SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113949

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Organ. Composed 1724. BWV 139. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.139/49. Published by Carus Verlag (CA.3113949).

ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113914

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello piccolo. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Cello piccol. Composed 1724. BWV 139. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.139/14. Published by Carus Verlag (CA.3113914).

ISBN 9790007208271. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113915

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, basso continuo. Composed 1724. BWV 139. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.139/15. Published by Carus Verlag (CA.3113915).

ISBN 9790007208288. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113913

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Viola. Composed 1724. BWV 139. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.139/13. Published by Carus Verlag (CA.3113913).

ISBN 9790007208264. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106999

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Single Part, Organ. BWV BWV 69a. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.069/99. Published by Carus Verlag (CA.3106999).

ISBN 9790007206741. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113909

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. 1x 31.139/21 oboe d'amore 1, 1x 31.139/22 oboe d'amore 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/09. Published by Carus Verlag (CA.3113909).

ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113919

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/19. Published by Carus Verlag (CA.3113919).

ISBN 9790007181277. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113900

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Full score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/00. Published by Carus Verlag (CA.3113900).

ISBN 9790007170479. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.

Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo

SKU: CA.3113903

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903).

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113905

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Choral Score. Composed 1724. BWV 139. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.139/05. Published by Carus Verlag (CA.3113905).

ISBN 9790007181093. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB Choir and Organ

SKU: C4.9790902260473

Composed by Various. Classical. Score. Crescendo Music Publications #9790902260473. Published by Crescendo Music Publications (C4.9790902260473).

ISBN 9790902260473. 8.27 x 11.7 inches.

Forming part of the A Distant Music anthology, Praise: Psalms and Prayers 1 showcases 20 sacred choral works by Australian composers, most published here for the first time.

Containing a variety of accompanied and unaccompanied works, Praise: Psalms and Prayers 1 offers choirs access to quality Australian sacred music. Settings include texts from the Book of Psalms, well-known prayers as well as a spiritual poem by Australian Erica Jolly.

The 90-page volume covers a range of abilities and variety of compositional styles.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106969

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/69. Published by Carus Verlag (CA.3106969).

ISBN 9790007206734. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106959

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. 1x 31.069/71 recorder, 1x 31.069/72 oboe 1, 1x 31.069/73 oboe 2, 1x 31.069/74 oboe 3, 1x 31.069/75 bassoon, 4x 31.069/81 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/59. Published by Carus Verlag (CA.3106959).

ISBN 9790007206680. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

Soli SATB, Coro SATB, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106957

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. BWV BWV 69a. 60 pages. Duration 25 minutes. Carus Verlag #CV 31.069/57. Published by Carus Verlag (CA.3106957).

ISBN 9790007245009. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106953

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Vocal score. BWV BWV 69a. 36 pages. Duration 25 minutes. Carus Verlag #CV 31.069/53. Published by Carus Verlag (CA.3106953).

ISBN 9790007186371. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106955

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Choral Score. BWV BWV 69a. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.069/55. Published by Carus Verlag (CA.3106955).

ISBN 9790007186388. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106950

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Full score. BWV BWV 69a. 60 pages. Duration 25 minutes. Carus Verlag #CV 31.069/50. Published by Carus Verlag (CA.3106950).

ISBN 9790007181529. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

By Ledger. For Choral Collection: SSA Choir. Published by Oxford University Press.

Orchestra Soli SATB, Coro SATB, 2 Obda, 2 Vl, Va, [Vcpic], Bc

SKU: CA.3113907

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Study score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/07. Published by Carus Verlag (CA.3113907).

ISBN 9790007244965. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso continuo, [SATB choir, 2 violins, viola, cello/contrabass]

SKU: CA.3912013

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Da, Jesu, deinen Ruhm zu mehren. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Cello/Double Bass. TVWV 1:531a. 4 pages. Duration 12 minutes. Carus Verlag #CV 39.120/13. Published by Carus Verlag (CA.3912013).

ISBN 9790007055653. Language: German/English.

Thi s three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and part available separately - see item CA.3912000.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Intermediate

SKU: GI.G-8281

Composed by Jan Michael Joncas. Trinity Sunday. Choral. Sacred. Octavo. 16 pages. GIA Publications #8281. Published by GIA Publications (GI.G-8281).

UPC: 785147821809. English. Text by Herman G. Stuempfle, Jr.

The setting by Michael Joncas is a stately and stirring presentation on an original tune in 5/4 for a text in praise of the Holy Trinity by Herman G. Stuempfle, Jr. When sung as a congregational hymn, it may be good to have a soloist introduce the tune on the first verse, keeping a steady tempo throughout. This will foster greater comfort for the assembly’s participation. Brass Quartet and Timpani parts are optional. .

by Gail Smith. For Piano. method. You Can Teach Yourself. Gospel-Old Time. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

By Gail Smith. For piano. Methods. You Can Teach Yourself. Gospel-Old Time. Level: Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

Composed by Karen Marrolli, Kevin Uppercue, Zebulon M. Highben, Robert A. Hobby (1962-), Michael Burkhardt, and Alfred V. Fedak. Advent, Good Shepherd Sunday, Lent, Pentecost, Triduum/Three Days, Trinity, Children's Sabbath/Emphasis, Confirmation, Funeral, World Communion Sunday. MorningStar Music Publishers #40-550. Published by MorningStar Music Publishers

Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso continuo, [SATB choir, 2 violins, viola, cello/contrabass]

SKU: CA.3912005

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Da, Jesu, deinen Ruhm zu mehren. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Choral Score. TVWV 1:531a. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.120/05. Published by Carus Verlag (CA.3912005).

ISBN 9790007055622. Language: German/English.

Thi s three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score available separately - see item CA.3912000.

By Carl F. Schalk. For Voices: Unison, some various. Keyboard accompaniment. Coll; Hymnl Sacred. Level: easy. 95 pages. Published by GIA Publications.

Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso continuo, [SATB choir, 2 violins, viola, cello/contrabass]

SKU: CA.3912019

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Set of Orchestra Parts. TVWV 1:531a. Duration 12 minutes. Carus Verlag #CV 39.120/19. Published by Carus Verlag (CA.3912019).

ISBN 9790007144296. Text language: German/English.

Thi s three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and parts available separately - see item CA.3912000.