This popular work also
spread rapidly through
German-speaking
countries, where it is
still firmly established
in the repertoire as the
“symphony with the
drumbeat.†This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Seven Wonders of the Ancient World Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
$364.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Instrumental Conducting Performance Materials GIA Publications
SKU: GI.G-9524 Supplement for Any Instrumental Conducting Method. ...(+)
SKU: GI.G-9524
Supplement for Any
Instrumental Conducting
Method. Composed by
John M. Laverty. Music
Education. 184 pages. GIA
Publications #9524.
Published by GIA
Publications (GI.G-9524).
This remarkable
book contains twelve
short musical excerpts of
great instrumental
works—“mini
scores†designed to
accompany any
instrumental conducting
texts and intended to be
performed in any
instrumental conducting
class. Each excerpt
presents specific
challenges for developing
conductors to explore as
they acquire knowledge,
gain experience, and
develop conducting
techniques. The
orchestration of each
excerpt is designed to be
flexible while at the
same time providing
high-quality music for
use in any instrumental
conducting class. The
full score and parts of
each excerpt, all in one
spiral-bound book, are
designed to help any
conducting student mark
and memorize a score,
learn to conduct using
the limited
instrumentation in a
typical conducting class,
and experience working
with a wide range of
repertoire. Even if
players are not able to
cover all the parts for
an excerpt, there are
still numerous
possibilities for using
this music in a classroom
setting. States author
John M. Laverty: “I
hope this resource will
give you the materials to
enhance your level of
conducting skill, and as
a result give you
confidence to step in
front of live musicians
playing real instruments
and make music.â€
Excerpts from: Brahms:
Symphony No. 1, op.
68:Â Mvt. IV, Adagio
FuÄiÌk: The
Florentiner March, op.
214 JanaÌÄek:
Lachian Dances, op. 2:
“Pilkyâ€Â an
d “StarodaÌlv
ný†Mahler:
Symphony No. 3:Â Mvt.
VI, Langsam Maurer: 12
Kleine
Stück: “du
Style†Mozart:
Requiem, K. 626: Mvt. 1
(“Requiemâ€)
Mussorgsky: Pictures at
an
Exhibition: “The
Great Gate of Kievâ€
and “The Hut of
Baba-Yagaâ€
Schumann: Zigeunerleben
(“Gypsy
Lifeâ€), op. 29, No.
3 Tchaikovsky: Symphony
No. 4:Â Mvt. 1, Andante
sostenuto, Symphony No.
6:Â Mvt. 2, Allegro con
grazia. $40.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Conductor's Craft - Violin I GIA Publications
SKU: GI.G-10603 An Advanced Orchestral Conducting Workshop. Compos...(+)
SKU: GI.G-10603
An Advanced Orchestral
Conducting Workshop.
Composed by David Itkin.
Music Education. 62
pages. GIA Publications
#10603. Published by GIA
Publications
(GI.G-10603). ISBN
9781622776146. This
advanced orchestral
conducting resource
features concise
discussions of advanced
technical and
interpretive issues for
44 major orchestral works
that all conductors will
perform during their
careers. The brief
discussions that precede
each score cover the full
range of issues
encountered in real
conducting situations,
and the accompanying
online videos show
Maestro Itkin
demonstrating the
techniques for each
excerpt. All music
examples have been
faithfully reproduced
from original scores, and
Maestro Itkin has also
arranged each excerpt for
string quintet, ideal for
the conducting class
setting. With nearly a
thousand performances to
his credit, acclaimed
conductor David Itkin
shares the knowledge he
has acquired over his
decades in the
profession. The
Conductor’s Craft
is for both up-and-coming
conductors and seasoned
professionals alike,
equally beneficial for
personal study or for use
in a classroom or
ensemble setting. Â
This volume is a real
breakthrough aid for
anyone studying or
teaching conducting at
any level. Written by
David Itkin, a most
distinguished and
experienced conductor and
teacher, it concentrates
on all the vital
techniques in the
teaching of the craft.
The accompanying video
recordings also make this
volume unique. This
addition to the material
for teaching conducting
is truly revolutionary,
and the selection of
examples gets
successfully to the point
of each subject
discussed. —Samuel
Adler   Composer,
conductor, author Â
 Professor Emeritus,
The Juilliard School,
Eastman School of Music
The Conductor’s
Craft outlines a detailed
plan and method for
executing conductor
training in advanced
conducting studios.
Itkin’s book is
also an excellent
reference for any teacher
who instructs advanced
students in a collegiate
orchestral conducting
program, as well as for
up-and-coming
professionals who are
studying for a career in
the field. Perhaps most
important, an individual
conductor can manage
their own self-study with
Maestro Itkin’s
clear statements and
explanations of the
technical issues
presented with each
excerpt. This book gives
individual
conductor’s
freedom to explore
choices and alternatives
to fix tricky passages in
the provided musical
examples. I love the book
and will be using it in
my studio. —Julius
P. Williams  Â
Artistic director and
conductor, Berklee
Contemporary Symphony
Orchestra  Â
President of the
International Conductors
Guild How refreshing to
review a conducting book
that deals with
specificity of gesture as
it relates to the music
rather than mere
concepts. Bravo to
Maestro David Itkin for
holding the aspiring
conductor to task on
issues of score study,
execution, and style!
—Mark Gibson Â
 Director of
Orchestral Studies,
College-Conservatory of
Music, University of
Cincinnati  Â
Author of The Beat Stops
Here. $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Centone [Conducteur] Carl Fischer
Orchestra Concert Band SKU: CF.SC39 Composed by Karl Kohn. Premiered July...(+)
Orchestra Concert Band
SKU: CF.SC39
Composed by Karl Kohn.
Premiered July 27, 1973
by the Festival
Orchestra, conducted by
the composer. Full score.
With Standard notation.
Duration 29 minutes. Carl
Fischer Music #SC39.
Published by Carl Fischer
Music (CF.SC39). 9 X
12 inches. $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Playing with the Concert Band Vol. I Basson [Partition + Accès audio] - Avancé Hal Leonard
For Bassoon. Duration 135 seconds. Hal Leonard #SDP107- 21. Published by Hal Le...(+)
For Bassoon. Duration 135
seconds. Hal Leonard
#SDP107-
21. Published by Hal
Leonard
$20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Playing with the Concert Band Vol. I Tuba [Partition + Accès audio] - Avancé Hal Leonard
For Tuba. Duration 135 seconds. Hal Leonard #SDP115- 21. Published by Hal Leona...(+)
For Tuba. Duration 135
seconds. Hal Leonard
#SDP115-
21. Published by Hal
Leonard
$20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Playing with the Concert Band Vol. I Cor [Partition + Accès audio] - Avancé Hal Leonard
For F Horn. Duration 135 seconds. Hal Leonard #SDP111- 21. Published by Hal Leo...(+)
For F Horn. Duration 135
seconds. Hal Leonard
#SDP111-
21. Published by Hal
Leonard
$20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Playing with the Concert Band Vol. I Euphonium [Partition + Accès audio] - Avancé Hal Leonard
For Euphonium. Duration 135 seconds. Hal Leonard #SDP112- 21. Published by Hal ...(+)
For Euphonium. Duration
135
seconds. Hal Leonard
#SDP112-
21. Published by Hal
Leonard
$20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| If I Must Go - Intermédiaire GIA Publications
SSATBB choir, soprano voice solo, piano reduction - Intermediate SKU: GI.G-98...(+)
SSATBB choir, soprano
voice solo, piano
reduction - Intermediate
SKU: GI.G-9886
Composed by Thomas LaVoy.
Evoking Sound. Music
Education. Octavo. 12
pages. GIA Publications
#9886. Published by GIA
Publications (GI.G-9886).
English. Text by Sara
Teasdale. Watch
this video performed by
Voce and conducted by
Mark Singleton on
March 3rd, 2019 as a part
of Light Eternal: The
Music of Thomas
LaVoy. $2.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Playing with the Concert Band Vol. I Flûte traversière [Partition + Accès audio] - Avancé Hal Leonard
For Flute. Duration 135 seconds. Hal Leonard #SDP105- 21. Published by Hal Leon...(+)
For Flute. Duration 135
seconds. Hal Leonard
#SDP105-
21. Published by Hal
Leonard
$20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Playing with the Concert Band Vol. I Clarinette [Partition + Accès audio] - Avancé Hal Leonard
For Bb Clarinet. Duration 135 seconds. Hal Leonard #SDP108- 21. Published by Ha...(+)
For Bb Clarinet. Duration
135
seconds. Hal Leonard
#SDP108-
21. Published by Hal
Leonard
$20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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