1 instrument in D and piano - Level 1

SKU: LM.26765

Composed by Sonya Veczan. Classical. Score and CD. Editions Henry Lemoine #26765. Published by Editions Henry Lemoine (LM.26765).

ISBN 9790230967655.

Peti t Papa Noel - Les Anges dans nos campagnes - Venez les enfants - Vive le vent - Il est ne le divin enfant - Douce nuit - L'Enfant au tambour - Hark ! the Herald Angels Sing - D'ou viens-tu bergere - Mon beau sapin - Joy to the World - Entre le boeuf et l'ane gris - Dans une etable obscure - Peuple fidele - Dors ma colombe - Trois anges sont venus.

(14 Pieces Faciles Pour Le Piano) Composed by Gerard Meunier. Collection for solo piano. Published by Editions Henry Lemoine.

SATB Choir

SKU: BT.MUSM570368679

For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679).

Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.

SKU: HL.301319

HM60 SYS D-Band. Samson Wireless. Wireless System. Hal Leonard #SW9A9SHM60-D. Published by Hal Leonard (HL.301319).

UPC: 809164222248. 9.5x9.0x3.5 inches.

For the working horn player who is looking for the freedom to go wireless, the AirLine AWXm Wind Instrument system offers the latest in wireless technology by pairing the innovative ATX clip-on transmitter with the portable AR99m micro receiver. Small enough to fit into any gig bag, this system provides high definition sounds for wind instruemtns without the need of a beltpack or cable. Features: ATX-End Your Reach The ATX wireless transmitter enables easy, inconspicuous mounting while providing a secure connection to the bell of the instrument. The innovative clip design allows the performer to easily switch between instruemnts without the hassle of a wire or beltpack. Small enough to fit in the palm of your hand, the lightweight ATX transmitter features a rechargeable batery that provides up to 8 hours of continuous use, perfect for any extended performance. Clear as a Bell Designed specifically for live peroformance, the HM60 condenser microphone delivers the dynamic, natural sound of the instrument with a wide 20 Hz to 18 kHz frequency response. Able to handle high sound pressure levels (SPL) of up to 125 dB, the HM60 is well suited for close miking brass and woodwind instruments. The supercardioid polar pattern provides excellent isolation of the instrument while reducing pickup of unwanted ambient sounds. The unique 3-point halo isolation mount minimizes mechanical vibrations and keyclick noises. Micro and Multifunctional With True RF Diversity, the AR99m micro receiver ensures for maximum wireless clarity with an operating range up to 300'. With three output connections (1/4-inch, 1/8-inch, and XLR), the AR99m offers more compatibility while being a fraction of the size of other receivers. With a simple touch of a button, the AR99m analyzes the 100 available channels and selects the clearest channel for your area. Turn the AR99m into a dual channel system by connecting a Samson XPD Series USB Digital Wireless System (sold separately). Applications: • Club-date musicians • Wedding DJs and performers • House of worship • Education/corporate AV.

Composed by Sonya Veczan. Classical. Score and CD. 18 pages pages. Published by Editions Henry Lemoine (LM.26764).

SKU: HL.299371

By Metallica. Book. Heavy Metal, Rock Reference. Softcover. 152 pages. Published by Cherry Lane Music (HL.299371).

ISBN 9781540060259. UPC: 888680956189. 6.0x9.0x0.332 inches.

Metallica's success can be directly attributed to their passionate, no-compromise attitude, which comes through loud and clear in the words they sing. Now fans can have the complete lyrics to all of their favorite songs with this updated 3rd edition featuring 106 songs.

Voice (Music For Voice)

SKU: HL.48187507

Composed by Darius Milhaud. Leduc. Classical. Softcover. Heugel & Cie #HE31163. Published by Heugel & Cie (HL.48187507).

UPC: 888680990060. 9.0x12.0 inches.

1.Modestes Vacances; 2.Les 2 Hotels; 3.Le Boulanger; 4.La Maison inachevee; 5.Monsieur le Cure; 6.Les 3 Peupliers; 7.Paresse; 8.Les Conscrits; 9.Le Chateau; 10.L'Horizon; 11.Le Pecheur; 12.Le Ruisseau; 13.La Petite Bergere; 14.Les Champignons; 15.Le Retour.

Transcriptions from Buckley's Banjo Guide of 1868. Composed by Tim Twiss. Squareback saddle stitch, Solos and Duets, Banjo: 5-String. Book and online audio. 120 pages. Mel Bay Publications, Inc #30718M. Published by Mel Bay Publications, Inc

Saddle-stitched, Theory. Other. Book and online audio. Mel Bay Publications, Inc #30968M. Published by Mel Bay Publications, Inc

SKU: HL.3712020

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #474746. Published by Hal Leonard (HL.3712020).

UPC: 196288220558. 4.5x8.5x9.0 inches.

The DT 770 PRO is a closed, dynamic headphone for professional use as a monitoring headphone in studios. Its design has been tailored for use in a studio. The single-sided cable makes it easier to handle the headphones when they have to be constantly put on and taken off. The robust spring steel construction gives the headphones a secure fit and the mechanical reliability needed for daily use. Soft, adjustable ear cups and a single-sided cable contribute to a high level of long-term comfort. The connecting cable is fitted with a gold-plated mini stereo jack plug (3.5 mm) with a 1/4″ adapter (6.35mm) and can therefore be connected to all common headphone outputs. With its impulse behavior, the DT 770 PRO comes close to electrostatic headphones and delivers a natural and balanced sound. Even the deepest bass is reproduced with clarity and punch. High frequencies are converted into an analytical, clear and differentiated sound that does not produce screaming or shrieking even with powerful treble sounds.

SKU: HL.3712017

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #459046. Published by Hal Leonard (HL.3712017).

UPC: 196288279259. 4.5x8.75x9.0 inches.

The DT 770 PRO is a closed, dynamic headphone for professional use as a monitoring headphone in studios. Its design has been tailored for use in a studio. The single-sided cable makes it easier to handle the headphones when they have to be constantly put on and taken off. The robust spring steel construction gives the headphones a secure fit and the mechanical reliability needed for daily use. Soft, adjustable ear cups and a single-sided cable contribute to a high level of long-term comfort. The connecting cable is fitted with a gold-plated mini stereo jack plug (3.5 mm) with a 1/4″ adapter (6.35mm) and can therefore be connected to all common headphone outputs. With its impulse behavior, the DT 770 PRO comes close to electrostatic headphones and delivers a natural and balanced sound. Even the deepest bass is reproduced with clarity and punch. High frequencies are converted into an analytical, clear and differentiated sound that does not produce screaming or shrieking even with powerful treble sounds.

Merlins Insel oder Die verkehrte Welt. By Christoph Willibald von Gluck. Edited by Gunter Hausswald. For 3 Soprano solo, 5 Tenor solo, 3 Bass solo, Speaker, 2 Flute, 2 Oboe, 2 English horn, 2 Bassoon, 2 Horn, Strings, Basso continuo. This edition: Urtext Edition. Opera comique in one act after Louis Anseaume. Piano Reduction/Vocal Score. 120 pages. Published by Baerenreiter Verlag (German import).

All Instruments

SKU: HL.369515

Edited by Terri Lyne Carrington. Berklee Guide. Blues, Contemporary, Jazz. Softcover. 184 pages. Published by Berklee Press (HL.369515).

ISBN 9780876392232. UPC: 840126991932. 9.0x12.0x0.438 inches.

Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the “jazz standard” canon that has served students, teachers and professionals throughout the development of jazz music. The compositions span nearly a century, including Lil Hardin Armstrong's work from 1922 to songs written in 2021 by recent Institute graduates. It features 101 compositions from a remarkable range of acknowledged titans, young visionaries and unsung heroes in jazz: Mary Lou Williams, Alice Coltrane, esperanza spalding, Geri Allen, Maria Schneider, Cecile McLorin Salvant, Cassandra Wilson, Dianne Reeves, Dorothy Ashby, Nubya Garcia, Nicole Mitchell and many others. The book includes a 1922 piece by the influential Lil Hardin Armstrong and songs written in 2021 by emerging artists from Carrington's Berklee Institute of Jazz and Gender Justice. New Standards also celebrates the global world of jazz, from Chilean tenor saxophonist Melissa Aldana to Japanese American pianist Toshiko Akiyoshi and other international composers.

Arranged by Carrie Lane Gruselle. American Folk Tune. For String Orchestra. String Orchestra. Highland String Orchestra. Folk Song. Level: 2.5 (grade 2.5). Conductor Score and Parts. Published by Alfred Publishing.

Harp

SKU: LM.27774

Composed by Benoit Wery. Classical. Score. Editions Henry Lemoine #27774. Published by Editions Henry Lemoine (LM.27774).

ISBN 9790230977746.

Sous le tilleul - Faon vient de naitre - Jeux de papillons - La chanson de Papi Hibou - La Danse du cygne - A la lisiere - La Ballade du petit labrador - Hymne a l'imperatrice Marmotte - A la rencontre de l'ecureuil - Soleil couchant.

Choir

SKU: BT.MUSM570369027

For choir and fixed media. Composed by Evis Sammoutis. CD Only. Composed 2019. University of York Music Press #MUSM570369027. Published by University of York Music Press (BT.MUSM570369027).

Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:30. Published by Manhattan Beach Music.

By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor score and set of parts. Duration 4:30. Published by Manhattan Beach Music.

Composed by Dale Wood. Arranged by Douglas E. Wagner. Choral, cantatas. Christmas. SATB with performance CD. Sacred Music Press #65/2089S. Published by Sacred Music Press

Southern Italian Tambourine. Composed by Alessandra Belloni. Perfect binding. Book and online video. Published by Mel Bay Publications, Inc (MB.21463M).

Edited by Robin Williamson. For violin. Includes violin solo songbook and examples CD. With standard notation, chord names, performance notes and introductory text. British and folk. 96 pages. 9x12 inches. Published by Oak Publications

Choral (SATB)

SKU: HL.1312587

Arranged by Evelyn Simpson-Curenton. Gentry Publications. Christmas Sacred, Christmas/Advent Sacred. Octavo. Gentry Publications #JG2652. Published by Gentry Publications (HL.1312587).

UPC: 196288177593. 6.75x10.75x0.019 inches.

Evelyn Simpson-Curenton's accessible setting of “Silent Night” showcases the reflective and serene nature of this traditional Christmas carol, while adding some harmonic “flavorâ� �‚¬Â characteristic of her compositional style. Building from a simple opening, she masterfully combines usison writing and intuitive harmonies with sustained accompaniment to design a delightfully rich setting. Available for orchestra and organ or keyboard, this is a holiday setting you will want to program year after year.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-046-010

Composed by John Miles. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2002. Anglo Music Press #AMP 046-010. Published by Anglo Music Press (BT.AMP-046-010).

9x12 inches.

Born in Jarrow, northeast England, in 1949, John Miles was something of a child prodigy, learning the piano from the age of five. In the early '60s he persuaded his father to buy him a guitar and by the end of the decade he had joined asemi-professional band, The Influence. The group soon disbanded and by 1969 Miles was recording with his own group, The John Miles Band, releasing a dozen singles in the early '70s. In 1975 Miles decided to move to London and secured a dealwith Decca Records. By October that year, a newly formed band, John Miles and Co, had released their debut single, Highfly, but their greatest hit, which stormed the British charts in March 1976, was Music.

In 1976 bestormde het nummer Music van de band John Miles and Co de hitparades. Music, vaak bekritiseerd als pompeus en hoogdravend in een periode die steeds meer de kant van de punk opging, was in feite typisch Britsetechnopop en daarbij een bepalende plaat voor die tijd, samen met nummers als Queen’s Bohemian Rhapsody. Met veel gevoel voor dynamiek en dramatiek werkt deze ode aan de muziek nog altijd aanstekelijk.

Musi k war meine erste Liebe- so beginnt der Text dieses Pop-Klassikers aus den Siebzigern von John Miles, der mit dieser Zeile damit damals und heute den Nerv aller begeisterten Musiker und Musikfans der Welt traf. Leise undlaut, gefühlvoll und dramatisch, zieht diese schöne Liebeserklärung an die Musik in der Blasorchester-Bearbeitung von Philip Sparke noch immer Musiker und Zuhörer unweigerlich in ihren Bann.

Né en 1949 Jarrow dans le nord-est de l’Angleterre, John Miles est considéré comme un enfant prodige, apprenant le piano dès l’ ge de cinq ans. Au début des années 60, il persuade son père de lui acheter une guitare. En 1975, il s’installe Londres et signe un contrat avec la maison de disques Decca. En octobre de cette même année, John Miles et son nouveau groupe, le John Miles and Co., sortent leur premier single intitulé Highfly. Mais c’est avec le titre Music, leurplus grand succès, que le groupe conquit les hit-parades anglais en mars 1976.

E' con Music, il suo più grande successo, che John Miles (1949) conquista le hit-parade inglesi nel marzo 1976. Espressiva, potente e dinamica, questa canzone é un magnifico inno alla musica. L'arrangiamento di PhilipSparke é fedele alla versione originale.

Performed by Megadeth. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar notation legend. Metal. Series: Hal Leonard Guitar Recorded Versions. 134 pages. 9x12 inches. Published by Hal Leonard.