SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454609

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.546/31 clarino 1, 1x 54.546/32 clarino 2, 1x 54.546/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1793. MH 546. 36 pages. Duration 40 minutes. Carus Verlag #CV 54.546/09. Published by Carus Verlag (CA.5454609).

ISBN 9790007226190. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and parts available separately - see item CA.5454600.

Full orchestra

SKU: LO.30-3082L

Hymn of Christian Unity. Composed by Edwin M. Willmington. Choral. Sacred Anthem, All Saints' Day, Evangelism, General, Trinity Sunday. Orchestral score and parts. Lorenz Publishing Company #30/3082L. Published by Lorenz Publishing Company (LO.30-3082L).

UPC: 000308136821.

This inspiring anthem begins quietly, builds to a reminder of our mission to the world, and concludes with a joyful affirmation that one day all believers will join together to praise God for eternity. A perfect blend of meaningful lyrics and a strong melody make The Jesus Prayer an anthem that your whole congregation will enjoy. (Ob, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Timp, Perc, 2 Vln, Vla, Cello, Bass).

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453049

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1793. MH 530. 28 pages. Duration 40 minutes. Carus Verlag #CV 54.530/49. Published by Carus Verlag (CA.5453049).

ISBN 9790007226183. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453013

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. MH 530. 16 pages. Duration 40 minutes. Carus Verlag #CV 54.530/13. Published by Carus Verlag (CA.5453013).

ISBN 9790007226176. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.

Grade 3

SKU: CL.RWS-1831-01

Composed by Harden. Concert Band. RWS Concert Band Series. Extra full score. Composed 2018. Duration 5 minutes, 27 seconds. RWS Music Company #RWS-1831-01. Published by RWS Music Company (CL.RWS-1831-01).

Inspired by the late Martin Luther King Jr's I Have A Dream speech, this new composition by Justin Harden conveys images of promise, solidarity, and triumph. Written for United Sound, the work begins with a beautiful and lush lyrical statement. A heralding trumpet foreshadows the glorious development leading to a glorious conclusion. Appropriate for concert/festival as well as ceremonial use, Unity may very well find a place in your band’s standard repertoire.

Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score (clothbound edition). No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag (CA.2780101).

Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. No. 206. 160 pages. Duration 90 minutes. Published by Carus Verlag (CA.2780103).

Composed by Mary McDonald. Piano with optional Rhythm Parts (available separately). Hymn Arrangements, General Worship, Holy Spirit, Unity. Octavo. 16 pages. Hope Publishing Company #C6336. Published by Hope Publishing Company

Orchestra SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4062607

Sparrow Mass. Composed by Wolfgang Amadeus Mozart. Edited by Berthold Over. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Spatzen-Messe) Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Study score. Composed 1775-76 (?). KV 220 (196b). 56 pages. Duration 18 minutes. Carus Verlag #CV 40.626/07. Published by Carus Verlag (CA.4062607).

ISBN 9790007074029. Key: C major. Language: Latin.

An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this Mass in C: in the Agnus Dei (Dona nobis pacem) he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. This work is now available in carus music, the choir app! Score available separately - see item CA.4062600.

Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral score. No. 206. 80 pages. Duration 90 minutes. Published by Carus Verlag (CA.2780105).

Violin, Horn and Piano (Score & Parts) - Grade 4

SKU: HL.14042920

Composed by Hans Abrahamsen. Music Sales America. Softcover. Composed 2012. Edition Wilhelm Hansen #WH30687. Published by Edition Wilhelm Hansen (HL.14042920).

ISBN 9788759814185. 9.5x14.25x0.107 inches. International (more than one language).

Programm e Note My &rsquo,6 Pieces for horn, violin and piano&rsquo, was written in 1984 as a commission from the Danish Radio for a concert where Ligeti&rsquo,s Horn Trio should receive its Danish premiere played by Danish musicians. My trio is based on my work &rsquo,Studies for Piano&rsquo,. While I wrote these studies I tried to &rsquo,conjure up&rsquo, instrumental parts inside the piano movement. When I received the commission for a horn trio I turned to six of the studies and deepened them by &rsquo,screening them&rsquo, so that their parts and moods appeared in a clearer way. Furthermore I changed the order of the movements so a new unity appeared, beginning with asteadyly hesitating &rsquo,Serenade&rsquo, in slow-motion followed by the &rsquo,Arabesque&rsquo, which hardly gets started before it stops. Then &rsquo,Blues&rsquo,, a melancholy melody and &rsquo,Marcia Funebre&rsquo,, like a fossilized picture with a dramatic threatening outburst ending with a quiet but majestic melody in violin and horn, a melody that disappears in the chords of the piano. Before the last movement &rsquo,For the Children&rsquo, is a large &rsquo,Scherzo misterioso&rsquo,. Hans Abrahamsen

Six Pieces for Horn, Violin and Piano by Hans Abrahamsen.

Programme Note 

My ’6 Pieces for horn, violin and piano’ was written in 1984 as a commission from the Danish Radio for a concert where Ligeti’s Horn Trio should receive its Danish premiere played by Danish musicians. My trio is based on my work ’Studies for Piano’. While I wrote these studies I tried to ’conjure up’ instrumental parts inside the piano movement. When I received the commission for a horn trio I turned to six of the studies and deepened them by ’screening them’ so that their partsand moods appeared in a clearer way. Furthermore I changed the order of the movements so a new unity appeared, beginning with a steadyly hesitating ’Serenade’ in slow-motion followed by the ’Arabesque’ which hardly gets started before it stops. Then ’Blues’, a melancholy melody and ’Marcia Funebre’, like a fossilized picture with a dramatic threatening outburst ending with a quiet but majestic melody in violin and horn, a melody that disappears in the chords of the piano. Before the last movement ’For the Children’ is a large ’Scherzo misterioso’.

Hans Abrahamsen

Fanfare Band - Grade 4

SKU: BT.DHP-1023217-020

Composed by Jan Van der Roost. Inspiration Series. Opening Pieces. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023217-020. Published by De Haske Publications (BT.DHP-1023217-020).

Jan van der Roost’s new work Jubilus will make an ideal opening piece for any event. It is in a classical ABA form, beginning with a rising brass fanfare which is quickly replaced by a contrasting expressive lyrical theme. The two themes alternate for a few seconds until an exciting new atmosphere is created with the lively allegro. This eventful piece lets you show off many aspects of your player’s style and technique without losing overall unity

Jan Van der Roosts Werk Jubilus! ist eine ideale Konzerteröffnung. Geschrieben in einer klassischen ABA-Form, beginnt es mit einer aufsteigenden Fanfare, die bald darauf von einem kontrastierenden lyrischen Thema abgelöst wird. Beide Elemente wechseln einander ein paar Mal ab, dann wird durch ein allegro brillante eine neue Atmosphäre geschaffen und ein drittes Thema erscheint in verschiedenen Registern. Mit Jubilus! können sich Ihre Spieler stilistisch und technisch vielfältig präsentieren, ohne dass das Fanfareochester dabei je ihre Einheit verliert.

Brass Band - Grade 4

SKU: BT.DHP-1023217-030

Composed by Jan Van der Roost. Inspiration Series. Opening Pieces. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023217-030. Published by De Haske Publications (BT.DHP-1023217-030).

Jan van der Roost’s new work Jubilus will make an ideal opening piece for any event. It is in a classical ABA form, beginning with a rising brass fanfare which is quickly replaced by a contrasting expressive lyrical theme. The two themes alternate for a few seconds until an exciting new atmosphere is created with the lively allegro. This eventful piece lets you show off many aspects of your player’s style and technique without losing overall unity

Jan Van der Roosts Werk Jubilus! ist eine ideale Konzerteröffnung. Geschrieben in einer klassischen ABA-Form, beginnt es mit einer aufsteigenden Fanfare, die bald darauf von einem kontrastierenden lyrischen Thema abgelöst wird. Beide Elemente wechseln einander ein paar Mal ab, dann wird durch ein allegro brillante eine neue Atmosphäre geschaffen und ein drittes Thema erscheint in verschiedenen Registern. Mit Jubilus! können sich Ihre Spieler stilistisch und technisch vielfältig präsentieren, ohne dass die Brass Band dabei je ihre Einheit verliert.

Concert Band - Grade 2

SKU: AP.45998

Composed by Bruce W. Tippette. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Score and Part(s). 132 pages. Duration 3:50. Alfred Music #00-45998. Published by Alfred Music (AP.45998).

UPC: 038081525761. English.

An inspiring piece that evokes images of togetherness, peace, and a sense that we are one as humankind. This unity comes to fruition as the upper woodwinds and trumpet play in unison toward the piece's conclusion. (3:50).

Concert Band - Grade 2

SKU: AP.45998S

Composed by Bruce W. Tippette. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Score. 12 pages. Duration 3:50. Alfred Music #00-45998S. Published by Alfred Music (AP.45998S).

UPC: 038081525778. English.

An inspiring piece that evokes images of togetherness, peace, and a sense that we are one as humankind. This unity comes to fruition as the upper woodwinds and trumpet play in unison toward the piece's conclusion. (3:50).

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453009

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. 1x 54.530/21 oboe 1, 1x 54.530/22 oboe 2, 1x 54.530/31 clarino 1, 1x 54.530/32 clarino 2, 1x 54.530/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 530. 60 pages. Duration 40 minutes. Carus Verlag #CV 54.530/09. Published by Carus Verlag (CA.5453009).

ISBN 9790007226145. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and parts available separately - see item CA.5453000.

Composed by Otto M. Schwarz. For Concert Band (Score). Mitropa Music Concert Band. Grade 4-5. 24 pages. Mitropa Music #174410140M. Published by Mitropa Music

Flute Choir (Picc, 6 Fls, 2 Afls, 2 Bfls. Cbsfl (opt.)) - Grade 6 to 9

SKU: WN.OR004B

Composed by M. Orriss. Flutets series. Score and parts. Wonderful Winds #OR004B. Published by Wonderful Winds (WN.OR004B).

ISBN ISMN 9790570743766.

1.7. 16 was commissioned by The Hamilton Flute Band to commemorate the 100th anniversary of the Battle of the Somme, and was premiered in St Columb’s Cathedral, Londonderry on 1st July 2016. This new version for flute choir was written for The Woodbridge Flute Choir, Virginia, USA, in 2024. The piece takes some of its ideas from musical elements already connected to the story, from the signalling bugle calls that might have been used in battle, to hints of one of the March tunes that the band still use today.
794,628 lives were lost in the Battle of the Somme, a chilling statistic. These numbers are also woven into the music, colouring the choices of intervals, harmonies and chords, and building the central themes, including the slow march to the trenches, where the uncomfortable juxtaposition of 7ths and 9ths is used as a motif over the solo flute theme before the screeching whistle signal to go over the top.
One of the musical elements central to the piece is the bugle call for Assemble which is used as an enthusiastic call in the opening, then to give unity to the chilling fear of the trenches on the eve of the battle, and finally to lead into the Commemoration of the final section, as those in the Cathedral 100 years later became part of the story as they assembled to commemorate the huge sacrifice made.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453019

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 530. Duration 40 minutes. Carus Verlag #CV 54.530/19. Published by Carus Verlag (CA.5453019).

ISBN 9790007145378. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and parts available separately - see item CA.5453000.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1023217-010

Composed by Jan Van der Roost. Inspiration Series. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023217-010. Published by De Haske Publications (BT.DHP-1023217-010).

Jan van der Roost’s new work Jubilus will make an ideal opening piece for any event. It is in a classical ABA form, beginning with a rising brass fanfare which is quickly replaced by a contrasting expressive lyrical theme. The two themes alternate for a few seconds until an exciting new atmosphere is created with the lively allegro. This eventful piece lets you show off many aspects of your player’s style and technique without losing overall unity

Jan Van der Roosts Werk Jubilus! ist eine ideale Konzerteröffnung. Geschrieben in einer klassischen ABA-Form, beginnt es mit einer aufsteigenden Fanfare, die bald darauf von einem kontrastierenden lyrischen Thema abgelöst wird. Beide Elemente wechseln einander ein paar Mal ab, dann wird durch ein allegro brillante eine neue Atmosphäre geschaffen und ein drittes Thema erscheint in verschiedenen Registern. Mit Jubilus! können sich Ihre Spieler stilistisch und technisch vielfältig präsentieren, ohne dass das Blasorchester dabei je ihre Einheit verliert.

By Otto M. Schwarz. For Concert Band (Score and Parts). Mitropa Music Concert Band. Grade 4-5. Mitropa Music #174410010M. Published by Mitropa Music

2 C instruments, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani, guitar, 2 or 3 octaves handbells, violin 1, violin 2, viola, cello

SKU: GI.G-7846STR

Revised Order of Mass 2010. Composed by Steven R. Janco. This edition: String edition. Mass. Sacred. Handbell score. 8 pages. GIA Publications #7846STR. Published by GIA Publications (GI.G-7846STR).

One of GIA's best-selling liturgical settings, Mass of the Angels and Saints provides the ultimate in flexibility, while retaining a wonderful musical unity that will enable your assembly to sing it with ease. Many options are provided to encourage your creativity in adapting the setting, yet the writing is straightforward and accessible. Written for SAB choir and optional descant, these settings provide both a substantial choral sound and greater accessibility to smaller parish choirs and ensembles.

By Steve Hodges. Music by Steve Hodges. For Concert Band. Concert Band. Young Symphonic. Level: 2 (Medium Easy) (grade 2). Conductor Score

Composed by Johann Sebastian Bach (1685-1750). Edited by Martina Rebmann and Christoph Wolff. This edition: facsimile. Linen. Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. Facsimile. BWV 846-869. 98/28 pages. Baerenreiter Verlag #BVK02493_00. Published by Baerenreiter Verlag

Composed by Beth Elston. General, Holy Communion. Handbell score. Lorenz Publishing Company #20/1977L. Published by Lorenz Publishing Company (LO.20-1977L).

Choir and various instruments

SKU: MN.60-8004A

Composed by James Biery and Marilyn Biery. Unity. Full score. MorningStar Music Publishers #60-8004A. Published by MorningStar Music Publishers (MN.60-8004A).

Marilyn BieryÕs new paraphrase of 1 Corinthians 12 celebrates all GodÕs people as individuals and as members of the body of Christ. The familiar tune Nettleton is given new life and vigor in James BieryÕs arrangement for congregation, choir, brass, and organ. Included are a festive introduction, a stanza for choir alone, a celebratory interlude for choir, brass, and organ, and a triumphant final stanza. Reproducible page for congregation included in choral score.

Grade 2

SKU: CL.011-5052-00

March. Composed by J. J. Richards. Arranged by Glover. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-5052-00. Published by C.L. Barnhouse (CL.011-5052-00).

J. J. Richards’ great Emblem of Unity March has been a band favorite for generations, and this impressive Command series arrangement makes it accessible for middle school and younger high school bands! After a bold introduction, the famous trio melody - played by horns! (with a little help from others) – moves to an powerful breakstrain giving the lower instruments a chance to shine. The final rousing strain makes Emblem of Unity a perfect choice for any performance situation. March on!

Grade 2

SKU: CL.011-5052-01

March. Composed by J. J. Richards. Arranged by Glover. Young Concert Band. Extra full score. C.L. Barnhouse #011-5052-01. Published by C.L. Barnhouse (CL.011-5052-01).

J. J. Richards’ great Emblem of Unity March has been a band favorite for generations, and this impressive Command series arrangement makes it accessible for middle school and younger high school bands! After a bold introduction, the famous trio melody - played by horns! (with a little help from others) – moves to an powerful breakstrain giving the lower instruments a chance to shine. The final rousing strain makes Emblem of Unity a perfect choice for any performance situation. March on!

(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Das neugeborne Kindelein. Cantatas, Christmas. Vocal score. Language: German/English. Composed 1724. BWV 122. 20 pages. Duration 16 minutes. Published by Carus Verlag