| The Great American Songbook - Country Piano, Voix et Guitare Hal Leonard
(Music and Lyrics for 100 Classic Songs). By Various. For Piano/Vocal/Guitar. Pi...(+)
(Music and Lyrics for 100
Classic Songs). By
Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook. Softcover. 402
pages. Published by Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bob Marley: Bob Marley - Songs of Freedom Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Bob Marley. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Bob Marley.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and color
photos. Reggae. 214
pages. 9x12 inches.
Published by Hal Leonard
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs Of Freedom Guitar Guitare Music Sales
(Guitar) SKU: HL.14061167 Guitar. General Merchandise. Duration 240 secon...(+)
(Guitar) SKU:
HL.14061167 Guitar.
General Merchandise.
Duration 240 seconds.
Music Sales #AM933504.
Published by Music Sales
(HL.14061167). UPC:
007399994945. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bob Marley: Songs Of Freedom Guitare notes et tablatures [Partition] Hal Leonard
Performed by Bob Marley. For guitar and voice. Format: guitar tablature songbook...(+)
Performed by Bob Marley.
For guitar and voice.
Format: guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams,
strum and pick patterns
and guitar notation
legend. Reggae. Series:
Hal Leonard Guitar
Recorded Versions. 200
pages. 9x12 inches.
Published by Hal Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymns for Easy Piano Piano seul [Partition] - Facile Jackman Music Corporation
By Many. Arranged by Compiled And Arranged By Brent Jorgensen. Text: Many. For E...(+)
By Many. Arranged by
Compiled And Arranged By
Brent Jorgensen. Text:
Many. For Easy Songbook.
Published by Jackman
Music Corporation.
Level: Easy.
(1)$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gospel Songs Piano, Voix et Guitare [Partition] Hal Leonard
Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Budget Books. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 320 pages.
Published by Hal Leonard.
(1)$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Concise Bob Marley Piano, Voix et Guitare Music Sales
Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seco...(+)
Piano/Vocal/Guitar Artist
Songbook. General
Merchandise. Duration 240
seconds. Music Sales
#AM932030. Published by
Music
Sales
$21.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Hymns Inspired by General Conference Addresses, Oct 2018 & Apr 2019 Jackman Music Corporation
Choir - Medium / medium acc. SKU: JK.19970 Composed by Janice Kapp Perry....(+)
Choir - Medium / medium
acc. SKU: JK.19970
Composed by Janice Kapp
Perry. Difficulty Medium.
Christian, Inspirational.
Jackman Music Corporation
#19970. Published by
Jackman Music Corporation
(JK.19970).
Hymn singing is
an important part of our
heritage as members of
The Church of Jesus
Christ of Latter-day
Saints. Elder Boyd K.
Packer, in October 1991
General Conference, said:
If we will listen,
[hymns] are teaching the
gospel, for the hymns of
the Restoration are, in
fact, a course in
doctrine! In his landmark
speech entitled The Arts
and the Spirit of the
Lord, Elder Packer
stated:
Our hymns
speak the truth as far as
they go. They could speak
more of it if we had more
of them specifically
teaching the principles
of the restored gospel of
Jesus Christ. If I had my
way there would be many
new hymns with lyrics
near scriptural in their
power, bonded to music
that would inspire people
to worship. Think about
how much we could be
helped by another
inspired anthem or hymn
of the Restoration. (BYU,
February 1,
1976)
In response
to Elder Packer's
invitation, we have been
writing new hymns during
the past decade based on
favorite general
conference sermons. Our
hope was that once the
central theme of each
address was set to music
it might serve as another
witness of the inspired
message, and would be
sung in homes, in choirs,
and in conjunction with
the Teachings For Our
Time lessons in Relief
Society and Priesthood
meetings.
Janice
Kapp Perry David B.
Larsen
This
songbook contains a
Topical Index
The
hymns offered by Prime
Recordings Inc. are
neither made, provided,
approved nor endorsed by
Intellectual Reserve,
Inc., The Church of Jesus
Christ of Latter-day
Saints or its leaders.
Any content or opinions
expressed, implied or
included in, or with this
book from Prime
Recordings Inc., are
solely those of David B.
Larsen and Janice Kapp
Perry, and not those of
Intellectual Reserve,
Inc., The Church of Jesus
Christ of Latter-day
Saints or its
leaders. *** Some
Janice Kapp Perry
products may require a
few days additional
shipping time. Thank
you! $6.98 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Celtic Psalms - Volume 2 Piano, Voix et Guitare GIA Publications
Musical Resource for Meditation and Worship. Arranged by Kiran Young Wimb...(+)
Musical Resource for
Meditation and
Worship. Arranged by
Kiran Young Wimberly.
Sacred. With guitar chord
names. 56 pages. GIA
Publications #9354.
Published by GIA
Publications (GI.G-9354).
$7.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Instruments - Viola edition [Hymn Extender] Jackman Music Corporation
By Many. Text: Many. For Hymnal Extender. Hymns; Sacred. Published by Jackman Mu...(+)
By Many. Text: Many. For
Hymnal Extender. Hymns;
Sacred. Published by
Jackman Music
Corporation. Level:
Medium Easy.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Instruments - B-flat [Partition] Jackman Music Corporation
By Various. Text: Many. For Various Instruments. Hymns; Sacred. Level: Medium Ea...(+)
By Various. Text: Many.
For Various Instruments.
Hymns; Sacred. Level:
Medium Easy. Published by
Jackman Music
Corporation.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Instruments - High C / Obbligato [Partition] Jackman Music Corporation
By Various. For Instrumental. Hymns; Sacred. Level: Medium Easy. Published by Ja...(+)
By Various. For
Instrumental. Hymns;
Sacred. Level: Medium
Easy. Published by
Jackman Music
Corporation.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Instruments - Bass Clef Chorale [Hymn Extender] Jackman Music Corporation
By Various. Text: Many. For Hymnal Extender. Hymns; Sacred. Level: Medium Easy. ...(+)
By Various. Text: Many.
For Hymnal Extender.
Hymns; Sacred. Level:
Medium Easy. Published by
Jackman Music
Corporation.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Celtic Psalms - Volume 2 GIA Publications
SKU: GI.G-CD-1016 Ten More Psalms Set to Traditional Irish and Scottis...(+)
SKU: GI.G-CD-1016
Ten More Psalms Set to
Traditional Irish and
Scottish Melodies.
Sacred. CD. GIA
Publications #1016.
Published by GIA
Publications
(GI.G-CD-1016).
Celtic
Psalms, volumes 1
and 2, promises to be a
long-standing resource
for meditation and
worship. By pairing the
wisdom of the psalms with
timeless melodies,
delicate harmonies, and
instrumentation, these
arrangements bring to
mind the Celtic
landscapes of Ireland and
Scotland with sincerity,
integrity, and
tenderness. Set in a
traditional/folk style
that easily lends them to
inspiring and meaningful
worship, these psalms
offer a much needed
healing balm for today's
world. This is the
recording for volume 2.
Kiran
Young Wimberly
is an American
Presbyterian minister who
lived in Belfast,
Northern Ireland, for
over six years. While
serving in congregational
and ecumenical ministry
in Northern Ireland,
Kiran pursued her keen
interest in Irish and
Scottish traditional song
and its connection to
spiritual
life. Contains:
The Lord's My
Shepherd, Psalm 23 (The
Parting Glass) &bull, You
Have Turned My Sorrow,
Psalm 30 (Green Grows the
Laurel) &bull, Hear My
Cry, O God, Psalm 61
(Caislé,an an
Ó,ir) &bull, How
Lovely, Psalm 84
(Carrickfergus) &bull,
Love Is Lord of All,
Psalm 86 (My Lagan Love)
&bull, O Give Thanks,
Psalm 107 (The Meeting of
the Waters) &bull, From
the Depths, Psalms 130,
131 (The Quiet Land of
Erin) &bull, You Have
Searched Me, Psalm 139
(The Banks of Claudy)
&bull, Come, Spirit,
Come, Psalm 144 (The
King's Shilling) &bull,
Praise God from Whom All
Blessings Flow, Psalm 147
(Mo Ghile Mear). $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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