SATB Choir SKU: HL.14020069 Composed by Claudio Monteverdi. Music Sales A...(+)
SATB Choir
SKU:
HL.14020069
Composed
by Claudio Monteverdi.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. Chester Music
#CH09717. Published by
Chester Music
(HL.14020069).
L'Or
feo is an opera
from 1607, based around
the legend of Orpheus and
Eurydice. It is often
cited as the earliest
opera still regularly
performed today. The
libretto was written by
the Italian lawyer
anddiplomat
Alessandro
Striggio
(1573-1630), for a
carnival in Mantua. The
music was composed by the
Italian priest
Claudio
Monteverdi
(1567-1643), arguably the
greatest composer of the
Renaissance era, who is
bestknown for his
madrigals as well as his
sacred works such as the
Vespers.
T
he Choruses From
L'Orfeo have
been edited by the
Italian composer,
musicologist and editor
Gian Francesco
Malipiero(1882-1973)
.
Piano SKU: LH.LMP-P0303 Composed by Jeff Smallman. Piano Score. Composed ...(+)
Piano
SKU:
LH.LMP-P0303
Composed
by Jeff Smallman. Piano
Score. Composed 2003. 12
pages. Duration 6:10.
Lighthouse Music
Publications #LMP P0303.
Published by Lighthouse
Music Publications
(LH.LMP-P0303).
8.5 x
11 inches.
Written
in strict Classical
style, this work for solo
piano is an excellent
example of sonata-allegro
form. Allegro Classico is
a suitable piece for the
medium to advanced
performer.
Composed by Sean
O'Loughlin. First-Plus
String Orchestra (FAS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FAS111F.
Published by Carl Fischer
Music (CF.FAS111F).
ISBN 9781491151792.
UPC: 680160909292. 9 x 12
inches. Key: D
minor.
Incursion?is
a collaboration between
composer Sean O'Loughlin
and the students of the
Westport, Connecticut
Public Schools. Inspired
by the students' desire
for a dark and scary
sounding piece,
O'Loughlin created
aggressive rhythmic
figures that set the tone
of the piece with a dark
and foreboding melody in
the lower strings.? The
piece develops through
various contrasting
sections and and use of
col legno, which students
will enjoy playing.
Incursion was commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 6th
Grade Orchestra, Anthony
Granata, director. It is
a piece influenced by
many ideas from the
students, including a
desire for a dark- and
scary-sounding piece. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The piece begins
with an aggressive
rhythmic idea that sets
the tone for the
composition. The lower
strings enter with a
foreboding and dark
melody that carries on
this feeling. The upper
strings then split into
counterpoint with the
lower strings at m. 17.
The counterpoint splits
into three parts at m.
25, which culminates in a
return to the opening
rhythmic figure at m. 33.
A
contrasting slow section
features some lush and
haunting passages.
Measure 54 brings the
opening rhythmic figure
back again, but this time
includes an optional col
legno technique. A
recapitulation of the
counterpoint and
subsequent development
follows. Measure 83
brings back the opening
rhythmic idea one more
time to conclude with a
rousing
finish.
.
Incursion was commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 6th
Grade Orchestra, Anthony
Granata, director. It is
a piece influenced by
many ideas from the
students, including a
desire for a dark- and
scary-sounding piece. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The piece begins
with an aggressive
rhythmic idea that sets
the tone for the
composition. The lower
strings enter with a
foreboding and dark
melody that carries on
this feeling. The upper
strings then split into
counterpoint with the
lower strings at m. 17.
The counterpoint splits
into three parts at m.
25, which culminates in a
return to the opening
rhythmic figure at m. 33.
A
contrasting slow section
features some lush and
haunting passages.
Measure 54 brings the
opening rhythmic figure
back again, but this time
includes an optional col
legno technique. A
recapitulation of the
counterpoint and
subsequent development
follows. Measure 83
brings back the opening
rhythmic idea one more
time to conclude with a
rousing
finish.
. In
cursion was commissioned
by the Westport,
Connecticut Public
Schools for the Bedford
Middle School 6th Grade
Orchestra, Anthony
Granata, director. It is
a piece influenced by
many ideas from the
students, including a
desire for a dark- and
scary-sounding piece. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The piece
begins with an aggressive
rhythmic idea that sets
the tone for the
composition. The lower
strings enter with a
foreboding and dark
melody that carries on
this feeling. The upper
strings then split into
counterpoint with the
lower strings at m. 17.
The counterpoint splits
into three parts at m.
25, which culminates in a
return to the opening
rhythmic figure at m. 33.
A contrasting slow
section features some
lush and haunting
passages. Measure 54
brings the opening
rhythmic figure back
again, but this time
includes an optional col
legno technique. A
recapitulation of the
counterpoint and
subsequent development
follows. Measure 83
brings back the opening
rhythmic idea one more
time to conclude with a
rousing finish.
Composed by Sean
O'Loughlin. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
8+5+2+5+8+5+2+12 pages.
Duration 2 minutes, 8
seconds. Carl Fischer
Music #FAS111. Published
by Carl Fischer Music
(CF.FAS111).
ISBN
9781491151426. UPC:
680160908929. 9 x 12
inches.
Incursion?i
s a collaboration between
composer Sean O'Loughlin
and the students of the
Westport, Connecticut
Public Schools. Inspired
by the students' desire
for a dark and scary
sounding piece,
O'Loughlin created
aggressive rhythmic
figures that set the tone
of the piece with a dark
and foreboding melody in
the lower strings.? The
piece develops through
various contrasting
sections and and use of
col legno, which students
will enjoy playing.
Incursion was commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 6th
Grade Orchestra, Anthony
Granata, director. It is
a piece influenced by
many ideas from the
students, including a
desire for a dark- and
scary-sounding piece. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The piece begins
with an aggressive
rhythmic idea that sets
the tone for the
composition. The lower
strings enter with a
foreboding and dark
melody that carries on
this feeling. The upper
strings then split into
counterpoint with the
lower strings at m. 17.
The counterpoint splits
into three parts at m.
25, which culminates in a
return to the opening
rhythmic figure at m. 33.
A
contrasting slow section
features some lush and
haunting passages.
Measure 54 brings the
opening rhythmic figure
back again, but this time
includes an optional col
legno technique. A
recapitulation of the
counterpoint and
subsequent development
follows. Measure 83
brings back the opening
rhythmic idea one more
time to conclude with a
rousing
finish.
.
Incursion was commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 6th
Grade Orchestra, Anthony
Granata, director. It is
a piece influenced by
many ideas from the
students, including a
desire for a dark- and
scary-sounding piece. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The piece begins
with an aggressive
rhythmic idea that sets
the tone for the
composition. The lower
strings enter with a
foreboding and dark
melody that carries on
this feeling. The upper
strings then split into
counterpoint with the
lower strings at m. 17.
The counterpoint splits
into three parts at m.
25, which culminates in a
return to the opening
rhythmic figure at m. 33.
A
contrasting slow section
features some lush and
haunting passages.
Measure 54 brings the
opening rhythmic figure
back again, but this time
includes an optional col
legno technique. A
recapitulation of the
counterpoint and
subsequent development
follows. Measure 83
brings back the opening
rhythmic idea one more
time to conclude with a
rousing
finish.
. In
cursion was commissioned
by the Westport,
Connecticut Public
Schools for the Bedford
Middle School 6th Grade
Orchestra, Anthony
Granata, director. It is
a piece influenced by
many ideas from the
students, including a
desire for a dark- and
scary-sounding piece. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The piece
begins with an aggressive
rhythmic idea that sets
the tone for the
composition. The lower
strings enter with a
foreboding and dark
melody that carries on
this feeling. The upper
strings then split into
counterpoint with the
lower strings at m. 17.
The counterpoint splits
into three parts at m.
25, which culminates in a
return to the opening
rhythmic figure at m. 33.
A contrasting slow
section features some
lush and haunting
passages. Measure 54
brings the opening
rhythmic figure back
again, but this time
includes an optional col
legno technique. A
recapitulation of the
counterpoint and
subsequent development
follows. Measure 83
brings back the opening
rhythmic idea one more
time to conclude with a
rousing finish.
Chamber Music Two Flutes, Piano SKU: CF.W2651 For 2 Flutes and Piano (...(+)
Chamber Music Two Flutes,
Piano
SKU:
CF.W2651
For 2
Flutes and Piano (Version
4). Composed by
Ransom Wilson Martin
Bresnick. Sws 48 to cover
- SWS inserts. Set of
Score and Parts. With
Standard notation.
Composed 2009. 48+16+12
pages. Carl Fischer Music
#W2651. Published by Carl
Fischer Music (CF.W2651).
ISBN 9780825885273.
UPC: 798408085278. 9 x 12
inches.
Written for
master flutist Robert
Dick, Pan Penseroso
includes a number of
procedures explored in
his pioneering book The
Other Flute: A
Performance Manual of
Contemporary Techniques.
Originally written for
one flute, Bresnick
created a two-flute
version in order to make
the piece accessible to a
greater variety of
players. This work is
presented in three
movements, each of which
takes their titles from
John Milton's poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poets earlier L'Allegro
(The Cheerful Man).
Orchestra version
available on rental.
Duration: 24'. Pan
Penseroso (2009) is a
concerto for flute or two
flutes and orchestra or
piano inthree
movements:1. The Noise of
Folly2. Prophetic
Strain3. More is Meant
(Than Meets the Ear)Pan
Penseroso and the titles
of its three movements
are taken from John
Milton’s great
poemIl Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet’searlier
L’Allegro (the
Cheerful Man). In my
concerto the flutist Pan,
like the mature
Milton,casts a reflective
musical eye on the world,
renouncing all
“vain deluding
joyes,†so as
tobetter hear the
“Sweet Bird that
shunn’st the noise
of
folly…â€Writte
n for the master flutist
Robert Dick, Pan
Penseroso includes a
number of
proceduresexplored
in.
Composed by Charles Brown and Gene Redd. Arranged by Jay Althouse. Performance...(+)
Composed by Charles Brown
and
Gene Redd. Arranged by
Jay
Althouse. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Classic Pop;
Secular. Choral Octavo.
12
pages. Alfred Music #00-
47568. Published by
Alfred
Music
Composed by Charles Brown and Gene Redd. Arranged by Jay Althouse. Performance...(+)
Composed by Charles Brown
and
Gene Redd. Arranged by
Jay
Althouse. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Classic Pop;
Secular. Choral Octavo.
12
pages. Alfred Music #00-
47569. Published by
Alfred
Music
Violoncelle, Piano [Partition + CD] - Intermédiaire Dowani
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Ce...(+)
By G. Goltermann
(1824-1898). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Konstantin
Krimets - Conductor;
Russian Philharmonic
Orchestra - Orchestra
accompaniment; Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International.
By A. Vivaldi (1678-1741). For Cello. DOWANI Urtext 3 Tempi Play Along - Cello...(+)
By A. Vivaldi
(1678-1741). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International. .
Chamber Music, Quartet
Clarinet Quartet (2 Bb
clarinets 1 f basset horn
1 bass clarinet down to
Eb - Additional parts : 1
Eb alto clarinet cue f
basset horn 1 Bb clarinet
cue f basset horn) -
Grade 4
SKU:
FL.FX072501
Composed
by Gioachino Rossini.
Arranged by Laetitia
Bouvet. Arrangement.
Classical. Score and Set
of Parts. FLEX Editions
#FX072501. Published by
FLEX Editions
(FL.FX072501).
The famous
Allegro Vivace of William
Tell Overture arranged by
Laetitia Bouvet, clarinet
teacher and specialist of
chamber music. Thanks to
the additional parts
provided, this piece can
be played with 3 Bb
Clarinets and a Bass
Clarinet. ;
Instruments:Clarinet
Quartet: 2 Bb Clarinets 1
F Basset Horn 1 Bass
Clarinet down to
Eb Additional Parts :
1 Eb Alto Clarinet cue F
Basset Horn 1 Bb Clarinet
cue F Basset Horn;
Difficuly Level: Grade
4.
Song of Hope Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1115227-140. Published by
De Haske Publications
(BT.DHP-1115227-140).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor at Fukushima only
increased the misery: a
black day in the
country’s
history…One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments. It
will take a long time
before the damage
suffered is
repaired—and it
will take great effort to
overcome thepsychological
effects, too. Focusing on
the latter, Yutada
Nishida (director of The
Bandwagon radio program)
asked a few composers for
a simple work that could
be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of Hope.
This piece immediately
struck a chord with
musicians and audience
alike: it begins bleakly
in the low register and
evolves to a more open,
optimistic close. There
really is hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet de
kernreactor van Fukushima
maakten de ellende nog
groter: een zwarte pagina
in het bestaan van het
land ... Dat in
dergelijke dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haast onvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaal weer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Als bij toeval
kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan ook ten
doop gehouden en het
werkje sloeg meteen aan
bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van der
Roost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Il 2011 è
stato un anno tragico per
il Giappone; al
devastante terremoto e al
non meno catastrofico
tsunami dell’11
marzo, sono seguiti i
gravi problemi al
reattore nucleare di
Fukushima. Il settore
della cultura in
generale, e quello della
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope è un brano
che ha profondamente
commosso esecutori e
pubblico.Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro più sereno.
Clarinet - intermediate SKU: HL.44002510 Clarinet. Arranged by Rob...(+)
Clarinet - intermediate
SKU: HL.44002510
Clarinet. Arranged
by Robert van Beringen.
De Haske Play-Along Book.
Play Along. Softcover
with CD. Composed 2004.
56 pages. De Haske
Publications #1043554.
Published by De Haske
Publications
(HL.44002510).
ISBN
9789043119627. UPC:
073999484908.
9.0x12.0x0.138 inches.
International (more than
one language).
For
this publication, Robert
van Beringen has selected
twelve elegant and
expressive pieces from
the Baroque period and
arranged them
appropriately for a
variety of instruments.
The pieces are
demonstrated on the
accompanying CD which
also includes
accompaniment-only tracks
for each piece. Includes
works by Telemann,
Purcell, Handel, Bach,
Hasse, Rameau, Tartini,
and Lully.
SKU: M7.DOHR-8460377 Friese, Hofmeister, C. F. Peters, Siegel. Com...(+)
SKU:
M7.DOHR-8460377
Friese, Hofmeister, C.
F. Peters, Siegel.
Composed by Clara
Wieck-Schumann and Robert
Schumann. Edited by
Irmgard
Knechtges-Obrecht. This
edition: Full-cloth
binding. Book. 442 pages.
MDS (Music Distribution
Services) #DOHR 8460377.
Published by MDS (Music
Distribution Services)
(M7.DOHR-8460377).
Choir; Orchestra; Early Music SKU: UT.NAP-13 Composed by Johann Adolf Has...(+)
Choir; Orchestra; Early
Music
SKU:
UT.NAP-13
Composed by
Johann Adolf Hasse.
Edited by Gaetano
Pitarresi. Paperback
(Soft Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Score. Ut Orpheus #NAP
13. Published by Ut
Orpheus (UT.NAP-13).
Large orchestra SKU: HL.49006206 Concerto suite from the Opera Elisabe...(+)
Large orchestra
SKU:
HL.49006206
Concerto suite from
the Opera Elisabeth
Tudor. Composed by
Wolfgang Fortner. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1971. 88 pages.
Duration 18'. Schott
Music #ED 6346. Published
by Schott Music
(HL.49006206).
ISBN
9790001067478.
9.0x12.0x0.305
inches.
2 (beide
auch Picc.) * Altfl.
(auch Picc.) * 2 * Engl.
Hr. * Es-Klar. * 2 *
Bassklar. * Altsax. * 2 *
Kfg. - 0 * 3 * Basstrp. *
3 * 1 - P. S. (Trgl. *
Gong * 3 Beck. * Tamt. *
Ruhrtr. * kl. Tr. * gr.
Tr. * Clav. * Woodbl. *
Xyl. * Vibr. * Marimba)
(4 Spieler) - Hfe. * Cel.
* elektr. Org. - Str.
Accordion (AKK) SKU: HL.49040932 Composed by Goetz. Edited by Adolf Goetz...(+)
Accordion (AKK)
SKU:
HL.49040932
Composed
by Goetz. Edited by Adolf
Goetz. This edition:
Saddle stitching. Sheet
music. Edition Schott. 72
pages. Schott Music #MH
999022. Published by
Schott Music
(HL.49040932).
ISBN
9783920468228.
8.25x11.75x0.212
inches.
Bereits
seit 1857 produziert
HOHNER Musikinstrumente
wie Mundharmonikas,
Akkordeons, Blockfloten,
Melodicas, Gitarren und
Ukulelen auf hochstem
Niveau. Was in kleinen
Werkstatten begann,
entwickelte sich im Lauf
der Jahrzehnte zu einer
festen Grosse der
globalen Musikkultur.
Legendare Instrumente und
Kooperationen mit
Weltstars setzten
unvergessliche
Meilensteine in der Welt
der Musik.
Forever Abba Gold [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
4-Part Flexible Ensemble and Percussion - intermediate SKU: BT.DHP-0970815-07...(+)
4-Part Flexible Ensemble
and Percussion -
intermediate
SKU:
BT.DHP-0970815-070
Dancing Queen •
Money, Money, Money
• Fernando •
The Winner Takes It
All. Arranged by
Andre Waignein. Music
Box. Pop & Rock. Set
(Score & Parts). Composed
1997. 104 pages. De Haske
Publications #DHP
0970815-070. Published by
De Haske Publications
(BT.DHP-0970815-070).
ISBN
9789043132572.
Arra
ngements of Abba hits for
flexible woodwind/brass
ensemble with optional
percussion. 1 Picc Fl
Ob Bb/Eb Clar S Sax Tpt
Part 2 Cor Ang Bb
Clar Eb Sax A Sax Tpt Hn
Part 3 Eb Clar T Sax
Hn Trom Euph Part 4
Bass Clar Bari Sax Bsn
Trom Euph Tuba Opt.
Drum Perc Mallets Timp
Een verzameling
van Abba-hits voor
variabel blazerskwintet
(slagwerk ad libitum).
Inhoud: Dancing Queen
• Money, Money,
Money • Fernando
• The Winner Takes
It All 1 Picc Fl
Ob Bb/Eb Clar S Sax Tpt
Part 2 Cor Ang Bb
Clar Eb Sax A Sax Tpt Hn
Part 3 Eb Clar T Sax
Hn Trom Euph Part 4
Bass Clar Bari Sax Bsn
Trom Euph Tuba Opt.
Drum Perc Mallets Timp
Eine Sammlung von
Abba-Hits für
variables
Bläserquartett mit
optionaler
Schlagzeugstimme. Part
1 Picc Fl Ob Kl B/Es
S-Sax Trp Part 2 Cor
Ang Kl B A-Kl A-Sax Trp
Hn Part 3 A-Kl T-Sax
Hn Pos Euph Part 4
B-Kl B-Sax Fg Pos Euph
Tuba Opt. Drum Perc
Mallets Timp
Part 1
Picc Fl Ob Kl B/Es S-Sax
Trp Part 2 Cor Ang Kl
B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax
Hrn Pos Euph Part 4
B-Kl B-Sax Fg Pos Euph
Tuba Opt. Drum Perc
Mallets Timp
Quattro tra i
più grandi successi
del leggendario gruppo
pop. Part 1 Picc Fl Ob
Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B
Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax
Hrn Pos Euph Part 4
B-Kl B-Sax Fg Pos Euph
Tuba Opt. Drum Perc
Mallets Timp.
Celebration Series. Composed by The Royal Conservatory. This edition: 2015 editi...(+)
Celebration Series.
Composed by The Royal
Conservatory. This
edition: 2015 edition.
Celebration Series. Book.
20 pages. The Frederick
Harris Music Company
#C5S04. Published by The
Frederick Harris Music
Company
Chamber Music Bass Flute, Piano SKU: PR.114423830 Composed by Gary Schock...(+)
Chamber Music Bass Flute,
Piano
SKU:
PR.114423830
Composed
by Gary Schocker. Set of
Score and Parts. 16+8
pages. Duration 12
minutes. Theodore Presser
Company #114-42383.
Published by Theodore
Presser Company
(PR.114423830).
ISBN
9781491136270. UPC:
680160688753.
Schoc
ker has added a major
work to the bass flute
repertory: an 11-minute
piece in three movements
encompassing
neoclassical, jazz, and
Latin dance styles. The
wide range of moods
offers opportunities to
display great versatility
on an instrument often
relegated to the back of
the flute choir.
HOW’S THE WEATHER?
promises to be an
audience favorite.
SKU: GI.G-6531 Key Components of Every Successful Music Program. C...(+)
SKU: GI.G-6531
Key Components of
Every Successful Music
Program. Composed by
Tim Lautzenheiser.
Leadership. Music
Education. Book. 138
pages. GIA Publications
#6531. Published by GIA
Publications (GI.G-6531).
ISBN 9781579994778.
English.
“On
extremely rare occasions,
we may be privileged to
encounter a unique and
special individual who
can dramatically change
our perceptions, a person
who will elevate thinking
to new levels, rekindle
fires long forgotten, and
cause us to see the world
as it should be. In this
lifetime, for millions of
students, teachers, and
lovers of music, that
person is Tim
Lautzenheiser.â€
—Paula Crider, in
the Foreword The role of
the music teacher
doesn’t stop when
the last note of each
rehearsal fades away.
There are so many
“off-the-podiumâ
responsibilities,
just deciding where to
begin can be a daunting
task! Tim Lautzenheiser,
one of the most
sought-after speakers on
education and leadership
in the United States,
comes to the rescue yet
again. He covers music
advocacy, student
leadership, and teacher
responsibilities with
insight,
detail—and his
trademark sense of humor!
The chapters in Music
Advocacy and Student
Leadership represent some
of the best of his
published writings and
lectures. You
won’t want to miss
the wealth of information
gathered from more than a
decade of experience by
one of the foremost
experts in the field.
This is a book
you’ll want to
turn to again and again
for inspiration and
advice. Keep it within
arm’s reach!
Orchestra (Score) SKU: HL.132289 Chopin National Edition Vol. XVe....(+)
Orchestra (Score)
SKU:
HL.132289
Chopin
National Edition Vol.
XVe. Composed by
Frederic Chopin. Edited
by Jan Ekier. PWM.
Classical. Book
[Softcover]. Polskie
Wydawnictwo Muzyczne
#51600012. Published by
Polskie Wydawnictwo
Muzyczne (HL.132289).
ISBN 9788392036524.
UPC: 884088971236.
9.25x12.0x0.277
inches.
The
historical version of the
score is what Chopin
agreed to have published,
for various reasons, but
it is contaminated by
involvement of foreign
editorial input. The
performance full score
00132241 or its 2 piano
reduction 00132132242 are
practical editions that
are considered more
authoritative for
performance. The National
Edition of the Works of
Fryderyk Chopin Published
by PWM Exclusively
Distributed by Hal
Leonard Corporation
Co-Editors Jan Ekier and
Pawel Kaminski The
objective of the National
Edition is to present
Chopin's complete output
in its authentic form,
based on the entire body
of available sources.
Sources were analyzed
with up-to-date
scientific and
musicological
methodology. The National
Edition was based on
sources originated from
the composer, mainly
autographs, copies of
autographs and first
editions with the
composer's corrections,
and pupils' copies with
Chopin's annotations. In
cases when original
sources were lacking, the
closest possible
materials were used.
Collecting the source
materials was a laborious
task which took years of
effort. The
characteristics of
sources, the links and
discrepancies between
them as well as the
reasons for particular
editorial decisions are
discussed in the Source
Commentary in each
volume. The Performance
Commentary appended to
each volume includes: the
realization of ornaments,
comments on pedal
markings (the original
markings sometimes are
inadequate, due to the
difference in sound
between pianos used in
Chopin`s times and modern
pianos), suggestions as
to the harmonic legato (a
performance technique
often used by Chopin and
now forgotten). About the
National Edition Full
Introduction to the
Polish National Edition
of the Works of Fryderyk
Chopin.
String Quartet SKU: HL.14031801 Composed by Sir Arthur Drummond Bliss. Mu...(+)
String Quartet
SKU:
HL.14031801
Composed
by Sir Arthur Drummond
Bliss. Music Sales
America. Classical.
Score. 56 pages. Music
Sales #NOV120144.
Published by Music Sales
(HL.14031801).
7.0x10.0x0.28
inches.
Sir
Arthur Bliss
(1891-1975) was a British
composer and conductor.
He studied under Wood and
Stanford at Cambridge and
the Royal College of
Music, where he met and
drew inspiration from
Vaughan Williams, Holst,
Howells, and Goossens. He
was appointed Master of
the Queen's Music in 1953
and wrote music for many
state occasions,
including the Coronation
and the Funeral of
Winston Churchill.
The String
Quartet No.1 in Bb
Major was first
published in 1941. It was
actually the third String
Quartet Bliss
composed, but the first
two were early works
which he withdrew or
lost. It was written in
America in 1940 and first
performed inBerkeley,
California; it became the
last work he wrote before
he returned to Britain to
help the war effort.