Tastissimo Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.MN-12001 Ideen, Spiele, Anregungen fur jeden Klavierunte...(+)
Piano
SKU:
BR.MN-12001
Ideen,
Spiele, Anregungen fur
jeden Klavierunterricht
(Einzeln und in
Gruppen). Composed by
Dieter Hool and Seraina
Janett. Solo instruments;
Softbound. Musikverlag
Nepomuk. Music pedagogy.
Score. 76 pages.
Breitkopf and Haertel #MN
12001. Published by
Breitkopf and Haertel
(BR.MN-12001).
ISBN
9790004791363. 8.5 x 11.5
inches.
Vom
<> bis zum
(selbst zu
komponierenden!)
individuellen
Geburtstagsblues, von der
minimal music zur
Maschinen-Musik, von der
(praparierten)
Schlossmusik zu
Bildimprovisationen - und
noch vieles anderes ...
<> - ein
Feuerwerk an originellen
und leicht zu
realisierenden Anregungen
fur jeden
Klavierunterricht!Hier
werden samtliche Sinne
ins musikalische
Geschehen miteinbezogen
und die Kreativitat der
Spielenden rundum
gefordert. Auch legten
die beiden Autoren
grossen Wert auf
unmittelbares Erleben und
Verstehen.Die Kapitel:
Spiele - Ostinato -
Minimal - Zufallsmusik -
Prapariert - Graphische
Notation -
Bildimprovisation -
Allerlei.Die beiden
Autoren erhielten fur
<> den
Padagogikpreis der Werner
und
BertiAlter-Stiftung.
French harp (NOTEN+CD) - very easy to easy SKU: HL.49033045 Die Schule...(+)
French harp (NOTEN+CD) -
very easy to easy
SKU:
HL.49033045
Die
Schule fur diatonische
Mundharmonika (Blues
Harp) fur Jugendliche und
Erwachsene. Composed
by Glenn Letsch. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Edition Schott.
'Mundharmonika spielen -
mein schonstes Hobby' is
a modern harmonica method
for young people and
adults which never makes
them lose the fun and joy
of learning. No matter
whether with or without
teacher, this method
provides the beginner
with a solid foun.
Edition with CD. 80
pages. Schott Music #ED
9367. Published by Schott
Music (HL.49033045).
ISBN 9783795755560.
German.
The
harmonica is a small
fantastic instrument
which can be learnt to
play without any previous
knowledge. Unlike with
the keyboard or guitar,
however, with the
harmonica one cannot see
'how to do it'. This is
why the best tips and
tricks have been compiled
in this book,
guaranteeing a smooth
start. All playing
techniques are explained
in a clear and
comprehensible way.
Graphic illustrations and
easy exercises make it
easy to learn to play the
harmonica. In addition,
the book not only
contains a large
selection of great
musical pieces, but also
describes in a
comprehensive and
accurate way how to
generate all semitones of
the 'harp', thus
providing even advanced
players with new
material.'Mundharmonika
spielen - mein schonstes
Hobby' is a modern
harmonica method for
young people and adults
which never makes them
lose the fun and joy of
learning. No matter
whether with or without
teacher, this method
provides the beginner
with a solid foundation
for playing the
harmonica. The clear
layout with info boxes
and tests makes it easy
for the players to find
their way around and
learn to play this
instrument. In addition,
all pieces have been
recorded on the CD so
that it is possible to
listen to them
repeatedly, thus having a
perfect acoustic learning
aid. As regards the
instrument, it is
advisable to use a
Richter-tuned diatonic
harmonica in C with 10
holes (harp).
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613).
ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Cello Solo +.
Composed 1725. BWV 6. 12
pages. Duration 26
minutes. Carus Verlag #CV
31.006/14. Published by
Carus Verlag
(CA.3100614).
ISBN
9790007041762. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. 1x
31.006/21 oboe 1, 1x
31.006/22 oboe 2, 1x
31.006/23 oboe da caccia.
German title: Bleib bei
uns, denn es will Abend
werden 3. Sacred vocal
music, Cantatas, Easter
and Eastertide, Morning,
midday, evening. Set of
Orchestra Parts. Composed
1725. BWV 6. 14 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/09. Published by
Carus Verlag
(CA.3100609).
ISBN
9790007041724. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and parts available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 1. Composed
1725. BWV 6. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/11. Published by
Carus Verlag
(CA.3100611).
ISBN
9790007041731. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 2. Composed
1725. BWV 6. 4 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/12. Published by
Carus Verlag
(CA.3100612).
ISBN
9790007041748. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
SKU: CA.1290100 Composed by Various. Edited by Gunther Kretzschmar. This ...(+)
SKU: CA.1290100
Composed by Various.
Edited by Gunther
Kretzschmar. This
edition: Paperbound.
Choral collections for
children's choir; Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. Musik fur
Gottesdienst, Spiel und
Fest. Psalms, German,
Songs for children,
Secular choral music,
Special days, Ascension,
New year, Easter and
Eastertide, Whitsun,
Reformation day, Praise
and thanks, Morning,
midday, evening.
Collection. Composed
1992-96. 160 pages. Carus
Verlag #CV 12.901/00.
Published by Carus Verlag
(CA.1290100).
(GEH) SKU: HL.49023828 Liederbuch 6. Composed by Kunterbund. This ...(+)
(GEH)
SKU:
HL.49023828
Liederbuch 6.
Composed by Kunterbund.
This edition: Saddle
stitching. Sheet music.
Kunter-bund-edition.
Melody line (with
chords). 100 pages.
Schott Music #BUND 71066.
Published by Schott Music
(HL.49023828).
ISBN
9783795756550.
5.75x8.25x0.311 inches.
German.
Der sechste
Band der Liederbuchreihe
bringt eine bunte
Liedermischung. Ob es ein
Hit aus dem Bereich der
Popmusik ist, ein sanftes
Lied, das sich mit Liebe,
Phantasie und Traumen
beschaftigt, ein
gefuhlsgeladener Song, in
dem ungerechte
gesellschaftliche
Verhaltnisse aufgegriffen
werden, ein munteres
Wanderlied, ein hubsches
Kinderlied oder ein
mitreissender
Folkloresong - jeder kann
dabei etwas fur sich
entdecken.
Pisa Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165673-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165673-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165673-010. Published by
De Haske Publications
(BT.DHP-1165673-010).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehört zweifellos zu
den berühmtesten und
legendärsten Türmen
der Welt. Das Hauptmotiv
des Stückes
symbolisiert die drei
Glocken des Turms. Das
Thema mit dem
großartigen Effekt
eines abwärtsgehenden
Motivs, welches
denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stück in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
Quella di Pisa
è, con ogni probabilit
, la più famosa torre
al mondo. Il leitmotif
del brano di de Haan
simbolizza le tre campane
della torre, mentre tutta
l’opera mantiene
un andamento fluttuante
capace di rendere
pienamente il senso di
pendenza della torre. Il
finale illustra una
grande parata alla quale
partecipano tutte le
bande dei dintorni della
citt , festanti e
accompagnate dal suono
gioioso delle
campane.
Pisa Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44012881 For Concert Ba...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44012881
For
Concert Band
(Score/Parts).
Composed by Jacob De
Haan. De Haske Concert
Band. Concert Piece.
Softcover. Composed 2016.
De Haske Publications
#1165673010. Published by
De Haske Publications
(HL.44012881).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Pisa Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44012882 For Concert Band (Full...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.44012882
For
Concert Band (Full
Score). Composed by
Jacob De Haan. De Haske
Concert Band. Softcover.
Composed 2016. De Haske
Publications #1165673140.
Published by De Haske
Publications
(HL.44012882).
UPC:
888680671563.
English-German-French-Dut
ch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Piano SKU: BT.9781408193075 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano
SKU:
BT.9781408193075
Composed by Karen
Marshall. Get Set! Piano.
Studies & Exercises. Book
Only. 48 pages. Collins
Music Publishing
#9781408193075. Published
by Collins Music
Publishing
(BT.9781408193075).
ISBN 9781408193075.
English.
Get Set! Piano Tutor
Book 2 is the
second volume in an
exciting new series by
Heather Hammond and Karen
Marshall, written
specially for the
twenty-first century
child.
This tried
and tested course
guidesbeginners from
their very first lesson
through to Prep test
level. Note learning is
taught alongside aural
theory, technique and
composing skills,
providing a holistic
approach to music.
Packed with favourites
such asWhat Shall We
Do With A Drunken
Sailor?, In The Hall Of
The Mountain King,
Amazing Grace and
The Entertainer,
Get Set! Piano
Tutor Book 2 is
the perfect tutor for
getting to Grade
1.
Thisbook is
fully compatible with Get
Set! Piano Pieces Book 2
(9781408192788),
providing plenty of
material for
reinforcement, or just
pure musical
enjoyment.
Voice and piano SKU: LM.28940 Composed by Isabelle Aboulker. Classical. S...(+)
Voice and piano
SKU:
LM.28940
Composed by
Isabelle Aboulker.
Classical. Score.
Editions Henry Lemoine
#28940. Published by
Editions Henry Lemoine
(LM.28940).
ISBN
9790230989404.
Une
mouche - Le Chat et les
oiseaux - Le Chat et le
rat - Le Corbeau - Le
Cerf - Les petits oiseaux
- L'araignee - Le Taureau
- Grosse fatigue - Les
feuilles frissonnent - La
Tempete - Le Crapaud -
Les poissons - Le Ver -
Les dindes - La Chevre -
Le Lezard - La Chenille -
Le Lapin - Le Soleil et
la lune - Le Corbeau
boudeur - La Poule.
Scales - Improvisation
- Articulation.
Composed by Klaus
Ignatzek. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Edition Schott. Edition
with CD. 192 pages.
Schott Music #ED 8258.
Published by Schott Music
(HL.49032563).
ISBN
9783795750879.
9.0x12.0x0.57 inches.
German.
Die
Jazzmethode wendet sich
an Anfanger, aber auch an
fortgeschrittenere
Pianisten, die die
verschiedenen Elemente
der Jazzimprovisation in
kleinen Schritten
erlernen oder vertiefen
mochten. Das Buch gibt
einen systematischen
Uberblick uber die
vielfaltigen
Moglichkeiten der
Jazzimprovisation.Es
werden die allgemeinen
Grundlagen vorgestellt,
die fur
Jazz-Improvisation
erforderlich sind. Die
Schuler lernen das
Tonmaterial immer an nur
einer Tonleiter kennen
und uben daran das
spontane Erfinden und
Entwickeln von Melodien.
Schliesslich wird das
Improvisieren uber modale
Akkordstrukturen und
Kadenz-bezogenes
Improvisieren
vorgestellt.Die CD bietet
die Moglichkeit, die
Ubungen und Aufgaben,
Kadenzen und Akkordfolgen
von bekannten Standards
praktisch umzusetzen und
gezielt zu uben.
Score and Parts Chamber Ensemble (Score & Parts) SKU: HL.49046103 Bach...(+)
Score and Parts Chamber
Ensemble (Score & Parts)
SKU: HL.49046103
Bachmann Poems II
Score and Parts.
Composed by Dieter
Schnebel. Ensemble.
Classical. Softcover. 116
pages. Duration 3600
seconds. Schott Music
#ED20911. Published by
Schott Music
(HL.49046103).
Mild und
leise': does that not
come from 'Tristan'?
Ingeborg Bachmann's
drafts of poems dating
from her year of crisis
in 1963 are in fact
teeming with quotations
from Wagner operas which
form a radical contrast
to the somewhat
clinical-expressionist
language andcontent of
her poetry and also
display great inner
conflict in the
expression of their
subject of disaster and
misfortune. In their
musical transformation,
the Wagner quotations
appear in original form
and are therefore
disconnected - and
simultaneously -
encapsulated - from the
otherwise serial
progressions, enabling
the creation of a musical
dimension which
corresponds with their
language. Dieter
Schnebel.
By Helmut Bornefeld. Hymn settings; Complete editions; Occasions: Prayer, Psalms...(+)
By Helmut Bornefeld. Hymn
settings; Complete
editions; Occasions:
Prayer, Psalms; Use
during church year:
Pentecost. Collection. 40
pages. Published by Carus
Verlag (German import).
Eine Kleine Nachtmusik Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Merle J. Isaac. Music by Wolfgang Amadeu...(+)
By Wolfgang Amadeus
Mozart. Arranged by Merle
J. Isaac. Music by
Wolfgang Amadeus Mozart /
arr. Merle Isaac. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
Eine Kleine Nachtmusik Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Merle J. Isaac. Music by Wolfgang Amadeu...(+)
By Wolfgang Amadeus
Mozart. Arranged by Merle
J. Isaac. Music by
Wolfgang Amadeus Mozart /
arr. Merle Isaac. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
By Wolfgang Amadeus Mozart. Arranged by Merle J. Isaac. Music by Wolfgang Amadeu...(+)
By Wolfgang Amadeus
Mozart. Arranged by Merle
J. Isaac. Music by
Wolfgang Amadeus Mozart /
arr. Merle Isaac. For
Full Orchestra. Full
Orchestra. Concert
Orchestra. Level: 3
(grade 3). Conductor
Score. 32 pages.
Published by Alfred
Publishing.
(KINDERH) SKU: HL.49032657 Sing mit, tanz mit, spiel mit mir. Comp...(+)
(KINDERH)
SKU:
HL.49032657
Sing
mit, tanz mit, spiel mit
mir. Composed by
Gierlichs. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Children's Book. 82
pages. Schott Music #ED
8532. Published by Schott
Music (HL.49032657).
ISBN 9790001114486.
German. Rolf
Rettich.
Klangstras
se - Sing mit, tanz mit,
spiel mit mir ist eine
aus langjahriger Praxis
entstandene Konzeption
fur elementares
Musizieren mit Kindern ab
vier Jahren - Intention
der Autorinnen ist es,
Kinder durch Singen,
musikbezogenes Spielen,
Tanzen und Horen mitten
in die Musik
hineinzustellen. Mit
Hilfe der relativen
Solmisation (Singen mit
Tonsilben) wird eine
reine Intonation
gefordert, die Fahigkeit
zu innerem Horen
angebahnt und eine
Vorstellung von den
Tonbeziehungen erworben.
Anregungen fur das
methodische Vorgehen,
Begleitsatze und
Erganzungsvorschlage
enthalt das
Lehrerhandbuch 2 (ED
8535).
Electric guitar SKU: M7.GRG-105624101 13 klassische Stücke arrangie...(+)
Electric guitar
SKU:
M7.GRG-105624101
13 klassische
Stücke arrangiert
für E-Gitarristen.
Composed by Wieland
Harms. This edition:
Klebebindung. Sheet music
with CD. 92 pages.
Edition Melodia #GRG
105624101. Published by
Edition Melodia
(M7.GRG-105624101).
ISBN 9783872523297.
German.
Paganini
und Bach, Mozart und
Rimski-Korsakov haben
mitreißende Musik
geschrieben, die man
nicht allein den
klassischen Musikern
u?berlassen sollte.
Wieland Harms hat
insgesamt 13 klassische
Stu?cke fu?r E-Gitarre
eingerichtet und auf der
beiliegenden CD mit
seiner Band
eingespielt.
(KOMBI PACK) SKU: HL.49032742 Die Kunst des Sprechens. Composed by...(+)
(KOMBI PACK)
SKU:
HL.49032742
Die
Kunst des Sprechens.
Composed by Hey. Edited
by Fritz Reusch. This
edition: Paperback/Soft
Cover. Book with DVD.
Edition Schott. DVD: Nun
endlich mutimedial
umgesetzt, illustrieren
uber 90 Minuten Film-
bzw. Tonmaterial in
hervorragender
DVD-Qualitat die
praxisbewahrten Texte und
Sprachubungen.
Portraitaufnahmen
verdeutlichen nachhaltig,
worauf es beim richtigen
Sprechen ankommt. E.
Edition with DVD. 104
pages. Schott Music #ED
8702-01. Published by
Schott Music
(HL.49032742).
ISBN
9783795707026.
6.0x8.25x0.873 inches.
German.
DVD: Seit
Jahrzehnten setzen
Moderatoren, Schauspieler
und Manager auf das Buch
Der kleine Hey'. Nun gibt
es dieses
Trainingsprogramm als DVD
mit allen Vorteilen der
multimedialen Anwendung.
Fur alle, die mit dem
Medium Sprache umgehen
wollen und mussen, bieten
praxiserprobte
Sprachubungen zu den
Themen Stimmfuhrung,
Lautlehre und
Artikulation eine ideale
Moglichkeit, die eigene
Aussprache zu
vervollkommnen. Alle
Ubungen sind als
Horbeispiele und als
Filmdokumente in
verschiedenen
Perspektiven und
Nahaufnahmen enthalten.
Die Aufnahmefunktion
ermoglicht eine wirksame
Kontrolle der eigenen
Ergebnisse. Zusatzlich
enthalt die DVD
Filmbeitrage zur Funktion
der Stimme und '15 Tipps
zum Thema Sprechen mit
dem Mikrofon'Der kleine
Hey (DVD) wurde mit dem
Comenius-Siegel 2003
ausgezeichnet, mit dem
die Gesellschaft fur
Padagogik und Information
(GPI) e.V. besondere
didaktische und mediale
Qualitat
bescheinigt.Buch: Als
Julius Hey um 1900 sein
dreiteiliges Werk
Deutscher
Gesangsunterricht
herausgab, konnte er kaum
ahnen, dass dieses
Lehrbuch einen
beispiellosen Siegeszug
antreten sollte. Hey
hatte seine Lehrweise
ursprunglich nur fur
seinen Schulerkreis und
zudem als reine
Gesangslehre entwickelt.
Erst die Verantwortung
gegenuber der oft
fehlerhaften Aussprache
bei Schauspielern und
Sangern veranlasste ihn,
seinem Hauptwerk einen
Sprachlichen Teil
anzufugen. Es bezeugt die
Richtigkeit dieses
Lehrweges, dass gerade
dieser Teil unter dem
Namen Der kleine Hey das
Standardwerk fur die
Sprecherziehung geworden
und dies in grosster
Auflage bis heute
geblieben ist. Julius
Heys Lehrwerk uber die
elementaren Grundlagen
der Kunst des Sprechens
ist das fundamentale
Lehrbuch fur die
sprechtechnische
Ausbildung der
Schauspieler, Redner und
Sanger wie aller weiteren
mit dem gesprochenen Wort
verbundenen Berufe und
nicht zuletzt eine
wertvolle Hilfe fur den
Schulunterricht und das
private Studium.
Solo
concerto; Music
post-1945; New music
(post-2000). Solo part.
Composed 2012. 32 pages.
Duration 17'. Breitkopf
and Haertel #OB 5693-03.
Published by Breitkopf
and Haertel
(BR.OB-5693-03).
ISBN
9790004347232. 10 x 12.5
inches.
A Musical
Portrait In 2012 Nicola
Campogrande received a
rather singular
commission when a total
stranger asked him to
compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R, were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing.Un portrait
musical En 2012, Nicola
Campogrande s'est vu
proposer une commission
fort singuliere ; un
parfait etranger lui
demandait de composer le
portrait musical de sa
compagne. L'homme savait
exactement ce qu'il
voulait : un concert pour
piano et orchestre. Apres
quelques hesitations,
Campogrande s'est rendu
compte qu'il pouvait se
servir de la musique
comme d'un pinceau. Bien
entendu, il ne serait
jamais possible de
reconnaitre la forme du
visage de la femme ou la
couleur de ses cheveux,
mais la partition
pourrait evoquer la facon
dont elle se deplacait
dans l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre),
interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sua fidanzata. L'uomo
sapeva esattemente cio
che voleva: un concerto
per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sua fidanzata, gli ha
parlato di lei e, alla
fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo, un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale.
Information on R on the
composer's
websiteRecording of the
premiere of R in Milano
(YouTube).
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano
SKU:
BR.EB-8990
After R
(A Portrait for Piano and
Orchestra). Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf.
He
re you will find the
concerto R (A Portrait
for Piano and
Orchestra).
Solo
concerto; Music
post-1945; New music
(post-2000). Score.
Composed 2015. 36 pages.
Duration 15'. Breitkopf
and Haertel #EB 8990.
Published by Breitkopf
and Haertel (BR.EB-8990).
ISBN 9790004187197. 9
x 12 inches.
A
Musical Portrait In 2012
Nicola Campogrande
received a rather
singular commission when
a total stranger asked
him to compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R , were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing. Information on
Nudo on the composer's
website Audio recording
of Nudo (YouTube) Un
portrait musical En 2012,
Nicola Campogrande s'est
vu proposer une
commission fort
singuliere ; un parfait
etranger lui demandait de
composer le portrait
musical de sa compagne.
L'homme savait exactement
ce qu'il voulait : un
concert pour piano et
orchestre. Apres quelques
hesitations, Campogrande
s'est rendu compte qu'il
pouvait se servir de la
musique comme d'un
pinceau. Bien entendu, il
ne serait jamais possible
de reconnaitre la forme
du visage de la femme ou
la couleur de ses
cheveux, mais la
partition pourrait
evoquer la facon dont
elle se deplacait dans
l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre)
, interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sUrauffuhrung fidanzata.
L'uomo sapeva esattemente
cio che voleva: un
concerto per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sUrauffuhrung fidanzata,
gli ha parlato di lei e,
alla fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra ), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo , un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale. 'Nudo'
is a scintillating work
that paints a vivid and
fascinating sequence of
musical portraits of its
subject. And the
Breitkopf score is simply
superb.
(www.pianodao.com).
SKU: HL.49015532 Composed by Malte Heygster and Manfred Grunenberg. This ...(+)
SKU: HL.49015532
Composed by Malte
Heygster and Manfred
Grunenberg. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Classical. 175 pages.
Schott Music #ED 8651.
Published by Schott Music
(HL.49015532).
ISBN
9783795703295.
German.
Die
relative Solmisation ist
eine Sprache, die
Tonbeziehungen benennt.
Sie verwendet Singsilben
und Handzeichen, um
Horempfindungen zu
intensivieren, ahnlich
wie es Guido von Arezzo
um das Jahr 1000 angeregt
hat. Heute kann die
relative Solmisation den
Weg zu einer
kleinschrittigen Methodik
fur jeden Musikunterricht
ebnen: von der
Fruherziehung bis zum
Instrumentalspiel, vom
Theorieunterricht bis zum
Chor. Das Buch bietet
anhand von Liedern,
Melodien und vertiefenden
Verfahren eine umfassende
und praxisorientierte
Einfuhrung in die
relative Solmisation.
Teil I erlautert
Grundbegriffe, Teil II
beschreibt ausfuhrlich
eine Grundausbildung fur
Kinder im Alter von sechs
bis zehn Jahren. Daruber
hinaus wird ein Uberblick
uber die breite Palette
der
Anwendungsmoglichkeiten
gegeben sowie
Hintergrundwissen zur
Geschichte der
Solmisation
vermittelt.
Immer kleiner (Always smaller) (A humorous clarinet-fantasy Clarinet and Piano)....(+)
Immer kleiner (Always
smaller) (A humorous
clarinet-fantasy Clarinet
and Piano). By Adolf
Schreiner. Edited by
Rudolf Mauz. Woodwind.
Softcover. 13 pages.
Schott Music #KLB67.
Published by Schott Music