SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707549

Composed by Peter Schindler. Contemporary Choir Music. Organ. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Single Part, Organ. 12 pages. Duration 15 minutes. Carus Verlag #CV 27.075/49. Published by Carus Verlag (CA.2707549).

ISBN 9790007200091. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707508

Composed by Peter Schindler. Contemporary Choir Music. Cantus firmus. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choir part. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.075/08. Published by Carus Verlag (CA.2707508).

ISBN 9790007200077. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative blaserfassung: oboe, english horn, bassoon, bass-trombone), organ - Level 2

SKU: CA.2707509

Composed by Peter Schindler. 1x 27.075/31 trumpet 1, 1x 27.075/32 trumpet 2, 1x 27.075/33 trumpet 3, 1x 27.075/34 trombone, 1x 27.075/35 tuba, 1x 27.075/41 timpani. Contemporary Choir Music. Harmony parts. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Set of Orchestra Parts. Duration 15 minutes. Carus Verlag #CV 27.075/09. Published by Carus Verlag (CA.2707509).

ISBN 9790007200084. Language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and parts available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707506

Composed by Peter Schindler. Contemporary Choir Music. Soprano. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choir part. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.075/06. Published by Carus Verlag (CA.2707506).

ISBN 9790007200060. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707505

Composed by Peter Schindler. Contemporary Choir Music. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choral Score. 24 pages. Duration 15 minutes. Carus Verlag #CV 27.075/05. Published by Carus Verlag (CA.2707505).

ISBN 9790007161613. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score available separately - see item CA.2707500.

Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2, Violin 3

SKU: CF.AS144

Composed by William Grant Still. Arranged by Todd Parrish. Set of Score and Parts. 10+2+24+16+10+10+16 pages. Carl Fischer Music #AS144. Published by Carl Fischer Music (CF.AS144).

ISBN 9781491160602. UPC: 680160919192.

Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African American Composers”, William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedSymphony No. 1, the Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race”, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.

Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2, Violin 3

SKU: CF.AS144F

Composed by William Grant Still. Arranged by Todd Parrish. Full score. 16 pages. Carl Fischer Music #AS144F. Published by Carl Fischer Music (CF.AS144F).

ISBN 9781491160893. UPC: 680160919499.

Often referred to as the Dean of African-American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed first symphony, Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African-American Composers,” William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedfirst symphony, Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race,” infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.

SATB soli, SATB choir, soprano saxophone, Vibraphone, Rhythm Section and organ accompaniment - Late Intermediate

SKU: MN.CH-1276

Composed by Dale Jergenson. St. Cyril's Music Series. 21st Century. Choral score. Laurendale Associates #CH-1276. Published by Laurendale Associates (MN.CH-1276).

Missa Populi (Mass or Music of the People) came about as a result of a desire to combine the elements of contemporary musical expression with that of the current Catholic Liturgy. The only deviation from current practice is the setting for the Credo which is not usually set to music in the Masses of today. It uses the concept of the old beatnik coffe house poets reading their poetry to a background of some sort of music, mostly jazz. It is noteworthy that the Credo was composed in the Bartok Cottage in Saranac Lake, New York on July 21st, 2005.

Orchestra Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt]) - Level 4

SKU: CA.2801005

Composed by Wolfram Buchenberg. Sacred vocal music, Masses, Latin. Choral Score. Duration 32 minutes. Carus Verlag #CV 28.010/05. Published by Carus Verlag (CA.2801005).

ISBN M-007-25232-8. Latin.

Wolfram Buchenberg's Missa ad maiorem Dei gloriam in Latin for big band, chorus, and baritone is a good half hour in duration. In the Kyrie the composer takes as his theme people's deep-seated fear and its overcoming through faith; the Gloria and Sanctus/Benedictus express overwhelming joy, and the Dona nobis in the Agnus Dei dies away in a mood of weightless floating. This absolutely thrilling setting of the mass, influenced by Latin jazz, suitable for concert or equally for liturgical performance, requires a large, well-rehearsed chorus and big band.

Piano

SKU: DB.01-00683

Fur Klavier. Composed by Mathias Ruegg. Keyboard music. Doblinger Music Publishers #01-00683. Published by Doblinger Music Publishers (DB.01-00683).

ISBN 9790012201045.

In diesem Stuck stehen keine Spielangaben, es ist dem Interpreten zur freien Gestaltung uberlassen. Und auch hier gibt es wieder zwei grundsatzlich verschiedene Interpretationsmoglichkei ten. Man kann es eher klassisch oder eher jazzmassig spielen. Dieser Streifzug durch die harmonische Welt des 20. Jahrhunderts lasst beides zu, wobei es neben der rhythmischen Auffassung noch einen weiteren, nicht unwesentlichen Unterschied gibt. Wahrend man in der Klassik bei Akkorden in der rechten Hand tendenziell die oberste Note leicht heraushebt, wird das im Jazz nicht so gemacht. Alle Tone sind gleich anzuschlagen, denn nur dann kann sich der Klang eines Akkordes vollstandig entfalten. Und Klassiker werden dieses Stuck wahrscheinlich schneller und damit virtuoser als ,,Jazzmusiker spielen, wobei naturlich manche Stellen dazu geradezu verleiten sollen. Etwas anders verhalt es sich bei den wiederkehrenden Sechzehntelketten. Wenn man diese Passagen sehr genau phrasiert, dann sollte man sie nicht zu schnell nehmen. Aber in Wahrheit habe Sie jede Freiheit, und deswegen sollte sie sich auch nehmen. Doch hier noch ein kleiner Tipp: es gibt ein paar Stellen (eine verrate ich Ihnen hier: Takt 222), wo ein Subitopiano Wunder wirkt, gerade dann, wenn man es am wenigsten erwartet. Das Stuck ist ubrigens Paul Gulda gewidmet, mit dem mich eine langer dauernde musikalische Freundschaft verbindet, und der mehrere Stucke von mir uraufgefuhrt hat. (M. Ruegg).

Concert Band/Harmonie and Baritone/Euphonium (Score & Parts) - Grade 5

SKU: HL.44011353

Composed by Thomas Doss. Mitropa Music Concert Band. Solo & Concerto. Score Only. Composed 2007. Hal Leonard #149107M. Published by Hal Leonard (HL.44011353).

UPC: 884088892418. 9x12 inches. English(US)/Deutsch/Franc ais/Nederlands.

Sir Eu was commissioned by the regional music authority of Upper Austria and the brass band SoundINNBrass. The composition was meant to be very virtuoso and was written for the euphonium player Steven Mead, who premiered it and has played it regularly worldwide. The title Sir Eu alludes to the master of the euphonium himself, and also to the concept of Europe. From jazz through romanticism to folkloristic elements - this work offers everything that the musical heart could wish for!

Sir Eu is geschreven in opdracht van de deelstaat Opper-Oostenrijk en de brassband SoundINNBrass. De compositie moest heel virtuoos zijn - toegesneden op de talenten van euphoniumspeler Steven Mead, die de premiere voor zijnrekening nam en het werk overal ter wereld heeft gespeeld. De titel verwijst naar deze meester op het euphonium, maar ook naar het Europese beginsel. Van jazz en romantiek tot folkloristische elementen biedt dit werk alles wat hetmuzikale hart begeert.

Sir Eu wurde von der oberosterreichischen Landemusikdirektion und der Brass Band SoundInn-Brass in Auftrag gegeben. Das Stuck sollte ausserst virtuos und massgeschneidert fur den Euphoniumspieler Steven Mead sein, der es urauffuhrte und bis heute weltweit regelmassig spielt. Der Titel Sir Eu ist eine Anspielung auf den Meister des Euphoniums und zugleich an den europaischen Gedanken. Von Jazz uber Romantik bis hin zu Folklore-Elementen ist in diesem Stuck alles zu finden, was das musikalische Herz begehrt.

Sir Eu est une œuvre de commande conjointe du Comite Regional pour la Musique de Haute-Autriche et du Brass Band SoundINNBrass. Cette composition, taillee sur mesure pour le maitre de l'euphonium Steven Mead, est d'une grande virtuosite. Steven Mead en assura d'ailleurs la creation et la promotion sur les scenes du monde entier. Le titre fait reference a la fois au dedicataire de la piece et au concept europeen. Du jazz aux elements traditionnels en passant par des couleurs plus romantiques, cette piece contient tous les ingredients pour un succes grand public !

Sir Eu was commissioned by the regional music authority of Upper Austria and the brass band SoundINNBrass. The composition was meant to be very virtuoso and was written for the euphonium player Steven Mead, who premiered it and has played it regularly worldwide. The title Sir Eu alludes to the master of the euphonium himself, and also to the concept of Europe. From jazz through romanticism to folkloristic elements - this work offers everything that the musical heart could wish for!

Female gospel soloist, SATB choir & jazz ensemble (pno, bass, drum kit, sax (sop/alto - 1 player), tpt, tbn, timp/perc) - Moderately Difficult

SKU: OU.9780193523807

Composed by Will Todd. Choral Works (inc. Oratorios). Vocal score. 120 pages. Duration 40'. Oxford University Press #9780193523807. Published by Oxford University Press (OU.9780193523807).

ISBN 9780193523807. 11 x 9 inches.

For female gospel soloist, SATB, and jazz ensemble Passion Music continues the fusion of jazz and choral music so successfully blended in Todd's Mass in Blue. The structure highlights different points in the Passion story, including a new setting of 'Greater love has no man' and an evocative Stabat Mater.

Female gospel soloist, SATB choir & jazz ensemble (pno, bass, drum kit, sax (sop/alto - 1 player), tpt, tbn, timp/perc) - Moderately Difficult

SKU: OU.9780193525658

Composed by Will Todd. Choral Works (inc. Oratorios). Score and parts. 360 pages. Duration 40'. Oxford University Press #9780193525658. Published by Oxford University Press (OU.9780193525658).

ISBN 9780193525658. 12 x 9 inches.

For female gospel soloist, SATB, and jazz ensemble Passion Music continues the fusion of jazz and choral music so successfully blended in Todd's Mass in Blue. The structure highlights different points in the Passion story, including a new setting of 'Greater love has no man' and an evocative Stabat Mater.

Jazz Ensemble plus 5th Trumpet - Grade 3

SKU: KN.61770S

Composed by Jeff Jarvis. Jazz Journey. Kendor Music Inc #61770S. Published by Kendor Music Inc (KN.61770S).

UPC: 822795617702.

Given the widespread popularity of Jeff Jarvis' Critical Mass, Honk, and Slingshot, you're going to love his latest funk original for advancing groups. A solid, catchy funk groove coupled with a rich chord progression gives it plenty of audience appeal. Solos are offered to 2nd and 4th Trumpets. Each set also includes a guitar chord chart by Jim Greeson, and rhythm section parts are partially notated with chords cued. Duration 4:55. Available in SmartMusic.

Concert Band - Grade 4

SKU: AP.51020S

Composed by Brian Balmages. Concert Band; Performance Music Ensemble; Single Titles. MakeMusic Symphonic Band. Jazz. Score. Duration 4:00. MakeMusic #00-51020S. Published by MakeMusic (AP.51020S).

ISBN 9781470667955. UPC: 038081586830. English.

Close your program with this non-stop, energetic barnburner that combines elements of dance, jazz, and Latin grooves! As its title suggests, Rail Riffs feels like one massive party on rails that is certain to bring down the house. Brian Balmages pours on the coal, making this one ride you will not want to end! (4:00).

Guitar

SKU: BT.VOLMB587

Arranged by Alex Stornello and Massimiliano Chiaretti. Studies & Exercises. Book Only. 266 pages. Volonte e Co #VOLMB587. Published by Volonte e Co (BT.VOLMB587).

ISBN 9788863885866. Italian.

Uno studio approfondito sullimprovvisazione jazz a note singole per chitarra, con una straordinaria quantit di informazioni utili (spiegazioni, esempi, tecniche e applicazioni) di grande aiuto per i chitarristi che vogliono avvicinarsi allo studioe alla pratica della musica jazz.Un libro unico nel suo genere, così definito da tanti grandi chitarristi jazz, quali Kenny Burrell, Ben Monder, Vic Juris, Bruce Saunders, Henry Johnson.

From Passion Music. Composed by Will Todd. Sacred choral - mixed voices. Vocal score. 12 pages. Duration 5'. Oxford University Press #9780193524835. Published by Oxford University Press

SATB choir

SKU: CA.2706500

Aus: Missa in Jazz. Composed by Peter Schindler. Contemporary Choir Music. German title: Agnus Dei (Arr.). Mass sections. Full score. Composed 2001/2012. 8 pages. Carus Verlag #CV 27.065/00. Published by Carus Verlag (CA.2706500).

ISBN 9790007141172. Language: Latin.

(Solo S, Coro SATB (mit Stimmteilungen u. Chorsoli), Vl, Bandoneon (Akkordeon), Pfte, Cb, Drums, Perc) - Grade 4

SKU: CA.2800705

Composed by Bobbi Fischer. Choral Score. Duration 35 minutes. Carus Verlag #2800705. Published by Carus Verlag (CA.2800705).

ISBN 9790007338657. Latin.

The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), piano, double bass, drums and percussion. The word latina not only refers to the Latin text, but also to the musical style which makes use of Latin-American rhythms. Thus elements from Argentinian tangos stand side by side with Caribbean rhythms and Latin jazz with enough space provided for instrumental improvisations. Score available separately - see item CA.2800700.

Orchestra (Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt])) - Level 4

SKU: CA.2801003

Composed by Wolfram Buchenberg. Vocal score. Duration 32 minutes. Carus Verlag #2801003. Published by Carus Verlag (CA.2801003).

ISBN 9790007296629. Latin.

An absolutely thrilling setting of the mass, influenced by Latin jazz, for large chorus, big band, and baritone. The composer takes as his theme people's deep-seated fear and its overcoming through faith. Suitable for concert or equally for liturgical performance

Vocal

SKU: HL.49002726

Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical, Opera. Piano reduction. Composed 1973-1976. 358 pages. Duration 70'. Schott Music #ED 11253. Published by Schott Music (HL.49002726).

ISBN 9781495076602. UPC: 073999930863. 8.75x11.5x1.128 inches. English - German.

Splintered and rich in reference as Tippett's operas are in their music and in their text, they carry at their heart a glowing confidence in the power ofhuman beings to find a centre and, from that centre, to sing. In The Ice Break that confidence has a global reach. The settings are anonymous: an airportlounge, a hospital, the street. For the first time since The Midsummer Marriage, Tippett uses a chorus, here to represent the mass of humanity, whose divisions are pointed in the central cast: divisions between generations, between sexes, between races, between exile and native. Lev arrives in a new world to join his wife Nadia, who had emigrated with their baby son, Yuri. Also at the airport are Yuri's girlfriend Gayle and her friend Hannah, there to meet the black 'champion', Olympion together with his fans. Out of a series of violent tensions, individual and collective, there develops a riot in which Olympion and Gayle are killed and Yuri is near-fatally wounded. Nadia dies peacefully. During an interlude in which a group attempts a psychadelic 'trip', the messenger, Astron, is mistaken for God - a claim he dismisses ironically. Yuri is operated on by Luke, a young doctor, and, released from the cracking plaster, he finds reconciliation with his father.(Paul Griffiths)

2 (2pic).2.ca.2 (Ebcl)*bcl.2.cbn-4.2.3.1- timp.7perc (s.d., t.d., b.d., slit dr., 5 tuned dr., jazz kit, timbales, bng., cym., sus.cym., w.bl., t.bl., cast., wh., tri., large tri., sleigh bells, flexatone, tam-tam, xyl., vib., glock., tub.bells, claves, guiro, glass chimes, bamboo wind chimes, metal bar, wind machine)-hrp.pno.cel.elec tric organ.egtr.bgtr-str.

SATB choir, cantor, voice solo, assembly, piano accompaniment, guitar - Beginning

SKU: GI.G-7519

Composed by Paul Melley. Advent 2 C, Lent 5 C, Ordinary Time 30 B. Leavensong Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7519. Published by GIA Publications (GI.G-7519).

UPC: 785147751908. English. Text Source: Psalm 126:1–6, NAB, ref.: Lectionary for Mass Scripture: Psalm 126:1–6.

Thi s setting of Psalm 126, expressing the melancholy of captivity as well as thanksgiving for deliverance, is more syncopated and upbeat than most. The melodic repetition in the refrain makes it easy for the assembly to respond, and the harmonization is jazzy and wistful. Youth and adult choirs will love this piece, plus there's a chance for solo or section to shine on the verses. Appropriate for Advent, Lent, and Ordinary Time (30B). For cantor or soloist.

By Michael Barrett and Pamela Martin. For SA(T)B Choir (SA(T)B). Shawnee Press. 12 pages. Shawnee Press #D5540. Published by Shawnee Press

SKU: HL.1340669

Foreword by Joe Bonamassa. Book. Blues Reference, Guitar Reference, Jazz Reference. Hardcover. 290 pages. Published by Centerstream Publications (HL.1340669).

ISBN 9781574244199. UPC: 196288189541. 8.5x11.0x0.888 inches.

Introduced by Gibson in the 1930s, the ES (Electric Spanish) series would transform the role of the guitar in the world of the big bands and jazz groups. With amplification, the guitarist could solo along with the horn sections and mix with the percussion. Gibson featured many prominent guitarists naming them “Gibson Allstars.” An inspired marketing tool which helped Gibson become a world-leading manufacturer. The ES-5, Super 400s, artist models and hugely popular ES-175 were brand leaders. The 175 is the longest-running model still in production. It was the thin line series which caught the attention of the blues and rock world who appreciated the power and tone they produced. The classic “thin line” design was hugely popular as an alternative to the solid body type offering the ability to control feedback in a harmonic way. The ES series is an art form in its own right and are played and collected by guitar aficionados from all parts of the world.

8-part Trombone Ensemble - int to advanced

SKU: CY.CC2972

Composed by John Frith. Latin Rock/Jazz. Score and parts. 24 pages. Cherry Classics #2972. Published by Cherry Classics (CY.CC2972).

ISBN 9790530057919.

BIG RIFF is a new work by John Frith for 8-part Trombone Ensemble. It was written as the opening Anthem for Trombonanza 2017, which is a festival takes place annually in the town of Santa Fe, Argentina.
Mr. Frith was commissioned to compose this work to open the Festival.
The music is about 5 minutes in length and features strong Latin rhythms throughout. The work builds and builds as it adds layers of complexities including a jazz solo for one of the players.
The all the middle parts are playable by intermediate performers. Part 1 can be performed on alto or tenor and goes up to high f's. Part 8 is quite low.
The work ends in a big climax after building up throughout. Very fun work to perform with a massed group.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.