Composed by Felix
Bartholdy Mendelssohn.
Edited by Clive Brown and
R. Larry Todd. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Early version
1844 and late version
1845. Score. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_00. Published by
Baerenreiter Verlag
(BA.BA09099).
ISBN
9790006564330. 31 x 24.3
cm inches. Key: E minor.
Preface: Todd, R. Larry /
Brown,
Clive.
MendelssohnÃ
¢â‚¬â„¢s Violin Concerto
op. 64, is a key work of
the 19th century,
adhering to the classical
style of Beethoven while
pointing the way to the
romantic ethos of Brahms.
It has long been known
that Mendelssohn
performed the work with
three soloists in
succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
première; the
‘child
prodigy’ Joseph
Joachim; and Hubert
Lonard, a young Belgian
virtuoso about whom
little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Lonard.
The letter
informs us that the
composer invited Lonard
to his home in Frankfurt
in order to make his
acquaintance. It was
already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Lonard.
The
recently discovered
proofs reveal how Lonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Lonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn’s
approval. That the young
violinist made a positive
impression on the
composer is confirmed in
the latter’s
correspondence following
their joint performance.
Mendelssohn is full of
praise for
Lonard’s playing
and offers to lend his
support in finding
employment in Germany.
This revised
edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Lyrics/Chords All Instruments SKU: HL.295574 A Pete Seeger Sing-Along ...(+)
Lyrics/Chords All
Instruments
SKU:
HL.295574
A Pete
Seeger Sing-Along
Songbook. By Pete
Seeger. Edited by Annie
Patterson and Peter
Blood. Personality. Folk.
Softcover. With lyrics
and chords. 60 pages.
Published by Hal Leonard
(HL.295574).
ISBN
9781540056306. UPC:
888680947811.
8.0x11.0x0.15 inches.
Edited by Annie Patterson
& Peter Blood.
This
songbook features over 50
of the most memorable
songs by legendary folk
singer, songwriter and
banjo player Pete Seeger
presented with words and
chords. Edited by Annie
Patterson and Peter
Blood, the creators of
the Rise Up Singing
books, it also includes
background information on
many of the songs with
quotations by Seeger
drawn from his
autobiography Where Have
All the Flowers Gone: A
Singalong Memoir. Songs
include: All Mixed Up *
The Bells of Rhymney *
Goodnight, Irene * How
Can I Keep from Singing *
If I Had a Hammer (The
Hammer Song) * Kisses
Sweeter Than Wine * Last
Night I Had the Strangest
Dream * Lonesome Valley *
Midnight Special * Old
Time Religion * Sing
People Sing * This Land
Is Your Land * Turn!
Turn! Turn! (To
Everything There Is a
Season) * Water Is Wide *
We Shall Overcome * Where
Have All the Flowers
Gone? * and more. Spiral
bound.
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
A to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂÂ
YouTube & Spotify:
@jacobnarverud.
Music from the Motion Picture Soundtrack for Violin Solo. Composed by Joseph B...(+)
Music from the Motion
Picture
Soundtrack for Violin
Solo.
Composed by Joseph
Bologne
(Chevalier de
Saint-Georges)
and Kris Bowers.
Instrumental
Solo. Classical, Movies.
Softcover. 24 pages.
Published
by Hal Leonard
(52 Favorites from the U.K. (Guitar TAB)). For Guitar. Book; Guitar Mixed Fo...(+)
(52 Favorites from the
U.K.
(Guitar TAB)). For
Guitar.
Book; Guitar Mixed Folio;
Guitar TAB. The New
Guitar TAB
Big Book. Rock. 272
pages.
Published by Alfred Music
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This ...(+)
Arranged by Pamela Conn
Beall And Susan Hagen
Nipp. For Children's
Voices. This edition:
Paperback. General Music
and Classroom
Publications. Wee Sing.
42 sing-along songs, 27
backseat games, 18 silly
tongue twisters.
Children's. Book and CD.
64 pages. Duration Over
one hour. Published by
Alfred Publishing.
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 120 pages.
Published by Hal Leonard.
For Upper Voices
Children's Choir; Choral;
Women's Choir
(Highlights)
SKU:
HL.50610167
For
Upper Voices From 27 Two-
and Three- Part
Choruses. Composed by
Bela Bartok. Edited by
Mikló and s
Szabó. EMB.
Children'S Choir,
Classical, Female Voices,
Hungarian. Octavo. 4
pages. Editio Musica
Budapest #Z20052.
Published by Editio
Musica Budapest
(HL.50610167).
This
publication is based on
volume 9 of the Bela
Bartok Complete Critical
Edition, published
jointly by G. Henle
Verlag, Munich, and
Editio Musica Budapest
Zenemukiado.
(E-Z Play Today #129). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #129).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover. 88
pages. Published by Hal
Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
