Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Italian Concerto qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 1160. / Piano / Chanson En Séparée

Vier Duette, Goldberg-Variationen. Par BACH JOHANN SEBASTIAN. Outre la grande cantate pour l’élection du conseil municipal de Mühlhausen (dite Ratswahl-kantate) et l’Offrande musicale, la collection Clavier-Übung fait partie des rares oeuvres de Bach éditées de son vivant. Cette collection est constituée de quatre parties dont la première comprenant les six partitas parut en 1731 tandis que les parties II à IV parurent respectivement en 1735, 1739 et 1741/42. Les oeuvres réunies dans le présent volume sont issues de ces der-nières. Le concerto italien et l’Ouverture dans le style français constituent la deuxième partie et pro-posent une sorte d’imitation au clavier de la musique orchestrale française et italienne de l’époque. Les Quatre duosfigurent dans la partie III de la Clavier-Übung aux côtés d’importantes oeuvres pour orgue, mais leur écriture à deux voix convient parfaitement au pia-no ou au clavecin. Enfin, les Variations Goldberg constituaient la quatrième partie de la Cla-vier-Übung au moment de leur publication. Selon Forkel, premier biographe de Bach, un comte de Keyserlingk avait commandé à Bach de la musique dont son claveciniste Johann Gottlieb Goldberg devait pouvoir lui jouer des morceaux «doux et de caractère plutôt gai» pendant ses nuits d’insomnie. Commande dont ont résulté des chefs-d’oeuvre de premier plan. / Partition reliée / Répertoire / Piano

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Italian Concert BWV 971 qui a été écrite pourPiano. Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50057. / Piano / Partition

80 pièces pour piano du répertoire baroque, des compositeurs tels que J.S. Bach, Couperin, Handel, Purcell, et Scarlatti. Comprend notamment : les deux suites françaises et le Concerto italien de J.S. Bach, les seize sonates de Scarlatti, et bien d'autres. / Piano

Arrangeur: Fernand Oubradous. Par VIVALDI. Antonio Vivaldi (1673-1741) was an Italian composer, violinist and teacher in the Baroque era. His name has become synonymous with the series of Violin concertos known as the Four Seasons, but he also wrote over 500 other concertos for various instruments, as well as dozens of operas and several sacred works. The Concerto No. 23 (RV 425) was written in 1725. Set in the key of C major, it was originally scored for solo Mandolin with String Orchestra and Continuo Bass (Cembalo). It has been arranged for Guitar or Mandolin with Piano accompaniment by the French composer Fernand Oubradous ./ Répertoire / Guitare et Accompagnement Piano

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed 'in the style of Bach? some two centuries later. Nevertheless, the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian. / Violoncelle Et Piano

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano

Dal Gloria Rv 589 Per 2 S. E C., 4 Voci Miste E Orch. Par VIVALDI ANTONIO. Italian/ Répertoire / Choeur

Per chitarra e archi – Revisione di Ruggero Chiesa. Par GIULIANI / CHIESA. Italian/ Répertoire / Guitare et Piano

In Fa Rv 538 F.X-1 - Tomo 91. Par VIVALDI ANTONIO. Italian/ Répertoire / 2 Cors

tomo III. Par GABRIELI ANDREA. The Concerti di Andrea, et di Gio: Gabrieli [. . . ] continenti musica di chiesa, madrigali, et altro, per voci, et stromenti musicali, à 6. 7. 8. 10. 12. et 16 were published posthumously in Venice in 1587. Vol. III of this four-volume critical edition includes fourteen 6-, 7- and 8-part madrigals. Undoubtedly, these materials were largely conceived for use on special occasions – though, to date, it has been possible to identify nothing but an invitation to a banquet, a composition in praise of an unspecified «Sienese gentlewoman», and a homage to Henry of Valois who, in 1574, passed through Venice en route from Poland to his coronation at Reims as king of France. ThePreface, in English and Italian, historically contextualizes the repertoire, briefly describes the poetic texts (discussed in greater detail in vol. III of the Historical and Critical Introduction to the Complete Works), and provides a panorama of the compositional techniques applied by Gabrieli to this variegated sequence of madrigals, which include several «dialoghi» and other double-choir compositions. / Classique / Date parution : 1905-07-09/ Répertoire / Choeur