Performed by Duke Ellington. Arranged by Paul Murtha. Score and full set of parts. Young Band (Concert Band). Grade 3. Book only. Size 9x12 inches. Published by Hal Leonard.

Arranged by Mac Huff. (Showtrax Cd). Choral. CD only. Size 6.7x10.5 inches. 40 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB). Choral. Size 6.8x10.5 inches. 40 pages. Published by Hal Leonard.

By D Ellington. Arranged by D Wolpe. Jazz Ensemble Series. CD only. Size 2.5x4 inches. Published by Hal Leonard.

By Duke Ellington, arranged by William Zinn. Full score for 1st violin, 2nd violin, viola, cello and bass. 80 pages. Published by Alfred Publishing.

Arranged by Calvin Custer. Concert Band. Concert Band. Symphonic Band. Grade 4. Conductor Score. 44 pages. Duration 7:26

Arranged by William Ryden & ed. Sam Warsager. For 2nd Violin. String Orchestra Collection. Book. 20 pages. Published by Alfred Publishing.

Arranged by Calvin Custer. Arr. Calvin Custer. For Concert Band. Concert Band. Symphonic Band. Level: Medium Easy (grade III). Conductor Score and Parts. 284 pages. Duration 7:26. Published by Alfred Publishing.

(80 Classics, From Miles to Monk and More). By Various. Arranged by Various. For Piano/Keyboard. Piano Solo Songbook. Intermediate to Advanced. Softcover. 320 pages. Published by Hal Leonard

Jazz Piano Solos Series Volume 54. Composed by Various. Jazz Piano Solos. Jazz, Rock. Softcover. Published by Hal Leonard

Choral (Audio Sampler)

SKU: HL.1138397

Audio Sampler. Composed by Karey Kirkpatrick and Wayne Kirkpatrick. Recorded Promo - Stockable. Musicals. General Merchandise. Published by MTI (Music Theatre International) (HL.1138397).

UPC: 196288114222. 9.0x12.0x0.413 inches.

Travel back to the Renaissance for an hour of musical compedy gold in Something Rotten JR. Adapted from the Broadway hit that Time Out New York hailed as “the funniest musical comedy in at least 400 years,” Something Rotten! JR. celebrates one undeniable truth: “nothing's as amazing as a musical!” In the 1590s, brothers Nick and Nigel Bottom are desperate to write a hit play but are stuck in the shadow of that Renaissance rock star known as “The Bard.” When a local soothsayer foretells that the future of theatre involves singing, dancing and acting at the same time, Nick and Nigel set out to write the world's very first musical. But amidst the scandalous excitement of opening night, the Bottom Brothers realize that reaching the top means being true to thine own self, and all that jazz. Something Rotten! JR. features large song and dance numbers, and a wacky cast of over-the-top characters, each with their own moment to shine. Don't miss your chance to bring this history-twisting tale to your stage!

SKU: GI.G-9533

The Power of Metaphor in Artistry. Composed by James Jordan. Evoking Sound. Music Education. 224 pages. GIA Publications #9533. Published by GIA Publications (GI.G-9533).

ISBN 9781622772407.

All our truth, or all but a few fragments, is won by metaphor. We don’t grasp the meaning of a word or concept until we have a clear image to connect it with. — C.S. Lewis   Understanding artistry and those “things” that contribute to honest and direct musical expression are concepts that are both difficult to teach and difficult for us to understand as conductors and teachers. Born out of his teaching at The Choral Institute at Oxford each summer, James Jordan has realized the power of metaphor for teaching the highest artistic concepts involving human connection and deeper listening. The home of The Choral Institute at Oxford is St. Stephen’s House, the very place that C. S. Lewis worshipped. In this book, Jordan adapts Lewis’s love of powerful and effective metaphors. Jordan uses metaphors as a guide to help conductors engage the most profound the concepts of artistry in music, concepts that are often elusive to teach or learn. These metaphors can be effective doorways to understand our role as artist teacher/conductors in new and vibrant ways. In this book, Jordan explores: The metaphor of conductor as a refractive prism connecting musicians to conductors within constant communicative connection The light-generating source for conductors The power of abiding Polishing one’s metaphorical prism for the most powerful refraction to others Rethinking the “sublime” in music making Understanding and avoiding musical “kitsch” The power of predictive audiation as ultimate trust The artist’s necessary journey into loneliness   GRAMMY-nominated conductor James Jordan is Professor and Senior Conductor at Westminster Choir College in Princeton, New Jersey. He is conductor of the internationally acclaimed Westminster Williamson Voices and the Westminster Schola Cantorum, and is Artistic Director and Conductor of The Same Stream (thesamestreamchoir.com). He is Director of The Westminster Conducting Institute and is Co-Director along with James Whitbourn of The Choral Institute at Oxford. James Jordan talks about his new work, Conductor As Prism:.

Piano Solo - advanced

SKU: FD.FD0321

Composed by Bernard De Vienne. Claviers. Score. Duration 15-20 minutes. Editions Francois Dhalmann #FD0321. Published by Editions Francois Dhalmann (FD.FD0321).

ISBN 9790560243214.

Work for solo piano. My snapshots are scribblings in pencil or ink, with a little color, and that's all -Kees van Dongen. This collection of short pieces is neither akin to sketches nor to studies, nor to preludes, nor to variations in the classical meaning of the word. They are like the rough drawings that make up a kind of travel notebook, and as such they demand a piano writing that involves widely varied musical gestures. This multiplicity of very different motifs crates sudden ruptures in the sonic atmosphere. This writing doesn't develop but rather hints at things in order to reach equilibrium between light and deep. A play on variants of the core motifs runs right through across the work. Each piece centers on a motif or a group of motifs in particular that builds the shape of a palindrome.