For Solo Piano. By Franz Liszt. For piano solo. (Piano). This edition: HN806. Pi...(+)
For Solo Piano. By Franz
Liszt. For piano solo.
(Piano). This edition:
HN806. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Urtext edition
(Paper-bound). 29 pages.
Published by Henle Urtext
Edition.
Composed by Franz Liszt (1811-1886). Masterworks; Piano Collection. Kalmus Editi...(+)
Composed by Franz Liszt
(1811-1886). Masterworks;
Piano Collection. Kalmus
Edition. Form: Etude.
Masterwork; Romantic.
Book. 160 pages. Kalmus
Classic Edition
#00-K09907. Published by
Kalmus Classic Edition
With Comments in English. By Franz Liszt. Edited by E. Herttrich. Piano (Harpsic...(+)
With Comments in English.
By Franz Liszt. Edited by
E. Herttrich. Piano
(Harpsichord), 2-hands.
Pages: VII and 25 *
Alternative Versions and
Interpolations = 4.
Urtext edition
(Paper-bound). Published
by G. Henle.
With Comments in English - Preface by Maria Eckhardt. By Franz Liszt. Edited by ...(+)
With Comments in English
- Preface by Maria
Eckhardt. By Franz Liszt.
Edited by E.-G.
Heinemann. Piano
(Harpsichord), 2-hands.
Pages: II and 38. Urtext
edition (Paper-bound).
Published by G. Henle.
Liebestraum composed by Franz Liszt (1811-1886). For easy piano solo. Solo. Easy...(+)
Liebestraum composed by
Franz Liszt (1811-1886).
For easy piano solo.
Solo. Easy Favorite
series. Classical. Easy.
Sheet Music. Text
Language: English. 2
pages. Published by
Santorella Publications
Piano Solo. By Franz Liszt. Edited by M. Eckhardt. This edition: HN763. Piano (H...(+)
Piano Solo. By Franz
Liszt. Edited by M.
Eckhardt. This edition:
HN763. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Urtext edition
(Paper-bound). 54 pages.
Published by Henle Urtext
Edition.
Composed by Franz Liszt (1811-1886). Masterworks; Piano Collection. Kalmus Editi...(+)
Composed by Franz Liszt
(1811-1886). Masterworks;
Piano Collection. Kalmus
Edition. Form: Etude.
Masterwork; Romantic.
Book. 160 pages. Kalmus
Classic Edition
#00-K09909. Published by
Kalmus Classic Edition
The Carnival at Pest. By Franz Liszt. Edited by E. Herttrich. Piano (Harpsichord...(+)
The Carnival at Pest. By
Franz Liszt. Edited by E.
Herttrich. Piano
(Harpsichord), 2-hands.
Pages: VIII and 29.
Urtext edition
(Paper-bound). Published
by G. Henle.
The Procession by Night / The Dance in the Village inn (Mephisto Waltz No. 1). B...(+)
The Procession by Night /
The Dance in the Village
inn (Mephisto Waltz No.
1). By Franz Liszt.
Edited by Leslie Howard.
For piano. This edition:
Urtext edition.
Collection. 52 pages.
Published by C.F. Peters.
Composed by Franz Liszt (1811-1886). This edition: 2 copies required. Duet or Du...(+)
Composed by Franz Liszt
(1811-1886). This
edition: 2 copies
required. Duet or Duo;
Masterworks; Piano Duo (2
Pianos, 4 Hands); Solo
Small Ensembles. Kalmus
Edition. Masterwork;
Romantic. Book. 40 pages.
Kalmus Classic Edition
#00-K09520. Published by
Kalmus Classic Edition
Composed by Franz Liszt, arranged by Franz Bendel. For piano. Format: piano solo...(+)
Composed by Franz Liszt,
arranged by Franz Bendel.
For piano. Format: piano
solo single. Romantic
period. 16 pages. 9x12
inches. Published by
Schirmer.
Piano Solo. By Franz Liszt. Edited by E.-G. Heinemann. For piano solo. This edit...(+)
Piano Solo. By Franz
Liszt. Edited by E.-G.
Heinemann. For piano
solo. This edition:
HN717. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Pages: IX and 123. Urtext
edition (Paper-bound).
131 pages. Published by
G. Henle.
SKU: HL.49007410 Untersuchungen zum Klavierwerk Franz Liszts. Comp...(+)
SKU: HL.49007410
Untersuchungen zum
Klavierwerk Franz
Liszts. Composed by
Gardonyi. Edited by
Siegfried Mauser and
Zsolt Gardonyi. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical. 116
pages. Schott Music #ED
7639. Published by Schott
Music (HL.49007410).
ISBN 9783795717971.
German.
Das Werk
Franz Liszts erfuhr,
ausgehend von den
avantgardistischen
Merkmalen des Spatstils,
eine historische
Umbewertung. Die
Akzentuierung als eine
Vaterfigur der
musikalischen Moderne,
die das Bild des
romantischen
Virtuosentyps revidiert
bzw. erganzt, greift
zusehends auf Werke der
fruheren und mittleren
Schaffensperiode uber.
Vor allem im Bereich
unkonventioneller
Formverlaufe, die
teilweise weit uber die
programmatische
Freizugigkeit der
Neudeutschen Schule
hinausweist, wie
ungewohnlicher
harmonischer
Zusammenhange, die schon
fruh hinter der
virtuos-figurativen
Aussenhaut das
distanzharmonische
Prinzip erkennen lassen,
treten dabei in den
Vordergrund.Die
verschiedenen Beitrage in
diesem Buch betonen so
innerhalb der
kunstlerischen
Personlichkeit Liszts
beide Aspekte als
wesentliche, den der
Virtuositat und den der
Avanciertheit, um sie dem
weit verbreiteten
Vorurteil einer
generellen
Unvereinbarkeit zu
entziehen.
SKU: M7.IFO-72702 Christian Schmitt an der Jann-Konzertorgel im Joseph...(+)
SKU: M7.IFO-72702
Christian Schmitt an
der Jann-Konzertorgel im
Joseph-Keilberth-Saal der
Konzerthalle Bamberg.
Composed by Franz Liszt.
CD. MDS (Music
Distribution Services)
#IFO 72702. Published by
MDS (Music Distribution
Services) (M7.IFO-72702).
Lesen Sie
ergänzend im Heft den
Beitrag über die
Jann-Orgel der
Konzerthalle Bamberg, das
Porträt über den
saarländischen
Organisten Christian
Schmitt - 'Principal
organist' bei den
Bamberger Symphonikern -,
das Gespräch 'Die
Skeptiker schlicht
überzeugen' mit
Christian Schmitt sowie
den Beitrag von Wolfram
Adolph über Franz Liszts
'Ad nos-Prophetenfuge'
für Orgel im Original
und in der
Orchesterfassung von
Marcel Dupré. Franz
Liszt (1811-86) Ad nos,
ad salutarem undam 'für
Orgel oder Pedalflügel
componiert und Herrn
General-Musikdirektor
Meyerbeer in
ehrfurchtsvoller
Verehrung gewidmet von
Franz Liszt' (1850) -
Originalfassung für
Orgel solo - Fassung für
Symphonieorchester und
große Orgel, bearbeitet
von Marcel Dupré
(1886-1971) vor 1930, ed.
Wien (UE) 2007 Arvo Pärt
(geb. 1935) Annum per
annum für Orgel solo
(1980), 'In Ergebenheit
und Dankbarkeit gewidmet
der Heiligen Cäcilia,
der Schutzpatronin
geistlicher Musik, und
dem Domorganisten Leo
Krämer (Speyer)'.
Composed by Franz Liszt (1811-1886). Edited by Ates Orga and Nils Franke. For Pi...(+)
Composed by Franz Liszt
(1811-1886). Edited by
Ates Orga and Nils
Franke. For Piano. Piano.
Softcover. 48 pages.
Schott Music #ED9054.
Published by Schott Music
Chamber Music Piano SKU: PR.510079380 Grosses Konzertstück über Mend...(+)
Chamber Music Piano
SKU: PR.510079380
Grosses Konzertstück
über Mendelssohns Lieder
ohne Worte and Franz
Schuberts Grosse
Fantasie. Composed by
Franz Liszt Felix
Mendelssohn. Collection -
Full. Editio Musica
Budapest #510-07938.
Published by Editio
Musica Budapest
(PR.510079380).
Composed in
1834, Liszt's Grand duo
is based on material from
three pieces from the
first book (op. 19b) of
Mendelssohn's Songs
without Words (no. 1 in E
major, no. 6 in G minor,
and no. 3 in A major).
While Liszt made an
almost literal
transcription of the
first piece, he gave the
second and third pieces a
much freer arrangement,
in the style of concert
paraphrases. The
large-scale concert piece
was premiered by Liszt
and Chopin on Christmas
Day 1834 in a salon in
Paris. The Grand duo was
not published in Liszt's
lifetime, and has
survived as a
draft.Schubert's Fantasy
in C major (also known as
the Wanderer Fantasy) was
a defining musical
experience for the young
Liszt. He arranged this
masterpiece of Romantic
piano literature for
piano and orchestra in
1851, at the beginning of
his Weimar period, and it
was premiered by Julius
Egghard in Vienna in
December of that year. By
1855, Liszt had
transcribed this
arrangement for two
pianos, because it was
played on 22 October 1855
at a concert held in
Weimar in honour of his
birthday. With the
version for piano and
orchestra, Liszt attuned
the fantasy to the
requirements of the
concert hall, reinforcing
the orchestral effects
inherent in Schubert's
composition. His aim with
the two-piano version was
to achieve a similarly
grand effect in spaces
too small for an
orchestra. The
arrangement for piano and
orchestra appeared in
print in 1857, followed
by the two-piano version
in 1862.This volume comes
complete with a detailed
preface in English,
German, and Hungarian
containing new research
findings, several
manuscript facsimiles,
and a critical report in
English.
Piano SKU: BT.EMBZ20004A Complete Edition. Composed by Liszt Feren...(+)
Piano
SKU:
BT.EMBZ20004A
Complete Edition.
Composed by Liszt Ferenc.
EMB New Listz Edition.
Studies & Exercises. Book
Hardcover. Composed 2021.
240 pages. Editio Musica
Budapest #EMBZ20004A.
Published by Editio
Musica Budapest
(BT.EMBZ20004A).
English-German-Hungari
an.
Supplementary
Volume 16 of the New
Liszt Edition contains
free arrangements and
technical exercises. In
the first section can be
found early versions of
three arrangements. The
first consists of the
first and intermediary
versions of a
transcription of Die
Rose, a song Schubert
composed to a poem by
Schlegel. The arrangement
of the second movement of
Berlioz's Harold Symphony
also draws on literary
inspiration: Lord Byron's
(1788-1824) narrative
poem Childe Harold's
Pilgrimage (1812-18) was
a literary experience
Liszt shared with
Berlioz. The fantasy on
themes from Bellini's
opera La sonnambula [The
Sleepwalker] (here the
first version of 1842,
and the second version
dating from the following
decade are given) is
important in music
history because it was
while he worked on this
(and other operatic
fantasies) that Liszt
developed a new concept
of the form, which took
shape in more complex and
more concentrated
fantasies than before.
Particularly interesting
material can be found in
the appendix. In addition
to sketches and drafts
for arrangements of
Spanish themes, there are
three sources published
here for the first time,
which shed light on
technical aspects of
Liszt's piano teaching.
These are three sets of
exercises: the first
written by Liszt himself
for Valérie Boissier in
1832; the second a copy
in an unidentified hand
from the same period or
slightly later; and
finally the third which
was noted down in 1871 by
Henri Maréchal in Rome
based on the composer's
dictation. This latest
volume of the New Liszt
Edition includes a
detailed preface in
German, English, and
Hungarian containing new
research findings,
together with five
manuscript facsimiles and
critical notes.
Simultaneously with the
cloth-bound Complete
Edition, a practical
paperback version has
been published, the
contents of which are
identical to those of the
hardcover edition, minus
the inclusion of critical
notes.
Piano Four Hands (1 Piano, 4 Hands) - advanced SKU: HL.49046383 For Pi...(+)
Piano Four Hands (1
Piano, 4 Hands) -
advanced
SKU:
HL.49046383
For
Piano Four Hands.
Composed by Peter
Eötvös. This edition:
Saddle stitching. Sheet
music. Piano Duet.
Classical. Softcover.
Composed 2018. 24 pages.
Duration 420 seconds.
Schott Music #ED23145.
Published by Schott Music
(HL.49046383).
ISBN
9790001207454. UPC:
842819106098.
9.0x12.0x0.074
inches.
Chapter 11
of James Joyce's Ulysses
is a real treasure trove
of existing and invented
words and names; each
word and name triggers
off a whole series of
associations, images,
stories and sounds -
particularly when the
reader is a Hungarian
composer who comes across
the phrase “Liszt's
rhapsodies”. I
immediately heard music
by Franz Liszt in my head
and visualised the two
protagonists in the novel
sitting on a terrace
drinking coffee, chatting
and dreaming, witty and
endearing - which is also
a perfect description of
this small piano
composition for four
hands. Peter
Eötvös.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Complied and
transcribed for Baritone
and String Quartet by
Aribert Reimann.
Composed by Aribert
Reimann and Franz Liszt.
Arranged by Aribert
Reimann. This edition:
Saddle stitching. Sheet
music. Vocal. Classical.
Score and parts. Composed
1860-1880. 76 pages.
Duration 20'. Schott
Music #ED 21885.
Published by Schott Music
(HL.49044628).
ISBN
9790001198493. UPC:
841886022027.
9.25x12.0x0.212 inches.
German.
Aribert
Reimann's idea to arrange
the lieder of Franz Liszt
for baritone and string
quartet goes back to his
collaboration with
Dietrich Fischer-Dieskau,
recording some of these
lieder for the German
broadcasting company
formerly known as Sender
Freies Berlin (SFB).
Since then, Reimann has
continued to be
fascinated by Liszt's
thrilling harmony and
unconventional treatment
of the voice. Here, he
has compiled a cycle
containing seven lieder
from Liszt's middle and
late periods, arranged so
that each song is the
logical continuation of
its predecessor. Liszt's
fundamental harmony has
been retained, but the
registers have been
altered to such an extent
that they appear in a
completely new light.