| Bay Shore Park - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS230
March. Composed by
Joseph Compello. Folio.
Cps. Set of Score and
Parts.
16+4+8+8+4+4+8+4+4+4+4+4+
12+6+4+8+1+1+4+1+16
pages. Duration 2
minutes, 51 seconds. Carl
Fischer Music #CPS230.
Published by Carl Fischer
Music (CF.CPS230).
ISBN 9781491156308.
UPC: 680160914845. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes Bay
Shore Park is intended
for a band with at least
one year's training. It
is also suitable for more
experienced bands. It
should be performed as a
traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake
Bay. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesBay Shore Park is
intended for a band with
at least one
year’s training.
It is also suitable for
more experienced bands.
It should be performed as
a traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake Bay. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bay Shore Park - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS230F
March. Composed by
Joseph Compello. Sws.
Cps. Full score. 16
pages. Duration 2
minutes, 51 seconds. Carl
Fischer Music #CPS230F.
Published by Carl Fischer
Music (CF.CPS230F).
ISBN 9781491156315.
UPC: 680160914852. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes Bay
Shore Park is intended
for a band with at least
one year's training. It
is also suitable for more
experienced bands. It
should be performed as a
traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake
Bay. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesBay Shore Park is
intended for a band with
at least one
year’s training.
It is also suitable for
more experienced bands.
It should be performed as
a traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake Bay. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heartbreak Trail - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241 Composed by
David Bobrowitz. Set of
Score and Parts.
17+4+4+2+4+4+2+2+3+2+2+2+
4+4+4+4+3+3+3+2+3+2+1+3+3
pages. Duration 2
minutes, 53 seconds. Carl
Fischer Music #YPS241.
Published by Carl Fischer
Music (CF.YPS241).
ISBN 9781491159651.
UPC:
680160918249. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heartbreak Trail - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241F Composed
by David Bobrowitz. Full
score. 17 pages. Carl
Fischer Music #YPS241F.
Published by Carl Fischer
Music (CF.YPS241F).
ISBN 9781491159668.
UPC:
680160918256. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |