Composed by Kevin Mixon. For concert band (flute, oboe (opt. flute 2), clarinet in Bb, bass clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet in Bb, horn in F, trombone, euphonium b.c., bassoon, euphonium t.c. in Bb, tuba, mallet percussion - bells, tim). Beginning Performance Series. Score and part(s). Duration 2 minutes, 31 seconds. Published by Carl Fischer

Arranged by Paul Edmund-Davies and John Alley. For Flute. Flute. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

By Johann Pachelbel. Arranged by Betty Roe. For Piano. Easy to play. Classic. Sheet Music. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Beginning.

In the Style of Louis Lefebure-Wely. For Organ. (3-part Mixed). General collections. Secular. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Beginning-Intermediate.

For Piano. Easy to play. Classic. Level: Beginning. Book. Published by Kevin Mayhew Publishers (U.K. Import).

By Kevin Puts. For Concert Band (Score and Parts). BandQuest. Grade 3-4. Published by American Composers Forum

Composed by Kevin Mixon. Score and part(s). 24 148 pages. Duration 2 minutes, 44 seconds. Carl Fischer #CPS0187. Published by Carl Fischer (CF.CPS187).

Arranged by Martin Setchell. For Organ. General collections. French. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

Composed by Harrison Oxley and Noel Rawsthorne. Arranged by Harrison Oxley and Noel Rawsthorne. For Organ. Funeral and memorial collections. Sacred. Intermediate. Book. Published by Kevin Mayhew Publishers

Arranged by Colin Hand. For c instruments. Music Theory. All Styles. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

For Organ. General collections. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

By Ludwig van Beethoven. For piano. Piano Collections. Classic. Level: Intermediate. Book. Published by Kevin Mayhew Publishers (U.K. Import).

For flute solo and piano accompaniment. Flute. Classical and Play Along. Intermediate-Advanced. Flute solo book and accompaniment CD. Solo part, standard notation and piano accompaniment. 54 pages. Published by Kevin Mayhew Publishers

For C instrument. Music Theory. All Styles. Difficulty: easy-medium. Fakebook. Standard notation and chord names. 48 pages. Published by Kevin Mayhew Publishers

Composed by Johann Sebastian Bach (1685-1750). Edited by Kevin Kastens. Arranged by Percy Aldridge Grainger. Score and parts. Duration 4 minutes, 23 seconds. Published by BRS Music (BY.CB-293).

For piano. Piano Collections. Classic. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

For piano. Piano Collections. Classic. Intermediate. Book. Published by Kevin Mayhew Publishers

The Julian LLoyd Webber Performing Edition. By Edward Elgar. Arranged by Julian Lloyd Webber. For Cello. Cello. Classic. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

For c instruments. Music Theory. Classic. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

Includes the following sonatas: Sonata in F (K.82), Sonata in E (K.380), Sonata in D minor (K.9), Sonata in C minor (K.811), Sonata in D (K.415), Sonata in F sharp minor (K.25), Sonata in D minor (K.64), Sonata in F minor (K.69), Sonata in A minor (K.149), Sonata in C (K.159)

(Songs for Children (Grades K-4) with Fingerstyle Guitar Accompaniment). By Kevin Cooper. For unison voice and guitar. General music

This beautiful melody has been specially arranged so that it is just asking to be played. Colin Hand has arranged the popular Canon in D for the early intermediate pianist who can play octaves in the left hand. The arrangement includes passages from the original work not usually included in simplified versions or abridgements. Here is 3-4 minutes of music that is perfect for weddings. This edition is clearly printed and includes a beautiful cover

Twenty of young people's favorite classic themes in straightforward arrangements for intermediate piano. This book offers the average pianist and even the piano hobbyist a collection of familiar and enjoyable tunes for entertainment or performance use. The well-known melodies include: Flight of the Bumblebee; Fur Elise; Moonlight Sonata, First Movement; Symphony No. 6 First Movement; Toccata and Fugue in D Minor; and more

(Letter Sized Score). Composed by Kevin D. Hanson. For concert band. Symphonic Band Series. Concert and Contest. Grade 4. Letter Sized Score. Published by Print Music Source

Composed by Kevin D. Hanson. Symphonic Band Series. Concert and Contest. Concert Band Set. Published by Print Music Source (P3.B150115).

By Kevin Mixon. Concert Band. Concert Band. Belwin Very Beginning Band. Contemporary. Grade .5. Conductor Score and Parts. 142 pages. Duration 1:36:00

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.