Jazz Ensemble - Grade 5

SKU: KN.62092S

Composed by John Fedchock. Jazz Summit. Kendor Music Inc #62092S. Published by Kendor Music Inc (KN.62092S).

UPC: 822795620924.

This swing chart for proficient groups showcases a valuable, yet often overlooked member of the big band, the bass trombone. The melody is scored below the bass clef staff and into the pedal register, and is offset by dramatic ensemble punctuations before launching the soloist into a section of written or ad lib solos. The shout chorus incorporates dynamic exchanges between the ensemble and soloist, all leading to the low-note finale. Duration 4:00.

By John Fedchock. For standard jazz ensemble. Jazz Summit. Swing. Advanced. Score and parts. Published by Kendor Music Inc

By Sammy Nestico. Jazz Journey. Blues. Level: Medium. Published by Kendor Music Inc.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS157F

Composed by Nicolás Humberto Repetto. Cas. Full score. Duration 2 minutes, 57 seconds. Carl Fischer Music #CAS157F. Published by Carl Fischer Music (CF.CAS157F).

ISBN 9781491165423. UPC: 680160924332. Key: D minor.

Journey back to ancient Rome in this powerful string orchestra work depicting the strength and reach of the Roman armies through the eyes of a weathered centurion (a centurion is the equivalent of an Army captain). The work begins with a full statement of the Centurion motif in the high strings which should be played with power and strength while in the rhythmic marching element (depicting the Roman Army) in the low strings propels us forward. The lyrical sections at measures 13 through 32 in the viola and cello sections should be expressive and maintain that powerful sound first established in the violins at the beginning of the piece. From mm. 32-42, a  torrent of triplets drives toward a grander gesture of the Centurion motif in the violins and viola sections while the low strings maintain momentum and rhythmic precision. The piece continues to a more solemn restatement of the motif, a section which requires a great deal of expressive playing and vibrato, as the centurion reminisces about his accomplishments, before launching into one last battle from m. 59 to the end.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS157

Composed by Nicolás Humberto Repetto. Cas. Set of Score and Parts. Duration 2 minutes, 57 seconds. Carl Fischer Music #CAS157. Published by Carl Fischer Music (CF.CAS157).

ISBN 9781491165027. UPC: 680160923939. Key: D minor.

Journey back to ancient Rome in this powerful string orchestra work depicting the strength and reach of the Roman armies through the eyes of a weathered centurion (a centurion is the equivalent of an Army captain). The work begins with a full statement of the Centurion motif in the high strings, which should be played with power and strength while in the rhythmic marching element (depicting the Roman Army) in the low strings propels us forward. The lyrical sections at mm. 13 through 32 in the viola and cello sections should be expressive and maintain that powerful sound first established in the violins at the beginning of the piece. From mm. 32–42, a  torrent of triplets drives toward a grander gesture of the Centurion motif in the violins and viola sections while the low strings maintain momentum and rhythmic precision. The piece continues to a more solemn restatement of the motif, a section which requires a great deal of expressive playing and vibrato, as the centurion reminisces about his accomplishments, before launching into one last battle from m. 59 to the end.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Composed by Lee Dengler. Brookfield Choral Series. General Worship, Sacred. Octavo. 12 pages. Published by Brookfield Press

By Todd Stalter. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Grade 3. 210 pages. Published by Alfred Music Publishing

Jazz Ensemble standard jazz ensemble (playable by 3 saxes, 3 brass plus rhythm section) with opt. tuba & vibes - Grade 2

SKU: KN.00730

Composed by arr. Dedrick. Arranged by Art Dedrick. Art Dedrick Legacy Editions. Swing. Kendor Music Inc #00730. Published by Kendor Music Inc (KN.00730).

UPC: 822795007305.

Origi nally released in 1956, this arrangement of the iconic Meacham tune opens with a short written alto solo before launching into a satisfying series of sax and brass solis, unisons and full-ensemble shouts. All rhythm section parts are fully notated, brass ranges are very accessible, and no improvisation is required. Duration 2:20.

Jazz Ensemble Score - Grade 2

SKU: KN.00730S

Arranged by Art Dedrick. Art Dedrick Legacy Editions. Kendor Music Inc #00730S. Published by Kendor Music Inc (KN.00730S).

UPC: 822795007305.

Origi nally released in 1956, this arrangement of the iconic Meacham tune opens with a short written alto solo before launching into a satisfying series of sax and brass solis, unisons and full-ensemble shouts. All rhythm section parts are fully notated, brass ranges are very accessible, and no improvisation is required. Duration 2:20.

String Quartet (2vl,va,vc)

SKU: BR.PB-5622-07

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library).

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar.

Romantic period. Study Score. 176 pages. Breitkopf and Haertel #PB 5622-07. Published by Breitkopf and Haertel (BR.PB-5622-07).

ISBN 9790004215197. 6.5 x 9 inches.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

String quartet string quartet (2vl,va,vc)

SKU: BR.EB-8939

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. This edition: Urtext. Chamber music; Folder. Edition Breitkopf. Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. Romantic period. Set of parts. 88 pages. Breitkopf and Haertel #EB 8939. Published by Breitkopf and Haertel (BR.EB-8939).

ISBN 9790004186084.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

String Quartet

SKU: BR.PB-5622

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library). Romantic period. Study Score. Breitkopf and Haertel #PB 5622. Published by Breitkopf and Haertel (BR.PB-5622).

ISBN 9790004215197. 6.5 x 9 inches.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

2-part equal voices, 2-part mixed voices, piano accompaniment - Early intermediate

SKU: GI.G-9957

Composed by Wayland Rogers. Children. Global Encounters for Young Choirs. Music Education. 8 pages. GIA Publications #9957. Published by GIA Publications (GI.G-9957).

UPC: 785147995708. English. Text by Kazuaki Tanahashi.

In my opinion our world is currently in great need of reestablishing strong connections one to another, be it with family and friends, neighbors and strangers, nations and nations, or with those of different cultures and religions. In his important book, I and Thou, philosopher-theologian Martin Buber says that the most meaningful life is centered on relationship. As a musician, I felt compelled to express the I-THOU thesis through the human voice. In searching for the right words to express this sentiment, I was fortunate to find Kazuaki Tanahashi’s eloquent poem, “Encounter.” Mr. Tanahashi is a poet, Zen artist, scholar and peace activist.  This combined-voices version has been adapted from an SATB scoring that features prominently in the original song cycle, I-THOU, written for vocal quartet, commissioned and premiered in 2018 by Fourth Coast Ensemble in Chicago. —Wayland Rogers About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.

Choir, Piano Accompaniment (SATB Choir)

SKU: HL.292927

Composed by David Schwoebel. Fred Bock Publications. Sacred. Octavo. 12 pages. Fred Bock Music Company #BG2663. Published by Fred Bock Music Company (HL.292927).

UPC: 888680932893. 6.75x10.5 inches. David Ash/David Schwoebel.

What a great tune David Schoebel has written to carry this joyful text about the people of God. The lively accompaniment reinforces the lyrics admirably. The contrasting and softer 4/4 section provides time for a prayer before launching in the joyful strain again.

3-part equal voices, voice solo, percussion - Early intermediate

SKU: GI.G-9994

Three Kpanlogo Songs. Arranged by Kathy Armstrong. Global Encounters for Young Choirs. Music Education. Octavo. 8 pages. GIA Publications #9994. Published by GIA Publications (GI.G-9994).

UPC: 785147999409. English, Ga. Text Source: Trad. Ga (Ghana).

The percussion part is for hand claps, gangokui (iron double bell), axatse (gourd rattle) and hand drum. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.

Orchestra String Sextet, Piano - Grade 2

SKU: CF.YAS95F

Composed by Carl Strommen. FS SWS. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 12 pages. Duration 4 minutes, 16 seconds. Carl Fischer Music #YAS95F. Published by Carl Fischer Music (CF.YAS95F).

ISBN 9780825884115. UPC: 798408084110. 8.5 x 11 inches.

Opening with a gospel style tune, Sundance launches into a barn dance hoedown; truly a blast for your students to play. The feel-good enthusiasm of this piece will help your students win over contest and festival judges every time!.
The sound of the West as portrayed in Sundance has two distinct sections — the chorale settings (the opening) and at m. 50, both of which should be played broadly and expressively. Conductor interpretation as to ritards, etc.are encouraged. The contrasting livelier sections at mm. 16 and 65dominate Sundance and should be played with all the energy and enthusiasm of a “foot-stompin� ��”barn dance. Attention to dynamics and articulations are, as always, critical to the success of any performance piece.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Flute/Picc, Clarinet/Bass Clarinet, Horn, Piano, Violin, Cello

SKU: ST.AC241

Composed by Bayan Northcott. Chamber music. For six players (Flute/Piccolo, Clarinet in A/Bass Clarinet, Horn in F, Piano, Violin, Cello). Score and Parts. Score and parts. Stainer & Bell Ltd. #AC241. Published by Stainer & Bell Ltd. (ST.AC241).

ISBN 9790220222535.

Seve nty next year, Bayan Northcott is a leading writer about music, and a composer who has particularly focused on variation forms - hence the 'doubles' of this new work ('doubles' being an alternative term for variations, as found for example in Bach); and hence, in celebratory mode, 'doubles all round' as the title for this sparkling piece d'occasion composed at the request of Endymion to celebrate their 30th anniversary.

Doubles All Round would indeed make an ideal five-minute introduction to a new-music concert, or a fascinating contemporary excursus in a classical programme that featured the line up of flute/piccolo, clarinet/bass clarinet, horn, violin, cello and piano. The work is launched by a vigorous keyboard prelude, which returns after the third double in a brief cadenza, before the piece is rounded off by the fourth double, quasi una coda.

Bayan Northcott's collected critical writings, The Way We Listen Now, were published by Plumbago Books in 2009.

3-part equal voices, voice solo, percussion - Early intermediate

SKU: GI.G-9993

Alleluia (from Bobobo). Arranged by Kathy Armstrong. Global Encounters for Young Choirs. Music Education. Octavo. 8 pages. GIA Publications #9993. Published by GIA Publications (GI.G-9993).

UPC: 785147999300. English, Ewe. Text Source: Trad. Ewe (Ghana), English tr. Doreen Rao; Translation: Doreen Rao.

The percussion parts are for dondo (talking drum) and ferikywia (iron casanet bell). About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.

Piano

SKU: BT.MUSM570360413

By Nicky Losseff. Classical. Book Only. University of York Music Press #MUSM570360413. Published by University of York Music Press (BT.MUSM570360413).

English.

Piantho logy is a new collection of seven contemporary Piano works by living composers which includes a recording of each of the works performed by Nicky Losseff, the volume's editor. Nicky Losseff, who combines a Senior Lectureship at the University of York with an active career as a concert pianist, has written extensive performance and analysis notes on all of the works, giving helpful suggestions about the study and performance os each piece in turn. The anthology is aimed at university and conservatiore level Piano students, but will serve as an excellent introduction to new music for the Piano for any dedicated player looking to broaden their range. The worksincluded in Pianthology are: Anthony Gilbert - Three Papillon Postcards Sadie Harrison - Impresa Amorosa Ed Hughes - Third Orchid Jo Kondo - A Dance For Piano, 'Europeans' David Lumsdaine - Six Postcard Pieces Hilda Paredes - Caligrama Thomas Simaku - Des Pas Chromatiques Pianthology was launched at the York University Spring New Music Festival on May 8th 2008, when all seven works were performed, some by Nicky Losseff and some by her students from the University of York. Includes Nicky Losseff's recordings of all works. Three Papillon Postcards Impresa Amorosa 1.

(Materials for Communicating Music). Composed by Gyorgy Ligeti (1923-2006). Listening Lab Vol. 2. Textbook. 64 pages. Universal Edition #UE026316. Published by Universal Edition

Concert band - Grade 2

SKU: CL.011-4308-01

Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR382). Extra full score. Composed 2014. Duration 4 minutes, 49 seconds. C.L. Barnhouse #011-4308-01. Published by C.L. Barnhouse (CL.011-4308-01).

Legend of Crystal Lake opens slowly with haunting and mysterious tonal mixture of woodwinds and solo trumpet. Quickly gaining energy the piece launches into a forceful woodwind rhythmic statement punctuated by brass and percussion. A lyrical ¾ middle section passes a delightful melody between each choir of instruments. The fresh and unique harmonies combined with the rhythmic excitement will make this musical journey a favorite of your students and your audiences. A wonderful choice for contest!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SATB choir, piano accompaniment - Intermediate

SKU: GI.G-9958

Composed by Wayland Rogers. Children. Global Encounters for Young Choirs. Music Education. Octavo. 12 pages. GIA Publications #9958. Published by GIA Publications (GI.G-9958).

UPC: 785147995807. English. Text Source: From I Loved You First, Christina Rossetti, 1830-1894, alt. Text by Christina Rossetti.

 The English Romantic poet, Christina Rossetti (1830–1894), is chiefly known for her mystic religious lyrics. Her limited number of love poems are mostly of an unhappy nature, rather like objective expressions of happiness denied. A certain steely stoicism within her caused her to turn away from love twice in her lifetime with two separate men. There is no evidence of resolute refusal of love in this poem, however. Here she profusely proclaims her deep love for another. Wayland Rogers has set the last five lines of I Loved You First to music. The setting is an excerpt from his song cycle, I-Thou , which was commissioned and premiered by Fourth Coast Ensemble in Chicago in 2018.  About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.