| Danse Macabre Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(Symphonic Poem). By Camille Saint-Saens (1835-1921). Arranged by Gerhart Drijve...(+)
(Symphonic Poem). By
Camille Saint-Saens
(1835-1921). Arranged by
Gerhart Drijvers. For
Concert Band and optional
solo Violin. Grade 5.
Full score and set of
parts. Duration 7:00.
Published by Baton Music
$189.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sleigh Ride 2 Pianos, 4 mains - Avancé Alfred Publishing
(A Holiday Excursion for Two Pianos). Composed by Leroy Anderson (1908-1975). Ar...(+)
(A Holiday Excursion for
Two Pianos). Composed by
Leroy Anderson
(1908-1975). Arranged by
Greg Anderson. For Piano.
This edition: 2 copies
required. Book; Duet or
Duo; Piano Duo (2 Pianos,
4 Hands). Anderson and
Roe Duos and Duets.
Christmas; Holiday Pops;
Light Concert; Recital;
Secular; Standard;
Winter. Advanced. 16
pages. Published by
Alfred Music
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Peter Maxwell Davies: Strathclyde Concerto No. 9 Score And Parts Chester
Stringorchestra with Wind SKU: HL.14020989 Composed by Sir Peter Maxwell ...(+)
Stringorchestra with Wind
SKU: HL.14020989
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Set. Composed
1999. 72 pages. Chester
Music #CH61154. Published
by Chester Music
(HL.14020989). ISBN
9780711952027.
9.0x12.0x0.433
inches. The solo
group consists of a
sextet of the woodwind
instruments which are
normally doubled with
more regular members of
the orchestra: these six
strangers, now brought to
the fore, are piccolo,
alto flute, cor anglais,
clarinet in Eb, bass
clarinet in Bb and
contrabassoon. They make
a motley group, diverse
in colour as in register,
and one of the tasks of
the piece sets itself is
to have them blend and
cohere, both together as
an ensemble and in
partnership with the
string orchestra (which
itself is used with
unusual variety and
subtlety). Another
evident task of the work
is to provide fine solos
for each member of the
woodwind sextet: bright
dances for the piccolo,
recitatives for the alto
flute, a stoical song
from the contrabassoon in
the extreme bass. The
work is cast as a single
movement, which begins in
the composer's
first-movement style of
rapid regeneration. This
is interrupted by slow
interventions, including
one for divided strings
which gives rise to a
sextuple cadenza for the
soloists. Out of this
comes a slow movement, or
sequence of short slow
movements, followed by a
dancing finale with its
own slow episodes.
Altogether this is music
of songs and dances,
heavily tinged with
Scottish rhythms and
tonalities: one might
think of a magic bagpipe,
having six chanters and a
drone of variegated
string texture. $43.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Peter Maxwell Davies: Strathclyde Concerto No. 9 (Miniature Score) [Conducteur] Chester
String Orchestra, Wind Instruments[Sextet] SKU: HL.14020993 Composed by S...(+)
String Orchestra, Wind
Instruments[Sextet]
SKU: HL.14020993
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Classical.
Score. Composed 1999. 94
pages. Chester Music
#CH61153. Published by
Chester Music
(HL.14020993). ISBN
9780711952010.
5.5x8.5x0.222
inches. The solo
group consists of a
sextet of the woodwind
instruments which are
normally doubled with
more regular members of
the orchestra: these six
strangers, now brought to
the fore, are piccolo and
alto flute, cor anglais,
Eb and bass clarinets and
contrabassoon. They make
a motley group, diverse
in colour as in register,
and one of the tasks of
the piece sets itself is
to have them blend and
cohere, both together as
an ensemble and in
partnership with the
string orchestra (which
itself is used with
unusual variety and
subtlety). Another
evident task of the work
is to provide fine solos
for each member of the
woodwind sextet: bright
dances for the piccolo,
recitatives for the alto
flute, a stoical song
from the contrabassoon in
the extreme bass. The
work is cast as a single
movement, which begins in
the composer's
first-movement style of
rapid regeneration. This
is interrupted by slow
interventions, including
one for divided strings
which gives rise to a
sextuple cadenza for the
soloists. Out of this
comes a slow movement, or
sequence of short slow
movements, followed by a
dancing finale with its
own slow episodes.
Altogether this is music
of songs and dances,
heavily tinged with
Scottish rhythms and
tonalities: one might
think of a magic bagpipe,
having six chanters and a
drone of variegated
string texture. This work
for woodwind instruments
and string orchestra was
commissioned by the
Strathclyde Regional
Council and the Scottish
Chamber Orchestra. It is
the ninth of ten concerti
to be written for
principal players of the
Scottish Chamber
Orchestra. The first
performance was given in
February 1995 by the
Scottish Chamber
Orchestra, conducted by
the composer. $37.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cherubic Hymn Chorale SATB SATB, Orgue Laurendale Associates
SATB choir, organ - Beginning SKU: MN.CH-1340 Composed by Dale Jergenson....(+)
SATB choir, organ -
Beginning SKU:
MN.CH-1340 Composed
by Dale Jergenson. 21st
Century. Octavo.
Laurendale Associates
#CH-1340. Published by
Laurendale Associates
(MN.CH-1340).
The Cherubic
Hymn is the primary
cherubikon, or song of
the angels, sung during
every Divine Liturgy of
the year except those of
Holy Thursday and Holy
Saturday. It occurs after
the Gospel reading and is
interrupted by the Great
Entrance. During the
period of the fourth to
sixth centuries, the
shape of the Eastern
Divine Liturgy reached
its fi nal form under the
gidance of liturgists
such as St. John
Chrysostom. In this same
period the major
formative changes
occurred, most of which
resulted in liturgical
components that
corresponded to the
Church's developing
theological
understanding. Among them
were the hymn
Only-Begotten Son and the
addition of the
Nicean-Constantinopolitan
Creed (countering
heresies), and The
Trisagion Hymn refl
ecting the Trinitarian
theology being currently
defi ned. In this period
and on through the ninth
century, hymns were
composed and added to the
Divine Liturgy, such as
the Cherubic Hymn, sung
while the priest recited
the prayer that is now
called The Prayer of the
Cherubic Hymn. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Orgelsinfonie No. 16 'Martin Luther' Orgue - Avancé Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU:
HL.49045437 For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437). ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches. On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'. $28.99 - Voir plus => Acheter | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709705
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Sacred vocal music,
Masses, Latin. Choral
Score. WeV A.2. 32 pages.
Duration 40 minutes.
Carus Verlag #CV
27.097/05. Published by
Carus Verlag
(CA.2709705). ISBN
9790007188962. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major [Conducteur] - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709700
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Sacred vocal music,
Masses, Latin. Full
Score. WeV A.2. Duration
40 minutes. Carus Verlag
#CV 27.097/00. Published
by Carus Verlag
(CA.2709700). ISBN
9790007188948. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $113.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709703
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Sacred vocal music,
Masses, Latin. Vocal
score. WeV A.2. Duration
40 minutes. Carus Verlag
#CV 27.097/03. Published
by Carus Verlag
(CA.2709703). ISBN
9790007188955. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709713
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Viola. Sacred vocal
music, Masses, Latin.
Part. WeV A.2. Duration
40 minutes. Carus Verlag
#CV 27.097/13. Published
by Carus Verlag
(CA.2709713). ISBN
9790007261764. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Trumpet Sonata Forton Music
Trumpet and piano - Advanced SKU: FT.FM531 Composed by Brian Inglis. Trum...(+)
Trumpet and piano -
Advanced SKU:
FT.FM531 Composed by
Brian Inglis. Trumpet and
Piano. Score and Part.
Forton Music #FM531.
Published by Forton Music
(FT.FM531). ISBN
9790570484300. All
three movements of this
sonata are concerned
metaphorically with
overcoming adversity; or
in registral terms, with
rising from the depths
(more directly at some
times than others). This
concept is referenced in
the subtitle of the first
movement, from Psalm 130:
'Out of the depths have I
cried unto thee, O
Lord...' A slowly rising
figure, emerging from the
lowest register of the
trumpet and the bottom of
the piano, progresses
throughout the movement,
transforming itself as it
rises through the
registers to triumphant,
glittering heights. This
is interrupted and
alternated with
dancelike, scherzando
material, which features
a rigorously mechanistic
process of contraction
and expansion in the
chords of the piano part.
The slow movement has
elements of polystylism,
with echoes of modern
jazz and of the ballroom
in the presentation (by
trumpet and piano
alternately) of the
melancholy main theme,
The climactic rise begins
around two-thirds of the
way through (from bar
44), taking the trumpet
from the bottom to the
top of it's range within
a dozen bars, In the
final chaconne the
process of ascent is
heard transparently in
the piano part: a six-bar
ground bass rises
inexorably through six
octaves of the keyboard,
against which the trumpet
presents increasingly
elaborate
counterpoint. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709709
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager. 1x
27.097/21 flute 1, 1x
27.097/22 flute 2, 1x
27.097/23 oboe 1, 1x
27.097/24 oboe 2, 1x
27.097/25 clarinet 1, 1x
27.097/26 clarinet 2, 1x
27.097/27 bassoon 1, 1x
27.097/28 bassoon 2, 1x
27.097/31 horn 1, 1x
27.097/32 horn 2, 1x
27.097/33 trumpet 1, 1x
27. Harmony parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. WeV A.2. Duration
40 minutes. Carus Verlag
#CV 27.097/09. Published
by Carus Verlag
(CA.2709709). ISBN
9790007255114. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $136.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709714
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Part. WeV
A.2. Duration 40 minutes.
Carus Verlag #CV
27.097/14. Published by
Carus Verlag
(CA.2709714). ISBN
9790007261771. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709711
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Violin 1. Sacred vocal
music, Masses, Latin.
Part. WeV A.2. Duration
40 minutes. Carus Verlag
#CV 27.097/11. Published
by Carus Verlag
(CA.2709711). ISBN
9790007261740. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709719
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Complete orchestral
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. WeV
A.2. Duration 40 minutes.
Carus Verlag #CV
27.097/19. Published by
Carus Verlag
(CA.2709719). ISBN
9790007253363. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $472.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Facile Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, Timp,
2 Vl, Va, Vc, Cb - Level
2 SKU: CA.2709712
Composed by Carl Maria
von Weber. Edited by
Karin Wollschlager.
Violin 2. Sacred vocal
music, Masses, Latin.
Part. WeV A.2. Duration
40 minutes. Carus Verlag
#CV 27.097/12. Published
by Carus Verlag
(CA.2709712). ISBN
9790007261757. Key: E
flat major.
Latin. Carl Maria
von Weber wrote his Missa
sancta no. 1 in E flat
major in just two months,
despite his heavy
workload as Kapellmeister
at the Dresden court. The
work acquired the
nickname Freischutz Mass
because the composer
interrupted work on his
opera of the same name in
January and February 1818
to compose the mass. And
so Weber presented
himself to his new
employer King Friedrich
August I of Saxony as a
versatile composer, for
as well as his main task
of developing a German
opera alongside the
existing Italian opera at
court, his duties also
included writing church
music. In the Mass Weber
responded to the local
conditions in a
particular way: he took
into account liturgical
practice at the Dresden
court by adding an
Offertorium to the
sections of the mass
ordinary, setting this as
a bravura aria specially
written for the Dresden
star soprano Filippo
Sassaroli. Because of the
reverberant acoustics in
the Hofkirche, he avoided
rapid changes of harmony.
Although the Mass was
perceived as too operatic
by critics, it was very
well received by
audiences and also
pleased the King. *
Practically oriented
edition based on the
sources, performance
material available on
sale for the first time *
Easy to medium difficulty
level * Text of the Mass
includes an Offertorium
in accordance with
liturgical practice at
the Dresden court at the
time. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dvorak : Humoresques Op. 101 Piano seul G. Henle
Piano. Composed by AntonÃn Dvorák. Edited by Christi...(+)
Piano. Composed by
AntonÃn
Dvorák.
Edited by Christian
Schaper and Ullrich
Scheideler. Henle Music
Folios. Softcover. G.
Henle
#HN1044. Published by G.
Henle
$10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mikrokosmos - Volume 3 Piano seul Boosey and Hawkes
Book/Disk Pack Piano (Piano) SKU: HL.48011509 Book/Diskette Pack. ...(+)
Book/Disk Pack Piano
(Piano) SKU:
HL.48011509
Book/Diskette
Pack. Composed by
Bé, k, and la
Bartó. BH Piano.
Classical, Contemporary,
Educational. Book & Disk
Package. Boosey & Hawkes
#M060095153. Published by
Boosey & Hawkes
(HL.48011509). UPC:
073999475968.
9.25x12.25x0.35
inches. Includes
3.5'' ISM diskette. Text
in English, French,
German and Hungarian. $19.95 - Voir plus => Acheter | | |
| Bela Bartok: Mikrokosmos - Volume 3 (Pink)
Piano seul Boosey and Hawkes
(New Definitive Edition) Composed by Bela Bartok (1881-1945). For piano. Format:...(+)
(New Definitive Edition)
Composed by Bela Bartok
(1881-1945). For piano.
Format: instructional
book. With standard
notation, introductory
text and instructional
text. 20th Century,
Hungarian and
Instructional. Text
language English, French,
German, Hungarian. 56
pages. 9x12 inches.
Published by Boosey and
Hawkes.
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bela Bartok: Mikrokosmos - Volume 3 (Blue) Piano seul Boosey and Hawkes
(New Definitive Edition) Composed by Bela Bartok (1881-1945). For piano. Format:...(+)
(New Definitive Edition)
Composed by Bela Bartok
(1881-1945). For piano.
Format: instructional
book. With standard
notation, introductory
text and instructional
text. 20th Century,
Hungarian and
Instructional. Text
language English,
Portuguese, Spanish,
Japanese. 56 pages. 9x12
inches. Published by
Boosey and Hawkes.
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tower of Babel Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1074199-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1074199-010
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1074199-010.
Published by De Haske
Publications
(BT.DHP-1074199-010).
9x12 inches.
English-German-French-Dut
ch. Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God’s Worry
(De zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Sätzen, die
ohne Unterbrechung zu
spielen sind. Sie
erzählen kunstvoll und
detailreich die
Geschichte vom Beginn des
Turmbaus über den Zorn
Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen über die
ganze Welt. Ein
großartiges Werk!
En 2006, Hayato
Hirose compose Tower
of Babel (La Tour de
Babel), une
œuvre dédiée
son professeur et
maître, le compositeur
belge Jan Van der Roost.
L’œuvre a
été donnée en
création mondiale, le
20 septembre 2006 Louvain
en Belgique, par
l’Orchestre
d’Harmonie de
l’Institut Lemmens
placé sous la
direction du
compositeur.Après le
Déluge, les
rescapés de
l’Arche de Noé
eurent une descendance
nombreuse. Partis de
l’orient, ils
trouvèrent une
vallée au pays de
Shinéar et ils s'y
établirent. Afin de ne
pas être dispersés
sur toute la surface de
la terre, ils
décidèrent de b tir
une ville et une tour -
la Tour de Babel - dont
le sommet toucherait le
ciel.Inquiet du dessein
des fils des hommes,
l’Éternel
descendit pour voir la
ville et la tour
qu’ils b
tissaient. Il confondit
leur langage afin qu'ils
ne se comprennent plus
les uns les autres.
Ainsi, ils cessèrent
de b tir la ville, et de
l L’Éternel
les dispersa sur toute la
surface de la terre.
(Genèse 11 : 1-9)
Hayato Hirose
s’est inspiré
du célèbre récit
biblique selon
l’Ancien Testament
pour composer cette
œuvre programme
dramatique en sept
mouvements, qui
s’enchaînent
sans interruption.1. La
Tour de Babel2. Venus de
l’orient3. La
construction de la tour4.
L’espoir5. Les
inquiétudes de
l’Éternel6. La
confusion7. La
dispersion. $256.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tower Of Babel Sc/pts Full Score Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44007209 Composed by Haya...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44007209 Composed
by Hayato Hirose. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#1074199. Published by De
Haske Publications
(HL.44007209). UPC:
884088239725. 9x12
inches.
English-German-French-Dut
ch. Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God's Worry (De
zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Satzen, die ohne
Unterbrechung zu spielen
sind. Sie erzahlen
kunstvoll und detailreich
die Geschichte vom Beginn
des Turmbaus uber den
Zorn Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen uber die ganze
Welt. Ein grossartiges
Werk!
En 2006,
Hayato Hirose compose
Tower of Babel (La
Tour de Babel), une
œuvre dediee a son
professeur et maitre, le
compositeur belge Jan Van
der Roost. L'œuvre a
ete donnee en creation
mondiale, le 20 septembre
2006 a Louvain en
Belgique, par l'Orchestre
d'Harmonie de l'Institut
Lemmens place sous la
direction du
compositeur.Apres le
Deluge, les rescapes de
l'Arche de Noe eurent une
descendance nombreuse.
Partis de l'orient, ils
trouverent une vallee au
pays de Shinear et ils
s'y etablirent. Afin de
ne pas etre disperses sur
toute la surface de la
terre, ils deciderent de
batir une ville et une
tour - la Tour de Babel -
dont le sommet toucherait
le ciel.Inquiet du
dessein des fils des
hommes, l'Eternel
descendit pour voir la
ville et la tour qu'ils
batissaient. Il confondit
leur langage afin qu'ils
ne se comprennent plus
les uns les autres.
Ainsi, ils cesserent de
batir la ville, et de la
L'Eternel les dispersa
sur toute la surface de
la terre. (Genese 11 :
1-9) Hayato Hirose s'est
inspire du celebre recit
biblique selon l'Ancien
Testament pour composer
cette œuvre a
programme dramatique en
sept mouvements, qui
s'enchainent sans
interruption.1. La Tour
de Babel2. Venus de
l'orient3. La
construction de la tour4.
L'espoir5. Les
inquietudes de
l'Eternel6. La
confusion7. La
dispersion. $49.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tower of Babel Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1074199-140 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1074199-140
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2007. 52
pages. De Haske
Publications #DHP
1074199-140. Published by
De Haske Publications
(BT.DHP-1074199-140).
9x12 inches.
English-German-French-Dut
ch. Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God’s Worry
(De zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Sätzen, die
ohne Unterbrechung zu
spielen sind. Sie
erzählen kunstvoll und
detailreich die
Geschichte vom Beginn des
Turmbaus über den Zorn
Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen über die
ganze Welt. Ein
großartiges Werk!
En 2006, Hayato
Hirose compose Tower
of Babel (La Tour de
Babel), une
œuvre dédiée
son professeur et
maître, le compositeur
belge Jan Van der Roost.
L’œuvre a
été donnée en
création mondiale, le
20 septembre 2006 Louvain
en Belgique, par
l’Orchestre
d’Harmonie de
l’Institut Lemmens
placé sous la
direction du
compositeur.Après le
Déluge, les
rescapés de
l’Arche de Noé
eurent une descendance
nombreuse. Partis de
l’orient, ils
trouvèrent une
vallée au pays de
Shinéar et ils s'y
établirent. Afin de ne
pas être dispersés
sur toute la surface de
la terre, ils
décidèrent de b tir
une ville et une tour -
la Tour de Babel - dont
le sommet toucherait le
ciel.Inquiet du dessein
des fils des hommes,
l’Éternel
descendit pour voir la
ville et la tour
qu’ils b
tissaient. Il confondit
leur langage afin qu'ils
ne se comprennent plus
les uns les autres.
Ainsi, ils cessèrent
de b tir la ville, et de
l L’Éternel
les dispersa sur toute la
surface de la terre.
(Genèse 11 : 1-9)
Hayato Hirose
s’est inspiré
du célèbre récit
biblique selon
l’Ancien Testament
pour composer cette
œuvre programme
dramatique en sept
mouvements, qui
s’enchaînent
sans interruption.1. La
Tour de Babel2. Venus de
l’orient3. La
construction de la tour4.
L’espoir5. Les
inquiétudes de
l’Éternel6. La
confusion7. La
dispersion. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ceremonial Alto, Piano Theodore Presser Co.
Chamber Music Piano, Viola SKU: PR.114418460 Composed by Eric Ewazen. Set...(+)
Chamber Music Piano,
Viola SKU:
PR.114418460 Composed
by Eric Ewazen. Set of
Score and Parts. 8+2
pages. Duration 4
minutes. Theodore Presser
Company #114-41846.
Published by Theodore
Presser Company
(PR.114418460). ISBN
9781491134726. UPC:
680160641697. State
ly yet folklike,
CEREMONIAL is a graceful
4-minute work in
comfortable reach of
intermediate students,
and equally attractive
for advanced and
professional violists to
exercise their cantabile.
The slow-fast-slow form
offers a cheerful dance
in 3 that interrupts and
recedes from a
mostly-pentatonic and
memorable tune. $12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Balai for guitar Guitare [Conducteur] Fennica Gehrman
Guitar SKU: FG.55011-890-4 Composed by Lotta Wennäkoski. Classical, co...(+)
Guitar SKU:
FG.55011-890-4
Composed by Lotta
Wennäkoski. Classical,
contemporary. Score.
Fennica Gehrman
#55011-890-4. Published
by Fennica Gehrman
(FG.55011-890-4). ISBN
9790550118904. Lott
a Wennäkoski's Balai
for solo guitar (2009)
was inspired by the most
common technique on the
worldâs most common
instrument â
strumming. The Ballet
interlude momentarily
interrupts the rhythmic
continuum with its
decadent dance steps.
Balai is French for a
lute, a broom, or a dust
mop.
Duration:
9'. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Glitter, Doom, Shards, Memory [Conducteur] Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello SKU:
PR.11441690S
String Quartet No.
3. Composed by
Shulamit Ran. Sws.
Contemporary. Full score.
With Standard notation.
Composed March 9 2013. 32
pages. Duration 23
minutes. Theodore Presser
Company #114-41690S.
Published by Theodore
Presser Company
(PR.11441690S). UPC:
680160626021. 9 x 12
inches. Ran's third
string quartet was
written for the Pacifica
Quartet, who are
featuring it in numerous
performances from May
2014 through February
2016, across the country
and abroad. Their blog
page dedicated to the
work also features the
composer's notes, for
more indepth insight.
...impassioned solos
emerge from ominous
quiet, and high arpeggios
in the violins quiver
alongside the earthy
cello. Ms. Ran skillfully
deploys these extremes of
color, volume and pitch,
yet the overall somewhat
chilly impression is one
of poise. -- Zachary
Woolfe, The New York
Times. My third string
quartet was composed at
the invitation of the
Pacifica
Quartet, whose
music-making I have come
to know closely and
admire hugely as resident
artists at the University
of Chicago. Already
in our early
conversations Pacifica
proposed that this
quartet might, in some
manner, refer to the
visual arts as a point of
germination. Probing
further, I found out that
the quartet members had
special interest in art
created during the
earlier part of the 20th
century, perhaps between
the two world wars.Â
It was my good fortune to
have met, a short while
later, while in residence
at the American Academy
in Rome in the fall of
2011, art conservationist
Albert Albano who steered
me to the work of Felix
Nussbaum (1904-1944), a
German-Jewish painter
who, like so many others,
perished in the Holocaust
at a young age, and who
left some powerful,
deeply moving art that
spoke to the life that
was unraveling around
him. The title of my
string quartet takes its
inspiration from a major
exhibit devoted to art by
German artists of the
period of the Weimar
Republic (1919-1933)
titled “Glitter and
Doom: German Portraits
from the 1920sâ€,
first shown at New
York’s
Metropolitan Museum of
Art in 2006-07.Â
Nussbaum would have been
a bit too young to be
included in this
exhibit. His most
noteworthy art was
created in the last very
few years of his short
life. The
exhibit’s
evocative title, however,
suggested to me the idea
of “Glitter, Doom,
Shards, Memory†as
a way of framing a
possible musical
composition that would be
an homage to his life and
art, and to that of so
many others like him
during that era.
 Knowing that their
days were numbered, yet
intent on leaving a mark,
a legacy, a memory, their
art is triumph of the
human spirit over
annihilation. Parallel
to my wish to compose a
string quartet that,
typically for this genre,
would exist as
“pure musicâ€,
independent of a
narrative, was my desire
to effect an awareness in
my listener of matters
which are, to me, of
great human concern.
 To my mind there is
no contradiction between
the two goals. Â As in
several other works
composed since 1969, this
is my way of saying
‘do not
forget’, something
that, I believe, can be
done through music with
special power and
poignancy. Â Â The
individual titles of the
quartet’s four
movements give an
indication of some of the
emotional strands this
work explores. 1)
“That which
happened†(das was
geschah) – is how
the poet Paul Celan
referred to the Shoah
– the Holocaust.
 These simple words
served for me, in the
first movement, as a
metaphor for the way in
which an
“ordinaryâ€
life, with its daily flow
and its sense of sweet
normalcy, was shockingly,
inhumanely, inexplicably
shattered. 2)
“Menace†is a
shorter movement,
mimicking a Scherzo.
 It is also
machine-like, incessant,
with an occasional,
recurring, waltz-like
little tune –
perhaps the chilling
grimace we recognize from
the executioner’s
guillotine mask. Â Like
the death machine it
alludes to, it gathers
momentum as it goes, and
is
unstoppable. 3) â
If I must perish - do
not let my paintings
dieâ€; these words
are by Felix Nussbaum
who, knowing what was
ahead, nonetheless
continued painting till
his death in Auschwitz in
1944. Â If the heart of
the first movement is the
shuddering interruption
of life as we know it,
the third movement tries
to capture something of
what I can only imagine
to be the conflicting
states of mind that would
have made it possible,
and essential, to
continue to live and
practice one’s art
– bearing witness
to the events.
 Creating must have
been, for Nussbaum and
for so many others, a way
of maintaining sanity,
both a struggle and a
catharsis – an act
of defiance and salvation
all at the same
time. 4)
“Shards,
Memory†is a direct
reference to my
quartet’s title.
 Only shards are left.
 And memory.  The
memory is of things large
and small, of unspeakable
tragedy, but also of the
song and the dance, the
smile, the hopes. All
things human. Â As we
remember, in the face of
death’s silence,
we restore dignity to
those who are
gone.—Shulamit
Ran . $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasia Gregoriana, Op. 65 Schott
Study Score Orchestra (3 (3. auch Picc.) * 2 * Engl. Hr. * 2 * Bassklar. * 2 - 4...(+)
Study Score Orchestra (3
(3. auch Picc.) * 2 *
Engl. Hr. * 2 * Bassklar.
* 2 - 4 * 3 * 3 * 1 - P.
S. (Vibr. * Trgl. * 3 hg.
Beck. * Sizzle-Beck. *
Gong * Tamt.) (2 Spieler)
- Hfe. - Str.) SKU:
HL.49017992
Orchestra Study
Score. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Study Score. Classical.
Softcover. Composed 1977.
Op. 65. 32 pages.
Duration 8'. Schott Music
#ED20694. Published by
Schott Music
(HL.49017992). ISBN
9790001168977. UPC:
884088601867.
8.25x11.75x0.123
inches. The brief
Fantasia gregoriana,
op.65, is based on the
Gregorian Easter
Hallelujah. Like a
mosaic, the individual
heterogenic episodes,
lyrical, dance-like,
hymnal and dramatic in
turn, are combined
through the permanent
presence of the theme
into a unified whole.The
Gregorian Hallelujah is
present as a type of mode
in every bar of the work.
The subdued introduction,
characterised by the
tritonically transposed
structure of the original
material, is followed by
a sharply accentuated
presentation of the theme
in the bass. Over the
partially engarlanded
resolved variants, a
first bitonal climax is
reached (F minor and D
major simultaneously).
The dramatic development
is repeated, interspersed
with arioso
interruptions, until the
main idea is brought to
culmination in brilliant
instrumentation. The
final chord consists of
all notes of the
theme. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Hymn to the Thames Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.YKM570369270 Composed by Robert Saxton. Score Only. Com...(+)
Orchestra SKU:
BT.YKM570369270
Composed by Robert
Saxton. Score Only.
Composed 2021. 70 pages.
University of York Music
Press #YKM570369270.
Published by University
of York Music Press
(BT.YKM570369270).
A Hymn to the
Thames was commissioned
by James Turnbull and the
Music Director of the St
Paul’s Sinfonia, Andrew
Morley. It was begun in
2019 and completed early
in 2020. There are four
movements played without
a break, which follow the
Thames from its Cotswold
source to the North Sea.
As the first performance
took place in St
ALfege’s Church,
Greenwich, this seemed
appropriate. The solo
oboe represents both a
wanderer along the river
path and the spirit of
the river. The pitch
centres of the movements
spell out the musical
letters of the river
(tHAmES—B natural, A, E
and E flat) so that the
river’s name is
projected across the
whole work. In addition,
the musical letters found
in James Turnbull, Andrew
Morley and my wife,
Teresa Cahill ( who was
born in Maidenhead and
brought up by the river
in Rotherhithe) are
entwined in various
guises. The first
movement grows from the
depths, the soloist
entering with
fanfare-like gestures,
followed by lyrical music
and breaks into a dance
as the river gathers
momentum. The third
movement is slow and
sustained and
geographically the Thames
flows through Oxford. The
music is based on the
well-known In Nomine
‘head motif’ from the
Gloria tibi Trinitas Mass
by the early Tudor
composer, John Taverner,
who was the first
Director of Music at
Christ Church, Oxford.
The orchestra provides a
screen or veil above
which the solo oboe
dreams and ruminates.
This leads directly into
the fourth and final
movement which begins in
the depths once more,
interrupting the oboe’s
held note from the end of
the third movement. The
waters’ increasing
intensity and power are
represented throughout by
a moto perpetuo of quick,
steady semiquavers. Near
the close, the woodwind
play O Nata Lux by Thomas
Tallis, the great Tudor
composer who, with his
wife Joan, is buried in
St Alfege’s. Beneath
this, the lower strings
continue the fast
semiquaver movement of
the river and, above, the
violins are heard as a
halo of harmonics. At the
close, the oboe rises,
opening out to the
future, and celebrating
its voyage, while the
orchestra fades as the
river meets the sea. A
Hymn to the Thames lasts
approximately 17
minutes. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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