| The Ultimate Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...(+)
By Various. For C
Instruments. Fake Book.
Softcover. 560 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The William Bay Collection - Sacred Guitar Solo Anthology Guitare Guitare classique [Partition + Accès audio] - Intermédiaire Mel Bay
Old Time, Wire bound. Sacred. Book and online audio. 184 pages. Mel Bay Public...(+)
Old Time, Wire bound.
Sacred.
Book and online audio.
184
pages. Mel Bay
Publications,
Inc #WBM67M. Published by
Mel
Bay Publications, Inc
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Hymn Book Ligne De Mélodie, Paroles et Accords - Facile Hal Leonard
Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 144 pages. P...(+)
Easy Guitar (Simplified
arrangements for guitar).
Size 9x12 inches. 144
pages. Published by Hal
Leonard.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
(4)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music Theory for Kids Théorie de la musique [Partition + Accès audio] - Débutant Hal Leonard
Interactive, Illustrated Guide for Kids. General Music. Theory. Softcover Me...(+)
Interactive, Illustrated
Guide
for Kids. General Music.
Theory. Softcover Media
Online. 56 pages.
Published by
Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The William Bay Collection - Sacred Guitar Solo Anthology #2 Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M). ISBN
9781737795353. 8.75X11.75
inches. This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We are the Heroes [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion, Piano, Snare
Drum, Suspended Cymbal,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, Voice 1, Voice 2
and more. - Grade 1.5
SKU: CF.FPS159F
Composed by Carl
Strommen. Sws. Fps. Full
score. 16 pages. Duration
4 minutes, 29 seconds.
Carl Fischer Music
#FPS159F. Published by
Carl Fischer Music
(CF.FPS159F). ISBN
9781491158296. UPC:
680160916894. 9 x 12
inches. The
commissioning party of We
Are the Heroes requested
that the band arrangement
work alone and with full
chorus. Based on the
school theme Building a
Better World, the lyrics
(see below) were
contributed by the
students at the Sea Cliff
Elementary School, part
of the Long Island, New
York's North Shore school
district. When performed
with chorus, the
director(s) should
consider balance,
placement of the chorus
(in front of or behind
the band), whether on
risers, and if
amplification is used. At
the director's
discretion, written
dynamics may be altered.
Verse: A word and a
smile, with hope in our
heart with kindness and
and love reaching out to
us all - a helping hand
one step at a time, it
starts with a smile, one
voice will be heard we
will build a better world
- for all Chorus: We are
the future, we are have a
voice we are the future,
we have a choice we are
the heroes, weall lead
the way to make a better
world, today we are the
future- now hear our song
we are the future and we
are strong we are the
heroes, weall lead the
way to build a better
world - to-day Chorus 2:
to be repeated as many
times as desired- with
increasing intensity We
are the future - we are
the heroes we make the
music, we have the power
Our voices proud and
strong the futureas in
our hands Weall build a
better world - today
(repeat). The
commissioning party of We
Are the Heroes requested
that the band arrangement
work alone and with full
chorus. Based on the
school theme Building a
Better World, the lyrics
(see below) were
contributed by the
students at the Sea Cliff
Elementary School, part
of the Long Island, New
York's North Shore school
district. When performed
with chorus, the
director(s) should
consider balance,
placement of the chorus
(in front of or behind
the band), whether on
risers, and if
amplification is used. At
the director's
discretion, written
dynamics may be altered.
Verse: A word and a
smile, with hope in our
heart with kindness and
and love reaching out to
us all - a helping hand
one step at a time, it
starts with a smile, one
voice will be heard we
will build a better world
- for all Chorus: We are
the future, we are have a
voice we are the future,
we have a choice we are
the heroes, we'll lead
the way to make a better
world, today we are the
future- now hear our song
we are the future and we
are strong we are the
heroes, we'll lead the
way to build a better
world - to-day Chorus 2:
to be repeated as many
times as desired- with
increasing intensity We
are the future - we are
the heroes we make the
music, we have the power
Our voices proud and
strong the future's in
our hands We'll build a
better world - today
(repeat). The
commissioning party of We
Are the Heroes requested
that the band arrangement
work alone and with full
chorus. Based on the
school theme Building a
Better World, the lyrics
(see below) were
contributed by the
students at the Sea Cliff
Elementary School, part
of the Long Island, New
York's North Shore school
district.When performed
with chorus, the
director(s) should
consider balance,
placement of the chorus
(in front of or behind
the band), whether on
risers, and if
amplification is used. At
the director's
discretion, written
dynamics may be
altered.Verse:A word and
a smile, with hope in our
heartwith kindness and
and love reaching out to
us all - a helping hand
onestep at a time, it
starts with a smile, one
voice will be heard we
will builda better world
- for allChorus:We are
the future, we are have a
voice we are the future,
we have achoice we are
the heroes, we’ll
lead the way to make a
better world,todaywe are
the future- now hear our
song we are the future
and we arestrongwe are
the heroes, we’ll
lead the way to build a
better world -
to-dayChorus 2: to be
repeated as many times as
desired- with
increasingintensityWe are
the future - we are the
heroes we make the music,
we have thepower Our
voices proud and
strongthe future’s
in our handsWe’ll
build a better world -
today (repeat). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Are the Heroes - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion, Piano, Snare
Drum, Suspended Cymbal,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, Voice 1, Voice 2
and more. - Grade 1.5
SKU: CF.FPS159
Composed by Carl
Strommen. Folio. Fps. Set
of Score and Parts.
8+2+4+4+2+5+2+2+4+4+3+6+2
+3+1+1+3+16 pages.
Duration 4 minutes, 29
seconds. Carl Fischer
Music #FPS159. Published
by Carl Fischer Music
(CF.FPS159). ISBN
9781491158289. UPC:
680160916887. 9 x 12
inches. The
commissioning party of We
Are the Heroes requested
that the band arrangement
work alone and with full
chorus. Based on the
school theme Building a
Better World, the lyrics
(see below) were
contributed by the
students at the Sea Cliff
Elementary School, part
of the Long Island, New
York's North Shore school
district. When performed
with chorus, the
director(s) should
consider balance,
placement of the chorus
(in front of or behind
the band), whether on
risers, and if
amplification is used. At
the director's
discretion, written
dynamics may be altered.
Verse: A word and a
smile, with hope in our
heart with kindness and
and love reaching out to
us all - a helping hand
one step at a time, it
starts with a smile, one
voice will be heard we
will build a better world
- for all Chorus: We are
the future, we are have a
voice we are the future,
we have a choice we are
the heroes, weall lead
the way to make a better
world, today we are the
future- now hear our song
we are the future and we
are strong we are the
heroes, weall lead the
way to build a better
world - to-day Chorus 2:
to be repeated as many
times as desired- with
increasing intensity We
are the future - we are
the heroes we make the
music, we have the power
Our voices proud and
strong the futureas in
our hands Weall build a
better world - today
(repeat). The
commissioning party of We
Are the Heroes requested
that the band arrangement
work alone and with full
chorus. Based on the
school theme Building a
Better World, the lyrics
(see below) were
contributed by the
students at the Sea Cliff
Elementary School, part
of the Long Island, New
York's North Shore school
district. When performed
with chorus, the
director(s) should
consider balance,
placement of the chorus
(in front of or behind
the band), whether on
risers, and if
amplification is used. At
the director's
discretion, written
dynamics may be altered.
Verse: A word and a
smile, with hope in our
heart with kindness and
and love reaching out to
us all - a helping hand
one step at a time, it
starts with a smile, one
voice will be heard we
will build a better world
- for all Chorus: We are
the future, we are have a
voice we are the future,
we have a choice we are
the heroes, we'll lead
the way to make a better
world, today we are the
future- now hear our song
we are the future and we
are strong we are the
heroes, we'll lead the
way to build a better
world - to-day Chorus 2:
to be repeated as many
times as desired- with
increasing intensity We
are the future - we are
the heroes we make the
music, we have the power
Our voices proud and
strong the future's in
our hands We'll build a
better world - today
(repeat). The
commissioning party of We
Are the Heroes requested
that the band arrangement
work alone and with full
chorus. Based on the
school theme Building a
Better World, the lyrics
(see below) were
contributed by the
students at the Sea Cliff
Elementary School, part
of the Long Island, New
York's North Shore school
district.When performed
with chorus, the
director(s) should
consider balance,
placement of the chorus
(in front of or behind
the band), whether on
risers, and if
amplification is used. At
the director's
discretion, written
dynamics may be
altered.Verse:A word and
a smile, with hope in our
heartwith kindness and
and love reaching out to
us all - a helping hand
onestep at a time, it
starts with a smile, one
voice will be heard we
will builda better world
- for allChorus:We are
the future, we are have a
voice we are the future,
we have achoice we are
the heroes, we’ll
lead the way to make a
better world,todaywe are
the future- now hear our
song we are the future
and we arestrongwe are
the heroes, we’ll
lead the way to build a
better world -
to-dayChorus 2: to be
repeated as many times as
desired- with
increasingintensityWe are
the future - we are the
heroes we make the music,
we have thepower Our
voices proud and
strongthe future’s
in our handsWe’ll
build a better world -
today (repeat). $58.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pathway to Success - Teacher's Edition GIA Publications
SKU: GI.G-10120 Habits for Creating a Culture of Excellence. Compo...(+)
SKU: GI.G-10120
Habits for Creating a
Culture of
Excellence. Composed
by Scott Rush and Tim
Lautzenheiser. This
edition: Teacher's
edition. Habits. Music
Education. 116 pages. GIA
Publications #10120.
Published by GIA
Publications
(GI.G-10120). ISBN
9781622774388. NEW
DISTANCE LEARNING OPTION:
For teachers using
Pathway to Success, GIA
Publications has created
a Google Form that allows
students to
electronically submit
their answers to all
questions in the Pathway
to Success Student
Workbook. To download
your own copy of the
Google Form, use the
following link:
https://docs.google.com/f
orms/d/1JaU8fAOfaIMz0jSdg
QPuuuJyDhIzn8T5U78QaxGRns
U/copy. In music programs
across the country,
student leadership is
often thought of in terms
of titles, authority
status, section leader
positions, and being in
charge of others—a
responsibility assumed by
only a select few. But
what if we reframed and
broadened the idea of
leadership to include all
students as leaders of
their own pathway in
life? Band director Scott
Rush and leadership
legend Tim Lautzenheiser
join forces to create
Pathway to Success, a
dynamic and engaging
resource that fosters the
leadership qualities of
every student, not just
the chosen few. This
workbook guides students
through ten sequential
levels as they journey up
the metaphorical mountain
of self-leadership. Along
the way, students will
encounter lessons,
activities, stories,
quotes, and questions
that address the key
qualities of any
effective leader:
communication, attitude,
honesty, trust,
integrity,
self-discipline,
emotional health, goal
setting, relationships,
cooperation, loyalty,
selflessness. Upon
reaching the summit,
students are challenged
to create a
moonshot—to set a
goal and achieve
something that has never
been done before! True
leadership begins with
self-reflection in each
and every student. All
students can benefit when
they see themselves as
their own best leaders,
and therein lies the
foundation of a culture
of excellence. Pathway to
Success is a
groundbreaking leadership
program designed to
inspire student growth
and enhance any band,
choir, or orchestra
program—and
beyond. To borrow a
phrase: All children have
talents, however, not all
children have opportunity
and encouragement.
Pathway to Success by Tim
Lautzenheiser and Scott
Rush describes in detail
the how and provides that
encouragement young
people need to overcome
any reservations and
reluctance they may have
to step forward and
become a leader! History
is full of examples of
shy and timid youngsters
who responded to a
challenge and rose to
greatness as a leader.
This book is invaluable
for any age! Leadership
by example. Pathway to
Success. I wish it was
available when I was a
student. Tim and Scott
nailed it! —
Richard Crain, President
of The Midwest Band and
Orchestra Clinic. $34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pathway to Success - Student Workbook GIA Publications
SKU: GI.G-10120W Habits for Creating a Culture of Excellence. Comp...(+)
SKU: GI.G-10120W
Habits for Creating a
Culture of
Excellence. Composed
by Scott Rush and Tim
Lautzenheiser. Habits.
Music Education. Book. 80
pages. GIA Publications
#10120W. Published by GIA
Publications
(GI.G-10120W). ISBN
9781622774395. Spec
ial student book pricing
in response to COVID-19:
$5.95 per student book.
NEW DISTANCE LEARNING
OPTION: For teachers
using Pathway to Success,
GIA Publications has
created a Google Form
that allows students to
electronically submit
their answers to all
questions in the Pathway
to Success Student
Workbook. To download
your own copy of the
Google Form, use the
following link:
https://docs.google.com/f
orms/d/1JaU8fAOfaIMz0jSdg
QPuuuJyDhIzn8T5U78QaxGRns
U/copy. In music programs
across the country,
student leadership is
often thought of in terms
of titles, authority
status, section leader
positions, and being in
charge of others—a
responsibility assumed by
only a select few. But
what if we reframed and
broadened the idea of
leadership to include all
students as leaders of
their own pathway in
life? Band director Scott
Rush and leadership
legend Tim Lautzenheiser
join forces to create
Pathway to Success, a
dynamic and engaging
resource that fosters the
leadership qualities of
every student, not just
the chosen few. This
workbook guides students
through ten sequential
levels as they journey up
the metaphorical mountain
of self-leadership. Along
the way, students will
encounter lessons,
activities, stories,
quotes, and questions
that address the key
qualities of any
effective leader:
communication, attitude,
honesty, trust,
integrity,
self-discipline,
emotional health, goal
setting, relationships,
cooperation, loyalty,
selflessness. Upon
reaching the summit,
students are challenged
to create a
moonshot—to set a
goal and achieve
something that has never
been done before! True
leadership begins with
self-reflection in each
and every student. All
students can benefit when
they see themselves as
their own best leaders,
and therein lies the
foundation of a culture
of excellence. Pathway to
Success is a
groundbreaking leadership
program designed to
inspire student growth
and enhance any band,
choir, or orchestra
program—and
beyond. To borrow a
phrase: All children have
talents, however, not all
children have opportunity
and encouragement.
Pathway to Success by Tim
Lautzenheiser and Scott
Rush describes in detail
the how and provides that
encouragement young
people need to overcome
any reservations and
reluctance they may have
to step forward and
become a leader! History
is full of examples of
shy and timid youngsters
who responded to a
challenge and rose to
greatness as a leader.
This book is invaluable
for any age! Leadership
by example. Pathway to
Success. I wish it was
available when I was a
student. Tim and Scott
nailed it! —
Richard Crain, President
of The Midwest Band and
Orchestra Clinic. $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Everything For The Church Soloist Piano seul [Partition] Hope Publishing Company
| | |
| A Child Will Lead the Way Chorale Unison Unison/2-parties, Piano [Octavo] Lorenz Publishing Company
(And We Say Thank You, God). By Lynn Shaw Bailey. For unison/2-part choir and pi...(+)
(And We Say Thank You,
God). By Lynn Shaw
Bailey. For unison/2-part
choir and piano (with
optional narrator, small
percussion). Sacred
Anthem, Advent, Christ
the King, Thanksgiving.
Octavo. Published by
Lorenz Publishing Company
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Fiddler's Fakebook
Violon [Fake Book] Oak Publications
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(7)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 300 Sacred Songs Piano, Voix et Guitare [Fake Book] - Facile Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Sacred. 182 pages.
9x12 inches. Published by
Creative Concepts
(3)$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Der beleidigte Papagei Piano seul [Partition + CD] Breitkopf & Härtel
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel
$28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Forty-eight (48) Organ Descants on Well-Known Hymn Tunes Orgue GIA Publications
| | |
| Without Form and Void Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230). ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English. When the
Texas Choral Consort
asked Welcher to write a
short prologue to Haydn's
The Creation, his first
reaction was that Haydn
already presents Chaos in
his introductory
movement. As he thought
about it, Welcher began
envisioning a truer void
to precede Haydn's
depiction of Chaos within
the scope of 18th-century
classical style - quoting
some of Haydn's themes
and showing human voices
and inhuman sounds in a
kind of pre-creation
melange of color, mood,
and atmosphere. Welcher
accepted this challenge
with the proviso that his
prologue would lead
directly into Haydn's
masterpiece without
stopping, and certainly
without applause in
between. Scored for mixed
chorus and Haydn's
instrumentation, Without
Form and Void is a
dramatically fresh yet
pragmatic enhancement to
deepen any performance of
Haydn's The Creation.
Orchestral score and
parts are available on
rental. When Brent
Baldwin asked me to
consider writing a short
prologue to THE CREATION,
my first response was
“Why?â€Â
THE CREATION already
contains a prologue;
it’s called
“Representation of
Chaosâ€, and
it’s
Haydn’s way of
showing the formless
universe. How could a
new piece do anything but
get in the way? But
the more I thought about
it, the more it made
sense. The Age of
Enlightenment’s
idea of
“Chaos†was
just extended
chromaticism, no more
than Bach used (in fact,
Bach went
further).Perhaps there
might be a way to use the
full resources of the
modern orchestra (or at
least, a Haydn-sized
orchestra) and the modern
chorus to really present
a cosmic soup of unborn
musical atoms, just
waiting for
Haydn’s sure touch
to animate them.Â
Perhaps it could even
quote some of
Haydn’s themes
before he knew them
himself, and also show
human voices and inhuman
sounds in a kind of
pre-creation mélange
of color, mood, and
atmosphere. So I
accepted the challenge,
with the proviso that my
new piece not be treated
as some kind of
“overtureâ€,
but would instead be
allowed to lead directly
into Haydn’s
masterpiece without
stopping, and certainly
without applause. I
crafted this five minute
piece to begin with a
kind of “music of
the spheresâ€
universe-hum, created by
tuned wine glasses and
violin harmonics. The
chorus enters very soon
after, with the opening
words of Genesis
whispered simultaneously
in as many languages as
can be found in a
chorus. The first two
minutes of my work are
all about unborn human
voices and unfocused
planetary sounds,
gradually becoming more
and more
“coherentâ€
until we finally hear
actual pitches, melodies,
and words. Three of
Haydn’s melodies
will be heard, to be
specific, but not in the
way he will present them
an hour from now.Â
It’s almost as if
we are listening inside
the womb of the universe,
looking for a faint
heartbeat of worlds,
animals, and people to
come. At the end of
the piece, the chorus
finally finds its voice
with a single word:
“God!â€,Â
and the orchestra finally
finds its own pulse as
well. The unstoppable
desire for birth must now
be answered, and it
is----by Haydn’s
marvelous oratorio. I
am not a religious man in
any traditional
sense. Neither was
Haydn, nor Mozart, nor
Beethoven. But all of
them, as well as I, share
in what is now called a
humanistic view of how
things came to be, how
life in its many forms
developed on this planet,
and how Man became the
recorder of history.Â
The gospel according to
John begins with a parody
of Genesis: “In
the beginning was the
Word, and the Word was
with God, and the Word
was God.â€Â  I
love that phrase, and
it’s in that
spirit that I offer my
humble
“opener†to
the finest work of one of
the greatest composers
Western music has ever
known. My piece is
not supposed to sound
like Haydn.Â
It’s supposed to
sound like a giant
palette, on which a
composer in 1798 might
find more outrageous
colors than his era would
permit…but which, I
hope, he would have been
delighted to hear. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lord, Lead Us On Chorale SATB SATB, Clavier [Octavo] Hope Publishing Company
By Joseph M. Martin. For SATB choir and keyboard. The Joseph M. Martin Choral Se...(+)
By Joseph M. Martin. For
SATB choir and keyboard.
The Joseph M. Martin
Choral Series. WORLD
COMMUNION SUNDAY,
Hymntune, General
Worship, Unity, Sacred.
Octavo. 12 pages.
Published by Hope
Publishing Company
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Coffeehouse Companion Instruments en Do [Fake Book] Hal Leonard
(The Best Blend of Contemporary & Classic Songs). Composed by Various. F...(+)
(The Best Blend of
Contemporary &
Classic Songs).
Composed by Various. For
C
Instruments. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Coffeehouse Companion Instruments en Do Hal Leonard
(The Best Blend of Contemporary and Classic Songs 9x12 Edition). Composed by Var...(+)
(The Best Blend of
Contemporary and Classic
Songs 9x12 Edition).
Composed by Various. For
C Instruments. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Pop Book - Volume 1 Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. By Various. Fake Book. Pop. Softcover. 456 pages. Published by Hal...(+)
Bb Edition. By Various.
Fake
Book. Pop. Softcover. 456
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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