SKU: HL.48185075

Composed by Luis de Victoria. Robert King. Classical. Alphonse Leduc #AL28417. Published by Alphonse Leduc (HL.48185075).

UPC: 888680879228. 9.0x12.0x0.251 inches.

“Germ an composer, Wilhelm Ramsöe (1837-1895) is best remembered for his compositions for brass. His Quartet No. 5 for 2 Cornets, Horn or Trombone, and Baritone is no exception. As the final of five brass quartets by the composer, Quartet No. 5 remains prominent in the brass ensemble repertoire. Made of of four movements, each part contains a variety of exciting musical features. The movements are 1) Allegro Moderato, 2) Andante, Quasi Allegretto, 3) Scherzo, and 4) Finale, all of which contain edits by Robert King. For all advanced brass ensembles, Ramsöe's Quartet No. 5 is a sublime addition to the repertoire.”.

(A Hymn Concertato). By Mary Mcdonald. For SATB choir, organ and piano, congregation, descant (with optional handbells (3-5 octaves), 2 trumpets, 2 trombones). Sacred Anthem, Ascension, Christ the King, General. Octavo. Published by Lorenz Publishing Company

Composed by Anna Laura Page. For SATB choir, piano, organ (with optional handbells (3-5 octaves), 2 trumpets, 2 trombones). Sacred Anthem, All Saints' Day, Christ the King, General. Octavo. Published by Lorenz Publishing Company

By Donald Coakley. Arranged by David Marlatt. For Brass Choir (5.4.3.1.1.perc). Brass - Brass Choir. Eighth Note Publications. Contemporary. Duration 00:03:10. Published by Eighth Note Publications

By David Marlatt. For Brass Choir (5.4.3.1.1.perc). Brass - Brass Choir. Eighth Note Publications. Contemporary. Duration 00:04:45. Published by Eighth Note Publications

Big band (Alto Sax 1, opt. Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1, Trombone 2, opt. Trombone 3, opt. Bass Trombone 4, Piano, Bass, Drums) - advanced to difficult

SKU: M7.SMP-419

Swing. Composed by Maynard Ferguson and Turner Layton. Arranged by Michael Abene. Sheet music. Swing. Score and parts. Handelsware #SMP 419. Published by Handelsware (M7.SMP-419).

English.

The Maynard Ferguson Band performed a lot of Abene's charts over the years. This chart is an excellent example of Abene's very musical approach to a great jazz standard. Very reasonable ranges throughout. Features tenor sax, trumpet and trombone solos. Destined to be a best-seller! Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation. This one burns!

5-part Trombone Ensemble - intermediate

SKU: CY.CC3015

Composed by John Frith. Contemporary Latin Rock. Score and Parts. Cherry Classics #3015. Published by Cherry Classics (CY.CC3015).

These TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of 'TROMBONANZA 2017'. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players.

The SECOND SUITE has five movements and is intended for a quartet of younger tenor trombonists working with a teacher on the fifth part on bass trombone who will add richness and depth to the ensemble sound.

It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument.
John Frith - 2017
This work is appropriate for younger performers at an intermediate level all in bass clef. The five movements total about 9 minutes in length and have the following titles:
1. Latin Dance
2. Ballad
3. Give Me a Break!
4. Bass Waltz
5. Cruisin' Along (swing)

SATB choir; clarinet; flute; trombone; trumpet

SKU: HP.C5771C

Arranged by Jay Althouse. Piano with Optional B-Flat Instrument, Clarinet, Flute, Trombone, Trumpet. Christmas, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5771C. Published by Hope Publishing Company (HP.C5771C).

UPC: 763628957711. Luke 2:10-14, 2 Corinthians 5:19, Revelation 15:4, Hebrews 1:6, Matthew 1:21-23, John 1:1 1 John 1:14, Philippians 2:7, Isaiah 9:6, Malachi 4:2, 1 Peter 1:3.

Medley of two familiar Christmas carols This exuberant medley of two cherished Christmas carols comes from Jay Althouse's Joy to the World: A Celebration of Carols, our top-selling Christmas musical in 2011. The effective use of rhythmic energy makes this a captivating setting for worship or concert! The Instrumental packet contains a Conductor's Score and parts for: Flute, B-flat Clarinet, 2 Trumpets, Trombone, Electric Bass and Snare Drum.

Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA08708-01

Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01).

ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert.

WithL'Etoil e, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years.

The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies.
Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.

This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais.

- Authoritative Urtext edition based on the seriesL'Opera francais
- Original French text with a German singing translation
- Comprehensive foreword (Ger/Eng/Fr)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Studiotrax CD)

SKU: HL.35028944

Composed by Joseph M. Martin. Arranged by Brad Nix and Joseph M. Martin. Shawnee Sacred. Baccalaureate, General Worship, Graduation, Lent, Ordination, Youth Choir. CD only. Published by Shawnee Press (HL.35028944).

UPC: 884088900106. 4.75x4.75 inches. Arr. Joseph M. Martin /Brad Nix.

Uses: General, Lent, Ordination, Baccalaureate, Graduation, Youth Choir

Scripture : Proverbs 3:5-6

Inspired by a beloved Scripture passage, this powerful admonition in song provides musical beauty and spiritual depth. A sweeping theme takes this Biblical mandate and gives it artful wings while a lushly produced orchestration and StudioTrax CD provide several options for performance. Unison singing mixes with expressive four-part writing, adding depth and power. Available separately: SATB, StudioTrax CD (Accomp., SplitTrax, Perf.), Orchestration (Score & Parts for Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Harp, Piano, Violin 1 & 2, Viola, Cello, Double Bass). Duration: ca. 3:41.

(A Holiday Farewell for Band) Arranged by Michael Story, Robert W. Smith. Conductor's score and set of performance parts for band (8 - flute, 2 - oboe, 2 - bassoon, 4 - 1st clarinet, 4 - 2nd clarinet, 2 - bass clarinet, 5 - alto saxophone, 2 - tenor saxophone, 2 - baritone saxophone, 4 - 1st trumpet, 4 - 2nd trumpet, 4 - horn in F, 4 - trombone, 2 - baritone, 2 - baritone (treble clef), 4 - tuba, 1 - mallet percussion, 1 - optional piano/keyboard, 1 - timpani, 4 - percussion I, 2 - percussion II). Series: Band Expressions Series. Published by Alfred Publishing.

Tuba or Bass Trombone and Piano - Advanced

SKU: CY.CC3072

Composed by P. I. Tchaikovsky. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3072. Published by Cherry Classics (CY.CC3072).

ISBN 9790530110492. 8.5 x 11 in inches.

Ralph Sauer has beautifully arranged four movements from Tchaikovsky's Four Pieces Opus. 40 for Tuba or Bass Trombone and Piano: 1. Chanson Triste 2. Valse 3. Reverie interrompue 4. Danse russe These four movements, totaling fourteen minutes offer the artist a great deal of musical contrasts, ranging from lyrical, dramatic, dance-like, etc. An excellent collection of the Russian master's music for advanced performers of the Tuba or Bass Trombone.

Trombone or Euphonium Duet - Advanced

SKU: CY.CC3146

Composed by Giuseppe Concone. Arranged by Ran Whitley. Classical. Score and Parts. Cherry Classics #CC3146. Published by Cherry Classics (CY.CC3146).

ISBN 9790530111147. 8.5 x 11 in inches.

The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control. Volume 2 of these duets or counterparts (numbers 17-32) are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate difficulty. Ran Whitley has done a great job adapting these beautiful melodies as duets.

By Kenneth Amis. Brass Quintet. For 2 trumpets, french horn, trombone, tuba, optional organ and bell choir. This edition: Bell part. As recorded by the Empire Brass. Part. Duration 5:00

By Richard Strauss. Arranged by Stephan Kohler. (Study Score). Schott. 172 pages. Published by Eulenburg.

5 soprano voice solos, Tenor voice solo, Baritone voice solo, 3 bass voice solos, mixed choir, 2 piccolos, 2 flutes, 2 oboes, 2 clarinets (B Flat), 2 bassoons, 2 horns, 2 trumpets, 3 trombones, Kettledrum, Drums (3), Strings (5 Soprano Voice Solo, Tenor Voice Solo, Baritone Voice Solo, 3 Bass Voice Solo, Mixed choir, Orchestra)

SKU: BA.BA02287

Tragedy in four acts. Composed by Christoph Willibald Von Gluck. Edited by Gerhard Croll. This edition: complete edition, urtext edition. Linen. Gluck Complete Edition. I/9. Paris version of 1779. Complete edition, Score. Composed 1799. Duration 2 hours, 5 minutes. Baerenreiter Verlag #BA02287_00. Published by Baerenreiter Verlag (BA.BA02287).

ISBN 9790006419616. 33.1 x 26.7 cm inches. Text Language: French, German. Translation: Peter Schmidt. Text: Guillard, Nicolas-François.

< p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Contemporary. Softcover. 96 pages. Published by Hal Leonard (HL.4004651).

For Concert Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Softcover. Published by Hal Leonard (HL.4004650).

Solo voices, choir, orchestra (soprano voice solo (2 ), soprano, tenor voice solo, tenor voice solo (3), bass voice solo, mixed choir, ballett, piccolo, flute (2 ), oboe (2 ), clarinet (b flat) (2 ), bassoon (2 ), horn (4), trumpet (2 ), trombone (3), timpani, strings, basso continuo)

SKU: BA.BA04562-41

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Bruce Alan Brown and Daniel Heartz. This edition: Complete edition. Linen. New Mozart Edition (NMA). II/5/11. Complete edition, Critical commentary. K. 366. 266 pages. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04562_41. Published by Baerenreiter Verlag (BA.BA04562-41).

ISBN 9790006546633. 24 x 17.5 cm inches. Language: Italian. Giambattista Varesco.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5

SKU: BA.BA10303-01

Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01).

ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.

The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.

I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.

You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...

No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.

On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:

Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.

As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.

It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.

When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.

In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB choir & brass

SKU: HP.PP143B

Composed by Craig Courtney. Arranged by Craig Courtney. Hymntune, General Worship, Adoration & Praise, Sacred. Brass Parts. Hope Publishing Company #PP143B. Published by Hope Publishing Company (HP.PP143B).

UPC: 763628143084. Colossians 3:16, Ephesians 5:19, Psalms 95:1, Revelation 19:4.

Beloved hymn tune This powerful presentation breathes new life into this classic hymn of praise, complete with a majestic orchestral accompaniment. The addition of a second hymn tune, LASST UNS ERFREUEN, gives sparkle and an element of surprise to this compelling musical offering. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion, harp, 2 violins, viola, cello, and double bass.

4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/bass voice solo/SATB choir/piccolo/3 flutes/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/3 trumpets/4 trombones/tuba/timpani/tr iangle/bass dru (solo voices, SATB Choir, Fl-picc, 3Fl, 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, 4Hn, 3Trp, 4trombone, Tb, timpani, Tri, Tr-Gr, Tam, Be, Xyl, Gl, harp, Org, piano, 2 Violin, Viola, Cello, Double Bass, (2 Va-dam), Kindertrompete, Tr-Kl) - Level 4

SKU: BA.BA09562-01

Three novel-like scenes. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA09562_01. Published by Baerenreiter Verlag (BA.BA09562-01).

ISBN 9790260107380. 34 x 27.5 cm inches. Text Language: Czech, English, German. Preface: Zahrádka, Jirí. Text: Bartošová, Fedora.

Janacek's operaOsudis an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges.
This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist's copy of authorised by Janacek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of theComplete Critical Edition of the Works of Leos Janacek.

* First critical edition of this opera
* Foreword on the genesis of the work and its reception by Jiri Zahradka (Cz/Eng/Ger)
* New idiomatic piano reduction by Rasmus Baumann
* Singable German translation

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.EB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091).

ISBN 9790004186695. 7.5 x 10.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugelhorn/Trumpet 1-3, Trumpet 4, Flugelhorn/Trumpet 5 (opt.), Trombone 1-3, Trombone 4 (opt.), Bass Trombone 5, Piano, Bass, Drums) - advanced to difficult

SKU: M7.SMP-563

Swing. Composed by Richard Rodgers and Stanley Newcomb Kenton. Arranged by Lennie Niehaus. Sheet music. Swing. Score and parts. Handelsware #SMP 563. Published by Handelsware (M7.SMP-563).

English.

This is another one of those absolutely wonderful charts that Lennie did for Stan Kenton for what was known as the dance book. It was the hippest dance book ever! A medium-swing tempo sets this great standard in a framework that is very musical and very exciting. Trumpet and bass are featured. Limited ranges (tpt. written high D). This one will be a real favorite. 5-5-5-3.