Organ SKU: HL.14040838 Organ Solo. Composed by Claude Ballif. Musi...(+)
Organ
SKU:
HL.14040838
Organ
Solo. Composed by
Claude Ballif. Music
Sales America. Classical.
Book [Softcover]. Hal
Leonard #ETR001626.
Published by Hal Leonard
(HL.14040838).
A Cantata for Holy Week (Preview Pack). Composed by John Purifoy. This ed...(+)
A Cantata for Holy
Week (Preview Pack).
Composed by John Purifoy.
This edition: Preview
Pack (SATB Choral Score
and Listening CD). Choral
(Sacred); Choral Worship
Cantata; Larger Works;
Performance Music
Ensemble; Worship
Resources. Jubilate
Music. Easter; Holy Week;
Lent; Sacred; Spring. CD;
Score. Jubilate Music
Group #00-46244.
Published by Jubilate
Music Group (AP.46244).
SATB Choir and Organ SKU: HL.14032959 Composed by Herbert Howells. Music ...(+)
SATB Choir and Organ
SKU: HL.14032959
Composed by Herbert
Howells. Music Sales
America. Classical. Book
[Softcover]. 40 pages.
Music Sales #NOV291654.
Published by Music Sales
(HL.14032959).
ISBN
9780711994850.
6.5x9.75x0.11
inches.
Howells 'Te
Deum, Benedictus And
Jubilate' for mixed voice
choir SATB with Organ
accompaniment. Edited by
James Eggleston.
Alleluia! Jubilate! (Discovery Level 2). Edited by Patrick M. Liebergen. Arrange...(+)
Alleluia! Jubilate!
(Discovery Level 2).
Edited by Patrick M.
Liebergen. Arranged by
Patrick M. Liebergen.
2-Part. Discovery Choral.
8 pages. Published by Hal
Leonard
Composed by Ruth Morris
Gray. Choral (Sacred);
Choral Octavo; Worship
Resources. Alfred Choral
Designs. Sacred. 12
pages. Published by
Jubilate Music Group
(AP.45649).
Discovery Level 1.
Arranged by Cristi Cary
Miller. Discovery Choral.
Concert, Festival, Latin.
Octavo. 8 pages. Duration
90 seconds. Published by
Hal Leonard (HL.372778).
ISBN 9781705148679.
UPC: 196288015154.
6.75x10.5x0.019
inches.
Using
Michael Praetorius'
well-known canon,
“Jubilate
Deo,†this new
accompanied arrangement
will be easy for singers
to learn yet sound
sophisticated and
exciting. With an added B
section melody, the
simple Latin text will
allow singers the
opportunity to practice
unified vowel shapes
creating a mature
developing sound. This
piece would make a
glorious opening for any
concert or festival!
Jubilate! Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094722-140 Waldkircha in ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094722-140
Waldkircha in
Musica. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2009. 36 pages. De Haske
Publications #DHP
1094722-140. Published by
De Haske Publications
(BT.DHP-1094722-140).
9x12 inches.
English-German-French-Dut
ch.
Jubilateâ
™s main theme
comes from the Gregorian
chant on the Psalm
Jubliate Deo omnis terra.
The work itself was
inspired by the
sacredhistory of the
Waldkirch (a forest
village) community,
located on the
Swiss/German boarder. It
tells a tale of the Irish
and Scottish monks who
build the first wooden
church at the site of
what is now Waldkirch, of
the dramatic events, good
and bad, that have taken
place over the centuries
and of the flourishing
community that has
withstood the trials of
time.
Jubilate!
, dessen Hauptthema
aus dem gregorianischen
Gesang zum Psalm
Jubilate Deo omnis
terra stammt, wurde
von der Kirchengeschichte
der Gemeinde Waldkirch
bei Waldshut am Hochrhein
inspiriert. Von den
irischen und schottischen
Mönchen, welche die
erste Holzkirche bauten,
von dramatischen
historischen Ereignissen,
aber auch von einer
aufblühenden
Kirchengemeinde handelt
dieses festliche Werk,
dem eine CD mit dem
Glockenklang der
Waldkircher Kirche
beiliegt.
Jacob de
Haan fa rivivere il
passato religioso di
Waldkirch, una citt
tedesca vicino alla
frontiera con la
Svizzera. Il titolo del
brano deriva dal versetto
del Salmo 97
Jubilate Deo omnis
terra. La musica rievoca
l’arrivo dei
monaci scozzesi ed
irlandesi che si
stabilirono sul suolo
dell’attuale
Waldkirch dove iniziarono
a costruire le prime
chiese. La storia prende
in seguito una piega
più tragica, ma la
comunit reagisce
positivamente e con
orgoglio, ciò che
porta alla prosperit e al
benessere. Le campane di
Waldkirch suonano con
vigore (CD di
accompagnamento):
Jubilate!
Jubilate! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094722-013 Waldkircha in ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094722-013
Waldkircha in
Musica. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts) with CD.
Composed 2009. De Haske
Publications #DHP
1094722-013. Published by
De Haske Publications
(BT.DHP-1094722-013).
9x12 inches.
English-German-French-Dut
ch.
Jubilateâ
™s main theme
comes from the Gregorian
chant on the Psalm
Jubliate Deo omnis terra.
The work itself was
inspired by the
sacredhistory of the
Waldkirch (a forest
village) community,
located on the
Swiss/German boarder. It
tells a tale of the Irish
and Scottish monks who
build the first wooden
church at the site of
what is now Waldkirch, of
the dramatic events, good
and bad, that have taken
place over the centuries
and of the flourishing
community that has
withstood the trials of
time.
Jubilate!
, dessen Hauptthema
aus dem gregorianischen
Gesang zum Psalm
Jubilate Deo omnis
terra stammt, wurde
von der Kirchengeschichte
der Gemeinde Waldkirch
bei Waldshut am Hochrhein
inspiriert. Von den
irischen und schottischen
Mönchen, welche die
erste Holzkirche bauten,
von dramatischen
historischen Ereignissen,
aber auch von einer
aufblühenden
Kirchengemeinde handelt
dieses festliche Werk,
dem eine CD mit dem
Glockenklang der
Waldkircher Kirche
beiliegt.
Jacob de
Haan fa rivivere il
passato religioso di
Waldkirch, una citt
tedesca vicino alla
frontiera con la
Svizzera. Il titolo del
brano deriva dal versetto
del Salmo 97
Jubilate Deo omnis
terra. La musica rievoca
l’arrivo dei
monaci scozzesi ed
irlandesi che si
stabilirono sul suolo
dell’attuale
Waldkirch dove iniziarono
a costruire le prime
chiese. La storia prende
in seguito una piega
più tragica, ma la
comunit reagisce
positivamente e con
orgoglio, ciò che
porta alla prosperit e al
benessere. Le campane di
Waldkirch suonano con
vigore (CD di
accompagnamento):
Jubilate!
Jubilant Prelude Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000782-020 Composed by Toon Hagen. Arr...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000782-020
Composed by Toon Hagen.
Arranged by Wim Rouw. Set
(Score & Parts). Gobelin
Music Publications #GOB
000782-020. Published by
Gobelin Music
Publications
(BT.GOB-000782-020).
‘Jubilant
Prelude’ is an
orchestration of the
‘Preludium over Psalm
150’ originally
composed for organ by
Toon Hagen. Since 1998
Toon Hagen has been
organ-player of the
‘Grote or Sint
Michaëlskerk’ in
Zwolle (the Netherlands).
He has written several
‘contemporary’
compositions for
organ.‘Jubilant
Prelude’ has a
capricious character by
the use of irregular
measures and its many
measure changes. The
structure of the Prelude
is that of a fugue and is
based on motives from the
psalm.After the first
climax, which is both
dynamic and harmonic, the
theme in the Andante
Jubiloso is clearly
audible and it is
alternated with erratic
motifs. Tension increases
until at last the psalm
itself isheard in all its
glory. The melody of the
psalm sounds as a cantus
firmus in tenor register,
with motifs in
ornamentation for
saxophones, bugles and
trumpets. The finale,
like the prelude is
capricious and
vehement.The
instrumentation for
fanfare band was made by
Wim Rouw. It is
particularly colourful
and has a surprising role
for the percussion
section.
‘Jubilant
Prelude’ is een
orkestbewerking van het
oorspronkelijk voor orgel
geschreven ‘Preludium
over Psalm 150’ van de
hand van Toon Hagen.
Sinds 1998 is Toon Hagen
als organist verbonden
aan de Grote of Sint
Michaëlskerk te
Zwolle.Hij heeft meerdere
‘eigentijdse’
composities voor orgel op
zijn naam
staan.‘Jubilant
Prelude’ krijgt door
het gebruik van
onregelmatige maatsoorten
en vele maatwisselingen
een grillig karakter.De
opbouw van de Prelude is
fugatisch,en is gebaseerd
op motieven van de
psalm.Na de eerste
climax, dynamisch en
harmonisch, is op het
Andante Jubiloso het
thema duidelijk hoorbaar,
en wordt afgewisseld met
grillige motieven. De
spanning neemt toe totdat
de psalmin volle glorie
volgt. De melodie van de
psalm klinkt als een
cantus firmus in het
tenor register, met een
omspeling in saxofoons,
bugels en trompetten.Het
slot is net als het
voorspel grillig en
heftig.De instrumentatie
voorfanfare orkest is van
Wim Rouw. Deze is
bijzonder kleurrijk met
een verrassend gebruik
van het slagwerk.
Composed by Toon Hagen.
Score Only. Gobelin Music
Publications #GOB
000772-140. Published by
Gobelin Music
Publications
(BT.GOB-000772-140).
‘Jubilant
Prelude’ is an
orchestration of the
‘Preludium over Psalm
150’ originally
composed for organ by
Toon Hagen. Since 1998
Toon Hagen has been
organ-player of the
‘Grote or Sint
Michaëlskerk’ in
Zwolle (the Netherlands).
He has written several
‘contemporary’
compositions for
organ.‘Jubilant
Prelude’ has a
capricious character by
the use of irregular
measures and its many
measure changes. The
structure of the Prelude
is that of a fugue and is
based on motives from the
psalm.After the first
climax, which is both
dynamic and harmonic, the
theme in the Andante
Jubiloso is clearly
audible and it is
alternated with erratic
motifs. Tension increases
until at last the psalm
itself isheard in all its
glory. The melody of the
psalm sounds as a cantus
firmus in tenor register,
with motifs in
ornamentation for
saxophones, bugles and
trumpets. The finale,
like the prelude is
capricious and
vehement.The
instrumentation for
concert band was made by
Wim Rouw. It is
particularly colourful
and has a surprising role
for the percussion
section.
‘Jubilant
Prelude’ is een
orkestbewerking van het
oorspronkelijk voor orgel
geschreven ‘Preludium
over Psalm 150’ van de
hand van Toon Hagen.
Sinds 1998 is Toon Hagen
als organist verbonden
aan de Grote of Sint
Michaëlskerk te
Zwolle.Hij heeft meerdere
‘eigentijdse’
composities voor orgel op
zijn naam
staan.‘Jubilant
Prelude’ krijgt door
het gebruik van
onregelmatige maatsoorten
en vele maatwisselingen
een grillig karakter.De
opbouw van de Prelude is
fugatisch,en is gebaseerd
op motieven van de
psalm.Na de eerste
climax, dynamisch en
harmonisch, is op het
Andante Jubiloso het
thema duidelijk hoorbaar,
en wordt afgewisseld met
grillige motieven. De
spanning neemt toe totdat
de psalmin volle glorie
volgt. De melodie van de
psalm klinkt als een
cantus firmus in het
tenor register, met een
omspeling in saxofoons,
bugels en trompetten.Het
slot is net als het
voorspel grillig en
heftig.De instrumentatie
voorharmonie orkest is
van Wim Rouw. Deze is
bijzonder kleurrijk met
een verrassend gebruik
van het slagwerk.
Jubilant Prelude Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000782-120 Arranged by Wim Rouw. Score...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000782-120
Arranged by Wim Rouw.
Score Only. Gobelin Music
Publications #GOB
000782-120. Published by
Gobelin Music
Publications
(BT.GOB-000782-120).
‘Jubilant
Prelude’ is an
orchestration of the
‘Preludium over Psalm
150’ originally
composed for organ by
Toon Hagen. Since 1998
Toon Hagen has been
organ-player of the
‘Grote or Sint
Michaëlskerk’ in
Zwolle (the Netherlands).
He has written several
‘contemporary’
compositions for
organ.‘Jubilant
Prelude’ has a
capricious character by
the use of irregular
measures and its many
measure changes. The
structure of the Prelude
is that of a fugue and is
based on motives from the
psalm.After the first
climax, which is both
dynamic and harmonic, the
theme in the Andante
Jubiloso is clearly
audible and it is
alternated with erratic
motifs. Tension increases
until at last the psalm
itself isheard in all its
glory. The melody of the
psalm sounds as a cantus
firmus in tenor register,
with motifs in
ornamentation for
saxophones, bugles and
trumpets. The finale,
like the prelude is
capricious and
vehement.The
instrumentation for
fanfare band was made by
Wim Rouw. It is
particularly colourful
and has a surprising role
for the percussion
section.
‘Jubilant
Prelude’ is een
orkestbewerking van het
oorspronkelijk voor orgel
geschreven ‘Preludium
over Psalm 150’ van de
hand van Toon Hagen.
Sinds 1998 is Toon Hagen
als organist verbonden
aan de Grote of Sint
Michaëlskerk te
Zwolle.Hij heeft meerdere
‘eigentijdse’
composities voor orgel op
zijn naam
staan.‘Jubilant
Prelude’ krijgt door
het gebruik van
onregelmatige maatsoorten
en vele maatwisselingen
een grillig karakter.De
opbouw van de Prelude is
fugatisch,en is gebaseerd
op motieven van de
psalm.Na de eerste
climax, dynamisch en
harmonisch, is op het
Andante Jubiloso het
thema duidelijk hoorbaar,
en wordt afgewisseld met
grillige motieven. De
spanning neemt toe totdat
de psalmin volle glorie
volgt. De melodie van de
psalm klinkt als een
cantus firmus in het
tenor register, met een
omspeling in saxofoons,
bugels en trompetten.Het
slot is net als het
voorspel grillig en
heftig.De instrumentatie
voorfanfare orkest is van
Wim Rouw. Deze is
bijzonder kleurrijk met
een verrassend gebruik
van het slagwerk.
Composed by Toon Hagen.
Arranged by Wim Rouw. Set
(Score & Parts). 20
pages. Gobelin Music
Publications #GOB
000772-010. Published by
Gobelin Music
Publications
(BT.GOB-000772-010).
‘Jubilant
Prelude’ is an
orchestration of the
‘Preludium over Psalm
150’ originally
composed for organ by
Toon Hagen. Since 1998
Toon Hagen has been
organ-player of the
‘Grote or Sint
Michaëlskerk’ in
Zwolle (the Netherlands).
He has written several
‘contemporary’
compositions for
organ.‘Jubilant
Prelude’ has a
capricious character by
the use of irregular
measures and its many
measure changes. The
structure of the Prelude
is that of a fugue and is
based on motives from the
psalm.After the first
climax, which is both
dynamic and harmonic, the
theme in the Andante
Jubiloso is clearly
audible and it is
alternated with erratic
motifs. Tension increases
until at last the psalm
itself isheard in all its
glory. The melody of the
psalm sounds as a cantus
firmus in tenor register,
with motifs in
ornamentation for
saxophones, bugles and
trumpets. The finale,
like the prelude is
capricious and
vehement.The
instrumentation for
concert band was made by
Wim Rouw. It is
particularly colourful
and has a surprising role
for the percussion
section.
‘Jubilant
Prelude’ is een
orkestbewerking van het
oorspronkelijk voor orgel
geschreven ‘Preludium
over Psalm 150’ van de
hand van Toon Hagen.
Sinds 1998 is Toon Hagen
als organist verbonden
aan de Grote of Sint
Michaëlskerk te
Zwolle.Hij heeft meerdere
‘eigentijdse’
composities voor orgel op
zijn naam
staan.‘Jubilant
Prelude’ krijgt door
het gebruik van
onregelmatige maatsoorten
en vele maatwisselingen
een grillig karakter.De
opbouw van de Prelude is
fugatisch,en is gebaseerd
op motieven van de
psalm.Na de eerste
climax, dynamisch en
harmonisch, is op het
Andante Jubiloso het
thema duidelijk hoorbaar,
en wordt afgewisseld met
grillige motieven. De
spanning neemt toe totdat
de psalmin volle glorie
volgt. De melodie van de
psalm klinkt als een
cantus firmus in het
tenor register, met een
omspeling in saxofoons,
bugels en trompetten.Het
slot is net als het
voorspel grillig en
heftig.De instrumentatie
voorharmonie orkest is
van Wim Rouw. Deze is
bijzonder kleurrijk met
een verrassend gebruik
van het slagwerk.
Jubilant Prelude Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000863-030 Composed by Toon Hagen. Arran...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000863-030
Composed by Toon Hagen.
Arranged by Dirk Annema.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000863-030. Published by
Gobelin Music
Publications
(BT.GOB-000863-030).
‘Jubilant
Prelude’ is an
orchestration of the
‘Preludium over Psalm
150’ originally
composed for organ by
Toon Hagen. Since 1998
Toon Hagen has been
organ-player of the
‘Grote or Sint
Michaëlskerk’ in
Zwolle (the Netherlands).
He has written several
‘contemporary’
compositions for
organ.‘Jubilant
Prelude’ has a
capricious character by
the use of irregular
measures and its many
measure changes. The
structure of the Prelude
is that of a fugue and is
based on motives from the
psalm.After the first
climax, which is both
dynamic and harmonic, the
theme in the Andante
Jubiloso is clearly
audible and it is
alternated with erratic
motifs. Tension increases
until at last the psalm
itself isheard in all its
glory. The melody of the
psalm sounds as a cantus
firmus in tenor register,
with motifs in
ornamentation for
saxophones, bugles and
trumpets. The finale,
like the prelude is
capricious and
vehement.The
instrumentation for
brassband was made by
Dirk Annema. It is
particularly colourful
and has a surprising role
for the percussion
section.
‘Jubilant
Prelude’ is een
orkestbewerking van het
oorspronkelijk voor orgel
geschreven ‘Preludium
over Psalm 150’ van de
hand van Toon Hagen.
Sinds 1998 is Toon Hagen
als organist verbonden
aan de Grote of Sint
Michaëlskerk te
Zwolle.Hij heeft meerdere
‘eigentijdse’
composities voor orgel op
zijn naam
staan.‘Jubilant
Prelude’ krijgt door
het gebruik van
onregelmatige maatsoorten
en vele maatwisselingen
een grillig karakter.De
opbouw van de Prelude is
fugatisch,en is gebaseerd
op motieven van de
psalm.Na de eerste
climax, dynamisch en
harmonisch, is op het
Andante Jubiloso het
thema duidelijk hoorbaar,
en wordt afgewisseld met
grillige motieven. De
spanning neemt toe totdat
de psalmin volle glorie
volgt. De melodie van de
psalm klinkt als een
cantus firmus in het
tenor register, met een
omspeling in saxofoons,
bugels en trompetten.Het
slot is net als het
voorspel grillig en
heftig.De instrumentatie
voor brassbandis van Dirk
Annema. Deze is bijzonder
kleurrijk met een
verrassend gebruik van
het slagwerk.
Jubilant Prelude Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000863-130 Composed by Toon Hagen. Arran...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000863-130
Composed by Toon Hagen.
Arranged by Dirk Annema.
Score Only. Gobelin Music
Publications #GOB
000863-130. Published by
Gobelin Music
Publications
(BT.GOB-000863-130).
‘Jubilant
Prelude’ is an
orchestration of the
‘Preludium over Psalm
150’ originally
composed for organ by
Toon Hagen. Since 1998
Toon Hagen has been
organ-player of the
‘Grote or Sint
Michaëlskerk’ in
Zwolle (the Netherlands).
He has written several
‘contemporary’
compositions for
organ.‘Jubilant
Prelude’ has a
capricious character by
the use of irregular
measures and its many
measure changes. The
structure of the Prelude
is that of a fugue and is
based on motives from the
psalm.After the first
climax, which is both
dynamic and harmonic, the
theme in the Andante
Jubiloso is clearly
audible and it is
alternated with erratic
motifs. Tension increases
until at last the psalm
itself isheard in all its
glory. The melody of the
psalm sounds as a cantus
firmus in tenor register,
with motifs in
ornamentation for
saxophones, bugles and
trumpets. The finale,
like the prelude is
capricious and
vehement.The
instrumentation for
brassband was made by
Dirk Annema. It is
particularly colourful
and has a surprising role
for the percussion
section.
‘Jubilant
Prelude’ is een
orkestbewerking van het
oorspronkelijk voor orgel
geschreven ‘Preludium
over Psalm 150’ van de
hand van Toon Hagen.
Sinds 1998 is Toon Hagen
als organist verbonden
aan de Grote of Sint
Michaëlskerk te
Zwolle.Hij heeft meerdere
‘eigentijdse’
composities voor orgel op
zijn naam
staan.‘Jubilant
Prelude’ krijgt door
het gebruik van
onregelmatige maatsoorten
en vele maatwisselingen
een grillig karakter.De
opbouw van de Prelude is
fugatisch,en is gebaseerd
op motieven van de
psalm.Na de eerste
climax, dynamisch en
harmonisch, is op het
Andante Jubiloso het
thema duidelijk hoorbaar,
en wordt afgewisseld met
grillige motieven. De
spanning neemt toe totdat
de psalmin volle glorie
volgt. De melodie van de
psalm klinkt als een
cantus firmus in het
tenor register, met een
omspeling in saxofoons,
bugels en trompetten.Het
slot is net als het
voorspel grillig en
heftig.De instrumentatie
voor brassbandis van Dirk
Annema. Deze is bijzonder
kleurrijk met een
verrassend gebruik van
het slagwerk.
A Cantata for Christmas (SATB Choral Score). Composed by Mark Hayes (1953-) an...(+)
A Cantata for Christmas
(SATB
Choral Score). Composed
by
Mark Hayes (1953-) and
Lloyd
Larson. This edition:
SATB
Choral Score. Choral
(Sacred); Choral Worship
Cantata; Church Musicals;
Performance Music
Ensemble;
Worship Resources.
Jubilate
Music. Christmas; Sacred.
Choral score. Jubilate
Music
Group #00-47944.
Published by
Jubilate Music Group
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527903
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf, Uwe
Wolf. Gattungen vokal:
Sacred vocal music. Vocal
score. Composed 1713. HWV
279. 44 pages. Duration
17 minutes. Carus Verlag
#5527900. Published by
Carus Verlag
(CA.5527903).
ISBN
9790007250799.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this edition.
The chorus is mainly
scored in four parts, and
is in eight parts in just
one short movement. In
two other movements the
soprano part divides. The
second alto solo part can
also be sung by a high
tenor. Score available
separately - see item
CA.5527900.
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527912
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf.
Single Part, violin 3.
Composed 1713. HWV 279.
12 pages. Duration 17
minutes. Carus Verlag
#5527900. Published by
Carus Verlag
(CA.5527912).
ISBN
9790007293031.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this
edition. The chorus is
mainly scored in four
parts, and is in eight
parts in just one short
movement. In two other
movements the soprano
part divides. The second
alto solo part can also
be sung by a high
tenor. Score and part
available separately -
see item CA.5527900.
Composed by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Mu...(+)
Composed by Patrick M.
Liebergen. Choral
(Sacred); Choral Octavo;
Performance Music
Ensemble; Single Titles;
Worship Resources.
Jubilate Music: The Music
of Holy Week. Palm
Sunday; Sacred; Spring.
Choral Octavo. Jubilate
Music Group #00-46845.
Published by Jubilate
Music Group (AP.46845).
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527913
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf.
Single Part, viola.
Composed 1713. HWV 279. 8
pages. Duration 17
minutes. Carus Verlag
#5527900. Published by
Carus Verlag
(CA.5527913).
ISBN
9790007293048.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this
edition. The chorus is
mainly scored in four
parts, and is in eight
parts in just one short
movement. In two other
movements the soprano
part divides. The second
alto solo part can also
be sung by a high
tenor. Score and part
available separately -
see item CA.5527900.
Arranged by Benjamin Harlan. This edition: ChoralTrax CD. Choral (Sacred); Chora...(+)
Arranged by Benjamin
Harlan. This edition:
ChoralTrax CD. Choral
(Sacred); Choral Octavo;
Performance Music
Ensemble; Single Titles;
Worship Resources.
Jubilate Music. Advent;
Christmas; Sacred;
Winter. CD. Jubilate
Music Group #00-9914324.
Published by Jubilate
Music Group (AP.9914324).
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527914
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf.
Single Part, basso
continuo. Composed 1713.
HWV 279. 12 pages.
Duration 17 minutes.
Carus Verlag #5527900.
Published by Carus Verlag
(CA.5527914).
ISBN
9790007293055.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this
edition. The chorus is
mainly scored in four
parts, and is in eight
parts in just one short
movement. In two other
movements the soprano
part divides. The second
alto solo part can also
be sung by a high
tenor. Score and part
available separately -
see item CA.5527900.
Composed by Ruth Elaine
Schram. Choral (Sacred);
Choral Octavo;
Performance
Music Ensemble; Single
Titles; Worship
Resources.
Jubilate Music: The Music
of
Holy Week. Good Friday;
Holy
Week; Lent; Maundy
Thursday;
Sacred; Spring. Choral
Octavo. Jubilate Music
Group
#00-46869. Published by
Jubilate Music Group
Composed
by Michael Boo. Sws. Bps.
Full score. 16 pages.
Duration 2:20. Carl
Fischer Music #BPS137F.
Published by Carl Fischer
Music (CF.BPS137F).
ISBN 9781491158494.
UPC: 680160917099. 9 x 12
inches.
Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future.
Choir Sacred SKU: JU.00-48620 A Cantata for Holy Week. Composed by...(+)
Choir Sacred
SKU:
JU.00-48620
A
Cantata for Holy
Week. Composed by Lee
Dengler and Susan Naus
Dengler. This edition:
Preview Pack. Choral
Worship Musical; Church
Musicals; Worship
Resources. Jubilate
Music. Holy Week; Sacred.
Book and CD. Jubilate
Music Group #00-48620.
Published by Jubilate
Music Group
(JU.00-48620).
ISBN
9781470643614. UPC:
038081556376.
English.
The many
moods of Holy Week are
artfully and masterfully
depicted through this
moving work. Using a
fresh approach to tell
the ancient story with
reverence and awe, this
cantata brings the
message of Christ's
sacrifice anew while
challenging singer and
listener alike to
reflection and renewal.
Performance suggestions
are included, offering
the option to utilize the
work as a Tenebrae
service if desired.
Optional PowerPoint
images are available to
enhance the visual impact
of the presentation. 20
minutes.
Composed by Patti Drennan. Choral (Sacred); Choral Octavo; Performance Music ...(+)
Composed by Patti
Drennan.
Choral (Sacred); Choral
Octavo; Performance Music
Ensemble; Single Titles;
Worship Resources.
Jubilate
Music. Communion; Sacred.
Choral Octavo. Jubilate
Music
Group #00-48602.
Published by
Jubilate Music Group
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527949
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf.
Single Part, organ.
Composed 1713. HWV 279.
20 pages. Duration 17
minutes. Carus Verlag
#5527900. Published by
Carus Verlag
(CA.5527949).
ISBN
9790007252175.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this
edition. The chorus is
mainly scored in four
parts, and is in eight
parts in just one short
movement. In two other
movements the soprano
part divides. The second
alto solo part can also
be sung by a high
tenor. Score and part
available separately -
see item CA.5527900.