| Triptych [Conducteur] Subito Music
Solo Mezzo Sop & Bassoon Quartet SKU: SU.60000362 For Solo Mezzo Sop &...(+)
Solo Mezzo Sop & Bassoon
Quartet SKU:
SU.60000362 For
Solo Mezzo Sop & Bassoon
Quartet. Composed by
Jonathan Elkus.
Vocal/Choral, Vocal
Chamber Music, Woodwinds,
Bassoon, Woodwinds,
Woodwind Ensemble. Score.
Subito Music Corporation
#60000362. Published by
Subito Music Corporation
(SU.60000362).
Solo Mezzo Sop
& Bassoon Quartet
Duration: 7'30 '
Composed: 1963 Published
by: J.B. Elkus Music. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Romances in F major and G major for Violin and Orchestra, op. 50, 40 Contre Basse Barenreiter
Double bass SKU: BA.BA09026-85 Composed by Ludwig van Beethoven. Edited b...(+)
Double bass SKU:
BA.BA09026-85
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
Opus 50, 40. 5 pages.
Baerenreiter Verlag
#BA09026_85. Published by
Baerenreiter Verlag
(BA.BA09026-85). ISBN
9790006529384. 32.5 x
25.5 cm inches. Key: F
major, g
major.
About
Barenreiter Urtext
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Parts
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Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jesus Christ the Long-Awaited / Of the Fathers Love Begotten Chorale 3 parties SAB, Piano GIA Publications
SAB choir, keyboard accompaniment, 2-octave handbells SKU: GI.G-005903 Co...(+)
SAB choir, keyboard
accompaniment, 2-octave
handbells SKU:
GI.G-005903 Composed
by Alan Hommerding.
Arranged by Jonathan
Kohrs. OT 2 A, OT 2 C, OT
2 B, Baptism of the Lord.
Sacred. Octavo. 12 pages.
GIA Publications #005903.
Published by GIA
Publications
(GI.G-005903). Text by
Alan J.
Hommerding. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tombstone: A Slow Drag Piano seul [Conducteur] Subito Music
Piano SKU: SU.60000420 For Piano. Composed by Jonathan Elkus. Keyb...(+)
Piano SKU:
SU.60000420 For
Piano. Composed by
Jonathan Elkus. Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#60000420. Published by
Subito Music Corporation
(SU.60000420).
Piano Duration:
2 ' Composed: 1973
Published by: J.B. Elkus
Music. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie Nr. 6 Pastorale - Symphony No. 6 Pastoral Orchestre Symphonique [Conducteur] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Piccolo, Flute (2), Obo...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Piccolo, Flute
(2), Oboe (2), Clarinet
(b flat) (2), Bassoon
(2), Horn (2), Trumpet
(2), Trombone (2),
Kettledrum, Strings.
Score; Urtext Edition
(paperbound). Op. 68.
Duration 43. Published by
Baerenreiter-Ausgaben
(German import).
$69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let Your Alleluias Rise! (Instrumental Parts) - Intermédiaire MorningStar Music Publishers
Choir and various instruments - Intermediate SKU: MN.50-4412B Composed by...(+)
Choir and various
instruments -
Intermediate SKU:
MN.50-4412B Composed
by Jonathan Willcocks.
Instrument parts.
MorningStar Music
Publishers #50-4412B.
Published by MorningStar
Music Publishers
(MN.50-4412B). UPC:
688670441226. Instr
umental Parts include:
Trumpets I and II in
B-flat Trombones I and II
Horn in F (sub for
Trombone I) Timpani
Available separately:
Full Score, MN.50-4412
Choral Score,
MN.50-4412A. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Triptych [Conducteur et Parties séparées] Subito Music
Solo Mezzo Sop & Bassoon Quartet SKU: SU.60000360 For Solo Mezzo Sop &...(+)
Solo Mezzo Sop & Bassoon
Quartet SKU:
SU.60000360 For
Solo Mezzo Sop & Bassoon
Quartet. Composed by
Jonathan Elkus.
Vocal/Choral, Vocal
Chamber Music, Woodwinds,
Bassoon, Woodwinds,
Woodwind Ensemble. Score
& Parts. Subito Music
Corporation #60000360.
Published by Subito Music
Corporation
(SU.60000360).
Solo Mezzo Sop
& Bassoon Quartet
Duration: 7'30 '
Composed: 1963 Published
by: J.B. Elkus Music. $42.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony no. 9 in E minor, op. 95 "New World" Violoncelle (partie séparée) Barenreiter
Cello (Violoncello) SKU: BA.BA10419-82 Composed by Antonin Dvorak. Edited...(+)
Cello (Violoncello)
SKU: BA.BA10419-82
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 14 pages.
Baerenreiter Verlag
#BA10419_82. Published by
Baerenreiter Verlag
(BA.BA10419-82). ISBN
9790006564767. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ricercare una Melodia Trompette Faber Music Limited
(With Tape Delay). By Jonathan Harvey. For Trumpet. Brass - B-Flat Cornet (Trump...(+)
(With Tape Delay). By
Jonathan Harvey. For
Trumpet. Brass - B-Flat
Cornet (Trumpet) Solo.
Faber Edition. 20th
Century; Masterwork
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony no. 9 in E minor, op. 95 "New World" Contre Basse Barenreiter
Double Bass SKU: BA.BA10419-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double Bass SKU:
BA.BA10419-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 13 pages.
Baerenreiter Verlag
#BA10419_85. Published by
Baerenreiter Verlag
(BA.BA10419-85). ISBN
9790006564774. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Violon (partie séparée) Barenreiter
Second violin (2. Violin) SKU: BA.BA10418-75 Composed by Antonin Dvorak. ...(+)
Second violin (2. Violin)
SKU: BA.BA10418-75
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_75. Published by
Baerenreiter Verlag
(BA.BA10418-75). ISBN
9790006564668. 32.5 x
25.5 cm inches. Key: G
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 7 Orchestre Symphonique [Critical Reports] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute (2), Oboe (2), Cl...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute (2), Oboe
(2), Clarinet (b flat)
(2), Bassoon (2), Horn
(2), Trumpet (2),
Kettledrum, Strings.
Critical Commentary
(paperbound). Op. 92.
Published by
Baerenreiter-Ausgaben
(German import). (BA9007
40)
$67.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony no. 9 in E minor, op. 95 "New World" Violon (partie séparée) Barenreiter
Second violin (2. Violin) SKU: BA.BA10419-75 Composed by Antonin Dvorak. ...(+)
Second violin (2. Violin)
SKU: BA.BA10419-75
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 14 pages.
Baerenreiter Verlag
#BA10419_75. Published by
Baerenreiter Verlag
(BA.BA10419-75). ISBN
9790006564743. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Romances in F major and G major for Violin and Orchestra, op. 50, 40 Barenreiter
Flute, first oboe, second oboe, first bassoon, second bassoon, first horn, secon...(+)
Flute, first oboe, second
oboe, first bassoon,
second bassoon, first
horn, second horn (Flute,
1. Oboe, 2. Oboe, 1.
Bassoon, 2. Bassoon, 1.
Horn, 2. Horn) SKU:
BA.BA09026-65
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Wind set,
anthology. Opus 50, 40.
3/3/3/4/3/3/3 pages.
Baerenreiter Verlag
#BA09026_65. Published by
Baerenreiter Verlag
(BA.BA09026-65). ISBN
9790006540860. 32.5 x
25.5 cm inches. Key: F
major, g
major. Beethoven'sR
omancesare performed all
over the world, yet how
many conductors,
performers and listeners
are aware that op. 50
which was incidentally
composed before op. 40,
comes down to us in an
unfinished form? The
autograph score contains
little to no articulation
or dynamics and to the
present day the work has
existed only in highly
over-edited publications.
The performer has no way
of knowing what was
originally intended by
the composer.
Barenreiter's new
Urtext edition of opp. 50
and 40 offers the score
to op. 50 twice; the
first score reflects the
state of Beethoven's
autograph with editorial
markings clearly
indicated, the second
score has been edited
based on other works by
Beethoven from that
period. This manner of
publishing remains true
to the sources and at the
same time offers
musicians a reliable
transparent score for
performances.
In
addition to the Urtext
solo part, a second solo
part with fingering and
bowing by Detlef Mahn is
also included in the
piano reduction.
-
Piano reduction which
includes an Urtext solo
part as well as an
additional solo part with
fingering and bowing -
The score to op. 50
available in two
versions - Detailed
critical commentary
(Eng).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 8 Orchestre Symphonique [Critical Reports] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute (2), Oboe (2), Cl...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute (2), Oboe
(2), Clarinet (b flat)
(2), Bassoon (2), Horn
(2), Trumpet (2),
Kettledrum, Strings.
Critical Commentary
(paperbound). Op. 93.
Published by
Baerenreiter-Ausgaben
(German import). (BA9008
40)
$49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphonie No. 4 [Conducteur] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute, Oboe (2), Clarin...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute, Oboe (2),
Clarinet (b flat) (2),
Bassoon (2), Horn (2),
Trumpet (2), Kettledrum,
Strings. Score; Urtext
Edition (paperbound). Op.
60. Duration 34'.
Published by
Baerenreiter-Ausgaben
(German import).
$66.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Be(com)ing Clarinette Faber Music Limited
By Jonathan Harvey. For Clarinet. Masterworks; Part(s); Solo; Woodwind - B-Flat ...(+)
By Jonathan Harvey. For
Clarinet. Masterworks;
Part(s); Solo; Woodwind -
B-Flat Clarinet Solo.
Faber Edition. 20th
Century; Masterwork
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony no. 9 in E minor, op. 95 "New World" Alto seul Barenreiter
Viola SKU: BA.BA10419-79 Composed by Antonin Dvorak. Edited by Jonathan D...(+)
Viola SKU:
BA.BA10419-79
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 14 pages.
Baerenreiter Verlag
#BA10419_79. Published by
Baerenreiter Verlag
(BA.BA10419-79). ISBN
9790006564750. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 1 Orchestre Symphonique [Conducteur] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute (2), Oboe (2), Cl...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute (2), Oboe
(2), Clarinet (b flat)
(2), Bassoon (2), Horn
(2), Drum (2),
Kettledrum, Strings.
Score; Urtext Edition
(paperbound). Op. 21.
Duration 26'. Published
by Baerenreiter-Ausgaben
(German import).
$53.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 1 C major op. 15 Barenreiter
Cello, double bass (Violoncello, Double bass) SKU: BA.BA09021-82 Composed...(+)
Cello, double bass
(Violoncello, Double
bass) SKU:
BA.BA09021-82
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
15. 12 pages.
Baerenreiter Verlag
#BA09021_82. Published by
Baerenreiter Verlag
(BA.BA09021-82). ISBN
9790006543045. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Romances in F major and G major for Violin and Orchestra, op. 50, 40 Violon (partie séparée) Barenreiter
First violin (1. Violin) SKU: BA.BA09026-74 Composed by Ludwig van Beetho...(+)
First violin (1. Violin)
SKU: BA.BA09026-74
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
Opus 50, 40. 5 pages.
Baerenreiter Verlag
#BA09026_74. Published by
Baerenreiter Verlag
(BA.BA09026-74). ISBN
9790006529346. 32.5 x
25.5 cm inches. Key: F
major, g
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hush the Ocean Wild Chorale SATB GIA Publications
SATB choir, reduction, none accompaniment SKU: GI.G-9173 Composed by Jona...(+)
SATB choir, reduction,
none accompaniment
SKU: GI.G-9173
Composed by Jonathan D.
Campbell. Edited by Pearl
Shangkuan. Ordinary Time
12 B. Calvin Institute.
Sacred. Octavo. 8 pages.
GIA Publications #9173.
Published by GIA
Publications (GI.G-9173).
UPC: 785147917304.
English. Text Source:
Jesus, Savior, pilot
me Text by Edward
Hopper. This text
belongs to a rich
tradition of hymns that
draw upon sea imagery to
establish the
relationship between the
believer and Christ
(Hopper was known for his
ministry to sailors). In
the composer’s own
words: “In times
filled with personal
strife, global
instability, and other
struggles, we look to
Jesus Christ to
‘hush the ocean
wild’ and to guide
us safely to a peaceful
shore.†A lovely
anthem, with subtle
dissonances to create a
lush harmony. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphonie Nr. 9 mit Schlusschor An die Freude - Symphony No. 9 with final chorus An die Freude Soli, choeur mixte et accompagnement [Conducteur] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Soprano Solo,
Alto Solo, Tenor Solo,
Bass Solo, Mixed
Choir-SATB, Piccolo,
Flute (2), Oboe (2),
Clarinet (B Flat) (2),
Bassoon (2), Kfag, Horn
(4), Trumpet (2),
Trombone (3), Kettledrum,
Drums, Strings. Score;
Urtext Edition
(paperbound). Op. 125.
Duration 65. Published by
Baerenreiter-Ausgaben
(German import).
(1)$146.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| NUN Breitkopf & Härtel
(solos: fl,tbne - TTTTBBBB - 3(3picc).4.3.0.dble bsn. - 4.3.0.2. - timp.perc(3) ...(+)
(solos: fl,tbne -
TTTTBBBB -
3(3picc).4.3.0.dble bsn.
- 4.3.0.2. - timp.perc(3)
- hp.e-guit - str:
16.8.8.8.8.) SKU:
BR.PB-5420 Composed
by Helmut Lachenmann.
Softbound.
Partitur-Bibliothek
(Score Library). Music
post-1945; New music
(post-2000). Study Score.
Composed 1997-1999/2003.
Duration 38'. Breitkopf
and Haertel #PB 5420.
Published by Breitkopf
and Haertel (BR.PB-5420).
ISBN 9790004211830. 9
x 12
inches. Vielleicht
so etwas wie ein
,,Parergon zu meiner
Madchen-Oper Zwei
Klangquellen - unter
ambivalenten Aspekten
zugleich homogen und
heterogen, nicht so ohne
weiteres zusammenpassend:
- Posaune und
Flote/Bassflote - (mit
Resonanzen aus zwei
Konzertflugeln), 8
Mannerstimmen - alle
erzeugen Tone, und Luft,
Zweiklange, Vibrationen,
Schwebungen, Rattern,
Konsonanzen. Und rattern
und sprechen - und
japsen, Orchester mit 4
Oboen, 3 Floten, 3
Klarinetten, zwei
Kontrafagotten
(unterbeschaftigt), 4
Horner, drei Trompeten,
keinen Posaunen, 2 Tuben,
die in der Tiefe rappeln,
zwei Klavieren,
Gitarre-Harfe, Streicher
(,,Perforateure), 3
Schlagzeuger, rappeln
(Fellwirbel), - und
schwingen China-Becken
durch die Luft, dampfen
aus und vorzeitig ab
(,,japsen) und: halten
aus. Musik zum Aushalten,
ist nicht zum Aushalten.
Ein Orchester mit vielen
Unisono-Quellen Es ist
immer wieder auf andere
Weise - jedes Mal das
gleiche: Musik, nicht als
Text, nicht als
diskursiver Verlauf, gar
als klingendes Drama, -
eher eine Art kunstliches
und als Produkt einer
komplexen Spekulation
zugleich transzendentes
Natur-Schauspiel, als
,,reine Prasenz - (Das
sind allerdings
Wort-Hulsen, die schlecht
an das erinnern, was sie
nicht mehr zu nennen, zu
fassen wagen bzw.
imstande sind. Begriffe,
die es abzurufen und
zugleich im Blick auf die
Sache selbst
auszustreichen gilt.):
Sie zu beschworen, ohne
dabei in schlecht
besinnliche ,,meditative
Idyllen, bzw. idyllische
Standards zu verfallen,
gehort zu meinen
zentralen Utopien - Ihre
Wunschbarkeit/Stringenz/e
xistentielle
Notwendigkeit, ,,Wahrheit
ist hienieden nicht zu
trennen von ihrer
Unmoglichkeit, wegen der
Standardisiertheit aller
Mittel, auf der ihre
Verwirklichung, ihre
Anpeilung, ihre
Ins-Werk-Setzung
verwiesen ist. Aber:
alles soll/wird in dieser
wie auch immer
vermittelten Prasenz
beruhrt, erlost, befreit
sein. Kann man
Erfahrungen, deren
Unmoglichkeit, deren
Verschuttetheit man sich
bewusst macht, vermitteln
durch den Kampf gegen
diese Unmoglichkeiten,
Verschuttetheiten (=
Unfreiheiten)??? Wer bin
ich? Was ist das: das
ich, das solche Suche,
solches Abenteuer,
solchen Kampf gegen die
Materie auf sich nimmt??
Das ,,Ich ist kein Ding,
sondern ein Ort (Kitaro
Nishida - aber ich bin
kein Buddhist, und auch
kein Zen-Monch, sondern
ein Anfanger in allem,
auch im Komponieren des
jeweilig konzipierten
Stucks.) Das Wasser
wascht das Wasser nicht -
das Feuer verbrennt das
Feuer nicht - der Schmerz
selbst tut nicht weh. Der
Genuss geniesst nicht.
Das Horen hort nicht, das
Leben lebt nicht - und so
lebt es. Das Ich ist
nicht das ich. Musik ist
nicht Musik, ist
Nicht-Musik: die einzige
Musik, die den Namen in
seiner emphatischen
Bedeutung verdient. Musik
sei Nicht Musik??
Sondern?? Ja - sondern.
Komponieren heisst:
sondern. Utopien
kompositorisch zu
beschworen, bedeutete fur
meinen Mechanismus stets:
ihre Verschuttetheit. Und
das was - nicht zufallig
- sie verschuttet hat.
Oder zu verschutten
droht, in den Griff zu
nehmen.Helmut Lachenmann
(Skizze)Mitten in meiner
Oper Das Madchen mit den
Schwefelholzern - nach
Hans Christian Andersen
-, die im winterlichen
eiskalten Kopenhagen
spielt, gibt es einen
Sprung in die mediterrane
Vulkanlandschaft
Suditaliens, wo - nach
einem Text von Leonardo
Da Vinci - ,,die
Schwefelfeuer den grossen
Berg offnen, um Steine
und Erde samt den
heraustretenden und
herausgespieenen Flammen
durch die Luft zu
schleudern, und im
Ausbruch ,,jedes
Hindernis verjagen, das
sich ihrem ungestumen
Wuten entgegenstellt.
Leonardo sieht in diesem
Naturvorgang eine
Metapher fur die Unruhe
des menschlichen Herzens
bei der Suche nach
Erkenntnis. Er beschreibt
eine Wanderung durch die
schattigen Klippen
hindurch bis vor den
Eingang einer grossen
Hohle, vor welcher der
Erzahlende ,,im Gefuhl
der Unwissenheit eine
Zeitlang verharrt: ,,Ich
hockte mit gekrummtem
Rucken, die mude Hand
aufs Knie gestutzt,
beschattete ich mit der
Rechten die gesenkten und
geschlossenen Wimpern: -
und n u n -, da ich mich
mehrmals hin und her
beugte, um in die Hohle
hineinzublicken, verbot
mir das die grosse
Dunkelheit, die darin
herrschte. Als ich aber
eine Zeitlang verharrt
hatte, erwachten in mir
zwei Gefuhle: Furcht und
Verlangen - Furcht vor
der drohenden Dunkelheit
der Hohle, Verlangen
aber, mit eigenen Augen
zu sehen, was an
Wunderbarem darin sein
mochte. Diesem ,,n u n
ist meine Komposition
gewidmet: Sie - ahnlich
wie auf andere Weise mein
Klavierkonzert Ausklang -
ist sozusagen ,,meine
Alpensymphonie. Anders
als bei Strauss
allerdings beschwort sie
Energien und Eruptionen
in einer Klanglandschaft
weitab von jeglicher
musiksprachlichen
Geborgenheit. Wahrend im
Strauss'schen Meisterwerk
der Wanderer aus
stimmungsvollem
b-moll-Morgennebel
aufbricht - allerdings
erst den in A-Dur
strahlenden Sonnenaufgang
abwartet ... - und in
frohlichem Es-Dur
lossturmend auf tonal
gesicherten Wegen zum
majestatischen
C-dur-Gipfel glucklich
hinaufgelangt - den er
allerdings bei
hereinbrechendem Unwetter
eilends verlasst, um ins
schutzende Tal
hinabzufluchten -,
verharrt der Wanderer
Leonardos in NUN in
unwirtlicher Hohe vor
jener Furcht und
Verlangen erregenden
Hohle. Meine Musik,
sozusagen als brodelnder
Krater beginnend,
verwandelt sich in eine
Sequenz von Rufen, deren
Widerhall die ,,drohende
Finsternis zu
durchdringen und
auszuloten versucht, und
sie mundet - auf dem
Umweg uber eine Art
,,Tanz auf dem Vulkan der
beiden Solo-Instrumente -
in eine instrumental
paraphrasierte
Sprech-Landschaft, als ob
das Zischen und Fauchen,
nichts weiter wiedergabe
als die erweiterten
Konsonanten eines
gesprochenen imaginaren
Textes. Dieser
schliesslich - als
Botschaft des im
Ungeborgenen nach
Erkenntnis Suchenden -
konkretisiert sich zu
jenem abgrundigen Satz
des japanischen
Philosophen und Grunders
der ,,Kyoto-Schule,
Kitaro Nishida: ,,Das Ich
ist kein Ding, sondern
ein Ort. Die Beziehung
meines Werks zur
Strauss'schen
Alpensymphonie - der
Komponist wollte sie
ursprunglich nennen ,,der
Antichrist - ist in ihrer
antipodischen
Gegensatzlichkeit
evident. Es ist eine
machtvolle, letztlich
aber gutige, dem Menschen
zugewandte, idyllische
Natur, die bei Strauss
beschworen wird, und den
nachtlich in die
hausliche Behaglichkeit
Heimkehrenden erfullt
Ehrfurcht und
Dankbarkeit: es ist ein
,,glaubiger Antichrist,
und die Pastorale
Beethovens lasst grussen.
Wie alles von Strauss war
es ein - s e i n -
letzter (oder vorletzter
...) Blick auf ein
zerfallendes Paradies
(1915 geschrieben ...).
Heute ist vielleicht
jedes Werk, welches sich
den innovativen Anspruch
von musikalischer
Tradition zu Eigen
gemacht hat und im 21.
Jahrhundert den
Musikbegriff jenseits
tonaler
Sprachvertrautheit in
ungesichertem
Klang-Terrain neu zu
bestimmen sucht - eine
Art Bergbesteigung in
weglosem Gelande, und
wenn schon nicht eine
,,Alpensymphonie, so doch
eine Gratwanderung:
abenteuerlich -
verlockend - nicht
ungefahrlich: ,,non hay
caminos .... Helmut
Lachenmann (Februar
2003)CDs: Gaby Pas-Van
Riet (flute), Michael
Svoboda (trombone), Neue
Vocalsolisten Stuttgart,
WDR Sinfonieorchester
Koln, cond. Jonathan Nott
CD KAIROS
0012142KAIDietmar Wiesner
(flute), Uwe Dierksen
(trombone), SCHOLA
Heidelberg, Ensemble
Modern Orchestra, cond.
Markus
StenzEMCD-004Bibliography
:Hidalgo, Manuel: Mozart
in Lachenmann, in: auf
(-) und zuhoren. 14
essayistische Reflexionen
uber die Musik und die
Person Helmut
Lachenmanns, hrsg. von
Hans-Peter Jahn, Hofheim:
Wolke 2005, pp.
35-46.Hiekel, Jorn Peter:
Interkulturalitat als
existentielle Erfahrung.
Asiatische Perspektiven
in Helmut Lachenmanns
Asthetik, in:
Nachgedachte Musik.
Studien zum Werk von
Helmut Lachenmann, hrsg.
von Jorn Peter Hiekel und
Siegfried Mauser,
Saarbrucken: Pfau 2005,
pp. 62-84.Kaltenecker,
Martin: Was nun? Die
Musik Helmut Lachenmanns
als Beispiel, in: Der
Atem des Wanderers. Der
Komponist Helmut
Lachenmann, hrsg. von
Hans-Klaus Jungheinrich,
Mainz: Schott 2006, pp.
113-128.Maier, Birgit;
Britz, Vanessa; Arnold,
Miriam: Helmut
Lachenmann: NUN, in:
Flote aktuell (2003),
Heft 4, pp. 20-24.Pas-Van
Riet, Gaby: On NUN, in:
Helmut Lachenmann Inward
Beauty, hrsg. von Dan
Albertson, Contemporary
Music Review 23 (2004),
Heft 3/4, p.
165f.Svoboda, Mike: NUN
An Inside View, in:
Helmut Lachenmann Inward
Beauty, hrsg. von Dan
Albertson, Contemporary
Music Review 23 (2004),
Heft 3/4, pp.
161-164.Wellmer,
Albrecht: Helmut
Lachenmann: Die Befreiung
des Klangs in der
konstruktivistischen
Tradition der
europaischen Moderne, in:
ders., Versuch uber Musik
und Sprache, Munchen:
Hanser 2009, pp.
270-299.Utz, Christian:
Paradoxien musikalischer
Temporalitat. Die
Konstruktion von
Klanggegenwart im
Spatwerk Bernd Alois
Zimmermanns im Kontext
der Prasenzasthetik bei
Giacinto Scelsi, Gyorgy
Ligeti, Morton Feldman
und Helmut Lachenmann,
in: Die Musikforschung 68
(2015), pp.
22-52.
World
premiere: Cologne (Musik
der Zeit), October 20,
1999 World premiere of
the revised version:
Berlin, Konzerthaus,
January 17, 2003. $102.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Contre Basse Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85). ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major. Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
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Barenreiter Urtext
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| Symphony No. 5 [Critical Reports] Barenreiter
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For Piccolo, 2 ...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. For
Piccolo, 2 Flute, 2 Oboe,
2 Clarinet (B Flat), 2
Bassoon, Contrabassoon, 2
Horn, 2 Trumpet, 3
Trombone, Kettledrum,
Strings. Critical
Commentary. Op. 67.
Published by Baerenreiter
Verlag
$79.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphonie Nr. 2 - Symphony No. 2 Orchestre Symphonique [Conducteur d'étude / Miniature] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute (2), Oboe (2), Cl...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute (2), Oboe
(2), Clarinet (b flat)
(2), Bassoon (2), Horn
(2), Trumpet (2),
Kettledrum, Strings.
Baerenreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition. Op. 36.
Duration 33. Published by
Baerenreiter-Taschenparti
turen (German import).
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony no. 9 in E minor, op. 95 "New World" Violon (partie séparée) Barenreiter
First violin (1. Violin) SKU: BA.BA10419-74 Composed by Antonin Dvorak. E...(+)
First violin (1. Violin)
SKU: BA.BA10419-74
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 14 pages.
Baerenreiter Verlag
#BA10419_74. Published by
Baerenreiter Verlag
(BA.BA10419-74). ISBN
9790006564736. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
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| Symphony No. 1 Orchestre Symphonique [Set de Parties séparées] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute (2), Oboe (2), Cl...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute (2), Oboe
(2), Clarinet (b flat)
(2), Bassoon (2), Horn
(2), Trumpet (2),
Kettledrum. Wind Parts;
Urtext Edition. Op. 21.
Published by
Baerenreiter-Ausgaben
(German import). (BA9001
65)
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| Romances in F major and G major for Violin and Orchestra, op. 50, 40 Alto seul Barenreiter
Viola SKU: BA.BA09026-79 Composed by Ludwig van Beethoven. Edited by Jona...(+)
Viola SKU:
BA.BA09026-79
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
Opus 50, 40. 5 pages.
Baerenreiter Verlag
#BA09026_79. Published by
Baerenreiter Verlag
(BA.BA09026-79). ISBN
9790006529360. 32.5 x
25.5 cm inches. Key: F
major, g
major.
About
Barenreiter Urtext
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Parts
Why musicians
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Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
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