Traditional American Fiddle Tunes. By Steve Kaufman. For Mandolin. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book/CD Set. Size 8.5x11. 76 pages. Published by Mel Bay Publications, Inc.

Accordion (keyboard) - Intermediate

SKU: MB.97210

Composed by David DiGiuseppe. Style, Squareback saddle stitch, Tunebooks, Piano Accordion, Celtic / Irish, Folk, European, World. Acoustic Music. Book. 112 pages. Mel Bay Publications, Inc #97210. Published by Mel Bay Publications, Inc (MB.97210).

ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.

An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.

compiled by Neil Griffin. For Banjo (5-String). solos. Complete. Bluegrass. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 184 pages. Published by Mel Bay Publications, Inc.

By Lois Fyfe. (2 part). H.T. Fitzsimons Co. Sacred. Size 6.8x10 inches. 45 pages. Published by Fred Bock Music Company.

Woodwinds (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.OB-5528-30

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Folder. Orchester-Bibliothek (Orchestral Library). The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn. Overture; Romantic. Set of parts. 168 pages. Duration 16'. Breitkopf and Haertel #OB 5528-30. Published by Breitkopf and Haertel (BR.OB-5528-30).

ISBN 9790004341100. 10 x 12.5 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

SKU: HL.49016266

Fakten und Know-how. Composed by Daryl Runswick. This edition: Paperback/Soft Cover. Book. Schott Pro Line. Das unentbehrliche Handbuch uber zeitgemasses Arrangieren fur die Praxis. Classical. 268 pages. Schott Music #SPL 1012. Published by Schott Music (HL.49016266).

ISBN 9783795751043. German.

Grundlich, aber ohne Ballast, leicht zuganglich und unterhaltsam geschrieben, informiert dieses Buch uber alles, was der Profi und der interessierte Amateur zu diesem Thema wissen sollte - vom richtig aufgebauten Lead Sheet bis zum kompletten Arrangement.Der praxisgerechte Aufbau des Buches mit Stichwort-Querverweisen fuhrt schnell und auf direktem Weg zur gesuchten Information. Probleme und Fallstricke, die beim Arrangieren auftreten konnen, werden aufgezeigt - von Keyboards, Drums und Bass bis hin zu Brass (Blechblaser), Strings (Streicher), Woodwinds (Holzblaser), Perkussion, Gitarre und 'a cappella'-Gesang.Ein Anhang mit vielen hilfreichen, zeitsparenden Abkurzungen beim Arrangieren, eine leicht verstandliche Erklarung der Akkordsymbole und ein ausfuhrliches Glossar runden dieses fur jeden interessierten Musiker unentbehrliche Nachschlagewerk ab.Daryl Runswick ist einer der herausragendsten britischen Arrangeure in allen Bereichen der Musik, von Rock bis Klassik. Als brillanter Musiker hat er unter anderem fur Frank Sinatra Bassgitarre gespielt, Piano fur Cleo Laine, Kontrabass fur die London Sinfonietta, und bei Electric Phoenix hat er als Sanger mitgewirkt. Daruber hinaus hat er fur zahllose Profi- und Amateurbands Musik komponiert und arrangiert.

Piano Accompaniment; Violin

SKU: HL.14041762

Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762).

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.

Voice & Piano

SKU: ST.LS18

Edited by David Greer. Vocal music. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS18. Published by Stainer & Bell Ltd. (ST.LS18).

ISBN 9790220215193.

CONT ENTS

ANONYMOUS
As at noon Dulcina rested (E - G)
Go now, my soul, to thy desired rest (C - D)
How now, shepherd, what means that? (E - E)
If I freely may discover (C - C)
If I seek t'enjoy the fruits (D - D)
I prithee leave, love me no more (G - A)
Music, thou soul of heav'n (D - D)
Shall I weep, or shall I sing? (D - D)
Sweet Muses, nurses of delights (C - C)
Sweet, stay awhile! (F sharp - G)

WOODSON, Leonard
Marigold of golden hue (G - G).

Piano (Piano Solo)

SKU: HL.354338

For Solo Piano. Composed by Richard Wilson. Peermusic Classical. Classical. Softcover. Duration 600 seconds. Peermusic Classical #70303-501. Published by Peermusic Classical (HL.354338).

ISBN 9781705107669. UPC: 840126936964. 9.0x12.0x0.109 inches.

Richard Wilson was born in Cleveland on May 15, 1941. He studied piano with Roslyn Pettibone, Egbert Fischer, and Leonard Shure, andcello with Robert Ripley and Ernst Silberstein. After beginning composition studies with Roslyn Pettibone and Howard Whittaker, he went on in 1959 to Harvard, studying with Randall Thompson, G.W. Woodworth, and principally with Robert Moevs, and graduating in 1963 magna cum laude. Awarded the Frank Huntington Beebe Award for study abroad, he continued studying piano with Friedrich Wührer in Munich, and composition, again with Moevs, in Rome, where he also gave piano recitals. Wilson joined the faculty of Vassar College in 1966. He was appointed to the Mary Conover Mellon Professorship of Music there in 1988, and he has served three times as chairman of the Department of Music. Wilson has been commissioned by the San Francisco Symphony, the American Symphony, the New Juilliard Ensemble, the Koussevitzky Foundation, the Fromm Foundation, Chamber Music America, the Chicago Chamber Musicians, the Walter W. Naumburg Foundation, and the Library of Congress. His works have been heard in such American musical centers as New York, Philadelphia, Washington, Boston, Cleveland, and Los Angeles and at the Aspen Music Festival, but also in London, Berlin, Frankfurt, Zurich, Milan, Amsterdam, Graz, Leningrad, Stockholm, Tokyo, Bogota, and a number of Australian cities. The recipient in 1992 of a Guggenheim Fellowship, he was awarded the Elise L. Stoeger Prize of the Chamber Music Society of Lincoln Center in 1994, the Academy Award from the American Academy of Arts and Letters in 2004, and has served as composer in residence with the American Symphony Orchestra since 1992. Wilson has been praised by 21st Century Music as a “splendidly talented and highly accomplished composer whose music rewards seeking out” and by the New York Sun as “possessed of a hard-won idiom that has grown and developed over the years into a probing blend of wit, classic form, modern harmony, and impressionistic color.” Writing in the New Yorker, Andrew Porter called his String Quartet No. 3 a “richly wrought and unusual composition,” while the New York Times called it “a work of substance and expressivity ... [that] merits a place in the active repertory.”.

By Stanley Leonard. Percussion Ensemble. For Percussion Ensemble (Percussion 1 (Large Tam Tam), Percussion 2 (Low Suspended Cymbal, Bull Roarer), Percussion 3 (Tam-Tam), Percussion 4 (Hi and Medium Suspended Cymbals), Percussion 5 (Chinese Cymbal, Large Rain Stick, Large Woodblock), Percussion 6 (Four Temple Blocks, One). Percussion Music. Medium difficult. Score and parts. Duration 5:30. Published by C. Alan Publications

By Virgil Thomson. (Piano). Boosey and Hawkes Piano. 44 pages. Published by Boosey & Hawkes.

By Ernest S. Williams. Arranged by Mark Fonder. For concert band. Grade 5. Score and parts. Duration 2 minutes, 22 seconds. Published by TRN Music Publisher

Concert Band (Score and Parts) - Grade 5

SKU: HL.44012758

Composed by Philip Sparke. Anglo Music Concert Band. Folk, Japanese. Softcover. Composed 2015. De Haske Publications #AMP443010. Published by De Haske Publications (HL.44012758).

UPC: 888680652913. 10.5x14 inches. English-German-French-Dut ch.

To hear a recording of this piece, please visit the Hal Leonard MGB Concert Band page at https://www.youtube.com/c hannel/UCeHzOLTDBDG2pZX6f YtaxSw

Based on the traditional Japanese tune â??Suiryo-Bushi,â? Reflections on an Old Japanese Folk Song opens with two contrasting statements of the melody - first sparsely presented by the woodwinds and then in a harmonized version played by the full band. This is followed by a lively section based on pentatonic melodies that characterize the folk tune. The following slower variation first centers around a plaintive English horn melody made up of sections of the original tune, and later presents the opening phrases of â??Suiryo-Bushiâ? against an intensely florid accompaniment. The final section is in the form of a scherzo that eventually forms the accompaniment to a final presentation of the folk tune. Duration: 8:30.

Grade 3

SKU: CL.012-3696-01

Composed by Shaffer. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR357). Extra full score. Composed 2008. Duration 5 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-3696-01. Published by Opus III Wind Orchestra Publications (CL.012-3696-01).

Soaring is a mode of flight in which height is gained slowly by using air that is moving upwards. Written for music educator’s Randy Heuvelman’s 30 years of service to the Woodland (Illinois) School District, Soaring paints a music portrait of dedication, compassion and intensity, all aspects of this educator’s tenure. A slower middle section alternating between choirs of woodwinds and brass paints a serene portrait with lush harmonies and soaring countermelodies. The extensive percussion scoring utilizes timbres that add and complement the completed musical setting. Soaring is truly one of David’s best works.

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith