Solo for Clarinet and Band. Composed by Nikolay Rimsky Korsakoff. Arranged by Vincent van den Bijlaard. Clarinet Solo and Band/Arrangements of Classical Compositions. Solo and Band Series. Recorded on Mannin Veen (ML.311074720). Full set. Duration 1 minute, 20 seconds. Published by Molenaar Edition (ML.012744020).

Piano

SKU: PA.H05468

Edited by Drahomira Krizkova, Vera Vlkova. Album. Czech title: 1. knizka polyfonni hry. Teaching Manuals. Performance score. With Publication language: Czech. Editio Baerenreiter Praha #H05468_00. Published by Editio Baerenreiter Praha (PA.H05468).

ISBN 9790260101388. 26 x 20.5 cm inches.

SKU: S2.235390

A Christmas Cantata. Composed by Alexander Kruchkov. Arranged by Larry Carrier. Choral, cantatas. Christmas. Accompaniment CD. SoundForth #235390. Published by SoundForth (S2.235390).

UPC: 000308144352.

Piano - Entry Level

SKU: YM.GTP01097600

Piano Pop and Vocal. Score. Yamaha Music Media #GTP01097600. Published by Yamaha Music Media (YM.GTP01097600).

ISBN 9784636976007.

This is a piano sheet music collection of 23 famous songs on social media, such as YouTube and TikTok, in Japan. It includes famous Vocaloid songs produced by popular Vocaloid producers, or artists producing music using Vocaloid systems, as well as famous songs produced by video distribution creators and music artists, such as Youtubers and TikTokers.

All songs are arranged for beginners and have finger number guides. The scorebook also includes performance tips and guides. The scores are simple and short, and songs are arranged in one chorus length, making it easy to play for those who are not good at reading music.

Bonus scores Challenge TikTok's One Phrase! are also included. These bonus scores can be played with just the right hand, so first-time players can easily play familiar phrases right away. Please enjoy!

(A Christmas Cantata). Composed by Alexander Kruchkov. Arranged by Larry Carrier. For SATB choir, piano accompaniment. Cantatas. Christmas. Choral score. SoundForth #221960. Published by SoundForth

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Sergei Rachmaninoff. For Piano. Piano Collection. Masterwork. Book. 124 pages. Published by Alfred Publishing.

Full Score. By Various. (score). Ensemble Collection. Size 9x12 inches. 56 pages. Published by Rubank Publications.

Singing voice

SKU: BA.BA08553

For Voice. Composed by Vadim Karassikov. Stapled. Singing Score. Composed 1998. Duration 12 minutes. Baerenreiter Verlag #BA08553_00. Published by Baerenreiter Verlag (BA.BA08553).

ISBN 9790006524839. 41.8 x 29.5 cm inches.

World Premiere 24/03/2000, Munster.

Piano or Organ

SKU: BT.HU3879

Rondom J.S. Bach. By Dr. Ewald Kooiman. By Georg Andreas Sorge, Gottfried Kirchhoff, and Johann Bernhard Bach. Book Only. Composed 1990. 20 pages. Harmonia #HU3879. Published by Harmonia (BT.HU3879).

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(High Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For high voice/Piano. This edition: Paperback, Urtext edition. Vocal score, Anthology. Language: German, Text Language: German/English. 164 pages. Published by Baerenreiter Verlag

By Alexander Kruchkov. Choral. For SATB choir, piano. Choral. Sacred anthem. Octavo. Published by SoundForth

(for alto saxophone (or trombone), voice and accordion). By Vadim Karassikov. For Women's Voice(S), Accordeon-Solo, Saxophone-A/ Trombone-Solo. Set of Parts

Mixed choir: SSATB - Level 3

SKU: BA.BA01523

Composed by Hugo Distler. Stapled. Aus Mörike-Chorliederbuch op. 19. Choral score. Opus 19. Baerenreiter Verlag #BA01523_00. Published by Baerenreiter Verlag (BA.BA01523).

ISBN 9790006411320. 27 x 19 cm inches. Text: Mörike, Eduard.

From the Morike-Chorliederbuch

Print on demand (POD).

Piano

SKU: PA.H05077

Edited by Drahomira Krizkova-Cerna, Alois Sarauer. Album. Czech title: Klasikove a jejich sou asnici II. Teaching Manuals. Performance score. Editio Baerenreiter Praha #H05077_00. Published by Editio Baerenreiter Praha (PA.H05077).

ISBN 9790260109650. 30.5 x 23.5 cm inches.

(Low Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For low voice and piano. This edition: Paperback, Urtext edition. Vocal score, anthology. Language: German. 158 pages. Published by Baerenreiter Verlag

1st Clarinet Part. By Various. (Clarinet). Ensemble Collection. Size 9x12 inches. 16 pages. Published by Rubank Publications.

Higher Ground by Alexander Kruchkov. Choral. For SATB choir, a cappella. Choral. Sacred anthem. Octavo. Published by SoundForth

By Nikolai Rimsky-Korsakoff. Arranged by Sandra Dackow. For String Orchestra. Score. Published by Tempo Press.
Level: Grade 2.

Complete Beginner Guide with Reference Music. Composed by Various. J-Pop. J-Pop. Book. Yamaha Music Media #GTL01100410. Published by Yamaha Music Media

Piano - Level 2

SKU: LM.P02874

Composed by Henri Classens. Classical. Score. Editions Combre #P02874. Published by Editions Combre (LM.P02874).

ISBN 3070200107509.

ADAM : Hongroise - BALDENECKER : Andante - BEETHOVEN : Danse villageoise - Ecossaise - BURGMULLER : Glissons sur l'eau - Souvenir de Suisse - COURPERIN : Fanfare de Diane - CZERNY : Prelude - DAQUIN : Rigaudon - DIABELLI : Andante (Sonatine No. 3) - GURLITT : Fantaisie - Jeu Postlude - HAENDEL : Bourree - HAYDN : Finale (Sonate No. 9) - HELLER : Dedicace - HULLMANDEL : En promenade - Marche des filles bien sages - KIRCHHOFF : Rigaudon - KOHLER : Valse de grand'maman - KRIEGER : Bourree - KUHLAU : Andantino (Sonatine No. 1) - KULLAK : Dimanche matin - LATOUR : Andante cantabile (Sonatine No. 4) - Valse - MOZART : Menuet - PACHELBEL : Fughetta - PURCELL : Gavotte - RAMEAU : Menuet - STEIBELT : Finale (Sonatine en Ut maj.) - TCHAIKOVSKI : L'Orgue de Barbarie - WANHAL : Sicilienne.

(Complete version). Composed by Nikolay Rimsky Korsakoff. Arranged by Juan Vicente Mas Quiles. For concert band. Arrangements of Classical Compositions/Catalogue New Band Music Vol. 10. Classic Arrangement. Recorded on Mythique (ML.311103720). Grade 6. Score only. Duration 45 minutes, 55 seconds. Published by Molenaar Edition