| For Unto Y'all - Choral Book Chorale 3 parties SAB Word Music
SAB Choir - Moderately Easy SKU: WD.080689051494 A Cowboy Christmas(+)
SAB Choir - Moderately
Easy SKU:
WD.080689051494 A
Cowboy Christmas.
Composed by Robert
Sterling. Choral,
cantatas. Christmas.
Book. Duration 45'00.
Word Music #080689051494.
Published by Word Music
(WD.080689051494).
UPC:
080689051494. From
the days of the Old West
comes this modernized
version of the Christmas
story, set in the little
town of Bethlehem in the
Wyoming Territory. In
this unconventional
telling of the ageless
story of Jesus' birth,
old Doctor Lucas
Trotter--or just plain
Doc to his
friends--introduces the
angel Gabriel, a six-gun
totin' masked man dressed
in white, as Gabriel
tells Mary and Joseph the
good news. From there,
the stable becomes a
livery stable, the
shepherds become a rowdy
bunch of lonesome cowboys
working their herd on the
plains, and the angels
become a heavenly posse.
For Unto
Y'all obviously
uses a great deal of
humor, but it doesn't
exist just for
laughs--the message of
Christmas comes through
loud and
clear.
Featuring
timeless music arranged
in a fresh country style
for youth or young adults
by the innovative Robert
Sterling, For Unto
Y'all offers a
chance for youth groups
to don their western duds
and drawl and dive into
something fresh and
different, delivering a
taste of the Old West and
a touch of the Old but
Ageless story of
Christmas. $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 Centuries of Song Voix, Guitare Associated
Voice and Guitar. By Various. Arranged by Joseph Ladone. Vocal Collection. Size ...(+)
Voice and Guitar. By
Various. Arranged by
Joseph Ladone. Vocal
Collection. Size 9x12
inches. 44 pages.
Published by Associated.
$11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Radio J-O-Y! Chorale Unison Unison/2-parties, Piano [Vocal Score] Choristers Guild
By Terry W York; Vicki Hancock Wright. For Unison/2-part choir and piano. Christ...(+)
By Terry W York; Vicki
Hancock Wright. For
Unison/2-part choir and
piano. Christmas, Sacred.
Cantata. Published by
Chorister's Guild.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nueva Biblioteca Espanola Vol.2 Piano seul Unión Musical Ediciones
Piano SKU: BT.MUSUMP22227 De Musica De Teclado. Classical. Book On...(+)
Piano SKU:
BT.MUSUMP22227 De
Musica De Teclado.
Classical. Book Only. 88
pages. Union Musical
Ediciones #MUSUMP22227.
Published by Union
Musical Ediciones
(BT.MUSUMP22227). ISBN
9780711975545. Volu
me two of Spanish
keyboard music by
composers ranging from
the 16th to 18th century
including Fray Juan
Bermudo, Joseph Ximenez,
S de Albero and J.
Haydn. $36.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Isabeau S'y Promene 4 Vx Mixtes (chants Franco/canadiens Chorale [Conducteur] Durand
Choir (Highlights) SKU: HL.50575243 Composed by Joseph Canteloube. Editio...(+)
Choir (Highlights)
SKU: HL.50575243
Composed by Joseph
Canteloube. Editions
Durand. Classical. Score
Only. Composed 2001.
Editions Durand #DF13643.
Published by Editions
Durand (HL.50575243).
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prophesies [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Methodes and Traites Flute a bec - 4 Volumes - Europe Flûte à Bec Anne Fuzeau Productions
(Serie III - Europe). Edited by Frederique Thouvenot, Suzi Mohlmeier. For Record...(+)
(Serie III - Europe).
Edited by Frederique
Thouvenot, Suzi
Mohlmeier. For Recorder.
Facsimiles. Methodes and
Traites. Grade 0. 1085
pages
$305.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Libro de glosas Breitkopf & Härtel
Quintet (ob.clar.B-clar.A-sax.bsn .) SKU: BR.KM-2515 Set of parts....(+)
Quintet
(ob.clar.B-clar.A-sax.bsn
.) SKU: BR.KM-2515
Set of parts.
Composed by Jose Maria
Sanchez-Verdu. Chamber
music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
's-Hertogenbosch,
December 16, 2007
Music post-1945; New
music (post-2000). Set of
parts. Composed 2007. 40
pages. Duration 10'.
Breitkopf and Haertel #KM
2515. Published by
Breitkopf and Haertel
(BR.KM-2515). ISBN
9790004503355. 11 x 14
inches. Libro de
glosas is based on the
Trattado de glosas by
Diego Ortiz (1510 - ca.
1570). The
intertextuality between
different materials and
musical techniques and
processes of the 16th
century was one of my
main interests when I
wrote this piece for the
wonderful sound and
quality of the Calefax
ensemble.The intertextual
relationships are as
follows:Recercada I is
based on the first chords
of the chanson Doulce
memoire by Pierre
Sandrin. It is also used
in Trattado de
glosas.Recercada II is
based on the incipit of
the madrigal O felici
occhi miei by Jacques
Arcadelt. It is also used
in Trattado de
glosas.Recercada III is
based on the ostinato
Passamezzo antico. It is
also used in Trattado de
glosas.Recercada IV is
freely based on the tenor
La Spagna. It is also
used in Trattado de
glosas.Batalla (V) is a
free composition in form
of a battaglia and is
based on some ostinati of
Spanish origin as well as
on an anonymous theme
from the 16th century.
There are also some bars
of a batalla by Joseph
Ximenez (18th
century).Libro de glosas
esta basada en el
Trattado de glosas de
Diego Ortiz (1510 - ca.
1570). La
intertextualidad entre
diferentes materiales y
tecnicas y procesos de la
musica del siglo XVI era
uno de mis principales
intereses cuando escribi
esta pieza para el
maravilloso sonido y
calidad del Calefax
ensemble.Las relaciones
intertextuales son las
siguientes:Recercada I
esta basada libremente
sobre los primeros
acordes de la chanson
Doulce memoire de Pierre
Sandrin. Esta es
utilizada como ejemplo en
el Trattado de
glosas.Recercada II esta
basada libremente sobre
el incipit del madrigal O
felici occhi miei de
Jacques Arcadelt. Esta
pieza es utilizada
tambien como ejemplo en
el Trattado de
glosas.Recercada III esta
basada libremente sobre
el ostinato Passamezzo
antico. Tambien es
presentada en el Trattado
de glosas.Recercada IV
esta construida
libremente sobre el tenor
La Spagna. Tambien es
utilizado por Ortiz en el
Trattado de
glosas.Batalla (V) es una
libre composicion en
forma de battaglia sobre
ostinati de origen
espanol y sobre un tema
anonimo (siglo XVI).
Tambien aparecen
brevemente varios
compases de una batalla
de Joseph Ximenez (siglo
XVIII).(Jose M.
Sanchez-Verdu). $71.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 25 Boogie e Ragtime en el piano Piano seul Play Music Publishing
Piano SKU: BT.MS0415 Composed by Fabian Domingo. Book and DVD. Composed 2...(+)
Piano SKU:
BT.MS0415 Composed by
Fabian Domingo. Book and
DVD. Composed 2019. Play
Music Spain #MS0415.
Published by Play Music
Spain (BT.MS0415).
Spanish. Con no
menos de 25 toques para
piano en los estilos
boogie-woogie y ragtime,
nuestro método le
divertirá durante
mucho rato. Pero no
sólo… En efecto,
la idea es aprender
tocando, progresar
pasándolo bien, pero
estos toques le
permitirán también
descubrir y trabajar
todas las técnicas,
los gimmicks y otras
figuras de estilo que
hacen su originalidad. Y
para ayudarle a
abordarlos más
fácilmente, le
señalamos todas las
digitaciones. Inspirados
en los mayores artistas y
teclistas de dichos
estilos (Scott Joplin,
Joseph Lamb, James Scott,
Pine Top Smith, Meade Lux
Lewis, Albert Ammons... y
otros muchos), estos 25
toques brindan un amplio
panorama del
boogie-woogie y del
ragtimeen el piano. En el
disco incluido en el
método, uno
encontrará varios
archivos audios y v deos.
Los v deos (mp4)
presentan en imágenes
los 25 toques tales como
se deben tocar, a
velocidad normal o más
lenta. Las grabaciones
audios (mp3), por su
parte, nos brindan los
playbacks
correspondientes, aqu
también en dos aires
diferentes. Ud podrá
tocar los toques
propuestos al estudio o
aprovechar la ocasión
para desarrollar
libremente sus propias
ideas de
acompañamiento en el
estilo. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Un siecle de chansons francaises 1939-1949 Piano, Voix et Guitare [Conducteur] Beuscher
| | |
| Un siecle de chansons francaises 1949-1959 Piano, Voix et Guitare [Conducteur] Beuscher
| | |
| Un siecle de chansons francaises 1969-1979 Piano, Voix et Guitare [Conducteur] Beuscher
| | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Five for Christmas Orgue - Intermédiaire MorningStar Music Publishers
By Raymond H Haan. For organ. Organ Music. Level: Medium. Published by MorningSt...(+)
By Raymond H Haan. For
organ. Organ Music.
Level: Medium. Published
by MorningStar Music
Publishers.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Classic Guitar Collection Vol. 1 Guitare Guitare classique [Partition] Music Sales
By Harvey Vinson (Editor). For Guitar. Classical. Sheet Music. 96 pages. Publis...(+)
By Harvey Vinson
(Editor). For Guitar.
Classical. Sheet Music.
96 pages. Published by
Music Sales.
(1)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Clover Editorial de Musica Boileau
Violin, viola or cello and guitar SKU: BO.B.3687 Composed by Jaume Torren...(+)
Violin, viola or cello
and guitar SKU:
BO.B.3687 Composed by
Jaume Torrent. Published
by Editorial de Musica
Boileau (BO.B.3687).
In recent years
one of the guiding
principals of my work as
a composer has been the
creation of a repertoire
of chamber music in which
the guitar is treated as
a concert instrument and
also provides the
harmonic basis for the
music.
Firstly, it
is my belief that the
special polyphonic
capabilities of the
guitar can lead to the
creation of a unique
chamber music repertoire
in which the limitations
of the instrument are
surpassed by the musical
dialogue being shared
among the various
instruments. Secondly,
bringing the guitar
together with other
instruments historically
used in chamber music not
only benefits the guitar
but also allows the
guitar to bring to the
music different harmonic
qualities, distinctive
melodies and rhythms and
gives the music a unique
expressive richness not
found in traditional
chamber music.
The
trio Clover was inspired
by the small and
beautiful plant of the
same name. The three
movements of the work
(the characteristic three
clover leaves) are
structured according to
the classic form:
lively-tranquil-lively.
The first movement is
full of robust
determination, the second
alludes to the subtle
rhythm of a siciliana and
the third movement is a
scherzo. The work was
premiered by Paganini
Trio (Joseph Gold, Debbie
Dare and myself) during a
tour of California (USA)
using a Stradivarius
violin made in
1690.
Lastly, I
would like to insist-yet
again--on the importance
of the fact that guitar
technique must be geared
to fully utilize the
level of volume of which
the instrument is
capable. With an adequate
technique (see Estudio y
sistematizacion del
conjunto de recursos que
posibilitan el desarrollo
de una buena tecnica
guitarristica [Systematic
Study of the Various
Resources That Contribute
to the Development of a
Good Guitar Technique] by
J. Torrent -Ed. Boileau),
a guitarist is capable of
controlling the volume of
which the instrument if
capable without
renouncing the level of
volume that is required.
Thus, a guitarist may use
a wide range of dynamics,
giving the player greater
expressive possibilities
and is thus able to
integrate easily within
chamber music groups
without forcing the other
instruments to lower
their normal level of
volume. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 20 Ans De Succes 1940-1960 Piano, Voix [Conducteur] Beuscher
| | |
| Nine Ps Refrains for Handbells GIA Publications
Cantor,2-4-part Choir,assembly, 2-3 octave handbells,handbells,keybo ard SKU:...(+)
Cantor,2-4-part
Choir,assembly, 2-3
octave
handbells,handbells,keybo
ard SKU:
GI.G-003415 Composed
by Karen Schneider
Kirner. Easter. Tune
Name: Byzantine
Chant,Byzantine Chant.
Sacred. Octavo. GIA
Publications #003415.
Published by GIA
Publications
(GI.G-003415). UPC:
641151034157. Conta
ins handbells
arrangements for: Like A
Deer (Psalm 42) by Paul
A. Tate Be Merciful, O
Lord (Pslam 51) by
Michael Ward Today Is
Born Our Savior (Psalm
96) by Joseph B. Sullivan
All the Earth (Psalm 100)
by Lucien Deiss Send
Forth Your Spirit, O Lord
(Psalm 104) by Steven C.
Warner Our Blessing Cup
(Psalm 116) by Marcy
Weckler Barr This Is the
Day (Psalm 118) by Alan
J. Hommerding Whenever
You Serve Me (Psalm146)
by Steven R. Janco Praise
God in His Hol,y Dwelling
(Psalm 150) by Jan M.
Vermulst. $3.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Minuet sur le nom d'Haydn [Conducteur et Parties séparées] - Intermédiaire Forton Music
4fl. Afl. Bfl. Cafl. Cbfl (4 flutes, alto flute, bass flute, contr'alto flute, c...(+)
4fl. Afl. Bfl. Cafl. Cbfl
(4 flutes, alto flute,
bass flute, contr'alto
flute, contrabass flute)
- Intermediate SKU:
FT.FM400 Composed by
Maurice Ravel. Arranged
by Robert Rainford.
Arranged for Flute
Ensemble/Choir - 4
Flutes, Alto Flute, Bass
Flute, Contr'alto Flute,
Contrabass Flute. Score
and Parts. Forton Music
#FM400. Published by
Forton Music (FT.FM400).
ISBN
9790570482993. Flut
e Ensemble (4 flutes,
alto flute, bass flute,
contr’alto flute,
contrabass flute).
Maurice Ravel wrote this
exquisite miniature piece
originally for piano in
1909, to mark the
centenary of the death of
the composer Franz Joseph
Haydn. Ravel has used the
letters of Haydn's name
to give him the initial
theme of the piece at the
very start (flute 1 of
this arrangement). B
natural represents H, A
and D represent their own
letters, the next D
represents the letter Y,
and the final G
represents N. This theme
then weaves through the
whole piece in various
versions, sometimes
upside down, and
sometimes backwards. Many
composers have used this
method of using letters
to give melodic pitches,
from Josquin back in the
fifteenth century all the
way through to such
twentieth century
composers as
Shostakovich, Messiaen
and Elliott Carter. This
arrangement uses just
about the full range of
flutes, including
contr'alto and
contrabass. Each flute
has it's own independant
part, and the 'HAYDN'
theme is shared between
them all.Whilst not
technically difficult, it
needs sensitive playing
to balance the parts, and
a strong sense of musical
colour to make the most
of the piece. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chansons Du Limousin Vol.1: Pastorales (med) (voice & Heugel
Voice (Music For Voice) SKU: HL.48187528 Composed by Blanchard Joseph Ant...(+)
Voice (Music For Voice)
SKU: HL.48187528
Composed by Blanchard
Joseph Antoine. Leduc.
Classical. Softcover.
Heugel & Cie #HE31208.
Published by Heugel & Cie
(HL.48187528).
La Belle
Meuniere; Bonjour
Bergerette; La Bergere et
le Chasseur;
Pastoureleta; Le Seigneur
et la Bergere; Y a-t-une
Bergere dans ces Bois;
Passant dans la
Prairie. $50.70 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chants De L'Angoumois Voix moyenne, Piano Heugel
Medium Voice and Piano SKU: BT.ALHE31205 Composed by Joseph Canteloube. C...(+)
Medium Voice and Piano
SKU: BT.ALHE31205
Composed by Joseph
Canteloube. Classical.
Book Only. 96 pages.
Heugel & Cie #ALHE31205.
Published by Heugel & Cie
(BT.ALHE31205).
French. Quand
j'étais chez mon
Père; J'ai
posé une
Arbalète; Allons
dans ce p'tit Bois
charmant; A Paris il y a;
Quand la Feuille
était
verte $45.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Shorter New Oxford Book Of Carols Chorale [Vocal Score] Oxford University Press
By Keyte & Parrot. For Choral Collection (Paper). Published by Oxford University...(+)
By Keyte & Parrot. For
Choral Collection
(Paper). Published by
Oxford University Press.
$40.99 - Voir plus => Acheter | | |
| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462
Composed by James
Abbington. Edited by
James Abbington. African
American Church Music
Series. Sacred. Book. 824
pages. GIA Publications
#8462. Published by GIA
Publications (GI.G-8462).
ISBN 9781622771004.
English. The volume
you are holding is a
vivid testimony …to
the value of examining
this variety and dynamism
from multiple,
overlapping points of
view …to the value
of both realist and
idealist voices …to
the value of articulating
wisdom. From the foreword
by John D. Witvliet,
Calvin Institute of
Christian Worship Since
the publication of the
first volume of Readings
in African American
Church Music and Worship,
public and academic
interest in the music and
worship in black churches
has significantly
increased. This second
volume makes available
the most recent
scholarship on
twenty-first-century
developments and trends,
through a representative
number of articles,
essays, and chapters
written by brilliant
musicians, authors, and
theologians of our time.
The list of contributors
includes some of the
finest emerging scholars,
whose voices we will be
hearing for years to
come, as well as
offerings from seasoned
authors, whose research
and writings are well
regarded by peers and the
worshiping community at
large. The significant
contributions—from
names new and
familiar—greatly
broaden the field of
study. The 43 chapters of
this volume are divided
into 7 categories:
Worship and Liturgical
Practices Perspectives on
Praise and Worship
Liturgical Theologies Hip
Hop and/in the Church
Proclamation of the Word
Perspectives on Women and
Gender Hymnody: Sound and
Sense Insightful,
thought-provoking,
challenging,
hopeful—this
volume will be a source
of knowledge, a stimulus
for discussion, and a
call to (re)consider the
many and varied
viewpoints of the African
American church.
Featuring the writings
of: James Abbington,
LaTrese Adkins, Sandra L.
Barnes, Tuere A. Bowles,
Ruthlyn Bradshaw, Michael
Joseph Brown, Melvin L.
Butler, James H. Cone,
David Douglas Daniels
III, Robert Darden, Leo
H. Davis Jr., Valerie
Bridgeman Davis, Michael
Fox, Kenyatta R. Gilbert,
Daniel White Hodge,
Birgitta J. Johnson,
Alisha Jones, Tammy L.
Kernodle, S T Kimbrough,
Jr., Cheryl A.
Kirk-Duggan, Cleophus J.
LaRue, Monica T. Leach,
Tamura Lomax, Pamela P.
Martin, Marvin A.
McMickle, Monica R.
Miller, Stephanie Y.
Mitchem, Thomasina
Neely-Chandler, Deborah
S. Pollard, Luke A.
Powery, Samuel D.
Proctor, Teresa L. Reed,
Braxton D. Shelley,
Martha Simmons, Josef
Sorett, Rodney A. Teal,
Frank Thomas, Kathleen S.
Turner, Kenneth C. Ulmer,
Gayle Wald, James Melvin
Washington, Ralph C.
Watkins, Lisa M. Weaver,
Melinda E. Weekes,
Christina Zanfagna James
Abbington is Associate
Professor of Church Music
and Worship, Candler
School of Theology, Emory
University, Atlanta,
Georgia. He also serves
as Executive Editor of
the African American
Church Music Series,
published by GIA
Publications, Inc. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chantons en FM - Volume 2 Lemoine, Henry
Music teaching SKU: LM.28776 Composed by B. Menut, M. Labrousse, and Y. L...(+)
Music teaching SKU:
LM.28776 Composed by
B. Menut, M. Labrousse,
and Y. Liorzou. Method,
studies. Score and CD.
Editions Henry Lemoine
#28776. Published by
Editions Henry Lemoine
(LM.28776). ISBN
9790230987769. TCHA
IKOVSKI Piotr Illich :
Symphonie n. 4 - Doliny
(Chant populaire
slovaque) - MENUT Benoit
: Chanson d'esperance -
MOZART Wolfgang Amadeus :
Concerto pour piano K459
- GLINKA Mikhail
Ivanovitch : Capriccio
sur des themes russes -
MENUT Benoit : Romance
sans paroles (Paul
Verlaine) - MARTINU
Bohuslav : Pozvani (Une
invitation) - LIORZOU
Yann : Carillon (Frau
Lotte Ruppel gewidmet) -
MENUT Benoit : L'Avare
(Moliere) - COUPERIN
Francois : Les petits
moulins a vent - LIORZOU
Yann : Chanson - GEBAUER
Michel-Joseph : Six duos
pour deux violons Op.10 -
MENUT Benoit : Les Hiboux
(Charles Beaudelaire) -
OFFENBACH Jacques :
Barcarolle des Contes
d'Hoffmann - BEETHOVEN
Ludwig van : Neue Liebe,
neues Leben Op.75 n. 2
(Goethe) - MENUT Benoit :
Le Printemps (Charles
d'Orleans) - BOISMORTIER
J.B. de : VIIIe Sonate -
MENUT Benoit : Le chant
de l'eau (Emile
Verhaeren) - MENUT Benoit
: Atala (Francois-Rene de
Chateaubriand) - FRANCK
Cesar : Pieces V pour
hautbois et piano - MENUT
Benoit : Demain, des
l'aube (Victor Hugo). $42.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
Page suivante 1 31 |