Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

SKU: WD.679143039392

Youth Small. Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Jr/Youth Musical. Youth small. Word Music #679143039392. Published by Word Music (WD.679143039392).

ISBN 080689455179. UPC: 080689455179.

All aboard! Join Mr. Cruise (an overly-enthusiastic tour director) and his faithful daughter Liza on a boat trip up the Nile as they retell classic Bible stories. But there's a problem: The stories are all wrong! It takes the kids of Ocean View Church who are on board to set the record straight and help Mr. Cruise understand the real truth about God's enduring love and faithfulness to His people. Filled with fun and clever songs, this easy to present and perform musical is a creative breath of fresh air that's as enlightening as it is worshipful and entertaining. Create a wonderful and unique musical experience for your children's choir and congregation with Spend a While on the Nile

Features Matt Redman song, You Never Let Go. For the first time ever: Studio Orchestration available (for free!) on the IVD! TRK written by the creator, Christy Semsen.

By Kelly Clarkson. Piano/Vocal/Guitar Artist Songbook. Softcover. 112 pages. Published by Hal Leonard

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2

SKU: CF.YPS257F

Composed by Mark Lortz. Yps. Full score. 12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257F. Published by Carl Fischer Music (CF.YPS257F).

ISBN 9781491161968. UPC: 680160920648.

Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through.
Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2

SKU: CF.YPS257

Composed by Mark Lortz. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+3 +3+3+2+3+1+1+1+4+2+12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257. Published by Carl Fischer Music (CF.YPS257).

ISBN 9781491161500. UPC: 680160920136.

Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through.
Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through.

(More Songs of the Season for Choir and Orchestra). Arranged by Joshua Spacht. For SATB choir. Adult Collection. Moderate. Choral score. Published by Word Music