This edition: M060119651. Boosey and Hawkes Piano. 33 pages. Published by Hal Leonard.

SATB choir, piano reduction - Intermediate

SKU: GI.G-8955

Composed by Thomas LaVoy. Exaltation of the Holy Cross. Evoking Sound. Sacred. Octavo. 8 pages. GIA Publications #8955. Published by GIA Publications (GI.G-8955).

UPC: 785147895503. Latin. Text Source: From the Liturgy of the Hours for Exaltation of the Holy Cross.

My setting of this well-known prayer is largely based on a piece of 16th-century visual art of the same name,Salvator mundi, attributed to Leonardo da Vinci. Though many artists have created similar paintings depicting Christ in this fashion, Leonardo’s is of the small minority in which the orb that Christ holds in his left hand lacks any sort of ornamentation or indeed any kind of religious symbol at all. The orb, as it appears in other depictions, is referred to as a globus cruciger (cross-bearing orb). This term does not apply in this instance, as the orb lacks a cross, existing purely as an unblemished globe, calm and serene, mirroring the expression that is present on Christ’s face. This piece should be sung in largely the same way that the painting appears on the canvas: subdued and reverent. The dynamic contrasts in measures 22–28 represent a very human supplication to Christ, but they should not be overstated or dramatic in any way. Such is the case with the entire work, it is a very introspective take on the prayer’s text, and as such it should feel quietly restrained and reflective throughout. The piece ends with four double-barred repetitions of the word “Deus,” representing the four points of the cross. Listen to The Same Stream perform Salvator Mundi from Songs of the Questioner.

Mixed choir and 8 wind instruments (0 * 2 (auch Engl. Hr.) * 0 * 2 - 0 * 2 * 2 (evtl. Tuba) * 0) - intermediate

SKU: HL.49019719

For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1951. Op. 5a. 60 pages. Duration 18'. Schott Music #ED 21285. Published by Schott Music (HL.49019719).

ISBN 9790001180368. 9.25x12.0x0.249 inches. Latin.

Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.

Voice and Piano - Intermediate

SKU: YM.GTP01100083

Composed by Youjiro Noda RADWIMPS. Piano and Vocal. RADWIMPS. Artist Folio; J-POP. Book. Yamaha Music Media #GTP01100083. Published by Yamaha Music Media (YM.GTP01100083).

ISBN 9784636100600.

The RADWIMPS's CD album 2+0+2+1+3+1+1= 10 years 10 songs released on March 11, 2021, published for the 10th memorial year of the Great East Japan Earthquake 2011, is available as a music sheet. The music spun while facing the reality and staying close to the disaster-stricken areas appeals to the listeners' hearts for something important. Feel and share the feelings that RADWIMPS has written over the past 10 years, along with the messages that Yojiro Noda has sent every year. 10 songs are all written by Youjiro Noda, who is famous as a composer of Your Name and Weathering With You. The book can be used for a wide range of piano accompanying scores with vocals or solo instruments.

Ob. Pft - Easy

SKU: FT.FM872

Composed by Philip Godfrey. Charming three movement suite. Classical. Score and Part. Forton Music #FM872. Published by Forton Music (FT.FM872).

ISBN 9790570487714. 21 x 30 cm inches.

These three pieces were written to provide the intermediate player with attractive new repertoire that is rewarding to play and listen to. Snake charmers traditionally use a wind instrument to 'hypnotise' their snakes, and in the first piece I imagined a charmer weaving his melody, with the piano suggesting the slow response of the snake (as well as the nasty surprise at the end!). The Arietta is in the style of a Baroque slow movement, and Moonlight Calypso evokes a dance on a Caribbean evening.

(SSAA Choir)

SKU: HL.1436106

Composed by Kate Janzen. Hinshaw Music. Octavo. Hinshaw Music #HMC2722. Published by Hinshaw Music (HL.1436106).

UPC: 196288204046.

â€� �Love Came Gently” takes the listener on a journey through rich harmonic structures, a haunting winter storm, and reminds us that true love shows up with gentle, tender care. This not-your-adverage-love-so ng is for intermediate to advanced ensembles.

Solo voice, cello, and piano (Cello part included in score.) - Intermediate

SKU: MN.40-650

Composed by Duane Funderburk. Funeral. Score & instrument part. MorningStar Music Publishers #40-650. Published by MorningStar Music Publishers (MN.40-650).

UPC: 688670406508. English.

This deeply moving African-American spiritual takes on a mournful tone when joined by the sonorous sound of the cello. Listeners and performers alike will find this setting particularly moving.

Orchestra - Grade 3

SKU: AP.29664

Composed by Robert D. Gardner. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score and Part(s). 144 pages. Duration 3:40. Belwin Music #00-29664. Published by Belwin Music (AP.29664).

UPC: 038081321578. English.

Young string musicians will enjoy performing this heavy rock style piece because it utilizes an aggressive style and mixed tonality similar to 'their' music that they listen to for fun. The concept behind the title of this piece is that, although we sometimes move dully through our daily routines, it is good to take time to appreciate the individual moments that make up our lives, like a child does the first time they experience something. All parts are in first position with few accidentals or difficult bowing patterns. At the same time, this piece will challenge your group with its independent voicings and syncopated, interlocking rhythms. This piece would add variety to any school concert, and would fit nicely in a festival program, especially one that utilized several different genres. (3:40).

Composed by Gary P. Gilroy. Concert Band. Achievement Plus Series. Grade 3. Full set. Published by Wingert-Jones Publications

A series of books that meet the challenge of providing students with fun music that makes practicing enjoyable as well as being entertaining for the listener. Three volumes of lyrical waltzes, romantic ballads, lively rags and swinging jazz pieces spanning elementary through intermediate grades.

Composed by Chilly Gonzales. Receul. Book Only. Editions Bourges #EBR512. Published by Editions Bourges

Composed by Brian Wicklund and Ben Winship. Saddle-stitched. Book and online audio. 60 pages. Published by Mel Bay Publications, Inc (MB.20146M).

Violin and Piano with Online Accompaniments. Composed by Stephen Sondheim (1930-). Broadway, Movies. Softcover Audio Online. 64 pages. Published by Hal Leonard

Bass trombone or tuba and piano

SKU: P2.80062

Composed by Johann Galliard. Arranged by Micah Everett. Solo music, 18th century. Published by Potenza Music (P2.80062).

These settings of the Galliard bassoon sonatas grew out of a perceived need for more intermediate-early advanced solo literature for the bass trombone, as well as more settings of Baroque-period works for that instrument. While the sonatas are playable on the bass trombone in their original keys (whether at pitch or down one octave), by setting them in lower keys I have endeavored to make them useful for developing tone quality and technique in the valve register, while not going so low that clarity and facility might be compromised (as can be the case when playing in the original keys down one octave). The new keys I have chosen for each of the sonatas are closely related to the original ones, in every case down a perfect fourth or perfect fifth, so something of the sound of the original keys is maintained. Other than the key changes I have made very few adjustments to the intervals in the solo or left hand keyboard parts; in the places where I have done the most editing I have provided cues for the original intervals and/or rhythms so that the player can choose whether to perform the simplified part I have provided or something closer to the original. The new keys (as well as copyright considerations) necessitated that I provide entirely new figured bass realizations for the accompanist's right hand. These are entirely my own, though in the early stages of this project I did consult with Professor Stacy Rodgers, my colleague and collaborator at the University of Mississippi. I have provided more than a simple harmonic accompaniment in my realization; each movement has a number of short melodic passages to provide interest in the keyboard part for both performer and listener. Still, I have been purposefully reserved in writing these parts, and in no case should the keyboardist feel obligated to strictly adhere to the part as I have written it. I have left the figured bass in the score so that the performer can modify and/or build upon what I have provided, particularly in the repeats (as Professor Rodgers did when playing and recording one of the sonatas with me). I have labeled the accompaniment part simply as keyboard with the understanding that these sonatas were originally intended for performance with harpsichord (assisted by cello or bassoon) or organ, though I am sure that the vast majority of performances of these arrangements will have piano as the accompanying instrument. My keyboard part has thus been written with that instrument in mind. If performing with harpsichord assisted by cello or bassoon those players will need to make adjustments in places where the bass lines extend below the ranges of their instruments. While I am confident that my right hand part is a faithful realization of the harmonic structure indicated by the composer, no attempt has been made either in my keyboard realization or in my light editing of the solo part to adhere to present scholarly conventions regarding the interpretation of early music. I have constructed these arrangements to meet the needs of twenty-first-century student (and professional) bass trombonists, and thus I have provided the interpretive markings which I believe will yield the most pleasing performances on that instrument. That said, I have sought to be modest in my indications of tempo, dynamics, articulation, and ornamentation, as these sonatas will admit varying interpretations in those respects. Performers and teachers are welcome and encouraged to experiment in order to find the interpretations which they think most effective. Although I originally created these arrangements with the bass trombone in mind, I am sure that they will work equally well on tuba. Due to range considerations similar to those I mentioned above for the bass trombone, they might be particularly better-suited to performance on the F or E-flat tubas than previous editions of these sonatas. I am looking forward to using these arrangements with my students on both instruments, and hope that others will find them useful, as well.

Piano - intermediate

SKU: BT.LCM9790570121519

Exam Material. Book Only. 80 pages. London College Music #LCM9790570121519. Published by London College Music (BT.LCM9790570121519).

English.

These Piano Anthologies contain pieces which have been carefully selected from previous piano exam lists dating from 1988 to 2006. All of the pieces in these volumes have proved popular with piano students, teachers and listeners, and we are pleased to be able to make them available again in these new collections. Pieces from these anthologies may be chosen as List B and C pieces, allowing students to increase their choice of repertoire beyond the already extensive selection offered in the LCM piano repertoire lists for grade, recital grade and leisure play options. It is hoped that these anthologies will also be of interest to piano students generally. The range of styles broadlycovers the late 18th century to the present. Some familiar pieces are present in these volumes, but they include pieces additionally from composers who have had a distinguished career in the role of teacher or student at LCM. Amongst the former are William Lloyd Webber and Martyn Williams, and amongst the latter are Nicholas Grace and John Guilfoyle, who now have eminent academic and professional musical careers.

Tpt. Pft (bguit. Drumkit) - Intermediate

SKU: FT.FM463

Composed by Keiron Anderson. Trumpet and Piano. Score and parts. Forton Music #FM463. Published by Forton Music (FT.FM463).

ISBN 9790570483624.

The five pieces in this book are designed to be fun to play for both the pianist and the soloist, and to be equally enjoyable for the listener. The music is based on the 'cool' style of jazz a la Miles Davis and Bill Evans, but the pieces are original and not improvised. There are optional parts for bass guitar and drums, should an ensemble performance be required for GCSE or AS performances, or just add some colour for a concert item. Enjoy!

Pour Saxophone Alto Et Piano. Composed by Pierre Lantier. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20261. Published by Alphonse Leduc

SATB choir, piano reduction - Early intermediate

SKU: GI.G-8413

Composed by Matthew Emery. Christmastide, Christmas Vigil, Christmas Night. Christmas. Sacred. Octavo. 12 pages. GIA Publications #8413. Published by GIA Publications (GI.G-8413).

UPC: 785147841302. English. Text Source: Excerpt from In the Holy Nativity of Our Lord. Text by Richard Crashaw.

Although the diatonic harmonies seem a bit unexpected at times, they are well worth any extra attention you might have to pay them! And the homophonic treatment of the piece allows the listener to comprehend and appreciate the seventeenth-century text, which tells of Jesus as the light dispelling the darkness.

Harmonica - Intermediate

SKU: MB.30952M

Saddle-stitched, Solo. American Music. Book and online audio. Mel Bay Publications, Inc #30952M. Published by Mel Bay Publications, Inc (MB.30952M).

ISBN 9781513474434. 8.75X11.75 inches.

Among the various instruments for which the Beautiful American Airs and Ballads series was conceived, the diatonic harmonica is a standout. With or without the ôbendsö played by the author on the companion online recording, the 19 plaintive, single-note melodies in this book are guaranteed to engage the player and move the listener.áThe music herein is written in standard notation and blow/draw harmonica tablature for the diatonic harmonica in C. Suggested accompaniment chords are also provided. Using the tablature alone, this music can be played on any diatonic harmonica in a different harmonica key; for example, using a G or A diatonic harmonica, the instrument itself will make the mechanical transposition. The chords, however, would have to be transposed by the accompanist.Phil Duncan has written more than 40 harmonica books for Mel Bay Publications. He believes that participation is key to the enjoyment of music, and that the harmonica and tunes in this collection are the perfect vehicles for that participation.ôTunes like these may have been overlooked or forgotten in this stressful worldùbut playing them will help you regain and renew the sense of calm essential to our identity as Americansà Pick out a fewàpick up your harmonica and enjoy.öùPhil Duncan.

Orchestra; children's choir (2 equal voices) and speakers ad libitum (STR ERG) - intermediate to advanced

SKU: HL.49001883

Eine kleine Instrumentenschau. Composed by Gerhard Maasz. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 30 pages. Duration 15'. Schott Music #CON 184-60. Published by Schott Music (HL.49001883).

ISBN 9790001024693. German.

Gerhard Maasz studied composition with Paul Graener and sympathized with the youth music movement around Fritz Jode. In the kleine Instrumentenschau created in 1977 he uses the popular folk song Wir sind die Musikanten (which can be joined in by a one-part chorus) introducing systematically the individual orchestral ins-tru-ments. A work for children's and school concerts allowing the players and listeners an insight into the structure of an orchestra in a cheerful way.

Chamber Music Bass Saxophone, Contrabass Saxophone, Field Drum, alto Saxophone 1, alto Saxophone 2, alto Saxophone 3, baritone Saxophone, soprano Saxophone 1, soprano Saxophone 2, tenor Saxophone 1, tenor Saxophone 2

SKU: PR.14440553S

From New England Triptych, Three Pieces for Orchestra After William Billings. Composed by William Schuman. Arranged by Paul Cohen. Contemporary. Full score. With Standard notation. Composed 7-Nov. 16 pages. Duration 5:30. Theodore Presser Company #144-40553S. Published by Theodore Presser Company (PR.14440553S).

UPC: 680160599363.

It is little wonder that Paul Cohen, a man who has dedicated himself to all things saxophone, would listen to the classic Schuman When Jesus Wept and hear it as a saxophone choir. A top-flight performer, teacher, and writer, Cohen is the perfect arranger to realize just such a transcription, and we are pleased to offer the results here. For intermediate to advanced performers. Contrabass saxophone part is optional.

Flute and piano - Intermediate-Advanced

SKU: FT.FM448

Composed by Geoff Warren. Flute and Piano. Score and part. Forton Music #FM448. Published by Forton Music (FT.FM448).

ISBN 9790570483471.

I wrote these pieces towards the end of summer 2014 at the request of various flautist colleagues who were telling me I should get back to writing for flute and piano. Five of the six pieces are dedicated to musician colleagues; all flautists except Walter the percussionist. The sixth is to myself, perhaps a portait of the artist as a young boy. These compositions, however, are not really meant to be portaits, just pieces dedicated to people I work with, and to some extent inspired by how I see them, so I have called them Sketches. The Sketches offer short expositions of themes which I hope will be enjoyable to play and to listen to. They offer some technical challenges for the flautist but are mostly in a 'medium difficulty' range, in attractive jazz/pop styles.

Piano - Intermediate

SKU: MB.30848

Saddle-stitched. Classical. Book. Mel Bay Publications, Inc #30848. Published by Mel Bay Publications, Inc (MB.30848).

ISBN 9781513478982. 8.75 x 11.75 inches.

The pieces in this book were selected because most are popular themes from the hundreds of Symphonic and Opera pieces ever composed. Arranged for piano solos and may be performed in concerts, recitals, or any special occasion. Each solo has a fascinating story behind it and the variety of styles which span 300 years of musical history will bring enjoyment to the listener and performer. While you play the solo from Dvo?ák’s “New World Symphony”, just imagine what it was like to have it heard in Space during Neil Armstrong’s historic Apollo 11 Lunar Space flight. There are 11 solos for you to play in your own corner of the world. Enjoy.

TTBB choir and piano - Intermediate

SKU: MN.50-3093

Composed by Ryan Cayabyab. Lent, 21st Century, Commitment/Discipleship, Devotion, Hope/Assurance, Trust/Guidance. Duration 4 minutes, 15 seconds. MorningStar Music Publishers #50-3093. Published by MorningStar Music Publishers (MN.50-3093).

UPC: 688670530937. English. Psalms 121.

Dedicated to and premiered by the Baylor University Men's Choir, this piece is a sure-fire winner for your TTBB ensemble or chorus. Whether it's the beautifully flowing piano accompaniment, the sensitive choral writing or the beautiful shifting harmonies, you'll find a lot to like here, and so will your singers and listeners. Duration: 4:15.

SAB choir, assembly, piano accompaniment, C instrument, cello, guitar - Early intermediate

SKU: GI.G-9903

Composed by Ralph Vaughan Williams. Arranged by Tony Alonso S.J. Advent. Celebration Series. Tune Name: The Call. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9903. Published by GIA Publications (GI.G-9903).

UPC: 785147990307. English. Text by George Herbert.

Listen to the music and follow the score in this preview video.

Orchestra - Grade 3.5

SKU: AP.35923S

As performed by The Cars. Composed by Greg Hawkes and Ric Ocasek. Arranged by Eric Gorfain. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Rock. Score. 16 pages. Alfred Music #00-35923S. Published by Alfred Music (AP.35923S).

UPC: 038081417158. English.

A blast from the past, yet new audiences are discovering this '80s rock classic. The challenging rhythms, dynamics, and sonic textures of this arrangement grab the attention of today's young musicians and listeners alike. Detailed instructions are included to help capture the style.