| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
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| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
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| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
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to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
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Leonard.
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| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
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| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
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Instruments en Do [Fake Book] Hal Leonard
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| The Praise and Worship Fake Book - 2nd Edition Instruments en Do [Fake Book] Hal Leonard
For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. ...(+)
For C Instruments.
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| The Praise and Worship Fake Book
Instruments en Sib [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship
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| The Lyric Library: Contemporary Christian Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Publis...(+)
Complete Lyrics for 200
Songs. Lyric Library.
Size 6x9 inches. 228
pages. Published by Hal
Leonard.
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C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. Publishe...(+)
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by
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| Jumbo Easy Guitar Songbook Guitare notes et tablatures Guitare classique [Partition] - Facile Hal Leonard
Performed by Various. Easy Guitar (Simplified arrangements for guitar). With not...(+)
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| Prophesies [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seek a Place of Breathless Beauty MorningStar Music Publishers
Hymn Collection SKU: MN.90-70 Composed by James Biery and Marilyn Biery. ...(+)
Hymn Collection SKU:
MN.90-70 Composed by
James Biery and Marilyn
Biery. Hymn Collections.
Hymnary. MorningStar
Music Publishers #90-70.
Published by MorningStar
Music Publishers
(MN.90-70). Text:
Marilyn Biery. This
collection of twenty-five
original hymn texts flows
from the writers years of
experience as a
practicing Church
musician. The texts cover
many aspects of the
church year and includes
texts for many particular
needs such as
confirmation and
stewardship. Eleven new
hymn tunes are also
included in this
collection. Complete
tune, title, topic,
meter, and scriptural
indexes are included,
making this a very useful
collection of hymns.
Hymns include: Break
Forth in Joyous Song
Christ is the Vine, We
are the Branches Come To
Us, O Holy Spirit Easter
Dawn, Streaming Bright
Embrace the Love that
Makes Us One Emmanuel
Comes! From the Word of
God, Creation Jesus
Walked Among the People
Joined Together As One
Body Lift Up Your Hearts,
You Poor in Spirit Listen
to the Voice of Gladness
Lord God, The Source of
Every Gracious Gift May
Peace from Christ Come
Dwell in You O Dearest
Jesus O God of All Life,
Now Hid from Our Sight O
God of Love, Enable Us O
God, Hear My Cry Our
Gifts, O Lord, to You We
Bring Radiant Light, Love
Divine Rejoice, Rejoice,
God's Kingdom is Coming
Seek a Place of
Breathless Beauty The
Ancient Story Thrills Our
Modern Ear The Frozen
Earth Begins to Thaw The
Spirit Makes Us One in
Christ We Sing our Love
for Jesus. $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Teaching with Heart - Course Pack - 4 hrs of videos GIA Publications
SKU: GI.G-10383 Tools for Addressing Societal Challenges through Music...(+)
SKU: GI.G-10383
Tools for Addressing
Societal Challenges
through Music.
Composed by Jason Max
Ferdinand. Music
Education. 106 pages. GIA
Publications #10383.
Published by GIA
Publications
(GI.G-10383). ISBN
9781622775378. Incl
udes course pack with
activities and four hours
of video interviews.
Includes access codes for
25 students. Purchase
includes digital access
to complete book and
videos for 25 students
plus a physical copy of
the book. Jason Max
Ferdinand's book Teaching
With Heart is the first
book to directly help us
address the societal
issues in our choral
rehearsals. Not
attempting to separate
the music from social
issues, this new tool in
the classroom uses
musical examples to
address uncomfortable
topics and hopefully
'open minds and hearts.'
Built to ask singers to
read, watch, listen and
then to respond and
discuss, this resource
has been developed with
the help of nine
outstanding contributors
and ten composers and
arrangers. I strongly
urge you to take a look
at this new resource for
your classroom.
--Jo-Michael Scheibe,
D.M.A. Professor,
Department of Choral and
Sacred Music Conductor,
University of Southern
California Thornton
Chamber Singers Teaching
With Heart is a timely
and relevant resource
that offers a
well-crafted,
research-based approach
to choral music
education. Students will
learn how diverse choral
repertoire can be used as
a tool to not only
advance musicianship, but
also as an access point
for critical thinking and
the enhancement of social
emotional learning
skills. --Rollo A.
Dilworth, D.Mus. Vice
Dean and Professor of
Choral Music Education
Center for the Performing
and Cinematic Arts,
Temple University Through
valuable repertoire
suggestions, listening
examples, video
interviews, quotes, and
teaching activities, this
resource provides
designed lessons helping
students apply,
synthesize, evaluate, and
comprehend music from an
artistic perspective and,
more importantly, a human
perspective. --Brandon
Boyd, Ph.D. Assistant
Professor Choral
Conducting, Choral Music
Education University of
Missouri 'How would you
suggest a Caucasian
teacher talk about social
justice issues with
students of color?' a
student from Georgia
Southern University asked
via ZOOM. Dr. Ferdinand
responded by quoting from
Teaching With Heart,
specifically sharing
inspiration from the
module titled 'Justice,
or Just Us?' Powerful
conversation ensued and
our future educators were
immediately on fire to
get ahold of these
teaching tools! We are so
grateful for Dr.
Ferdinand's generous
leadership and his
extremely well-timed
Choral Conductor's
Compendium to help guide
us through current times
and into the future.
--Shannon Jeffreys,
D.M.A. Director of Choral
Activities Georgia
Southern University Jason
Max Ferdinand is a Full
Professor, Chair of the
Music Department, and
Director of Choral
Activities at Oakwood
University, where he
conducts the Aeolians of
Oakwood University. He
maintains an active
schedule as a presenter,
adjudicator, and guest
conductor for high
schools, collegiate, and
church choirs throughout
North America, Asia,
Europe, and the
Caribbean. Learn more
about this new resource
in the short video
below:. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Worship for Weddings Piano, Voix et Guitare [Partition + CD] Hal Leonard
(Wedding Essentials Series). By Various. Piano/Vocal/Guitar Songbook. Softcover ...(+)
(Wedding Essentials
Series). By Various.
Piano/Vocal/Guitar
Songbook. Softcover with
CD. 64 pages. Published
by Hal Leonard
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| England's Heritage Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Fentone Music
Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowl...(+)
Flex-It Series for
Variable Instrumentation
Concert Band. Arranged by
Colin Cowles. (Score and
Parts). Fentone Play
Along Books. Published by
Fentone Music.
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| The Real Pop Book - Volume 1 Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. By Various. Fake Book. Pop. Softcover. 456 pages. Published by Hal...(+)
Bb Edition. By Various.
Fake
Book. Pop. Softcover. 456
pages. Published by Hal
Leonard
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| Solid Rock Hits 2 Easy Music Sales
| | |
| Contemporary Christian Wedding Songbook Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Contemporary christian
and wedding. 160 pages.
9x12 inches. Published by
Hal Leonard.
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| Christian Acoustic Guitar Hits Guitare notes et tablatures [Partition] Hal Leonard
By Various. Guitar Recorded Version. Softcover. Guitar tablature. 144 pages. Pub...(+)
By Various. Guitar
Recorded Version.
Softcover. Guitar
tablature. 144 pages.
Published by Hal Leonard.
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| Fingerpicking Christian Guitare notes et tablatures [Partition] Hal Leonard
By Various. Guitar Solo. Softcover. Guitar tablature. 72 pages. Published by Hal...(+)
By Various. Guitar Solo.
Softcover. Guitar
tablature. 72 pages.
Published by Hal Leonard
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| The Big Book Of Nostalgia
Piano, Voix et Guitare [Partition] - Facile Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Vocal
Standards. 544 pages.
9x12 inches. Published by
Hal Leonard Corporation.
(18)$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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