Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Jewish, Yiddish, Klezmer, Folk. Score. Standard Notation. 31 pages

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Jewish, Yiddish, Klezmer, Folk. Set of parts. Standard Notation. 22 (violin 1), 21 (violin 2), 23 (viola), 20 (cello) pages

Arranged by Lou Brownsey, Marti Lunn Lantz. Octavo for 2-Part choir and piano accompaniment. Traditional Hebrew Folk Song. F Minor. Series: Choral Octavo. 8 pages. Published by Alfred Publishing.

Choral (SA(T)B)

SKU: HL.48025362

CME Intermediate. Composed by Lee Kesselman. Arranged by Lee Kesselman. CME Intermediate Series. Concert, Festival, Folk, Jewish. Octavo. 16 pages. Duration 460 seconds. Boosey and Hawkes #M051500048. Published by Boosey and Hawkes (HL.48025362).

ISBN 9798350118636. UPC: 196288193852. 6.75x10.5x0.036 inches.

Now available in SA(T)B. This melancholy Yiddish folk song was invested with a darker connotation during World War II, when it was popularly sung in the ghetto in Vilna, Lithuania. Kesselman's treatment of the song gives each verse a different vocal texture, while a piano accompaniment adds emotional intensity.

By Riccardo Joshua Moretti. For Violin and Viola. Score and parts. 84 pages. Published by Ut Orpheus

Choral (Studiotrax CD)

SKU: HL.35030132

Arranged by Jill Gallina. Choral. Folk, Hanukkah, Hebrew, Holiday, Jewish. CD only. Published by Shawnee Press (HL.35030132).

ISBN 9781495010132. UPC: 888680045432. 5x5 inches.

Celebrate Hanukkah with this energetic Hebrew folk song arranged for every age level. The spirited story of brave Maccabeus is told in English and Hebrew text with a lively accompaniment that helps create the joyful mood. The StudioTrax CD contains listening tracks for both SATB and 2-Part voicings, plus a full accompaniment track.

By Hebrew Folk Song. Arranged by Edwin Mclean. For Piano. The FJH Piano Vocal Series. Jewish. Solo Sheet. Published by The FJH Music Company Inc.

Arranged by Sally K. Albrecht. For Choir. (TB). Choral Octavo. Choral Designs. Folk Song; Jewish Heritage. Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Renee Karp; David Karp. For voice and piano. Late Elementary / Early Intermediate. Collection

By Renee And David Karp. For Piano. The FJH Piano Teaching Library. Sacred. Level: Early Elementary. Book. Published by The FJH Music Company Inc.

Arranged by David and Renee Karp. For piano solo. FJH Piano Teaching Library. Intermediate/late intermediate. Collection. 56 pages. Published by The FJH Music Company Inc

(Russian, Jewish, and Roma Songs and Dances). By Peter Michael Haas. For Accordion (All). Beginning-Intermediate. Book/CD Set. 104 pages. Published by AMA Verlag

Arranged by Lauren Bernofsky. Orchestra. String Orchestra. Highland String Orchestra. Folk; Jewish Heritage. Grade 3. Conductor Score and Parts. 24 pages

By Poe. For piano. Piano. Level: Early Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Arranged by David Eddleman. (2 part). TRANSCONTINENTAL MUSIC CHORAL. Jewish. 10 pages. Published by Transcontinental Music Publications.

Choral (VoiceTrax CD)

SKU: HL.265364

Discovery Level 2. Arranged by Audrey Snyder. Discovery Choral. Concert, Festival, Jewish, Multicultural. CD. Duration 160 seconds. Published by Hal Leonard (HL.265364).

UPC: 888680731915. 5.0x5.0x0.15 inches.

The title of this Yiddish folk song informs us that a Balalaika will at least be inferred in the music. This wonderfully authentic arrangement does just that. It also includes a clarinet obligato (included in the back of the octavo) which is a tip of the hat to the Klezmer band. A Yiddish, phonetic and English text are all provided in the music allowing you to perform this work in any combination of Yiddish or English.

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

(The Dreidl). By Jewish Folk Song. Arranged by Darmon Meader. For Soprano, Alto, Tenor, Bass. Octavo. 4 pages. Duration 1 minute, 55 seconds. Published by Carl Fischer

By Joshua R. Jacobson. (SATB a cappella). Transcontinental Music Choral. Jewish. 17 pages. Published by Transcontinental Music Publications.

Arranged by Sally K. Albrecht. For Choir. (2-Part). Choral Octavo. Jewish Heritage. Choral Octavo. 12 pages. Published by Alfred Publishing.

From the Peak of Mount Scopus. By Avigdor Hameiri, Robert Applebaum. (SATB). Transcontinental Music Choral. Jewish. 12 pages. Published by Transcontinental Music Publications.

Flute and Guitar

SKU: AY.FG15

Composed by Garth Baxter. Woodwinds - Flute. Alry Publications #FG15. Published by Alry Publications (AY.FG15).

ISBN 9790302102168.

A simple tune based on two Jewish folk songs (Tumbalalyka and Dundai), this is beautifully arranged for flute and guitar. Delightful for religious occasions as well as secular ones.

Voice, piano - Grade 2

SKU: OT.18052

Composed by Joachim Stutschewsky. With Text Language: Hebrew, Yiddish. Published by OR-TAV Music Publications (OT.18052).

Text: Traditional.