Piano - early intermediate SKU: CR.977839 Composed by Concordia Publishin...(+)
Piano - early
intermediate
SKU:
CR.977839
Composed by
Concordia Publishing
House. Piano. Book. With
music. Concordia
Publishing House #977839.
Published by Concordia
Publishing House
(CR.977839).
ISBN
9780758662255. 9 x 12
inches.
Followin
g the successful Hymn
Prelude Library series
for organ comes a
comprehensive set of
piano preludes for all
the hymn tunes in
Lutheran Service
Book. Not an
adaptation of the organ
series, this collection
features newly composed
pieces by dozens of
composers who write in a
variety of styles and
harmonizations. The
pieces are useful as
preludes, postludes,
music at the offering,
for introductions, and
during distribution, as
well as for those who
play hymns at home. The
durable wire binding
ensures that each page
lies flat against the
music stand.
The
complete library will
include 12 volumes
organized alphabetically
by hymn tune. Volume 8
contains hymn tunes
starting with
NO.
Click here to
find all previous volumes
of the Piano Prelude
Series.
Subscribe and
Save!
With a subscription,
you'll pay $40.00 for
each volume in the
series—a
20% savings.
You'll also automatically
receive each new volume
as soon as it is
released. Subscribe now
>
About the
Editor Kevin
Hildebrand is Kantor at
Concordia Theological
Seminary in Fort Wayne,
Indiana. He has more than
75 music titles in print
with CPH and was the
editor of Hymn Prelude
Library.
Piano - early intermediate SKU: CR.977837 Composed by Concordia Publishin...(+)
Piano - early
intermediate
SKU:
CR.977837
Composed by
Concordia Publishing
House. Piano. Book. With
music. Concordia
Publishing House #977837.
Published by Concordia
Publishing House
(CR.977837).
ISBN
9780758662231. 9 x 12
inches.
Followin
g the successful Hymn
Prelude Library series
for organ comes a
comprehensive set of
piano preludes for all
the hymn tunes in
Lutheran Service
Book. Not an
adaptation of the organ
series, this collection
features newly composed
pieces by dozens of
composers who write in a
variety of styles and
harmonizations. The
pieces are useful as
preludes, postludes,
music at the offering,
for introductions, and
during distribution, as
well as for those who
play hymns at home. The
durable wire binding
ensures that each page
lies flat against the
music stand.
The
complete library will
include 12 volumes
organized alphabetically
by hymn tune. Volume 6
contains preludes for
tunes starting with the
letters J, K and L.
Subscribe and
Save! With a
subscription, you'll pay
$40.00 for each volume in
the
series—a
20% savings.
You'll also automatically
receive each new volume
as soon as it is
released. Subscribe now
>
About the
Editor Kevin
Hildebrand is Kantor at
Concordia Theological
Seminary in Fort Wayne,
Indiana. He has more than
75 music titles in print
with CPH and was the
editor of Hymn Prelude
Library.
Piano - early intermediate SKU: CR.977836 Composed by Concordia Publishin...(+)
Piano - early
intermediate
SKU:
CR.977836
Composed by
Concordia Publishing
House. Piano. Book. With
music. Concordia
Publishing House #977836.
Published by Concordia
Publishing House
(CR.977836).
ISBN
9780758662224. 9 x 12
inches.
Followin
g the successful Hymn
Prelude Library series
for organ comes a
comprehensive set of
piano preludes for all
the hymn tunes in
Lutheran Service
Book. Not an
adaptation of the organ
series, this collection
features newly composed
pieces by dozens of
composers who write in a
variety of styles and
harmonizations. The
pieces are useful as
preludes, postludes,
music at the offering,
for introductions, and
during distribution, as
well as for those who
play hymns at home. The
durable wire binding
ensures that each page
lies flat against the
music stand.
The
complete library will
include 12 volumes
organized alphabetically
by hymn tune. Volume 5
contains preludes for
tunes starting with the
letters H and I.
Subscribe and
Save! With a
subscription, you'll pay
$40.00 for each volume in
the
series—a
20% savings.
You'll also automatically
receive each new volume
as soon as it is
released. Subscribe now
>
About the
Editor Kevin
Hildebrand is Kantor at
Concordia Theological
Seminary in Fort Wayne,
Indiana. He has more than
75 music titles in print
with CPH and was the
editor of Hymn Prelude
Library.
Piano - early intermediate SKU: CR.977832 Composed by Concordia Publishin...(+)
Piano - early
intermediate
SKU:
CR.977832
Composed by
Concordia Publishing
House. Piano. Performance
score. With music.
Concordia Publishing
House #977832. Published
by Concordia Publishing
House (CR.977832).
ISBN 9780758662187. 9
x 12
inches.
Followin
g the successful Hymn
Prelude Library series
for organ comes a
comprehensive set of
piano preludes for all
the hymn tunes in
Lutheran Service
Book. Not an
adaptation of the organ
series, this collection
features newly composed
pieces by dozens of
composers who write in a
variety of styles and
harmonizations. The
pieces are useful as
preludes, postludes,
music at the offering,
for introductions, and
during distribution, as
well as for those who
play hymns at home. The
durable wire binding
ensures that each page
lies flat against the
music stand.
The
complete library will
include 12 volumes
organized alphabetically
by hymn tune. Volume 1
contains preludes for
tunes starting with the
letter A.
Subscribe and
Save! With a
subscription, you'll pay
$40.00 for each volume in
the
series—a
20% savings.
You'll also automatically
receive each new volume
as soon as it is
released. Subscribe now
>
About the
Editor Kevin
Hildebrand is Kantor at
Concordia Theological
Seminary in Fort Wayne,
Indiana. He has more than
75 music titles in print
with CPH and was the
editor of the Hymn
Prelude Library.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
Ross Roy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Ross Roy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971085-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971085-010
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-010. Published by
De Haske Publications
(BT.DHP-0971085-010).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy is de
naam van de monumentale
villa in Brisbane
(Australië) waar in
1945 het St. Peters
Lutheran College is
gesticht. In opdracht van
het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen.De structuur en
discipline van de school
horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een
schertsende,humoristische
versie van het hoofdthema
ontbreekt niet: op school
moet immers ook tijd zijn
voor vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke
apotheose.
Ross
Roy ist der Name
einer monumentalen Villa
in Brisbane, Australien,
in der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Commissionato
dalla St. Peter’s
Wind Symphony Orchestra
di Brisbane, è
dedicato alla monumentale
villa tardo-ottocentesca
dove il collegio
dell’orchestra ha
avuto la sua storica
sede. Metafora degli anni
della formazione, è
caratterizzato da un
finale in stile
ouverture, come se gli
anni della scuola
rappresentassero una
sorta di ouverture al
resto della vita.
Ross Roy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0971085-120. Published by
De Haske Publications
(BT.DHP-0971085-120).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Concert Band/Harmonie - Grade 3 SKU: BT.1091-04-140-MS Arranged by Lorenz...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1091-04-140-MS
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1091-04-140 MS.
Published by Music Sales
(BT.1091-04-140-MS).
Die
Liedkomponisten Bob Crewe
und Bob Gaudio waren ein
äußerst
erfolgreiches Duo. In den
60er- und 70er-Jahren des
vergangenen Jahrhunderts
schrieben sie zahlreiche
Hits für Frankie Valli
& The Four Seasons,
darunter auch Can't
Take My Eyes Off You
aus dem Jahr 1967. Die
Liste der bekannten
Künstler, die das
unwiderstehliche, flotte
Lied in ihr Repertoire
aufnahmen, ist lang: The
Lettermen, Andy Williams,
Diana Ross & The
Supremes, Gloria Gaynor,
The Boystown Gang, The
Pet Shop Boys und viele
mehr. Can't Take My
Eyes Off You kann
zweifellos zu den
Klassikern der Popmusik
gerechnet werden. Lorenzo
Bocci schrieb diese
spannende Bearbeitung
für
Blasorchester.
The Fellowship Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1185861-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185861-010. Published by
De Haske Publications
(BT.DHP-1185861-010).
English-German-French-
Dutch.
‘The
Fellowship’ is a
musical homage to
friendship and
camaraderie, symbolised
in two alternating,
complementary themes. The
themes are based on
popular songs from two
sister municipalities,
one lying in Normandy
(France), and the other
in Rheinland-Pfalz
(Rhineland-Palatinate,
Germany). Through the
merging of their songs in
this composition, their
bond of friendship is
sealed for eternity.
The
Fellowship staat voor
vriendschap en
kameraadschap. Deze
symboliek komt tot uiting
in twee thema’s,
die elkaar afwisselen en
elkaar aanvullen. Het ene
thema is gebaseerd op een
Frans lied, het andere op
een Duits lied. Beide
zijn populaire liederen
uit twee
partnergemeenten, waarvan
de ene in Normandië
(Frankrijk) ligt, en de
andere in Rheinland-Pfalz
(Duitsland). Door de
samensmelting van hun
liederen in deze
compositie wordt hun
vriendschapsband voor
altijd
beklonken.
The
Fellowship ist eine
musikalische Hommage auf
die Freundschaft und
Kameradschaft. Diese
Symbolik wird durch zwei
Themen dargestellt, die
sich abwechseln und
gegenseitig ergänzen.
Die beiden Themen
basieren auf zwei Liedern
aus einer deutschen Stadt
und aus einer
französischen
Partnerstadt. Das
Verschmelzen der beiden
Lieder in dieser
Komposition symbolisiert
ihre immerwährende
Freundschaft.
The
Fellowship
(L’amicizia) è
un omaggio musicale
all'amicizia,
simboleggiata da due temi
che si alternano e si
completano a vicenda. Un
tema è basato su una
canzone popolare
francesee una tedesca di
due comuni gemellati,
situati in Normandia
(Francia) e a
Rheinland-Pfalz
(Renania-Palatinato,
Germania). Attraverso la
fusione delle due
canzoni, il legame di
amicizia è stretto per
l'eternit .
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Flexible Wind Quintet and Percussion - intermediate SKU: BT.DHP-1084610-070(+)
Flexible Wind Quintet and
Percussion - intermediate
SKU:
BT.DHP-1084610-070
Composed by Bob Crewe and
Bob Gaudio. Arranged by
Lorenzo Bocci. Music Box.
Pop & Rock. Set (Score &
Parts). Composed 2008. 16
pages. De Haske
Publications #DHP
1084610-070. Published by
De Haske Publications
(BT.DHP-1084610-070).
ISBN 9789043130639.
9x12 inches.
English-German-French-Dut
ch.
The songwriters
Bob Crewe and Bob Gaudio
formed a formidable
musical creative duo
that, in the sixties and
seventies, composed many
tunes for the super-group
Frankie Valli and the
Four Seasons. In 1967 the
huge hit was
Can’t Take My
Eyes Off You which,
since that year, has seen
repeated success with a
whole host of other
international singing
stars. Lorenzo Bocci has
taken this classic song
and created a wonderful,
laid back, quintet with
flexible woodwind/brass
instrumentation. One not
to be missed. Part 1 Fl
Ob Bb Clar S Sax Tpt Part
2 Fl Cor Ang Bb Clar Eb
Clar A Sax Tpt Hn Part 3
Cor Ang Eb Clar T Sax Bsn
Hn Trom Part 4 T Sax Bsn
Trom Euph Part 5Bass Clar
Bari Sax Bsn Trom Euph
Tuba Opt. Mallets Timp
Drum Perc
De
songwriters Bob Crewe en
Bob Gaudio vormden een
bijzonder succesvol duo.
In de jaren zestig en
zeventig schreven ze vele
hits voor Frankie Valli &
The Four Seasons,
waaronder Can't Take
My Eyes Off You uit
1967. Veel bekende
artiesten hebben in de
decennia die volgden dit
innemende up-temponummer
op hun repertoire gezet:
The Lettermen, Andy
Williams, Diana Ross &
The Supremes, Gloria
Gaynor, The Boystown
Gang, The Pet Shop
Boys... en de lijst is
nog lang niet compleet.
Can't Take My Eyes Off
You is dus zonder
meer een klassieker
binnen de popmuziek te
noemen. Lorenzo Bocci
maakte van dit
succesnummer een boeiend
arrangement.Part 1 C' C
Bb Part 2 C' CBb F Eb
Part 3 C Bb [TC] Bb [BC]
F Eb Part 4 C Bb [TC] Bb
[BC] Part 5 C' C Bb [TC]
Bb [BC] Eb [TC] Eb
[TC]Opt. Mallets Timp
Drum Perc
Die
Songwriter Bob Crewe und
Bob Gaudio waren ein
äußerst
erfolgreiches Duo. In den
60er- und 70er-Jahren des
vergangenen Jahrhunderts
schrieben sie zahlreiche
Hits für Frankie
Valli & The Four Seasons,
darunter auch
Can’t Take My
Eyes Off You aus dem
Jahr 1967, das schon von
vielen berühmten
Interpreten gesungen
wurde. Lorenzo Bocci
sorgte für diese
spannende Bearbeitung
für ein
fünfstimmig
variables
Bläserensemble.Part 1
Fl Ob Kl B S-Sax Trp Part
2 Fl Cor Ang Kl B A-Kl
A-Sax Trp Hn Part 3 Cor
Ang A-Kl T-Sax Fg Hn Pos
Part 4 T-Sax Fg Pos Euph
Part 5 B-Kl B-Sax Fg Pos
Euph Tuba Opt. Mallets
TimpDrum Perc
Gli
autori-compositori Bob
Crewe e Bob Gaudio hanno
formato un tandem
coronato di successi.
Negli anni 60 e 70, hanno
firmato numerose conzoni
per Frankie Valli & The
Four Seasons tra cui lo
standard del 1967,
Can’t Take My
Eyes Off You. Molti
artisti celebri hanno
ripreso questa melodia
accattivante e dal ritmo
travolgente. Lorenzo
Bocci scrive un
arrrangiamento a 5 voci
per strumentazione
variabile. Part 1 Fl Ob
Bb Clar S Sax Tpt Part 2
Fl Cor Ang Bb Clar Eb
Clar A Sax Tpt Hn Part 3
Cor Ang Eb Clar T Sax Bsn
Hn Trom Part 4 T Sax Bsn
Trom Euph Part 5 Bass
Clar Bari Sax Bsn Trom
Euph Tuba Opt. Mallets
Timp Drum Perc.
Festliche Weihnachtsmusik Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie - beginner SKU: BT.DHP-1104922-013 A Festive Chr...(+)
Concert Band/Harmonie -
beginner
SKU:
BT.DHP-1104922-013
A Festive Christmas
Celebration. Composed
by Erasmus Widmann,
George Frideric Handel,
and Robert van Beringen.
Essential Elements
European Band Series. Set
(Score & Parts) with CD.
Composed 2010. De Haske
Publications #DHP
1104922-013. Published by
De Haske Publications
(BT.DHP-1104922-013).
9x12 inches.
English-German.
De
serie Essential
Elements European Band
Series bevat
muziekstukken voor
blaasmuziekleerlingen en
jeugdorkesten. Ze kunnen
deze serie parallel naast
(maar ook los van) de
lesmethode voor
blaasorkest Essential
Elementsspelen. Het
bijzondere en nieuwe aan
deze serie is dat het om
oorspronkelijk Europese
muziekstukken gaat. Uw
jonge muzikanten kennen
deze stukken en medleys
van liederen en songs
zeer zeker. Wat dat
betekent? Betere
motivatie enmeer
speelplezier! Alle sets
voor blaasorkest bevatten
een cd waarop een
blaasorkest de titels een
voor een voorspeelt.A
Festive Christmas
Celebration•
arr. Robert van
BeringenDeze goed
klinkende kerstmedley
begint met
eenWeihnachts-Fanfare<
/I> van Robert van
Beringen. Dan volgen de
liederen Macht hoch
die Tür, Kling
Glöckchen en
Tochter
Zion.
Diese
Sammlung festlicher
Arrangements für
BläserKlassen beginnt
mit einer
Weihnachts-Fanfare
von Robert van Beringen;
dann folgen die Lieder
Macht hoch die
Tür, Kling,
Glöckchen,
klingelingeling und
Tochter Zion.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Choir SKU: AU.9780800678579 Lectionary 8-22. Composed by Carolyn J...(+)
Choir
SKU:
AU.9780800678579
Lectionary 8-22.
Composed by Carolyn
Jennings. Choral
Collection. Evangelical
Lutheran Worship series.
Choral Collection.
Published by Augsburg
Fortress
(AU.9780800678579).
ISBN
9780800678579.
Chor
al gospel acclamations
for summer - Lectionary
8-22. One per Sunday or
festival day in the
church year, years A, B,
C. Unison with keyboard
accompaniment and
congregational part. Part
of the (Evangelical
Lutheran Worship) family
of products.
(Evangelical Lutheran Worship - Advent Through Epiphany). By Various. For Piano....(+)
(Evangelical Lutheran
Worship - Advent Through
Epiphany). By Various.
For Piano. Evangelical
Lutheran Worship. Advent,
Christmas. 134 pages.
Published by Augsburg
Fortress
SSATTBB chorus and piano - Medium-difficult / medium-difficult acc. SKU: JK.0...(+)
SSATTBB chorus and piano
- Medium-difficult /
medium-difficult acc.
SKU: JK.00741
Composed by Lyndell
Leatherman. Choral SATB,
Difficulty Medium Hard,
Piano Choir, Jesus Christ
- Second Coming, Joy.
Christian, Inspirational.
Duration 3:15. Jackman
Music Corporation #00741.
Published by Jackman
Music Corporation
(JK.00741).
Doctrine
and Covenants 39:17-24,
Doctrine and Covenants
133:7-10.
Joyfu
l anthem arranged for
mixed chorus (SSATTBB)
and piano, on the
Savior's Second
Coming. Composer:
Lyndell Leatherman
Lyricist: Henry
Alford Difficulty:
Medium-difficult /
medium-difficult acc.
Performance time:
3:15 Reference:
Doctrine and Covenants
39:17-24, Doctrine and
Covenants 133:7-10.
Choir SKU: AU.9780800620363 Composed by John Ferguson. This edition: Pape...(+)
Choir
SKU:
AU.9780800620363
Composed by John
Ferguson. This edition:
Paperback. Choral
Collection. Evangelical
Lutheran Worship series.
Advent, Transfiguration.
Choral Collection.
Published by Augsburg
Fortress
(AU.9780800620363).
ISBN
9780800620363.
Chor
al gospel acclamations
for Advent through
Transfiguration. One per
Sunday or festival day in
the church year, years A,
B, C. Unison with
keyboard accompaniment.
Part of the (Evangelical
Lutheran Worship) family
of products.
Fanfare Band - Grade 3 SKU: BT.1091-04-120-MS Arranged by Lorenzo Bocci. ...(+)
Fanfare Band - Grade 3
SKU:
BT.1091-04-120-MS
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1091-04-120 MS.
Published by Music Sales
(BT.1091-04-120-MS).
Die
Liedkomponisten Bob Crewe
und Bob Gaudio waren ein
äußerst
erfolgreiches Duo. In den
60er- und 70er-Jahren des
vergangenen Jahrhunderts
schrieben sie zahlreiche
Hits für Frankie Valli
& The Four Seasons,
darunter auch Can't
Take My Eyes Off You
aus dem Jahr 1967. Die
Liste der bekannten
Künstler, die das
unwiderstehliche, flotte
Lied in ihr Repertoire
aufnahmen, ist lang: The
Lettermen, Andy Williams,
Diana Ross & The
Supremes, Gloria Gaynor,
The Boystown Gang, The
Pet Shop Boys und viele
mehr. Can't Take My
Eyes Off You kann
zweifellos zu den
Klassikern der Popmusik
gerechnet werden. Lorenzo
Bocci schrieb diese
spannende Bearbeitung
für
Blasorchester.
Fanfare Band - Grade 3 SKU: BT.1091-04-020-MS Arranged by Lorenzo Bocci. ...(+)
Fanfare Band - Grade 3
SKU:
BT.1091-04-020-MS
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. Music
Sales #1091-04-020 MS.
Published by Music Sales
(BT.1091-04-020-MS).
Die
Liedkomponisten Bob Crewe
und Bob Gaudio waren ein
äußerst
erfolgreiches Duo. In den
60er- und 70er-Jahren des
vergangenen Jahrhunderts
schrieben sie zahlreiche
Hits für Frankie Valli
& The Four Seasons,
darunter auch Can't
Take My Eyes Off You
aus dem Jahr 1967. Die
Liste der bekannten
Künstler, die das
unwiderstehliche, flotte
Lied in ihr Repertoire
aufnahmen, ist lang: The
Lettermen, Andy Williams,
Diana Ross & The
Supremes, Gloria Gaynor,
The Boystown Gang, The
Pet Shop Boys und viele
mehr. Can't Take My
Eyes Off You kann
zweifellos zu den
Klassikern der Popmusik
gerechnet werden. Lorenzo
Bocci schrieb diese
spannende Bearbeitung
für
Blasorchester.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-378-140 A collection of 19...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-378-140
A
collection of 19th
century Shaker
melodies. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2013. 48
pages. Anglo Music Press
#AMP 378-140. Published
by Anglo Music Press
(BT.AMP-378-140).
9x12
inches.
English-German-French-Dut
ch.
The Shakers
were a sect who, in the
18th Century, sailed out
from England to America.
Right into the late 19th
Century, the numerous
songs of this community
were handed down orally,
until they were written
down in various volumes
of song collections.
Philip Sparke’s
fantasy for wind band is
based on a selection of
these beautiful,
captivatingly simple
songs.
De
‘United Society of
Believers in
Christ’s Second
Appearing’ was een
van de religieuze
groeperingen die in het
18e-eeuwse Engeland
ontstonden. De zogenoemde
shakers componeerden
duizenden liederen, die
veelal mooi zijn in al
hun eenvoud. Ze werden
van oorsprong mondeling
overgeleverd tot er eind
19e eeuw voor het eerst
bundels werden
uitgegeven. Voor deze
briljante compositie
selecteerde Philip Sparke
zorgvuldig enkele van de
liederen uit deze
bundels.
Die
Shaker waren eine Sekte,
die im 18. Jahrhundert
von England nach Amerika
auswanderte. Bis ins
späte 19. Jahrhundert
wurden die zahlreichen
Lieder dieser
Gemeinschaft nur
mündlich tradiert,
bevor sie in
verschiedenen Sammlungen
niedergeschrieben wurden.
Philip Sparkes Fantasie
für Blasorchester
basiert auf einer Auswahl
dieser schönen, durch
ihre Schlichtheit
bestechenden Lieder.
Equal Voices - Grade 1 SKU: BT.HU-4345-250 Voor gelijke stemmen met ak...(+)
Equal Voices - Grade 1
SKU:
BT.HU-4345-250
Voor gelijke stemmen
met akkoordsymbolen.
Arranged by John
Englisch. Book Only.
Composed 2013. 32 pages.
Harmonia #HU 4345-250.
Published by Harmonia
(BT.HU-4345-250).
A4
(210X297) inches.
English-German-Dutch.
Shanties & Sea
Songs is songbook
containing twelve
arrangements of both
popular and less
well-known songs. They
can be sung a cappella by
choirs and vocal groups
consisting of equal
voices. The chord symbols
facilitate the
accompaniment of the
songs by guitar,
accordion or piano. Mixed
choirs can also perform
the arrangements by
equally dividing the men
and women for each of the
parts.
Shanties & Sea
Songs is een bundel
met 12 arrangementen van
bekende en minder bekende
liederen. Ze kunnen a
capella gezongen worden
door koren en zanggroepen
met gelijke stemmen. De
akkoordsymbolen maken het
gemakkelijk deze liederen
uit te voeren met
begeleiding van gitaar,
accordeon of piano. Ook
gemengde zanggroepen
kunnen de arrangementen
uitvoeren door mannen en
vrouwen stemmen
gelijkelijk te verdelen
over de partijen.
Shanties & Sea
Songs ist eine
Sammlung von 12
Arrangements bekannter
und weniger bekannter
Lieder. Sie können a
cappella von einem
Gesangsensemble mit
gleichen Stimmen gesungen
werden. Dank der
Akkordsymbole sind die
Lieder auch leicht mit
Begleitung von Gitarre,
Akkordeon oder Klavier
aufzuführen. Auch
gemischte Ensembles
können die Arrangements
singen, indem sie die
Stimmen zu gleichen
Teilen auf Männer- und
Frauen verteilen.