14 Appealing Piano Arrangements. Arranged by Carol Matz. Book; Piano Collection; Piano Supplemental. Famous and Fun. Chanukah; Folk; Jewish Heritage; Recital; Winter. 32 pages. Published by Alfred Music (AP.44763).

(21 Well-known Hebrew Melodies). Arranged by Renee and David Karp. For Piano. Piano Collection. Jewish Heritage. Level: Elementary. Book. 52 pages. Published by Alfred Publishing.

Tara Publications (Tara: The Best in Jewish Music). Size 9x12 inches. 256 pages. Published by Hal Leonard.

Arranged by Renee And David Karp. For Piano. The FJH Piano Teaching Library. Sacred. Level: Elementary/Late Elementary. Collection. Published by The FJH Music Company Inc.

Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series. Choral. Festival, Jewish, Concert. Octavo. Published by Hal Leonard

By Douglas E. Wagner. For Choir. (2-part). Choral Octavo. Jewish Heritage, Jewish. Level: Moderate (grade 3). Choral Octavo. Published by Alfred Publishing.

Arranged by Velvel Pasternak. For Melody/Lyrics/Chords. Tara Books. Softcover with CD. 194 pages. Published by Tara Publications

4 Clarinets (3 Clarinets in B-flat & Bass Clarinet in B-flat)

SKU: AP.1-ADV8446

For Clarinet Quartet. Composed by Coen Wolfgram. Quartet; Solo Small Ensembles; Woodwind - Clarinet Quartet. Advance Music. Form: Suite. Folk; Jewish Heritage; World. Score and Part(s). Advance Music #01-ADV8446. Published by Advance Music (AP.1-ADV8446).

UPC: 805095084467. English.

Klezmer is the Yiddish word for musician, and is commonly used to refer to Jewish traditional music. Originating from Eastern Europe, Klezmer music played an important part during Jewish festivals and celebrations, and clearly reveals musical influences from the Balkan and Slavic regions. This Klezmer Suite is arranged by Coen Wolfgram for 4 clarinets (3 clarinets in B-flat & bass clarinet in B-flat).

Arranged by Bud Caputo. Traditional. For String Orchestra. String Orchestra. Highland String Orchestra. Folk Song; Jewish Heritage; Multicultural. Level: 2.5 (grade 2.5). Conductor Score and Parts. 124 pages. Published by Alfred Publishing.

Arranged by Renee Karp; David Karp. For voice and piano. Late Elementary / Early Intermediate. Collection

(Klezmer Music for Strings). Arranged by Susan C. Brown. Orchestra. String Orchestra. Belwin Concert String Orchestra. Folk; Jewish Heritage. Grade 3.5. Conductor Score. 12 pages

Arranged by Bud Caputo. Traditional. For String Orchestra. String Orchestra. Highland String Orchestra. Folk Song; Jewish Heritage; Multicultural. Level: 2.5 (grade 2.5). Conductor Score. 16 pages. Published by Alfred Publishing.

Music for the Seder. Edited by Velvel Pasternak. Tara Books. Jewish. Softcover. 90 pages. Published by Tara Publications (HL.124030).

(Klezmer Music for Strings). Arranged by Susan C. Brown. Orchestra. String Orchestra. Belwin Concert String Orchestra. Folk; Jewish Heritage. Grade 3.5. Conductor Score and Parts. 128 pages

By Renee And David Karp. For Piano. The FJH Piano Teaching Library. Sacred. Level: Early Elementary. Book. Published by The FJH Music Company Inc.

Arranged by David and Renee Karp. For piano solo. FJH Piano Teaching Library. Intermediate/late intermediate. Collection. 56 pages. Published by The FJH Music Company Inc

Arranged by John Leavitt. Festival Choral. Concert, Ballad, Hebrew. Octavo. 8 pages. Published by Hal Leonard

By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable for elementary and middle school bands. Christmas. Grade 1. Conductor Full Score. Duration 1:45. Published by Manhattan Beach Music

Arranged by Velvel Pasternak. Tara Books (Tara: The Best in Jewish Music). 64 pages. Published by Hal Leonard.

Arranged by John Leavitt. Festival Choral. Concert, Ballad, Hebrew. Octavo. 8 pages. Published by Hal Leonard

Arranged by John Leavitt. Festival Choral. Concert, Ballad, Hebrew. Octavo. 8 pages. Published by Hal Leonard

Arranged by Deborah Baker Monday. Orchestra. For string. Part(s); Score; String Orchestra. Highland String Orchestra. Jewish Heritage; Multicultural. Grade 2. 124 pages. Published by Alfred Music

Edited by Martha Lepow. For SATB recorders, keyboard and optional voice (5 instruments). Song. Jewish Folksong Series. Contemporary. Easy. Score and parts. Published by Loux Music Company

Arranged by Deborah Baker Monday. Orchestra. Score; String Orchestra. Highland String Orchestra. Jewish Heritage; Multicultural. Grade 2. 12 pages. Published by Alfred Music Publishing

(with Lyrics, Translations and Guitar Chords). Arranged by Renee and David Karp. For Piano. Piano Collection. Jewish Heritage. Level: Intermediate. Book. 1 pages. Published by Alfred Publishing.

By Doug Cotler. (SATB). TRANSCONTINENTAL MUSIC CHORAL. Jewish. 16 pages. Published by Transcontinental Music Publications.

Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, Percussion, Viola, Violin

SKU: CF.FE189S

Composed by Samuel Adler. Large Score. With Standard notation. 41 pages. Duration 10 minutes. Carl Fischer Music #FE189S. Published by Carl Fischer Music (CF.FE189S).

ISBN 9780825877520. UPC: 798408077525. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium” , a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .

Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, Percussion, Viola, Violin

SKU: CF.FE189

Composed by Samuel Adler. Set of Score and Parts. With Standard notation. 41+4+4+4+2+3+3+3+3 pages. Duration 10 minutes. Carl Fischer Music #FE189. Published by Carl Fischer Music (CF.FE189).

ISBN 9780825877513. UPC: 798408077518. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium” , a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .