(aus: Christus-Oratorium). By Franz Liszt (1811-1886). Edited by Graulich, Gunte...(+)
(aus:
Christus-Oratorium). By
Franz Liszt (1811-1886).
Edited by Graulich,
Gunter. For SSATTBB
Choir, Organ. S 33 no. 3.
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Level 3.
Score. Language: Latin.
12 pages. Duration 11 min
By Franz Liszt (1811-1886). Edited by Otto Taubmann & Peter Raabe. For Women's C...(+)
By Franz Liszt
(1811-1886). Edited by
Otto Taubmann & Peter
Raabe. For Women's
Chorus, Orchestra - [2+1,
2+1, 2+1, 2 - 4, 2, 3,
1], timpani, percussion,
harp, strings. This
edition: Paperback.
Original Works, Choral,
Symphony. Romantic
Period; Hungarian. Study
Score. 156 pages.
Published by Serenissima
Les Preludes Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Poeme Symphonique No.3). By Franz Liszt (1811-1886). Arranged by Ton Kotter. Fo...(+)
(Poeme Symphonique No.3).
By Franz Liszt
(1811-1886). Arranged by
Ton Kotter. For Concert
Band. Arrangements of
Classical Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
Composed by Franz Liszt (1811-1886). Masterworks; Piano Solo; Solo; Solo Small E...(+)
Composed by Franz Liszt
(1811-1886). Masterworks;
Piano Solo; Solo; Solo
Small Ensembles. Kalmus
Edition. Masterwork;
Romantic. 20 pages.
Kalmus Classic Edition
#00-K03635. Published by
Kalmus Classic Edition (
Horn and Piano SKU: HL.49016006 By Mason Jones. By Rehberg. Edition Schot...(+)
Horn and Piano
SKU:
HL.49016006
By Mason
Jones. By Rehberg.
Edition Schott.
Classical. Book Only. 644
pages. Schott Music
#GS33005. Published by
Schott Music
(HL.49016006).
ISBN
9780793554003. UPC:
073999444711. 305 X 229
inches.
Contents:
Aria (Stradella) oe I
Attempt from Love's
Sickness oe I See a
Huntsman oe Largo &
Allegro oe Pavane pour
une Infante Defunte oe
Reveries oe Romance oe
Rondo oe Scherzo oe
Symphony No. 5 oe Theme &
Variations oe Villanelle.
A collection of music
for French Horn, intended
to display the
instrument's
characteristic tone
qualities, both lyric and
fanfare-like. Transcribed
(with Piano
accompaniment) and edited
by Mason Jones.
Contents: Aria
(Stradella) oe I Attempt
from Love's Sickness oe I
See a Huntsman oe Largo &
Allegro oe Pavane pour
une Infante Defunte oe
Reveries oe Romance oe
Rondo oe Scherzo oe
Symphony No. 5 oe Theme &
Variations oe Villanelle.
Contents: Aria
(Stradella) PS I Attempt
from Love's Sickness PS I
See a Huntsman PS Largo &
Allegro PS Pavane pour
une Infante Defunte PS
Reveries PS Romance PS
Rondo PS Scherzo PS
Symphony No. 5 PS Theme &
Variations PS Villanelle.
THE book for all
horn enthousiasts: this
well-known Schirmer
edition contains 14
classical pieces for horn
and piano.NEW: The
accompaniment CD with all
14 titles is playable on
both your CD player and
computer. It is enhanced
so that when used in
computers it has tempo
adjustment software to
aid in practice
(order-no. HL
50490439).
(Humorous Variations on a Theme by Robert Schumann for Piano). By Peter Wittrich...(+)
(Humorous Variations on a
Theme by Robert Schumann
for Piano). By Peter
Wittrich. For Piano.
Piano Solo. Softcover. 44
pages. Schott Music
#ED20904. Published by
Schott Music
Piano SKU: HL.50486380 Ed. A. Cortot - pour piano. By Alfred Corto...(+)
Piano
SKU:
HL.50486380
Ed. A.
Cortot - pour piano.
By Alfred Cortot. By
Franz Liszt. Piano. Book
Only. Composed 1984.
Editions Salabert
#SLB00393200. Published
by Editions Salabert
(HL.50486380).
(Premiere edition, Paris 1840). By J. Moscheles, F.J. Fetis. Edited by Alex Szil...(+)
(Premiere edition, Paris
1840). By J. Moscheles,
F.J. Fetis. Edited by
Alex Szilasi. Piano solo.
For Piano. Facsimiles.
Collection Esther. SMP
Level 10 (Advanced). 80
pages
Composed by Katherine K. Davis / Richard DeLong / Sven Lekberg / Richard W. Gies...(+)
Composed by Katherine K.
Davis / Richard DeLong /
Sven Lekberg / Richard W.
Gieseke / Antonin Dvorak
/ Franz Liszt / Randall
Thompson / Alfred V.
Fedak. Marriage, 21st
Century. Published by
MorningStar Music
Publishers (MN.40-600).
Wind Quintet, Op. 99, No. 2 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Set de Parties séparées] Rosewood Publications
By Anton Reicha (1770-1836). For woodwind quintet (flute, oboe, clarinet, horn a...(+)
By Anton Reicha
(1770-1836). For woodwind
quintet (flute, oboe,
clarinet, horn and
bassoon). This edition:
Facsimile Editions.
Winds. Reicha was the
father of the woodwind
quintet.. Classical.
Parts. Published by
Rosewood Publications
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. Opus 78.
14/12/10/12/12/10/12/11/7
/12/10/4/7/8/8/8/8/8/7
pages. Baerenreiter
Verlag #BA07896_65.
Published by Baerenreiter
Verlag (BA.BA07896-65).
ISBN 9790006563418.
32.5 x 25.5 cm inches.
Key: C minor.
In
this work I gave
everything I had to give.
[...] What I did here I
will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer’s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Transcribed by Franz Liszt (1811-1886), music by Richard Wagner (1813-1883). For...(+)
Transcribed by Franz
Liszt (1811-1886), music
by Richard Wagner
(1813-1883). For piano.
Format: piano solo book.
With introductory text
and standard notation.
Romantic Period. 160
pages. 9x12 inches.
Published by Dover
Publications.
1869 Motet. Composed by Franz Liszt (1811-1886). Arranged by Bill Schuett...(+)
1869 Motet.
Composed by Franz Liszt
(1811-1886). Arranged by
Bill Schuetter. Score and
parts. Duration 2
minutes. Published by
Imagine Music
(IG.BSM242).
Piano SKU: HL.50560155 Piano Solo. Composed by Franz Liszt. This e...(+)
Piano
SKU:
HL.50560155
Piano
Solo. Composed by
Franz Liszt. This
edition: DC0949400.
Editions Durand.
Classical. 46 pages.
Editions Durand
#DC0949400. Published by
Editions Durand
(HL.50560155).
SKU: BA.BVK02306 February 1838 to September 1839. Composed by Feli...(+)
SKU: BA.BVK02306
February 1838 to
September 1839.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Alexander
Staub, Helmut Loos, Kadja
Grönke, and Wilhelm
Seidel. Linen. Samtliche
Briefe in 12 Banden. Only
available as a full
subscription to ISBN
978-3-7618-2300-2. Book.
With Language: German.
Baerenreiter Verlag
#BVK02306_00. Published
by Baerenreiter Verlag
(BA.BVK02306).
ISBN
9783761823064. 23.5 x 16
cm inches. Preface:
Seidel,
Wilhelm.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the composer’s
death. These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector’s item for
bibliophiles, providing
an excellent means for
studying the composer and
the period in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
