| The Lyric Library: Pop/Rock Ballads Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Performed by Various. Lyric Library. Size 6x9 inc...(+)
Complete Lyrics for 200
Songs. Performed by
Various. Lyric Library.
Size 6x9 inches. 220
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Sun Is Love Voix haute, Piano - Intermédiaire Schirmer
By Gwyneth W. Walker. Text: Jelaluddin Rumi, translated by C. Barks. For High vo...(+)
By Gwyneth W. Walker.
Text: Jelaluddin Rumi,
translated by C. Barks.
For High voice and piano.
Vocal Music. Published by
E.C. Schirmer Publishing.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Riders of the Purple Sage: The Opera based on the novel by Zane Grey (Piano/Vocal Score) Opéra Schirmer
Opera in 3 Acts for mixed voices (2[1.2/pic] 2 [1.2/Eh] 2 2- 4 2 2 1-tmp 2-hp,...(+)
Opera in 3 Acts for mixed
voices (2[1.2/pic] 2
[1.2/Eh]
2 2- 4 2 2 1-tmp 2-hp,
kbd-
str) - Late Intermediate
SKU: EC.8932
Composed by Craig
Bohmler.
Instrumental part. E.C.
Schirmer Publishing
#8932.
Published by E.C.
Schirmer
Publishing
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elton John - The Little Black Songbook Paroles et Accords [Partition] Amsco Wise Publications
Chords/Lyrics. By Elton John. By Elton John. The Little Black Songbook. Pop and ...(+)
Chords/Lyrics. By Elton
John. By Elton John. The
Little Black Songbook.
Pop and Rock. Book Only.
192 pages. Wise
Publications
#MUSAM1003794. Published
by Wise Publications
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gospel Songs Piano, Voix et Guitare [Partition] Hal Leonard
Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Budget Books. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 320 pages.
Published by Hal Leonard.
(1)$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - DVD Preview Pak Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.080689558399 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689558399 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Eastertide. DVD
preview pak. Duration 30
minutes. Word Music
#080689558399. Published
by Word Music
(WD.080689558399).
UPC:
080689558399. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Voices I Hear GIA Publications
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral A...(+)
SKU: GI.G-10678
A Philosophical and
Practical Approach to the
Choral Art. Composed
by Will Kesling. Music
Education. 472 pages. GIA
Publications #10678.
Published by GIA
Publications
(GI.G-10678). ISBN
9781622776436. Draw
ing from his five decades
of success as a conductor
and educator in the
choral field, Will
Kesling has compiled a
comprehensive choral
methods resource that
addresses every necessary
fundamental for achieving
artistry in the choral
art. Written in clear and
conversational language,
this resource covers:
Building a healthy and
beautiful choral sound
Dealing with vocal issues
Selecting repertoire and
programming concerts
Developing score study
skills and interpretive
insights Understanding
the characteristics of
musical periods and
composers Planning,
preparing for, and
running rehearsals The
Voices I Hear also
explores important but
often overlooked topics,
including a discussion of
performing sacred music
in secular education
settings, techniques for
performing
choral-orchestral works,
choral versus orchestral
conducting, and how to
become a true
“maestro.â€
Individual chapters also
function as standalone
topics of study. A
valuable read for
emerging and seasoned
conductors alike, The
Voices I Hear is an
expert study of the
aesthetic, intellectual,
and practical aspects of
the choral art. Dr. Will
Kesling is Professor of
Choral and Orchestral
Conducting at the
University of Florida,
where he has taught for
two decades. He has
conducted hundreds of
choral ensembles and
nearly fifty of the
world’s finest
symphony orchestras. His
ensembles have received
international attention
for their excellence and
musical expression. Â
Thank you, Dr. Kesling,
for the decade you gave
of yourself to write the
most complete and
comprehensive writing on
the topics of choral
techniques, methods, and
conducting I have seen.
It is in-depth yet
practical, to the point
of being a valuable
resource for both the
young conductors entering
the choral field to the
well-established
professionals. You have
given us a solid
foundation in all
significant areas of the
choral art, including,
among many others, the
production of beautiful
vocal tone, detailed
physical vocal
production, textual and
physical components of
English diction,
repertoire programming,
appropriate style,
interpretation and
phrasing, and a pathway
to successful conducting
of combined choral and
orchestral forces. Your
enormous and highly
successful career, with
worldwide performances
and numerous awards and
honors, has enabled you
to bring validity and
integrity to the entire
writing. —Donald
Neuen  Â
Distinguished Professor
Emeritus, UCLA Â Â
Former member of the
Robert Shaw Chorale Â
 Mr. Shaw’s
Assistant Conductor with
the Atlanta Symphony
Orchestra and Choruses
For more than 50 years,
Dr. Will Kesling has been
and continues to be a
prominent figure and
voice in the
International and
American choral
profession. His new book,
The Voices I Hear, is the
distillation of his long
and distinguished career
as a conductor and choral
music educator. The
driving and consuming
passion throughout
Kesling’s life is
the preparation and
performance of the
world’s rich and
diverse choral and
orchestral repertoire and
the education,
development, and growth
of those who perform and
conduct it. This book is
a summation of a lifetime
immersed in the choral
art and all its many
aspects. It overflows
with insights into the
choral art that will not
only instruct the
beginning conductor but
also will enlighten and
entertain the seasoned
professional conductor
and educator. It is
filled with wit, wisdom,
and practical advice to
all practitioners of the
choral arts. I
enthusiastically
recommend
Kesling’s
enlightening new book as
an important addition to
the choral pedagogy
bibliography and for use
as an invaluable new text
for choral practicum
classes for both graduate
and undergraduate
students. Dr. Kesling has
brought to the choral
profession significant
new insights to all
lovers of the choral art.
—Craig Jessop Â
 Professor of Music,
University of Utah Â
 Former Music
Director of the
Tabernacle Choir and
Orchestra at Temple
Square   and the
United States Air Force
Singing Sergeants Will
Kesling’s book,
The Voices I Hear, is
practical and
philosophical, useful and
inspirational, focused
and comprehensive. The
observations and advice
are based on his vast
personal experiences on
the podium with choirs
and orchestras, and the
book is a monumental
resource for both the
young conductor and the
veteran. Containing a
broad spectrum of musical
styles, composers, and
topics, Kesling’s
direct and practical
writing connects
immediately with
today’s choral
musician. Keep The Voices
I Hear nearby as there
will be many times down
the road where the
information and opinions
in Dr. Kesling’s
book will answer the
questions you have, as
well as the ones you
didn’t even know
to ask! —Jerry
Blackstone  Â
Professor Emeritus of
Music (conducting) and
Director of Choirs
(retired) Â Â
School of Music, Theatre
& Dance, University of
Michigan This is the
textbook I wish had been
available when I was
beginning my studies. It
is comprehensive in
scope, practical and
helpful in its
suggestions, and, perhaps
most surprising in a book
from an academic,
superbly written in clear
and powerful English.
Kesling speaks with
conviction, clarity, and
polish, and he finds
colorful and memorable
ways of making his points
and presents the material
from the perspective of
one who has done all
these things for decades
at a highly professional
level. I give this volume
the highest possible
recommendation.
—Daniel Gawthrop
  Composer &
Conductor. $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Pat Metheny Real Book Instruments en Sib [Fake Book] Hal Leonard
Artist Edition B-Flat Instruments. By Pat Metheny. Fake Book. Jazz. Softcover....(+)
Artist Edition B-Flat
Instruments. By Pat
Metheny.
Fake Book. Jazz.
Softcover.
272 pages. Published by
Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Pat Metheny Real Book Instruments en Do [Partition] Hal Leonard
Artist Edition C Instruments. By Pat Metheny. Fake Book. Softcover. 272 p...(+)
Artist Edition C
Instruments. By Pat
Metheny. Fake Book.
Softcover. 272 pages.
Published by Hal Leonard
(HL.120809).
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book Of Great Songs Music Sales
| | |
| Barbra Streisand - Love Is the Answer Piano, Voix et Guitare [Partition] Cherry Lane
By Barbra Streisand. Piano/Vocal/Guitar Artist Songbook. 88 pages. Published by...(+)
By Barbra Streisand.
Piano/Vocal/Guitar Artist
Songbook. 88 pages.
Published by Cherry Lane
Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Without Form and Void Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230). ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English. When the
Texas Choral Consort
asked Welcher to write a
short prologue to Haydn's
The Creation, his first
reaction was that Haydn
already presents Chaos in
his introductory
movement. As he thought
about it, Welcher began
envisioning a truer void
to precede Haydn's
depiction of Chaos within
the scope of 18th-century
classical style - quoting
some of Haydn's themes
and showing human voices
and inhuman sounds in a
kind of pre-creation
melange of color, mood,
and atmosphere. Welcher
accepted this challenge
with the proviso that his
prologue would lead
directly into Haydn's
masterpiece without
stopping, and certainly
without applause in
between. Scored for mixed
chorus and Haydn's
instrumentation, Without
Form and Void is a
dramatically fresh yet
pragmatic enhancement to
deepen any performance of
Haydn's The Creation.
Orchestral score and
parts are available on
rental. When Brent
Baldwin asked me to
consider writing a short
prologue to THE CREATION,
my first response was
“Why?â€Â
THE CREATION already
contains a prologue;
it’s called
“Representation of
Chaosâ€, and
it’s
Haydn’s way of
showing the formless
universe. How could a
new piece do anything but
get in the way? But
the more I thought about
it, the more it made
sense. The Age of
Enlightenment’s
idea of
“Chaos†was
just extended
chromaticism, no more
than Bach used (in fact,
Bach went
further).Perhaps there
might be a way to use the
full resources of the
modern orchestra (or at
least, a Haydn-sized
orchestra) and the modern
chorus to really present
a cosmic soup of unborn
musical atoms, just
waiting for
Haydn’s sure touch
to animate them.Â
Perhaps it could even
quote some of
Haydn’s themes
before he knew them
himself, and also show
human voices and inhuman
sounds in a kind of
pre-creation mélange
of color, mood, and
atmosphere. So I
accepted the challenge,
with the proviso that my
new piece not be treated
as some kind of
“overtureâ€,
but would instead be
allowed to lead directly
into Haydn’s
masterpiece without
stopping, and certainly
without applause. I
crafted this five minute
piece to begin with a
kind of “music of
the spheresâ€
universe-hum, created by
tuned wine glasses and
violin harmonics. The
chorus enters very soon
after, with the opening
words of Genesis
whispered simultaneously
in as many languages as
can be found in a
chorus. The first two
minutes of my work are
all about unborn human
voices and unfocused
planetary sounds,
gradually becoming more
and more
“coherentâ€
until we finally hear
actual pitches, melodies,
and words. Three of
Haydn’s melodies
will be heard, to be
specific, but not in the
way he will present them
an hour from now.Â
It’s almost as if
we are listening inside
the womb of the universe,
looking for a faint
heartbeat of worlds,
animals, and people to
come. At the end of
the piece, the chorus
finally finds its voice
with a single word:
“God!â€,Â
and the orchestra finally
finds its own pulse as
well. The unstoppable
desire for birth must now
be answered, and it
is----by Haydn’s
marvelous oratorio. I
am not a religious man in
any traditional
sense. Neither was
Haydn, nor Mozart, nor
Beethoven. But all of
them, as well as I, share
in what is now called a
humanistic view of how
things came to be, how
life in its many forms
developed on this planet,
and how Man became the
recorder of history.Â
The gospel according to
John begins with a parody
of Genesis: “In
the beginning was the
Word, and the Word was
with God, and the Word
was God.â€Â  I
love that phrase, and
it’s in that
spirit that I offer my
humble
“opener†to
the finest work of one of
the greatest composers
Western music has ever
known. My piece is
not supposed to sound
like Haydn.Â
It’s supposed to
sound like a giant
palette, on which a
composer in 1798 might
find more outrageous
colors than his era would
permit…but which, I
hope, he would have been
delighted to hear. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Make Someone Happy Chorale SATB Alfred Publishing
Composed by music by Jule Styne, Betty Comden, and Adolph Green. Arranged by Mar...(+)
Composed by music by Jule
Styne, Betty Comden, and
Adolph Green. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Great American
Songbook; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-47092.
Published by Alfred Music
(AP.47092).
$2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come By Here Chorale SATB SATB, Piano MorningStar Music Publishers
Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #5...(+)
Composed by Kyle
Pederson.
Instrumental part.
MorningStar Music
Publishers
#50-6144. Published by
MorningStar Music
Publishers
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Easy Fake Book Fake Book [Fake Book] - Facile Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 208 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 208
pages. Published by Hal
Leonard.
(6)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Toner Fra Filmen Wilhelm Hansen
Voice SKU: HL.14022962 Arranged by Ulla Hjorth Nielsen. Music Sales Ameri...(+)
Voice SKU:
HL.14022962 Arranged
by Ulla Hjorth Nielsen.
Music Sales America.
TV-Film-Musical-Show.
Book [Softcover].
Composed 2005. 213 pages.
Edition Wilhelm Hansen
#WH30515. Published by
Edition Wilhelm Hansen
(HL.14022962). ISBN
9788759810941. Tune
s from the movie -
Musical, melodrama, farce
and comedy - well known
film genres have through
the last 70 years
produced film songs, that
deserve to be remembered,
played and sung. Many of
which have become beloved
evergreens. Toner fra
filmen contains 100 songs
that explain why. Tunes
from the movie - Toner
fra filmen is the first
Danish song book, that
concentrates on songs
written directly to the
film medium - from 1932
until 2002. From swing
music to a sailor's
waltz, from rock'n'roll
to rap music, and the
publication contains 100
compositions and lyrics
and with that the answer
to why a specific film
song book is relevant.
The answer is quality and
diversity.Toner fra
filmen is a song book
that is supposed to
strengthen the joy of
singing and the memory of
everyone interested in
songs and films.
Predictable catchy tunes
by eg. Sven Gyldmark
standing side by side
with surprises that have
almost been forgotten by
most but deserve a
renaissance. Toner fra
filmen is released now as
the quality in the
national film production
makes people walk away
from the television and
into the darkness of the
movie theatre to laugh
and cry. Back at the
television screen we
enjoy the old Danish
movies that make us wish
to refresh the film
songs. Most of us
seldomly remember more
than the refrain, and
then the need to look at
the score arises. The
songs chosen to Toner fra
filmen has of course been
an integrated part of the
movies' set up, but they
can manage on their own.
There are a lot of love
songs, but there are also
songs for every taste and
temperament, nice as well
as sexy, short, long,
poetic etc etc. The book
makes you want to sing
and play and is at the
same time a piece of
Danish cultural
history. $36.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Barbra - Love Is the Answer [Partition] Cherry Lane
(E-Z Play Today #312). By Barbra Streisand. E-Z Play Today. Softcover. 40 pages....(+)
(E-Z Play Today #312). By
Barbra Streisand. E-Z
Play Today. Softcover. 40
pages. Published by
Cherry Lane Music
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| CMT's 100 Greatest Love Songs Clavier [Partition] - Facile Hal Leonard
(E-Z Play Today Volume 286). By Various. E-Z Play Today. Softcover. 344 pages. P...(+)
(E-Z Play Today Volume
286). By Various. E-Z
Play Today. Softcover.
344 pages. Published by
Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| God's Not Dead - Listening CD CD Chorale - Facile Word Music
Unison choir - Easy SKU: WD.080689888229 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689888229 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Christmas.
Listening CD. Duration 30
minutes. Word Music
#080689888229. Published
by Word Music
(WD.080689888229).
UPC:
080689888229. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $15.98 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano seul Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU:
ST.C463 Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463). ISBN
9790570814633. This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Aliseo
was originally written
for the film â??Aire
libreâ? (1995), by
Luis Armando Roche. It
contains elements of
diverse types of
Venezuelan joropo. In the
film, the character of
Aliseo Carvallo is played
by the composer himself
who performs this piece
on a harpsichord to
welcome scientists
Alexander von Humboldt
and Aimé Bonpland one
day at the turn of the
1800â??s, as a sample of
the new music from the
South American land. It
presents the refinement
of the late European
classical era in fusion
with Venezuelan folk
music. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Nat "King" Cole: Nat "King" Cole - Unforgettable
Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
Performed by Nat "King" Cole. Songbook for voice, piano and guitar chords. 100 p...(+)
Performed by Nat "King"
Cole. Songbook for voice,
piano and guitar chords.
100 pages. Published by
Alfred Publishing.
(14)$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| George Harrison - The Apple Years Piano, Voix et Guitare Hal Leonard
y George Harrison. Piano/Vocal/Guitar Artist Songbook. Softcover. 288 page...(+)
y George Harrison.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 288
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Easy Christian Fake Book Instruments en Do [Fake Book] Hal Leonard
| | |
| Elizabeth Clark and David Carr Glover : Piano Theory, Level 5 Piano seul [Partition] - Intermédiaire Alfred Publishing
By Mary Elizabeth Clark and David Carr Glover. For Piano. Piano - Glover Library...(+)
By Mary Elizabeth Clark
and David Carr Glover.
For Piano. Piano - Glover
Library. Book. 40 pages.
Published by Alfred
Publishing.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 Page suivante 31 61 ... 271 |