Concert Band Alto Clarinet, Alto Saxophone, Baritone Saxophone, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet I, Clarinet II, Cymbal, Euphonium, Flute, Horn, Oboe, Snare Drum, Tenor, Tenor I, Tenor Saxophone, Trumpet I, Trumpet II, Tuba - Grade 2-2.5

SKU: CF.YBS108

March (Full Score and Parts). Composed by John Philip Sousa. Arranged by Andrew Balent. FS-SWS. Carl Fischer Young Band Series. Score and Set of Parts. With Standard notation. 20+2+16+16+4+8+4+2+12+12+ 8+8+8+4+6+6+2+20 pages. Carl Fischer Music #YBS108. Published by Carl Fischer Music (CF.YBS108).

ISBN 9780825832420. UPC: 798408032425. 9 X 12 inches. Key: Eb major.

Accordion Orchestra - Grade 3

SKU: BT.DHP-1074243-160

Composed by John Miles, Bob Marshall. Arranged by Marc Belder. Accordion. Score Only. Composed 2007. 20 pages. De Haske Publications #DHP 1074243-160. Published by De Haske Publications (BT.DHP-1074243-160).

12 X 9 inches. English-German-French-Dut ch.

Chamber Music Solo Organ

SKU: PR.143400100

Composed by John Melby. Solo part. With Standard notation. Composed 1994. 9 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #143-40010. Published by Theodore Presser Company (PR.143400100).

UPC: 680160024391.

SATB choir, Adults with children, assembly, keyboard accompaniment - Beginning

SKU: GI.G-10809

Palm Sunday Processional. Composed by Carl Heine. Palm Sunday, Children. Singing Our Faith. Sacred. Octavo. 16 pages. GIA Publications #10809. Published by GIA Publications (GI.G-10809).

English. Text Source: Quotes ref. from 'All Glory, Laud, and Honor,' Theodulph of Orleans, ca. 760-821, tr. John M. Neale, 1818-1866 Text by Carl Heine. Scripture: Psalm 118:26, Mark 11:9.

2 Pianos 4 Hands 2 Piano, 4 Hands

SKU: PR.410413020

Composed by John Downey. Irusha Downey. Set of performance scores. With Standard notation. 20 pages. Theodore Presser Company #410-41302. Published by Theodore Presser Company (PR.410413020).

UPC: 680160087075. 9.5 x 13 inches. Irusha Downey.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Early intermediate

SKU: GI.G-10867

Christ Is Made the Sure Foundation / Lo, He Comes, with Clouds Descending. Composed by Henry Purcell. Arranged by Larry Visser. Eastertide, Advent, OT 9 A, OT 21 A, Dedication of Lateran Basilica, Christ the King, Easter 2 A, Easter 2 B, Easter 2 C. Calvin Institute. Tune Name: WESTMINSTER ABBEY. Sacred. Octavo. 16 pages. GIA Publications #10867. Published by GIA Publications (GI.G-10867).

English. Text Source:

",Christ Is Made the Sure Foundation,", Angularis fundamentum, Latin, 7th c., ,tr. John M. Neale, 1818&ndash,1866, alt. ",Lo, He Comes, with Clouds Descending,", ,st s. 1, 3 &, 4, Charles Wesley, 1. Text by Charles Wesley.

Clarinet & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57310

Composed by Antonio Vivaldi. Arranged by John G. Mortimer. Score and parts. Duration 9'35. Editions Marc Reift #EMR 57310. Published by Editions Marc Reift (MA.EMR-57310).

E Minor.

Trombone

SKU: HL.49002322

Trombone and Piano. Composed by John Gardner. This edition: Folding. Sheet music. Edition Schott. Classical. 6 pages. Schott Music #ED 10240. Published by Schott Music (HL.49002322).

ISBN 9790220120107. UPC: 073999596748. 9.0x12.0x0.051 inches.

4 recorders (SATB)

SKU: HL.49014610

Volume 4. Composed by Johann Sebastian Bach. Arranged by John Beckett. This edition: Folding. Sheet music. Edition Schott. Classical. Playing score. 8 pages. Schott Music #ED 11498. Published by Schott Music (HL.49014610).

ISBN 9790220127236. 9.0x12.0x0.06 inches.

Jesus Christ, our Saviour * Christ lay in bonds of death * O guiltless Lamb of God * O how vain, O how fleeting * Lord Christ, the only Son of God.

Debut Piano

SKU: HL.360510

By Various. Piano Solo Songbook. Instruction. Softcover Audio Online. 40 pages. Rockschool #RSK200089US. Published by Rockschool (HL.360510).

ISBN 9781789361650. UPC: 840126990546. 9.0x12.0x0.181 inches.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's piano series, Rockschool has commissioned arrangements of titles reflecting popular music's rich heritage in all its forms. Each piece has been tailored to fit the relevant grade level and support progression while learning your instrument. The music has been arranged and performed by top session musicians and was recorded at Abbey Road Studios. Songs include: Beauty and the Beast (from Beauty and the Beast) • Imagine (John Lennon) • La Valse D'Amelie (from Amélie) • Lean on Me (Bill Withers) • Love Yourself (Justin Bieber) • Next to Me (Emeli Sandé). Plus: • Band and artist fact files with recommended listening • In-depth walkthroughs of every track • Easy-access downloadable audio of backing tracks and full recordings of all performance pieces • Example tests and exercises.

Choir

SKU: PD.PIL1079

Composed by John White. Juan Bautista Comes. Duration 09:00. Published by Piles Editorial de Musica (PD.PIL1079).

ISBN 979-0-3505-0441-9.

Concert Band; Trombone (Trombone)

SKU: HL.870272

Trombone. Arranged by Johnnie Vinson and Robert Longfield. Essential Elements Band Folios. Disney, Movies, Pop. Softcover. 32 pages. Published by Hal Leonard (HL.870272).

ISBN 9798350121810. UPC: 196288200956. 9.0x12.0x0.09 inches.

There's no better way to motivate your band than with some popular Disney music! This new collection from Essential Elements works with all ensembles, regardless of what method you're using, and features great songs your band members are sure to know. The arrangements work for the whole ensemble to play together, but also as solo works for each instrumentalist! The songs are carefully correlated to correspond with instruction in the Essential Elements method books 1 and 2 so you'll know exactly when your group is ready to take on another song. A handy chart is provided in the table of contents so you can see the progress requirements. Songs include: Beauty and the Beast • Colors of the Wind • He's a Pirate • Let It Go • Remember Me (Ernesto de la Cruz) • Under the Sea • We Don't Talk About Bruno • We're All in This Together • and more! Each student book includes parts for the full band arrangement as well as separate pages for solo use.

Concert Band - Grade 5

SKU: HL.44011049

Grade 5 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Set (Score & Parts). Composed 2011. Anglo Music Press #AMP318010. Published by Anglo Music Press (HL.44011049).

UPC: 884088639945. 9.75x13.5x2.315 inches. English-German-French-Dut ch.

A Savannah Symphony was commissioned by the Savannah Winds Symphony (Mark B. Johnson, conductor) and The Armstrong Atlantic State University Foundation to mark the 75th anniversary of the founding of Armstrong Atlantic State University in Savannah, Georgia.

Flute

SKU: HL.48183132

Composed by John Loeillet. Leduc. Classical. Softcover. Alphonse Leduc #AL25107. Published by Alphonse Leduc (HL.48183132).

UPC: 888680875893. 9.0x12.0x0.07 inches.

for flute (or oboe, or violin) and bass continuo.

4 solo parts, choir and orchestra

SKU: HL.49002792

Vocal Score. Composed by John Blow. Edited by Maurice Bevan. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1691. 66 pages. Duration 15'. Schott Music #ED11418. Published by Schott Music (HL.49002792).

ISBN 9790220110009. UPC: 884088072278. 9.0x12.0x0.296 inches.

4 Solo Parts, Choir and Orchestra.

Piano

SKU: HL.1268352

Red Leaves of Night. Composed by Donald Crockett. LKM Music. Classical. Softcover. Duration 1200 seconds. Lauren Keiser Music Publishing #X410119. Published by Lauren Keiser Music Publishing (HL.1268352).

ISBN 9798888526187. UPC: 196288159988. 9.0x12.0x0.204 inches.

Inspired by the poem “The Red Leaves of Night” by contemporary poet David St. John, this piano sonata was commissioned by Phillip Bush with support from the Ingeborg Reimer Fund for Creative Projects of the University of South Carolina.

Level 7 Piano - Advanced

SKU: HL.645098

Level 7 Advanced Level. Educational Piano. Instruction, Method. Softcover. 46 pages. Schaum Publications, Inc. #0138. Published by Schaum Publications, Inc. (HL.645098).

ISBN 9781495082030. UPC: 008148001385. 9.0x12.0 inches. John W. Schaum revised and expanded by Wesley Schaum Advanced Level.

A new edition of a practical and proven method for children ages 7 to 11. Helps teach good music reading habits. Combines eye, ear and finger training. Includes full color illustrations, music dictionary, built-in flash cards, reference pages, and technic preparatory drills. Students will learn broken 10th bass, Sonata Form, 5/4 time signature, 16th note quintuplets and technique through numerous etudes. Many practical and clever ideas for practice variety, review, recitals, and technic development.

Piano (Piano Solo)

SKU: HL.349166

For Solo Piano. Composed by Richard Wilson. Peermusic Classical. Classical. Softcover. Duration 540 seconds. Peermusic Classical #70300-501. Published by Peermusic Classical (HL.349166).

ISBN 9781705103265. UPC: 840126932133. 9.0x12.0x0.092 inches.

I attended a birthday party for my friend, the writer Gail Godwin, at the home of another friend, Frances Halsband. Frances played for me the birdsong of a Wilson's Warbler, a new species to me. Attracted by this sound I proceeded to compose a set of pieces called Mimesis, the individual movements of which are related to creatures of nature. The first movement, Warblemusic, is written for Frances Halsband, remembering Robert Kliment; Owls is for Gail Godwin, remembering Robert Starer; Snail and Parakeet, remembering Richard W. Zingler (my grandfather, who had a parakeet); and Frog Chorus, remembering John Thompson's First Grad Book out of which I studied at age seven, its Frog's Chorus being my favorite selection. -Richard Wilson.

Piano - Intermediate

SKU: HL.645926

Edited by John W. Schaum. Educational Piano. Spiritual, Supplementary. Softcover. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0965. Published by Schaum Publications, Inc. (HL.645926).

ISBN 9781495081910. UPC: 008148009657. 9.0x12.0 inches.

This book contains 12 revered spirituals expressing inspiration, pathos, and joy. These songs are especially ideal for recitals and church use. The collection includes: Deep River, Swing Lo Sweet Chariot, He's Got the Whole World in His Hands and many more!

Medium voice and 2 recorders (ST) or other Melodieinstruments

SKU: HL.49014342

Composed by Horton. Arranged by John Horton. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Performance score. Schott Music #ED10967. Published by Schott Music (HL.49014342).

ISBN 9790220129971. 9.0x6.0x0.058 inches. English - Swedish.

Herding I go * Clang! went the cow-bell * Jolly, Greedy, Thunderman! * When my goats feed in the woods * Where all my goats, I wonder? * Have you seen my naughty goat * Little cow * Cheer up, girls, cheer up, girls * Ann! Where are you? * Come Goody! Come Curly! and Dolly! * If you want to sit down * Listen and hear me! * I have my lambs * O call, dear (Kari), O call to me! * How nice it was then -.

((40 Part Books plus Conductor Score)). For Concert Band. Essential Musicianship Band. Published by Hal Leonard .

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Study Score

SKU: HL.364081

For SATB and Ensemble. Composed by Nico Muhly. Choral. Softcover. Duration 1200 seconds. St. Rose Music #SRO100180. Published by St. Rose Music (HL.364081).

ISBN 9781705133330. UPC: 840126957433. 9.0x12.0x0.285 inches.

Co-commissi oned by VocalEssence, Philip Brunelle, Artistic Director; Trinity Wall Street, Julian Wachner, Music Director; and Los Angeles Master Chorale, Grant Gershon, Artistic Director. The Faire Starre is a nativity cantata in three parts. Parts I and III set nativity poems by Richard Crashaw and Thomas Traherne, framing a longer central section setting of a lullaby compiled by John of Grimestone in 1372.

Clarinet Ensemble

SKU: HL.49002805

Performance Score. Composed by Carl Maria von Weber. Edited by John Horton. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 6 pages. Schott Music #ED11434. Published by Schott Music (HL.49002805).

ISBN 9790220110214. UPC: 073999197266. 9.0x12.0x0.055 inches.

4 clarinets.