Par RAVEL MAURICE. 'With the Ravel 'Pavane', Bonsor's genius as a recorder arranger shines clear.' (The American Recorder) 'Whenever a score or more players are gathered together, put this in the programme.' (The Recorder)/ Répertoire / 4 Flûtes à Bec [SATB], Großbass et Piano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

Bien que l?ambiance de ces ?uvres évocatrices puisse varier, l?élégance et les énergies légèrement changeantes de leur langage musical ne peuvent être que celles de Maurice Ravel. Les étudier dans cette édition complète, c?est prendre davantage conscience de sa grande originalité, mais aussi de ses efforts constants en matière de perfection de la forme et du style, qui ont amené Stravinsky à le comparer avec admiration au plus parfait des horlogers suisses . La Rapsodie Espagnole était la première composition de Ravel entièrement orchestrale. Une ?uvre dont la fantaisie exotique et le travail subtil expriment clairement la personnalité musicale distinctive de Ravel. Elle a été créée pour la première fois au Théâtre du Châlet à Paris en 1908, confirmant ainsi la réputation du jeune compositeur en tant que poète d'orchestre doté d'une originalité scintillante. En 1911, Ravel recrée pour orchestre sa composition très réussie pour deux pianos, la Suite Mother Goose, une ?uvre vraiment magique dont l'ambiance va de la désolation à l'exaltation. De la même manière, Ravel reprend sa brillante composition pour piano Valses Nobles et Sentimentales de 1911 en tant que partition pour orchestre en 1912 (un ballet inspiré de sa création à Paris cette année-là) et organise son ?uvre pour piano de 1899, Pavane for a Dead Princess, pour orchestre en 1910. les arrangements orchestraux des quatre ?uvres en ont fait des favoris parmi les concerts partout dans le monde. Cette édition superbement préparée rassemble en un seul volume les partitions complètes faisant autorité de ces quatre ?uvres, reproduites d?éditions originales en français. Dover (1989), republication de Rapsodie Espagnole, de Ma mère l'Oye et de Valses Nobles et Sentimentales, initialement publiées par Durand, Paris, 1908, 1911 et 1912, respectivement, et de Pavane pour une infante défunte, initialement publiées par Max Eschig , Paris, 1910.

All the uplifting waltz music from the classical chart topping album arranged for Piano solo, including The Blue Danube . With Forever Vienna , the Johann Strauss Orchestra has broken records to become the best selling orchestral album ever, topping the classical album charts from the time of its release for over three months. The album has also transcended its traditional market, reaching the number 2 spot on the pop charts. Much of this success is down to conductor André Rieu who has injected fun back into the waltz by not so much conducting as leading the orchestra with his Violin and a mixture of wit, humour and spontaneity rarely seen in the classical world. / Piano

with Optional Rock Rhythm Section. Par WOOD MARK. This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 4 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles! The traditional bolero is a moderately slow dance in triple meter which originated in late 18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (4:30) / Date parution : 2023-06-01/ Répertoire / Orchestre à Cordes

Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Serenade, originally composed in 1925-1926 for Voice and Piano, met much success as part of his Bawdy Songs. Therefore, it was well-received when Maurice Gendron transcribed it for Cello and Piano. Poulenc, as a member of Les Six, composed music in a style contrary to that of Richard Wagner and impressionists Claude Debussy and Maurice Ravel. Serenade reflects the composer's contrasting style, making use of a 6/8 time signature, double stops, variations in articulation and wide range on the Cello. Being an imaginative and evocative composition, Serenade, transcribed for Cello and Piano, is a pleasurable addition to the repertoire.

Par KNUSSEN OLIVER. Higglety Pigglety Pop! is the second of Knussen ’s two extraordinary fantasy operas created in collaboration with the acclaimed author Maurice Sendak. Composed between 1984-5 but finding its final form, after a number of substantial revisions, in 1999, the opera – subtitled ‘There Must be More to Life’ – is the story of a well-fed Sealyham terrier, Jennie, who escapes boredom to become prima donna of the Mother Goose World Theatre. Brimming with invention, this hour-long work culminates in a witty opera-within-an-opera, complete with a lopsided – and slightly screwy – overture after Mozart, absurdly abrupt changes of tone and gear, and numerousmadcap false endings!/ Tablatures / Guitare Tablatures

Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard. In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements. / Orchestre

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano