Wind quintet SKU: FG.55011-294-0 Composed by Jennah Vainio. Set of parts....(+)
Wind quintet
SKU:
FG.55011-294-0
Composed by Jennah
Vainio. Set of parts.
Published by Fennica
Gehrman (FG.55011-294-0).
ISBN
9790-55011-294-0.
O
din's Beard was
commissioned by I Fiati
Italiani quintet, made up
of musicians of the
Teatro alla Scala of
Milan. Visual impressions
give often an impetus to
Vainio's composing. In
Odin's Beard they are
connected to the
characters of the Nordic
mythology, including Odin
and his son Thor.
Wind quintet SKU: FG.55011-295-7 Composed by Jennah Vainio. Score. Publis...(+)
Wind quintet
SKU:
FG.55011-295-7
Composed by Jennah
Vainio. Score. Published
by Fennica Gehrman
(FG.55011-295-7).
ISBN
9790-55011-295-7.
O
din's Beard was
commissioned by I Fiati
Italiani quintet, made up
of musicians of the
Teatro alla Scala of
Milan. Visual impressions
give often an impetus to
Vainio's composing. In
Odin's Beard they are
connected to the
characters of the Nordic
mythology, including Odin
and his son Thor.
Marimba (Full Score) SKU: HL.288697 Marimba and String Ensemble Full S...(+)
Marimba (Full Score)
SKU: HL.288697
Marimba and String
Ensemble Full Score.
Composed by Luis Tinoco.
Music Sales America.
Classical. Softcover. 28
pages. Duration 600
seconds. University of
York Music Press
#M570365135. Published by
University of York Music
Press (HL.288697).
0.12
inches.
Luis
Tinoco's Ends Meet was
commissioned by the
Camara Municipal De
Matosinhos and was first
performed by Pedro
Carneiro and the ensemble
'Stroma' at the
NewZealand Arts Festival
at Wellington Town Hall
on the 12th of March
2002. This transcription
for String ensemble was
first performed by Pedro
Carneiro and the
Orquestra Classica Da
Madeira, at the Teatro
Municipal Baltazar Dias,
Funchal, on the 5th of
April 2014.
Piano Accompaniment; Voice (Vocal Score) SKU: HL.50603848 Reduction fo...(+)
Piano Accompaniment;
Voice (Vocal Score)
SKU: HL.50603848
Reduction for Voice
and Piano based on the
Critical Edition.
Composed by Giuseppe
Verdi. Edited by Andreas
Giger. Vocal Score.
Classical. Softcover. 376
pages. Ricordi #CP140170.
Published by Ricordi
(HL.50603848).
ISBN
9788881920723. UPC:
196288016717.
8.0x10.5x0.947
inches.
Composed by
Verdi in 1843-44, I due
Foscari was first
performed at Teatro
Argentina, Rome, in
November 1844. In his
libretto, Piave paints
the tragic destiny of the
old doge of Venice
Francesco Foscari and his
son Jacopo in dark
colours. The vocal score
derives from the critical
edition based on Verdi's
autograph score and on
the first manuscript
exemplar corrected bythe
composer himself, thus
restoring powerful
passages that had been
excised by Roman censors.
Moreover, the Appendix
presents sketches,
fragments, discarded
excerpts, as well as an
alternative cabaletta for
Jacopo's cavatina.
Enriched by an
introduction and a
detailed critical
commentary, this vocal
score provides a unique
and in-depth research
tool for performers and
conductors, as well as
students and
scholars.
V: Periferia di un paese SKU: HL.50603660 For Flute and Piano. Com...(+)
V: Periferia di un paese
SKU: HL.50603660
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142176. Published by
Ricordi (HL.50603660).
ISBN 9781705127810.
UPC:
840126952278.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
II: Trattoria di Campagna - Banchetto di nozze SKU: HL.50603657 For Fl...(+)
II: Trattoria di Campagna
- Banchetto di nozze
SKU: HL.50603657
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142173. Published by
Ricordi (HL.50603657).
ISBN 9781705127780.
UPC:
840126952247.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
I: Strada costiera, baracche e lampioni SKU: HL.50603656 For Flute and...(+)
I: Strada costiera,
baracche e lampioni
SKU: HL.50603656
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142172. Published by
Ricordi (HL.50603656).
ISBN 9781705127773.
UPC:
840126952230.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
IV: Viottolo di campagna - Gelsomina vaga sola SKU: HL.50603659 For Fl...(+)
IV: Viottolo di campagna
- Gelsomina vaga sola
SKU: HL.50603659
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142175. Published by
Ricordi (HL.50603659).
ISBN 9781705127803.
UPC:
840126952261.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
VII: Movimento dei vari artisti SKU: HL.50603662 For Flute and Piano(+)
VII: Movimento dei vari
artisti
SKU:
HL.50603662
For
Flute and Piano.
Composed by Nino Rota.
Arranged by C. Tabarelli.
Woodwind Solo. Softcover.
Ricordi #NR142178.
Published by Ricordi
(HL.50603662).
ISBN
9781705127834. UPC:
840126952292.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
(from the Opera La Boheme). By Giacomo Puccini (1858-1924). Arranged by Jos van ...(+)
(from the Opera La
Boheme). By Giacomo
Puccini (1858-1924).
Arranged by Jos van de
Braak. For soprano voice,
tenor voice and concert
band. Baton Music Vocal
Series. Grade 3. Score.
Duration 4:00. Published
by Baton Music
Guitar SKU: UT.CH-101 Composed by Davide Notartomaso. Saddle stitching. C...(+)
Guitar
SKU:
UT.CH-101
Composed by
Davide Notartomaso.
Saddle stitching.
Classical. Ut Orpheus #CH
101. Published by Ut
Orpheus (UT.CH-101).
ISBN 9790215315815. 9
x 12
inches.
Composit
ion winner of the 2nd
Edition (2008) of the
Classical Guitar Musical
Composition Competition
â??Suoni Nuovi
Autoriâ?? in Latina,
Italy (Section
1) The composition
Roma born after a
short travel in the
eternal city. The
multiple cultural,
historical and landscaped
stimuli that derive from
its ruins must touch the
mind of every visitor
dipping it and
transporting it behind in
the history: these are
the feelings that have
inspired the composition
of a
conceptualistic-descripti
ve music work, dedicated
to the places that more
meant during the
authorâ??s travel.
First part,
â??Anfiteatro
Flavioâ??, is clearly
dedicated to Colosseo. It
is so imposing and
majestic that recalls
still today the outcry of
the battles and the noise
of the iron: all that is
translate in music with
frequent changes of time
and a virtuosistic and
pressing writing. The
apex of the fight marks
in the composition a
growing culminated in a
moment of suspension and
the immediate resumption
with change of theme for
the victory moment and
its majestic
celebration. The
second part, â??Villa
Borgheseâ??, marks the
passage to a situation of
ecstasy and serenity
inspired from the beauty
and tranquillity of the
places of the famous
roman park. The
composition develops with
sweetness but are also
present dissonant notes
that recall the park
contextualizzation in the
heart of the city, with
its chaotic present and
with the urgent violence
of its past.
(Oper in 1 Akt). By Morton Feldman (1926-1987). Edited by Emilio Pomarico. For S...(+)
(Oper in 1 Akt). By
Morton Feldman
(1926-1987). Edited by
Emilio Pomarico. For
Soprano Voice, Orchestra.
The New Study Score
Series. World Premiere:
in Teatro dell'Opera Roma
/ Italy; conducted by
Marcello Panni. Study
score. Composed 1977
Composed by Antonio Vivaldi (1678-1741). Edited by and arr., with new words, by ...(+)
Composed by Antonio
Vivaldi (1678-1741).
Edited by and arr., with
new words, by Patrick M.
Liebergen. Choral Octavo;
Masterworks. Alfred
Choral Designs. Baroque;
Masterwork Arrangement;
Secular. 16 pages.
Published by Alfred Music
(AP.43192).
Composed by Antonio Vivaldi (1678-1741). Edited by and arr., with new words, by ...(+)
Composed by Antonio
Vivaldi (1678-1741).
Edited by and arr., with
new words, by Patrick M.
Liebergen. Choir Secular.
For Opt. Flute Obbligato
(2-Part Choir). Choral
Octavo; Masterworks.
Choral Designs. Baroque;
Masterwork Arrangement;
Secular. 16 pages.
Published by Alfred Music
Chamber Ensemble SKU: BT.MUSM570365845 Composed by Luís Tinoco. Score On...(+)
Chamber Ensemble
SKU:
BT.MUSM570365845
Composed by Luís Tinoco.
Score Only. 4 pages.
University of York Music
Press #MUSM570365845.
Published by University
of York Music Press
(BT.MUSM570365845).
English.
Lu s
Tinoco 's L dia for 16
musicians. Score. This
work was commissioned by
the Companhia Nacional de
Bailado for “L dia” a
ballet with choreography
by Paulo Ribeiro. It was
first performed by Lisbon
Metropolitan Orchestra
soloists, conducted by
Pedro Neves Teatro Cam es
in Lisbon, 7th of
November 2014.
Instrumentation: Flute (=
Piccolo), Oboe (= Cor
Anglais),2 Clarinets in
Bb (2nd = Bass clarinet),
Bassoon (=
Contrabassoon), Horn in
F, Trumpet in Bb (=
Flugelhorn), Trombone, 2
Percussionists, Harp, 2
Violins, Viola,
Violoncello and
Contrabass (with C
extension).
(Soli,Ch,Orch) SKU: BA.BA08393-01 Composed by Giovanni Pacini. Edited by ...(+)
(Soli,Ch,Orch)
SKU:
BA.BA08393-01
Composed by Giovanni
Pacini. Edited by
Giuseppina Mascari. This
edition: Edition of
selected works, Urtext
edition. Linen. Concentus
Musicus 17. Edition of
selected works, Score.
Baerenreiter Verlag
#BA08393_01. Published by
Baerenreiter Verlag
(BA.BA08393-01).
ISBN
9790006563968. 33 x 25.5
cm inches. Text Language:
Italian. Preface:
Mascari,
Giuseppina.
Giovann
i Pacini's (1796-1867)
operaGli Arabi nelle
Galliewas composed for
Milano where it was
successfully premiered at
the Teatro alla Scala on
8 March 1827. During the
same year the work was
also performed in Naples
and Vienna and in the
years to follow - outside
of Italy - also in
Madrid, Barcelona and New
York.
The work
represents Pacini's style
and creative powers in
full maturity.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
