Performance/Accompaniment CD

SKU: HP.C6326C

Composed by Larry Shackley. Piano Accompaniment. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6326C. Published by Hope Publishing Company (HP.C6326C).

UPC: 763628963262.

Origi nal music This Christmas title is well-known for its use in J.S. Bach's Christmas Oratorio. Hymn writer Fred Pratt Green has added two contemporary stanzas which brings the meaning into our lives today with words such as, Come, dearest child, into our hearts, and leave your crib behind you! Let this be where the new life starts for all who seek and find you. The new, original music soars in melodic grandeur. Useful for Christmas and the season of Epiphany - calling to break forth, O heavenly light!.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcover. 512 pages. Published by Hal Leonard

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 520 pages. Published by Hal Leonard

(21st Century Musical Theatre - Men's Edition). Composed by Various. For Vocal. Vocal Collection. Softcover. 392 pages. Published by Hal Leonard

Soloists, Choir, Ballet, Orchestra (4Sg-S-solo,Sg-A-solo,2Sg -B-solo,MixedCh-SATB,Tz-B al,Orch)

SKU: BA.BA05810-01

Opéra-ballet in three acts. Composed by Christoph Willibald Von Gluck. Edited by Daniela Philippi. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Samtliche Werke IV/9. Paris 1775. Complete edition, Score. Baerenreiter Verlag #BA05810_01. Published by Baerenreiter Verlag (BA.BA05810-01).

ISBN 9790006495511. 33 x 26 cm inches. Text Language: French. Preface: Philippi, Daniela. Text: Favart, Charles Simon.

For his ParisCythere assiegee, Gluck drew on his eponymous opera comique from 1759, transforming it into an opera-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version.

This edition ofCythere assiegeecontains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts.

The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Various. Fake Book (Includes melody line and chords). Size 9x12 inches. 208 pages. Published by Hal Leonard.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.

By John Loesberg (Editor). Irish, Ballad, Folk, Celtic. Melody line, lyrics, and chords. 100 pages. Published by Ossian Publications.

Softcover. By Jim Bob Tinsley. Reference. Softcover with CD. 242 pages. Published by Centerstream Publications.

Word Book. Composed by Anne Conlon and Peter Rose. Libretto, Vocal, Repertoire. African Jigsaw. Softcover Book. Josef Weinberger #M570053971. Published by Josef Weinberger (HU.M570053971). 0.4 x 0.4 x 0.4 inches. African Jigsaw looks at the problem of urbanisation, its effects on traditional tribal African life and the casualties left in its wake. Africa's shanty towns are home to the victims of 'progress'. Many have abandoned their tribal traditions as the land has failed to support them and their families. They are drawn by the material attraction of the cities and arrive with great hopes of work and prosperity. But many are disappointed and can only eke out a humiliating existence in the shanty towns. For the sad fathers and mothers they leave behind on the land, there is a growing realisation that the old way of life is slowly dying out. African Jigsaw concerns a problem facing all developing countries and does not pretend the solution is a simple one. But seeing the pieces of the jigsaw may help young and old alike to come to an understanding of the situation and, perhaps, to draw their own conclusions on its rights and wrongs.

Essential Songs - The 1950s. (E-Z Play Today Volume 51). By Various. E-Z Play Today. 264 pages. Published by Hal Leonard