| Fantasy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165717-010 As performed b...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1165717-010
As performed by Earth,
Wind & Fire. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165717-010. Published by
De Haske Publications
(BT.DHP-1165717-010).
This song was
released in 1977 and is
one of the famous songs
from the legendary band
Earth, Wind and
Fire. Because of its
popularity, it was used
in movies and TV series'
and was also covered many
times throughout the
years, with the 1990
version of Black Box
being one of the most
successful covers.
Richard Johnson created
this solid arrangement
for concert band.
Dit nummer, dat
in 1977 verscheen, is een
van de bekendste songs
van de legendarische band
Earth, Wind and
Fire. Het is vaak
gebruikt voor films en
tv-series, en in de loop
der jaren is het diverse
malen door andere
artiesten opgenomen,
waarbij de versie van
Black Box uit 1990 tot de
meest succesvolle covers
behoort. Richard Johnson
creëerde dit
uitstekende arrangement
voor harmonieorkest.
Dieser Song wurde
1977 veröffentlicht
und zählt zu den
bekanntesten Liedern der
legendären Band
Earth, Wind &
Fire. Aufgrund seiner
Popularität wurde der
Song in Kinofilmen und
TV-Serien verwendet. Im
Laufe der Jahre wurden
zahlreiche Coverversionen
herausgebracht, von denen
die 1990 erschienene
Version der Band Black
Box die erfolgreichste
ist. Dieses solide
Arrangement für
Blasorchester stammt von
Richard Johnson.
Cette chanson
sortie en 1977 est
l’une des plus
célèbres du groupe
légendaire Earth,
Wind and Fire. Gr ce
sa popularité, elle
fut aussi utilisée
dans des films et
séries de
télévision, et
reprise fréquemment
pendant les années
suivantes, dont la
version de 1990 de Black
Box reste probablement la
plus performante. Richard
Johnson a créé cet
excellent arrangement
pour orchestre
d’harmonie.
Pubblicata nel
1997, Fantasy è una
delle più grandi hit
degli Earth, Wind &
Fire. Entrato
nell’immaginario
collettivo per via della
sua costante presenza in
film e serie TV, il brano
è stato riarrangiato
per orchestra di fiati da
Richard Johnson in
memoria di Maurice White,
leader recentemente
scomparso del collettivo
di Chicago. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasy Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165717-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1165717-140
As performed by Earth,
Wind & Fire. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Score Only.
Composed 2016. De Haske
Publications #DHP
1165717-140. Published by
De Haske Publications
(BT.DHP-1165717-140).
This song was
released in 1977 and is
one of the famous songs
from the legendary band
Earth, Wind and
Fire. Because of its
popularity, it was used
in movies and TV series'
and was also covered many
times throughout the
years, with the 1990
version of Black Box
being one of the most
successful covers.
Richard Johnson created
this solid arrangement
for concert band.
Dit nummer, dat
in 1977 verscheen, is een
van de bekendste songs
van de legendarische band
Earth, Wind and
Fire. Het is vaak
gebruikt voor films en
tv-series, en in de loop
der jaren is het diverse
malen door andere
artiesten opgenomen,
waarbij de versie van
Black Box uit 1990 tot de
meest succesvolle covers
behoort. Richard Johnson
creëerde dit
uitstekende arrangement
voor harmonieorkest.
Dieser Song wurde
1977 veröffentlicht
und zählt zu den
bekanntesten Liedern der
legendären Band
Earth, Wind &
Fire. Aufgrund seiner
Popularität wurde der
Song in Kinofilmen und
TV-Serien verwendet. Im
Laufe der Jahre wurden
zahlreiche Coverversionen
herausgebracht, von denen
die 1990 erschienene
Version der Band Black
Box die erfolgreichste
ist. Dieses solide
Arrangement für
Blasorchester stammt von
Richard Johnson.
Cette chanson
sortie en 1977 est
l’une des plus
célèbres du groupe
légendaire Earth,
Wind and Fire. Gr ce
sa popularité, elle
fut aussi utilisée
dans des films et
séries de
télévision, et
reprise fréquemment
pendant les années
suivantes, dont la
version de 1990 de Black
Box reste probablement la
plus performante. Richard
Johnson a créé cet
excellent arrangement
pour orchestre
d’harmonie.
Pubblicata nel
1997, Fantasy è una
delle più grandi hit
degli Earth, Wind &
Fire. Entrato
nell’immaginario
collettivo per via della
sua costante presenza in
film e serie TV, il brano
è stato riarrangiato
per orchestra di fiati da
Richard Johnson in
memoria di Maurice White,
leader recentemente
scomparso del collettivo
di Chicago. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Schütz-Handbuch Barenreiter
SKU: BA.BVK02069 Edited by Walter Werbeck. Hardback. Book. 444 pages. Bae...(+)
SKU: BA.BVK02069
Edited by Walter Werbeck.
Hardback. Book. 444
pages. Baerenreiter
Verlag #BVK02069_00.
Published by Baerenreiter
Verlag (BA.BVK02069).
ISBN 9783761820698.
24.5 x 18 cm
inches. In diesem
Handbuch werden Schütz
und seine Musik in ihrer
ganzen Breite
thematisiert. Bekannte
Spezialistinnen und
Spezialisten beleuchten
seine biographischen
Stationen und Kontexte,
sie analysieren seine
Werke, stellen deren
Faktur und ihre
Voraussetzungen, aber
auch ihre
Ãœberlieferungsformen
und die
Aufführungspraxis vor,
und sie widmen sich den
wesentlichen Strängen
der Schütz-Rezeption.
Ein Kapitel zu
Schütz-Bildern, eine
ausführliche Zeittafel
und ein Werkverzeichnis
runden den Band
ab.
Von
Schütz’ Musik,
bestimmt für die
kurfürstliche
Repräsentation und
überliefert vor allem
in mehreren von ihm
selbst besorgten
Drucksammlungen, sind
überwiegend geistliche
Vokalwerke erhalten.
Deren Spannweite reicht
von einfachen
Liedsätzen über
mehrchörige
Psalmvertonungen und
lateinische wie deutsche
Motetten bis zu
Stücken im modernen
konzertierenden Stil.
Darüber hinaus schuf
Schütz mit seinen
Historienkompositionen
(Auferstehung,
Weihnachten) und seinen
drei Passionen gewichtige
Beiträge zur
Geschichte des
Oratoriums. Zu seinen
weltlichen Werken
gehören neben einer
frühen Sammlung
italienischer Madrigale
mehrere theatralische
Stücke, die leider
alle verloren
sind.
Die
Autorinnen und
Autoren: Gerhard
Aumüller, Friederike
Böcher, Werner Breig,
Reinmar Emans, Mary
Frandsen, Matthias
Herrmann, Sven Hiemke,
Thomas Illg, Bernhard
Jahn, Gregory Johnston,
Silke Leopold, Bjarke
Moe, Joshua Rifkin,
Elisabeth Rothmund,
Klaus-Jürgen Sachs,
Irmgard
Scheitler-Schmidt, Beate
Agnes Schmidt, Peter
Schmitz, Bettina Varwig,
Walter Werbeck, Barbara
Wiermann, Peter
Wollny
Der
Herausgeber: Walter
Werbeck, bis 2017
Professor für
Musikwissenschaft an der
Universität
Greifswald, ist
Herausgeber der Neuen
Schütz-Ausgabe und
Mitherausgeber des
Schütz-Jahrbuchs. Zu
seinen
Forschungsschwerpunkten
gehört neben der
Musikgeschichte des 17.
Jahrhunderts auch
diejenige des 19. und
frühen 20.
Jahrhunderts; das von ihm
2014 herausgegebene
„Richard
Strauss-Handbuch“
(BVK 2058) wurde von der
Zeitschrift
„Opernwelt“
zum Buch des Jahres
gewählt.
$134.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best of Irish Music Piano, Voix et Guitare Creative Concepts
By Various. Creative Concepts Publishing. Size 9x12 inches. 192 pages. Published...(+)
By Various. Creative
Concepts Publishing. Size
9x12 inches. 192 pages.
Published by Creative
Concepts.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flight of Fancy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie, Flute and Percussion - Grade 2.5 SKU: BT.CMP-0901-05-0...(+)
Concert Band/Harmonie,
Flute and Percussion -
Grade 2.5 SKU:
BT.CMP-0901-05-010
Composed by Timothy
Johnson. Young Band. Solo
& Concerto. Set (Score &
Parts). Composed 2005.
Curnow Music #CMP
0901-05-010. Published by
Curnow Music
(BT.CMP-0901-05-010).
English. We are
often so focused on
presenting the entire
ensemble that it’s
easy to forget we can
also program solo feature
pieces. There are so many
reasons to do just that.
It rewards that special
player who has been
working so hard. It sets
an example for other
players in the section.
It provides a nice
contrast regardless of
what else is programmed.
Be sure to put on the
demonstration CD found in
this catalog and hear
Flight of Fancy
for yourself.
We’re sure
you’ll like
it.Scintillating!<
br> Met Flight of
Fancy kunt u een
solist (fluit of mallets)
in de schijnwerpers
plaatsen. We zijn zo vaak
gericht op het orkest als
geheel dat we wel eens
vergeten om solowerken te
programmeren, maar er
zijn redenen te over
omdat te doen. U kunt er
een goede, hardwerkende
muzikant mee belonen en
anderen kunnen er een
voorbeeld aan nemen.
Bovendien creëert u
een aangenaam contrast in
uw concertprogramma. Deze
muziek illustreert de
vlucht die de
verbeeldingskrachtvan een
mens kan nemen - dan weer
zorgeloos en grillig, dan
weer beschouwend, maar
altijd
boeiend.
Gibt es
in Ihrem Blasorchester
einen Flötisten oder
Malletspieler, der sich
mit Fleiß und Hingabe
in der wöchentlichen
Orchesterarbeit einen
besonderen Auftritt im
nächsten Konzert
verdient hat? Flight
of Fancy von Timothy
Johnson ist eine
wundervolle Gelegenheit,
wahlweise einen
Flötisten oder
Malletspieler mit einem
nicht allzu schweren
Solostück ins
Rampenlicht zu
rücken! $89.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Irish Tunes Schott
Arranged by Norbert Sikora, Margit Bazilewski. Schott. 62 pages. Published by Sc...(+)
Arranged by Norbert
Sikora, Margit
Bazilewski. Schott. 62
pages. Published by
Schott.
$22.99 - Voir plus => Acheter | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano,
alto voice, bass Guitar,
bass voice, soprano
voice, tenor voice
SKU: CF.CM9743IN
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar,
Percussion, Piano, alto
voice, soprano 1, soprano
2 SKU: CF.CM9742
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem:Â This refers
to the infant Jesus. Two
for Paul and
Silas:Â This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.Â
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door:Â Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂ
stars in the
right hand of Ch
rist mentioned inÂ
the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The iTheatrics Method GIA Publications
SKU: GI.G-9403 The Quintessential Guide to Creating Quality Musical Th...(+)
SKU: GI.G-9403
The Quintessential
Guide to Creating Quality
Musical Theatre
Programs. Composed by
Cynthia A. Ripley, Marty
Johnson, and Timothy
Allen McDonald. Music
Education. 366 pages. GIA
Publications #9403.
Published by GIA
Publications (GI.G-9403).
ISBN 9781622772285.
English. I’v
e seen the iTheatrics
method firsthand, in
teacher training and
student workshops, and
love the accessibility
and focus on
storytelling. —
Julie Cohen Theobald Â
 Executive Director
of the Educational
Theatre Association &
International Thespian
Society The collaborative
group that created this
remarkable book did so
after spending two
decades honing the craft
of training educators to
teach young people the
arts. It is a
must-read for all
teachers. —
Freddie Gershon  Â
 Chairman/CEO, Music
Theatre International
   Recipient
of the Tony Honor for
Excellence in Theatre The
iTheatrics Method is the
world's first musical
theatre education
textbook specifically
devoted to building
high-quality, sustainable
musical theatre programs
in schools and community
settings. Created by
iTheatrics, the leading
authority on music
theatre education, this
book is the culmination
of more than twenty years
of hands-on teacher
training conducted by
master educators Timothy
Allen McDonald, Cynthia
A. Ripley, and Marty
Johnson. These methods
have been vetted by the
John F. Kennedy Center
for the Performing
Arts’ prestigious
Changing Education
Through the Arts (CETA)
initiative, and have been
eagerly embraced by New
York City’s
Department of Education
and the
President’s
Committee on the Arts and
the Humanities. Written
in an entertaining,
conversational style, and
featuring hundreds of
images from successful
musical theatre programs
all over the world, this
book also includes the
advice of more than 100
instructors currently
working in the field.
Whether you’re a
teacher just starting out
or a seasoned
professional, The
iTheatrics Method is
indeed your
quintessential guide to
creating quality musical
theatre programs for
students. Timothy Allen
McDonald is an
award-winning playwright
and director, founder and
CEO of iTheatrics and
Executive Director of the
Junior Theater Festival,
and he got his big break
in the 7th grade musical
thanks to his choir
teacher, Mrs. Dolores
Bowman. Cynthia A. Ripley
has 33 years of classroom
teaching experience, was
recognized by USA Today
as a 2005 Teaching All
Star, and started
advocating for musical
theatre in the 5th grade
when she convinced her
school’s
administration to put on
their first show. Marty
Johnson is a leading
authority on musical
theatre education, and
has led professional
development sessions for
The John F. Kennedy
Center for the Performing
Arts, the United
Federation of Teachers,
and New York
City’s Department
of Education. Marty made
his theatrical debut in
the local 4H’s
production of Peter Pan
in the fourth grade. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Brenda Stubbert's Collection of Fiddle Tunes Violon [Livre] Cranford Publication
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert....(+)
Edited by Paul Stewart
Cranford. Arranged by
Melissa Emmons and Brenda
Stubbert. For Fiddle.
Perfect binding, Solos.
Cranford Publications.
Canadian-Maritime.
Intermediate. Book. 72
pages. Published by
Cranford Publication
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fanfare Prelude: Adeste Fidelis Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1119-07-010 Composed by Timot...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.CMP-1119-07-010
Composed by Timothy
Johnson. Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2007.
Curnow Music #CMP
1119-07-010. Published by
Curnow Music
(BT.CMP-1119-07-010).
9x12
inches. Joyous and
uplifting, you?ll find
this Fanfare Prelude to
be an excellent way to
open your winter concert.
This uplifting treatment
of one of the all -time
great carolsO Come,
All Ye Faithful is
certain to command the
audience?s attention from
start to finish. Robust
Brasses and ebullient
Woodwinds rise above the
majestic Percussion to
make a bold and grand
statement that you are
sure to remember for a
long time to come.
Thrilling!
Adeste
Fidelis, de melodie
die beter bekend is onder
de Engelse titel O
Come, All Ye Faithful
of de Nederlandse titel
Komt allen
tezamen, is een
buitengewoon geliefd
kerstlied. Deze versie
voor harmonieorkestis
gemaakt naar een
pianoarrangement dat werd
geschreven door de moeder
van de arrangeur en zijn
vroegere muziekdocente
Arlene Johnson. Een
herkenbaar openingswerk
voor uw
kerstconcert!
Eine
wahrhaft Freude bringende
Fanfare, die sich
ausgezeichnet als
Eröffnungsstück
eines (vor-)
weihnachtlichen Konzertes
eignet. Diese bewegende
Bearbeitung eines der
schönsten
traditionellen
Weihnachtslieder
Herbei, oh ihr
Gläubigen wird Ihr
Publikum von der ersten
bis zur letzten Note
fesseln. Solide
Blechbläser und
überschwängliche
Holzbläser erheben
sich über
majestätische
Schlagzeugklänge
formen zusammen ein
großartiges,
aussagekräftiges Werk,
das mit Sicherheit nicht
so bald vergessen
wird.
L’ori
gine du cantique
Adeste Fideles [Adeste
Fidelis] reste un
mystère. On mentionne
divers noms de poètes.
D’aucuns
soutiennent qu’il
s’agit d’un
noël ancien inspiré
d’une danse autour
de la crèche. On pense
également que Saint
François
d’Assise
s’en serait servi
pour sa crèche
vivante. D’autres
attribuent son origine
Saint Bonaventure.
Quoiqu’il en soit,
il est communément
reconnu que les strophes
ont été écrites
ou découvertes par
l’Anglais John
Francis Wade. Adeste
Fidelis (Ô peuple
fidèle) est un des
plus célèbres
cantiques de Noël. $100.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Verum Corpus Fanfare [Conducteur et Parties séparées] - Facile Curnow Music
Fanfare Band - Grade 2 SKU: BT.CMP-0487-01-020 Composed by Wolfgang Amade...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0487-01-020
Composed by Wolfgang
Amadeus Mozart. Arranged
by Timothy Johnson.
Sinfonia Series. Festive
and Solemn Music. Set
(Score & Parts). Composed
2001. Curnow Music #CMP
0487-01-020. Published by
Curnow Music
(BT.CMP-0487-01-020).
Melody is
the very essence of
music. -W.A.Mozart
(1786)Mozart confirmed
this view on melody by
writing the Ave Verum
Corpus near theend of
his short life.
Originally written for
chorus, strings, and
organ, this work
standsamong the most
beautiful musical
expressions of all time.
Timothy Johnson has
skillfullymade Mozart's
wondrous achievement
available to concert
bands. It's perfect
forworship services and
the sostenuto style, with
careful attention to
dynamics, makesit a great
choice for that middle
spot at festival or for
the more serious moment
atany performance. Given
the opportunity, young
bands LOVE to play truly
greatmusic, and it just
doesn't getmuch better
than the mastery of
Mozart.
Mozart
componeerde het beroemde
motet Ave Verum
Corpus in 1791,
tijdens zijn laatste
levensjaar. Hij schreef
het voor Anton Stoll, die
leraar en koordirigent
was in Baden (nabij
Wenen). Hoewel het een
van Mozarts kortste
compositiesbetreft, wordt
dit motet beschouwd als
een van zijn beste werken
en wordt het wereldwijd
veelvuldig uitgevoerd.
Het Ave Verum
biedt de mogelijkheid om
te werken aan de rijkdom
van emotie die met muziek
uitgedruktkan
worden.
Ave
Verum Corpus ist eine
Motette, die Mozart in
seinem Todesjahr als
Auftragswerk schrieb.
Obwohl sie eines seiner
kürzesten
Kompositionen ist, gilt
sie doch vielen als eines
der schönsten. Timothy
Johnson schrieb eine
einfühlsame
Bearbeitung für
Blasorchester dieses
musikalischen
Kleinods. $89.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Verum Corpus Fanfare [Conducteur] - Facile Curnow Music
Fanfare Band - Grade 2 SKU: BT.CMP-0487-01-120 Composed by Wolfgang Amade...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0487-01-120
Composed by Wolfgang
Amadeus Mozart. Arranged
by Timothy Johnson.
Sinfonia Series. Festive
and Solemn Music. Score
Only. Composed 2001.
Curnow Music #CMP
0487-01-120. Published by
Curnow Music
(BT.CMP-0487-01-120).
Melody is
the very essence of
music. -W.A.Mozart
(1786)Mozart confirmed
this view on melody by
writing the Ave Verum
Corpus near theend of
his short life.
Originally written for
chorus, strings, and
organ, this work
standsamong the most
beautiful musical
expressions of all time.
Timothy Johnson has
skillfullymade Mozart's
wondrous achievement
available to concert
bands. It's perfect
forworship services and
the sostenuto style, with
careful attention to
dynamics, makesit a great
choice for that middle
spot at festival or for
the more serious moment
atany performance. Given
the opportunity, young
bands LOVE to play truly
greatmusic, and it just
doesn't getmuch better
than the mastery of
Mozart.
Mozart
componeerde het beroemde
motet Ave Verum
Corpus in 1791,
tijdens zijn laatste
levensjaar. Hij schreef
het voor Anton Stoll, die
leraar en koordirigent
was in Baden (nabij
Wenen). Hoewel het een
van Mozarts kortste
compositiesbetreft, wordt
dit motet beschouwd als
een van zijn beste werken
en wordt het wereldwijd
veelvuldig uitgevoerd.
Het Ave Verum
biedt de mogelijkheid om
te werken aan de rijkdom
van emotie die met muziek
uitgedruktkan
worden.
Ave
Verum Corpus ist eine
Motette, die Mozart in
seinem Todesjahr als
Auftragswerk schrieb.
Obwohl sie eines seiner
kürzesten
Kompositionen ist, gilt
sie doch vielen als eines
der schönsten. Timothy
Johnson schrieb eine
einfühlsame
Bearbeitung für
Blasorchester dieses
musikalischen
Kleinods. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Themes from Symphony No. 5 Orchestre d'harmonie [Conducteur] - Débutant G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd ...(+)
Concert band (1st Flute,
2nd Flute/Oboe*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Bb Bass
Clarinet*, Eb Alto
Saxophone*, Bb Tenor
Saxophone*, 1st F Horn,
2nd F Horn, 1st Bb
Trumpet, 2nd Bb Trumpet,
Trombone, Euphonium , (TC
Baritone), Tuba, Timpani,
Percussi) - grade 1.5
SKU: CN.S11169
2nd Movement.
Composed by S. Johnson.
Arranged by Stuart
Johnson. Band Music.
Score only. Duration
2:20. Published by G & M
Brand Music Publishers
(CN.S11169).
Schubert's 5th
Symphony is sunny,
Viennese, scored
originally for small
classical orchestra and
positively effervesces
with ideas. Stuart
Johnson has taken the
theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality.
Schubert's
delightful 5th Symphony
in Bb Major, written in
1816, is a miniature,
perhaps consciously
avoiding comparison with
Beethoven's Fifth,
written just 10 years
earlier. Schubert's Great
was to come later! The
work is sunny, Viennese,
scored originally for
small classical orchestra
and positively
effervesces with ideas.
Stuart Johnson has taken
the theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality. $7.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Themes from Symphony No. 5 Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd ...(+)
Concert band (1st Flute,
2nd Flute/Oboe*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Bb Bass
Clarinet*, Eb Alto
Saxophone*, Bb Tenor
Saxophone*, 1st F Horn,
2nd F Horn, 1st Bb
Trumpet, 2nd Bb Trumpet,
Trombone, Euphonium , (TC
Baritone), Tuba, Timpani,
Percussi) - grade 1.5
SKU: CN.R10169
2nd Movement.
Composed by S. Johnson.
Arranged by Stuart
Johnson. Band Music.
Score and parts. Duration
2:20. Published by G & M
Brand Music Publishers
(CN.R10169).
Schubert's 5th
Symphony is sunny,
Viennese, scored
originally for small
classical orchestra and
positively effervesces
with ideas. Stuart
Johnson has taken the
theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality.
Schubert's
delightful 5th Symphony
in Bb Major, written in
1816, is a miniature,
perhaps consciously
avoiding comparison with
Beethoven's Fifth,
written just 10 years
earlier. Schubert's Great
was to come later! The
work is sunny, Viennese,
scored originally for
small classical orchestra
and positively
effervesces with ideas.
Stuart Johnson has taken
the theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality. $45.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Craig Duncan Master Fiddle Solo Collection
Violon [Partition] - Intermédiaire/avancé Mel Bay
Craig Duncan. For fiddle. Bluegrass and country, bluegrass. Level: Intermediate-...(+)
Craig Duncan. For fiddle.
Bluegrass and country,
bluegrass. Level:
Intermediate-Advanced.
Book. Solos. Size
8.75x11.75. 152 pages.
Published by Mel Bay
Pub., Inc.
(4)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tuxedo Junction Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1,
Alto Sax 2, Tenor Sax 1,
Tenor Sax 2, Baritone
Sax, Trumpet 1-4, Trumpet
5 (opt.), Trombone 1-3,
Trombone 4 (opt.), Bass
Trombone 5, Piano, Bass,
Drums) - advanced SKU:
M7.SMP-937
Swing. Composed by
Erskine Hawkins, Julian
Dash, Stanley Newcomb
Kenton, and William
Johnson. Arranged by Gene
Roland. Sheet music.
Moderate Swing. Score and
parts. Handelsware #SMP
937. Published by
Handelsware (M7.SMP-937).
English. This
was recorded on the Stan
Kenton Orchestra CD Live
at the Tropicana. This is
a very hip version of the
old jazz standard. It is
set at a moderate swing
tempo, and there is solo
space for trumpet,
trombone, tenor sax and
an intro by bass alone.
The solos have been
transcribed and are
included on the parts. An
additional set of trumpet
parts (along with the
original versions) are
provided to make this
much more playable. It
still swings like crazy.
A refreshing, wonderful
look at an oft-played
tune. 5-5-5-3 (can be
played with 8 brass). $107.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462
Composed by James
Abbington. Edited by
James Abbington. African
American Church Music
Series. Sacred. Book. 824
pages. GIA Publications
#8462. Published by GIA
Publications (GI.G-8462).
ISBN 9781622771004.
English. The volume
you are holding is a
vivid testimony …to
the value of examining
this variety and dynamism
from multiple,
overlapping points of
view …to the value
of both realist and
idealist voices …to
the value of articulating
wisdom. From the foreword
by John D. Witvliet,
Calvin Institute of
Christian Worship Since
the publication of the
first volume of Readings
in African American
Church Music and Worship,
public and academic
interest in the music and
worship in black churches
has significantly
increased. This second
volume makes available
the most recent
scholarship on
twenty-first-century
developments and trends,
through a representative
number of articles,
essays, and chapters
written by brilliant
musicians, authors, and
theologians of our time.
The list of contributors
includes some of the
finest emerging scholars,
whose voices we will be
hearing for years to
come, as well as
offerings from seasoned
authors, whose research
and writings are well
regarded by peers and the
worshiping community at
large. The significant
contributions—from
names new and
familiar—greatly
broaden the field of
study. The 43 chapters of
this volume are divided
into 7 categories:
Worship and Liturgical
Practices Perspectives on
Praise and Worship
Liturgical Theologies Hip
Hop and/in the Church
Proclamation of the Word
Perspectives on Women and
Gender Hymnody: Sound and
Sense Insightful,
thought-provoking,
challenging,
hopeful—this
volume will be a source
of knowledge, a stimulus
for discussion, and a
call to (re)consider the
many and varied
viewpoints of the African
American church.
Featuring the writings
of: James Abbington,
LaTrese Adkins, Sandra L.
Barnes, Tuere A. Bowles,
Ruthlyn Bradshaw, Michael
Joseph Brown, Melvin L.
Butler, James H. Cone,
David Douglas Daniels
III, Robert Darden, Leo
H. Davis Jr., Valerie
Bridgeman Davis, Michael
Fox, Kenyatta R. Gilbert,
Daniel White Hodge,
Birgitta J. Johnson,
Alisha Jones, Tammy L.
Kernodle, S T Kimbrough,
Jr., Cheryl A.
Kirk-Duggan, Cleophus J.
LaRue, Monica T. Leach,
Tamura Lomax, Pamela P.
Martin, Marvin A.
McMickle, Monica R.
Miller, Stephanie Y.
Mitchem, Thomasina
Neely-Chandler, Deborah
S. Pollard, Luke A.
Powery, Samuel D.
Proctor, Teresa L. Reed,
Braxton D. Shelley,
Martha Simmons, Josef
Sorett, Rodney A. Teal,
Frank Thomas, Kathleen S.
Turner, Kenneth C. Ulmer,
Gayle Wald, James Melvin
Washington, Ralph C.
Watkins, Lisa M. Weaver,
Melinda E. Weekes,
Christina Zanfagna James
Abbington is Associate
Professor of Church Music
and Worship, Candler
School of Theology, Emory
University, Atlanta,
Georgia. He also serves
as Executive Editor of
the African American
Church Music Series,
published by GIA
Publications, Inc. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Collection of New Cotillions First Set - STUDY SCORE ONLY Orchestre d'harmonie - Intermédiaire Amis Musical Circle
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SSC C...(+)
Concert Band (optional
solo piano) -
intermediate SKU:
AI.AMC-WB-003SSC
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Study score
only. Amis Musical Circle
#AMC-WB-003SSC. Published
by Amis Musical Circle
(AI.AMC-WB-003SSC).
8.5 x 11
inches. The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything. $7.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Collection of New Cotillions First Set Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Amis Musical Circle
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003 Comp...(+)
Concert Band (optional
solo piano) -
intermediate SKU:
AI.AMC-WB-003
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Score and Parts.
Amis Musical Circle
#AMC-WB-003. Published by
Amis Musical Circle
(AI.AMC-WB-003).
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Collection of New Cotillions First Set - CONDUCTOR'S SCORE ONLY Orchestre d'harmonie - Intermédiaire Amis Musical Circle
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SCO C...(+)
Concert Band (optional
solo piano) -
intermediate SKU:
AI.AMC-WB-003SCO
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Conductor score.
Amis Musical Circle
#AMC-WB-003SCO. Published
by Amis Musical Circle
(AI.AMC-WB-003SCO). 11
x 17 inches. The
1818 publication of
Francis Johnson's A
Collection of New
Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything. $12.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| W. Ross's Collection Of Highland Bagpipe Music Book 2 Cornemuse Paterson Ltd
By W Ross. For Bagpipes. Traditional. Sheet Music. 46 pages. Published by Paters...(+)
By W Ross. For Bagpipes.
Traditional. Sheet Music.
46 pages. Published by
Paterson Ltd.
(1)$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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