By Anthony; Stonyhurst Mss (Webbe Werner. Arranged by Richard Proulx. For Voices: SATB. Choral Sacred. Level: easy. 6 pages. Published by GIA Publications.

By Tomas Luis de Victoria. Edited by William Tortolano. For Voices: SATB. Piano reduction. Found in Gall MSS, 9th C. Ars Antiqua Choralis Series Sacred. Level: easy. 5 pages. Published by GIA Publications.

Choral TBB choir, piano

SKU: CF.CM9751

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9751. Published by Carl Fischer Music (CF.CM9751).

ISBN 9781491162392. UPC: 680160921140. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

Aboutà ‚ Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Directorâ€⠄¢s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Directorâ€⠄¢s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Directorâ€⠄¢s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Directorâ€⠄¢s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Directorâ€⠄¢s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for tenor-bass choirs. Directorâ€⠄¢s NoteTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

Aboutà ‚ Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

Choral SAB choir, piano

SKU: CF.CM9730

Composed by Andrew Steffen. 16 pages. Duration 2 minutes, 48 seconds. Carl Fischer Music #CM9730. Published by Carl Fischer Music (CF.CM9730).

ISBN 9781491161098. UPC: 680160919697. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About Jonas Halgrimsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him. The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven.... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward. https://digicoll.library. wisc.edu/Jonas/Alheim/Alh eim.html A good friend asked if I would write a song for her ensemble. The parameters were that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson's writings. There is such a need for three-part music that is both exciting, accessible, and challenging. Director's Note Truly consider how the work can come to 'life' off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page! Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles Accompaniment Note The accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
AboutJónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry illicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven....   The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.     https://digicoll.library. wisc.edu/Jonas/Alheim/Alh eim.htmlA good friend asked if I would write a song for her ensemble.  The parameters were that it had to be three-part with a limited range in the Bass part.  With these stipulations I began to write.  I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings.   There is such a need for three-part music that is both exciting, accessible, and challenging. Directorà ¢â‚¬â„¢s NoteTruly consider how the work can come to ‘life’ off the page.  Rise and fall with phrase and sometimes each note.  The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensemblesAccompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm.  So long as the momentum of the work is pressed onward, you are doing this work justice.

SATB choir - Level 2

SKU: CA.314790

Als die Welt verloren. Composed by Jozef Swider. Als die Welt verloren. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. Duration 2 minutes. Carus Verlag #CV 03.147/90. Published by Carus Verlag (CA.314790).

ISBN 9790007153243. Key: E flat major. Text language: German/Polish. Text: Kirmsse, Heidi. Text: Heidi Kirmsse.

String Quartet

SKU: HL.14014071

Score. Composed by Haflidi Hallgrimsson. Music Sales America. 20th Century. Score. Composed 2002. Chester Music #CH60122. Published by Chester Music (HL.14014071).

ISBN 9780711929579.

Scor e edition of Hallgrimsson String Quartet No. 2. Parts are also available on sale: SOS15466.

(Violin and Piano). By Haflidi Hallgrimsson (1941-) and Haflidi Hallgrímsson. Ricordi London. Ricordi #RLD875. Published by Ricordi

SATB choir - Level 2

SKU: CA.329640

Arranged by Uwe Henkhaus. Separate edition with choral collection. Sacred vocal music, Advent, Christmas. Full score. Composed 2015. 3 pages. Duration 3 minutes. Carus Verlag #CV 03.296/40. Published by Carus Verlag (CA.329640).

ISBN 9790007168704. Key: A minor. Language: Catalan. Text: Kirmsse, Heidi. Text by Heidi Kirmsse.

Piano

SKU: HL.14015065

Composed by Haflidi Hallgrimsson. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH60927. Published by Chester Music (HL.14015065).

ISBN 9780711935310.

Sket ches In Time by Haflidi Hallgrimsson, seven short pieces for young pianists, encompassing a wide range of styles from the quiet and atmospheric Venetian Waltz to lyrical pieces such as My Own Song. For the student to develop a strong sense of rhythm.

SATB choir - Level 2

SKU: CA.329440

Fern klingt ein Rufen. Arranged by Jozef Swider. W?Rod Nocnej Ciszy. Sacred vocal music, Advent, Christmas. Full score. 1 pages. Duration 3 minutes. Carus Verlag #CV 03.294/40. Published by Carus Verlag (CA.329440).

ISBN 9790007168896. Key: B flat major. Language: German/Polish. Text: Kirmsse, Heidi. Text by Heidi Kirmsse.

SATB choir - Level 2

SKU: CA.317790

Composed by Volker Hempfling. Separate edition with choral collection. Folk songs and settings of folk songs. Full score. Duration 3 minutes. Carus Verlag #CV 03.177/90. Published by Carus Verlag (CA.317790).

ISBN 9790007155209. Key: D major. Language: German. Text: Muller, Wilhelm / Kirmsse, Heidi. Text: Wilhelm Muller / Heidi Kirmsse.

4 trumpets & speaker

SKU: SU.24100140

For 4 trumpets & speaker. Composed by Stanley Friedman. Brass, Trumpet, Brass, Brass Ensemble, Chamber Music, Mixed Ensemble. Score. Subito Music Corporation #24100140. Published by Subito Music Corporation (SU.24100140).

Talumdic quotation; commssioned & recorded by Kyle and Melissa McDaniel Millsap; 11 min.4 trumpets & speaker Composed: 2012 Published by: Asher Rose Music.

SSAA Chorus & Piano

SKU: SU.29130440

For SSAA Chorus & Piano. Composed by Christopher Fulkerson. Vocal/Choral, Secular Choral. Accompanied by piano, Women’s Chorus, SSAA. Choral Octavo. Subito Music Corporation #29130440. Published by Subito Music Corporation (SU.29130440).

Concert Etudes from the Textbook Vocal Musicianship, CF 61.1. Comets 2. Above the Firmament: The Outer Solar System 3. Asteroids 4. Below the Firmament: The Inner Solar SystemSSAA Chorus & Piano Duration: 13’30 Composed: 1989-2015 Published by: Christopher Fulkerson Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at.

SSA & Piano

SKU: SU.YR6M11

For SSA & Piano. Composed by Hamish Mac Cunn. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #YR6M11. Published by Subito Music Corporation (SU.YR6M11).

Four Songs Whither?, On a Faded Violet, O my love, leave me not, Night. Music by Hamish MacCunn, edited by Jennifer Oates. Words by Wilhelm Muller, Percy Bysshe Shelley, anonymous Gaelic, and Richard H. BarhamSSA & piano Composed: 2012 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

4 trumpets & speaker

SKU: SU.24100130

For 4 trumpets & speaker. Composed by Stanley Friedman. Brass, Trumpet, Brass, Brass Ensemble, Chamber Music, Mixed Ensemble. Set of Parts. Subito Music Corporation #24100130. Published by Subito Music Corporation (SU.24100130).

Talumdic quotation; commssioned & recorded by Kyle and Melissa McDaniel Millsap; 11 min.4 trumpets & speaker Composed: 2012 Published by: Asher Rose Music.

Organ

SKU: BT.MUSM570201860

Composed by Robert Saxton. Classical. Book Only. University of York Music Press #MUSM570201860. Published by University of York Music Press (BT.MUSM570201860).

English.

For solo Organ. First published in 1998. Commssioned by Lester Hillman, and first performed by Max Peppenheim, St. Catherine's College, Cambridge, 25th September, 1998.

SSA & Piano

SKU: SU.YR6M11.4

For SSA & Piano. Composed by Hamish Mac Cunn. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #YR6M11.4. Published by Subito Music Corporation (SU.YR6M11.4).

Music by Hamish MacCunn, edited by Jennifer Oates. Words by Richard H. BarhamSSA & piano Composed: 2012 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

Percussion instruments (3 player)

SKU: PR.ZM26490

Composed by Thomas Keemss. Set of Score and Parts. With Standard notation. 24 pages. Zimmermann #ZM26490. Published by Zimmermann (PR.ZM26490).

UPC: 680160652365.

Coro SATB - Level 3

SKU: CA.411281

Composed by Dimitri Stepanowitsch Bortniansky. Carus digital: Extra digital products. Full Score. 12 pages. Duration 8 minutes. Published by Carus Verlag (CA.411281).

ISBN 9790007253646. Key: D minor. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations.

Narrator, Individual actors, 1-part Children's Choir, 4 Instruments (Recorder, Strings, Brass, Orff-Instruments)

SKU: CA.1242400

Szenische Kantate. Composed by Knut Gramss. Children's music and musicals. German title: Der Wassermann in der Muhle. Cantatas, Cantatas and Singspiele for children, Secular choral music. Full score. Composed 2008. 28 pages. Duration 70 minutes. Carus Verlag #CV 12.424/00. Published by Carus Verlag (CA.1242400).

ISBN 9790007091200. Language: German.

Mixed choir (SATB) - very easy

SKU: HL.49026707

(Coburg 1621). Composed by Cesar Auguste Franck. Edited by Knut Gramss. This edition: Folding. Sheet music. Schott Chorblattreihe (Choral Music). Choral Score. 4 pages. Duration 5'. Schott Music #CHBL 410. Published by Schott Music (HL.49026707).

ISBN 9790001019941. German.

Unison children's choir, narrator, one actor, instrument - Level 1

SKU: CA.1242011

Szenische Kantate. Composed by Knut Gramss. Instrument. Cantatas and Singspiele for children, Songs for children, Secular choral music. Single Part, Instrument. 8 pages. Duration 45 minutes. Carus Verlag #CV 12.420/11. Published by Carus Verlag (CA.1242011).

Language: German.

A royalist French peasant happens upon a picturbook cheese. Of course, he wants to bring it to the king, which is a difficult undertaking, given the long distance and the need to preserve the condition of the cheese... The happy ending is never in doubt. The unison choir has quite a bit to do, but the text and melodies are quick to learn... the musical accompaniment is kept simple. Even smaller children are sure to enjoy it. (Wurtt. Blatter fur Kirchenmusik 6/98). Score and part available separately - see item CA.1242000.

Piano

SKU: BT.LD-00080300

Composed by Haflidi Hallgrimsson. Score Only. Composed 2003. Ricordi #LD 00080300. Published by Ricordi (BT.LD-00080300).

Percussion (3 player) (Drum-Set and Latin percussion)

SKU: PR.ZM35460

Composed by Thomas Keemss. Set of Score and Parts. With Standard notation. 20 pages. Zimmermann #ZM35460. Published by Zimmermann (PR.ZM35460).

Mixed choir (SSAATTBB)

SKU: M2.MOS-81239

Motette. Composed by Melchior Franck. Moseler Chorreihe. Sacred. Choral score. Möseler Verlag #MOS 81239. Published by Möseler Verlag (M2.MOS-81239).

ISBN 9790203797395.

Der grossartige Chorsatz des fruhbarocken Meisters ist nicht doppelchorig, sondern real achtstimmig angelegt. Fast 400 Jahre lag das Werk vergessen in den Archiven, bis sich der Melchior-Franck-Experte und Herausgeber Knut Gramss seiner annahm.