Psalm 83. Grand
Motet. Composed by
Jean-Philippe Rameau.
Edited by Jean-Paul C.
Montagnier. This edition:
paperback. French Sacred
Music. Quam Dilecta
Tabernacula (Psalm 83).
Sacred vocal music,
Psalms, Latin, Psalms.
Full score. 56 pages.
Duration 20 minutes.
Carus Verlag #CV
21.006/00. Published by
Carus Verlag
(CA.2100600).
ISBN
9790007142162. Text
language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751.
SST(A)TTB vocal soli or
choir, ST(A)TB voices, 2
flutes, 2 oboes, 2
violins, 2 violas, cello,
piano
SKU:
CA.2100700
Psalm
45. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
This edition: Paperbound.
French Sacred Music. Deus
Noster Refugium (Psalm
45). Sacred vocal music,
Psalms, Latin, Psalms.
Full score. 68 pages.
Duration 26 minutes.
Carus Verlag #CV
21.007/00. Published by
Carus Verlag
(CA.2100700).
ISBN
9790007142179. Language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751.
Psalm
45. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
French Sacred Music. Deus
Noster Refugium (Psalm
45). Sacred vocal music,
Psalms, Latin, Psalms.
Set of Orchestra Parts.
Duration 26 minutes.
Carus Verlag #CV
21.007/19. Published by
Carus Verlag
(CA.2100719).
ISBN
9790007197872. Language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751. Score and parts
available separately -
see item CA.2100700.
ISBN
9790006558131. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier.
The main
body of the new edition
of Les Indes galantes,
published in Opera Omnia
Rameau (OOR IV.2, 7),
restores the version
authorised by Rameau in
1736. This basic
editorial decision has
made it possible to
present a fully coherent
and authenticated reading
of the work (after the
adjustments from the
earliest performances).
All other versions before
and after 1736 are
gathered together in 19
complements.
Sylvi
e Bouissou's new edition
differs markedly from
previous modern editions
and all existing
recordings. With its
complements she does
justice to the
performer's need for
Rameau's various
revisions while finally
making accessible a
version actually
authorised by Rameau. For
the first time it is
presented in its complete
stylistic and dramatic
context.
About
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Urtext
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558209. 33.5 x
25.7 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
The opera
“Naïs†was
premiered on 22 April
1749 at the Acadmie
royale in the
Palais-Royal, Paris, in
celebration of the
signing of the so-called
Treaty of Aachen. It was
revived again in August
1764 shortly before
Rameau’s death and
achieved great success as
the “opera of
peace,†even though
it did not appear in
print during the
composer’s
lifetime.
In
numerous arias Rameau
provides his singers
ample opportunity to
shine, while he reveals
his orchestral mastery,
in particular in the
chaconne and the various
other ballets.
The
work appears here for the
first time in a vocal
score with a keyboard
reduction. The reduction
is by François
Saint-Yves on the basis
of the new critical
edition by Pascal
Dencheau which is part of
Opera Omnia Rameau edited
by Sylvie
Bouissou.
This
edition is the result of
a meticulous comparison
of all known musical
sources. In the main
section, it presents the
version that Rameau
approved for the
performances of 1749. The
appendix contains those
passages that the
composer cut during the
rehearsals in 1749 and
all changes that he
undertook for the 1764
revival.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Vocal soli, choirs and instruments SKU: FZ.5936 Composed by Jean-Philippe...(+)
Vocal soli, choirs and
instruments
SKU:
FZ.5936
Composed by
Jean-Philippe Rameau.
Edited by Pascal Duc.
This edition: Facsimile.
La Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5936).
ISBN
9790230659369. 23.50 x
31.50 cm
inches.
This
facsimile of an original
by Jean-Philippe Rameau
is part of our French
classical music
collection. Preface by
Pascal Duc: history,
bibliography - index of
the pieces - complete
text of Les Indes
Galantes - Rameau's
preface. Beautifully
engraved, very legible
and elegant. The preface
is remarkably well
documented. This version
can be attributed to the
great success of Rameau's
opera-ballet. Pieces for
harpsichord. For the
details of each Concert,
please contact us.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Municipal Library of Lyon
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
SST(A)TB vocal soli or choir, basso continuo SKU: CA.2100900 Motette(+)
SST(A)TB vocal soli or
choir, basso continuo
SKU: CA.2100900
Motette. Composed
by Jean-Philippe Rameau.
Edited by Jean-Paul C.
Montagnier. French Sacred
Music. German title:
Laboravi. Grand Motet.
Sacred, Motets. Full
score. 8 pages. Duration
3 minutes. Carus Verlag
#CV 21.009/00. Published
by Carus Verlag
(CA.2100900).
ISBN
9790007111151. Language:
Latin.
In addition
to three Motets for Soli,
Choir and Orchestra only
the Motet Laboravi has
survived from the sacred
music of Rameau. Laboravi
was published in Rameaus
Traite de l'harmonie
reduite a ses principes
naturels in the chapter
about the fugue as an
exampel. But she was
probably composed around
1700. Transposed version
(whole tone higher):
Carus 3.352/40.
ISBN
9790006523368. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558216. 33.7 x
25.8 cm inches. Text
Language: French.
Preface: Bouissou, Sylvie
/ Kocevar, Érik.
Text: Charles
Colle.
The heroic
pastoral Daphnis et Egl
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version—which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas—but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Th
e first version of
“Dardanusâ€,
which was performed at
the end of 1739, was
composed apparently in
only six months and marks
a particularly productive
phase in Rameau’s
career. In a period of
only six years five of
his major works were
performed at the Acadmie
Royale de Musique in
Paris. The theme is
taken from Greek
mythology: The opera
describes the war between
Teucer (the future
founder of Troy), his
Phrygian people and the
army of Dardanus.
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expect from a Barenreiter
Urtext
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera-ballet with one
prologue and 3 acts.
Composed by Jean-Philippe
Rameau. Edited by Julien
Dubruque. Arranged by
François Saint-Yves.
This edition: urtext
edition. Paperback.
Versions of 1746 and
1745. Vocal Score. RCT
59. Baerenreiter Verlag
#BA08859_90. Published by
Baerenreiter Verlag
(BA.BA08859-90).
ISBN
9790006558155. 27 x 19 cm
inches. Text Language:
French. Preface:
Dubruque, Julien. Text:
Voltaire.
Rameau's
only surviving opera
based on a libretto by
Voltaire has survived in
two versions (1745 and
1746), whereby the 1745
version was long
considered lost. Volume
IV.12 of the seriesOpera
omnia Rameaupresents a
complete edition which
enables performances of
both versions.
Voltaire refers to
Metastasio in his
libretto in that he
wishes to liberate the
opera from the gallant
milieu and to make it a
moralizing stage work
that is equally edifying
and political. After a
prologue dedicated to
envy personified, the
tyrants Belus and Bacchus
are chased out of the
Hall of Fame and finally
Trajan is crowned with
laurels for defeating the
rebels, forgiving them
and ultimately turning
the Hall of Fame into a
public temple.
The music contains
many remarkable passages,
such as a richly
orchestrated overture,
the famous
monologueProfonds abimes
du Tenarewith obbligato
bassoons, and Trajan's
artful final sceneRamage
d'oiseaux.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier
and Sylvie Bouissou. This
edition: complete
edition, urtext edition.
Linen. Jean-Philippe
Rameau. Opera Omnia (OOR)
III/1. Performing
editions - BA 8946 and BA
8948. Complete edition,
Score, anthology.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA08855_00.
Published by Baerenreiter
Verlag (BA.BA08855).
ISBN 9790006533435.
33.6 x 25.8 cm
inches.
Ausgaben
fur die Praxis hierzu
siehe BA 8946 und BA
8948.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera-ballet with one prologue and 3 acts. Composed by Jean-Philippe Rameau ...(+)
Opera-ballet with one
prologue and 3 acts.
Composed
by Jean-Philippe Rameau
(1683-1764). Edited by
Julien
Dubruque. This edition:
complete edition, urtext
edition. Cloth bound.
Jean-
Philippe Rameau. Opera
Omnia
(OOR) IV/12. Versions of
1746
and 1745. Complete
edition,
Score. RCT 59.
Baerenreiter
Verlag #BA08859-01.
Published
by Baerenreiter Verlag
(Ballet buffon en un prologue et trois actes). Composed by Jean-Philippe Rameau ...(+)
(Ballet buffon en un
prologue et trois actes).
Composed by Jean-Philippe
Rameau (1683-1764).
Edited by M. Elizabeth C.
Bartlet. For singing
voice/choir/orchestra.
This edition: Complete
edition, Urtext edition.
Linen. Jean-Philippe
Rameau. Opera Omnia (OOR)
IV/10. Score. Duration 3
hours. Published by
Baerenreiter Verlag
Composed by Jean-Philippe
Rameau. Arranged by Eric
Vireton. Arrangement.
Classical. Score and Set
of Parts. FLEX Editions
#FX074471. Published by
FLEX Editions
(FL.FX074471).
Instruments:Flu
te Quintet: 1 Piccolo 4
Flutes; Difficuly Level:
Grade 2; Duration: 3 mn
20 s; Musical Style:
Classical; Category:
Arrangement; Composer:
Jean-Philippe RAMEAU;
Arranger: Eric
VIRETON.
Pigmalion RCT 52 Soli, choeur mixte et accompagnement Barenreiter
Acte de ballet. Composed by Jean-Philippe Rameau (1683- 1764). Edited by Nath...(+)
Acte de ballet. Composed
by
Jean-Philippe Rameau
(1683-
1764). Edited by Nathalie
Berton-Blivet. This
edition:
complete edition, urtext
edition. Cloth bound.
Jean-
Philippe Rameau. Opera
Omnia
(OOR) IV/16. Complete
edition, Score, Urtext
Edition. RCT 52.
Baerenreiter Verlag
#BA08861-01. Published by
Baerenreiter Verlag
Composed by Jean-Philippe
Rameau. Arranged by Eric
Vireton. Arrangement.
Classical. Score and Set
of Parts. FLEX Editions
#FX074474. Published by
FLEX Editions
(FL.FX074474).
Composed
by Jean-Philippe Rameau.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074473.
Published by FLEX
Editions (FL.FX074473).
Composed
by Jean-Philippe Rameau.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074470.
Published by FLEX
Editions (FL.FX074470).
