Piano

SKU: HL.14010902

Composed by Manuel de Falla. Music Sales America. 20th Century. Book [Softcover]. Composed 1990. 16 pages. Chester Music #CH55733. Published by Chester Music (HL.14010902).

ISBN 9780711920163. 8.5x11.75x0.11 inches.

Arranged for solo piano. Falla himself gave the first performance of the Allegro de Concierto in May 1905 in Madrid. It was eighty years before the work was performed again, this time at the Wigmore Hall, London 1985. Suitable for advanced pianists.

Choral (SATB)

SKU: HL.14014798

Composed by Hans Werner Henze. Music Sales America. German, Modern, Opera. Book [Softcover]. Composed 2002. 388 pages. Chester Music #CH63426. Published by Chester Music (HL.14014798).

ISBN 9781844496396. 9.0x12.0x1.073 inches.

Commissione d by Salzburg Festival co-produced with Deutsche Oper Berlin, Teatro Real Madrid, and Teatro Massimo Palermo.

Piano

SKU: BT.MUSUMP82520

Composed by Rogelio Villar. Latin. Book Only. Union Musical Ediciones #MUSUMP82520. Published by Union Musical Ediciones (BT.MUSUMP82520).

Canciones Leonesas (Leonese Songs) is a collection of folk melodies from the Leon region of north-west Spain, collected and arranged for solo Piano by Rogelio Villar . Volume One is the first of five by the composer. Rogelio Villar (1875-1937) was a Spanish composer, musicologist and pedagogue. Born in Leon, he studied at the Madrid Conservatory, where he later taught as well. His compositions were predominantly instrumental works; he avoided operatic music and gradually became more and more nationalistic in his style. He travelled widely throughout the Leon region, collecting and preserving many folk songs, which he later used in many of his compositions.

(La Musica notturna di Madrid). Composed by Luigi Boccherini (1743-1805). Edited by Lenzewski, G. For 2 Violins, Viola and 2 Violoncelli. Score with parts. Op. 30 Nr. 6 (G 324). Published by Thomi-Berg

Grade 4

SKU: CL.012-3617-01

Composed by C. McBride. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR349). Extra full score. Composed 2007. Duration 5 minutes, 22 seconds. Opus III Wind Orchestra Publications #012-3617-01. Published by Opus III Wind Orchestra Publications (CL.012-3617-01).

Commemorating a landmark event in history, Cory McBride sets out to replicate the awe of the New Madrid Earthquake of February 12, 1812, which affected over 1 million square miles and was powerful enough to change the route of the Mississippi River. Featuring an insistent motive that is supported by intertwined counterpoints, the vigilant beginning leads to a chorale-like middle section, expressing the dismay after the quake, which is soon followed up by an emotionally ending. The piece contains challenges for every instrument and is well-suited for more experienced groups. Amid the Great Displace is a fantastic choice for concert or contest and will be inspiring programming for your students and audiences.

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Concert band - Grade 5

SKU: CL.012-4109-01

Composed by Custer. Closer. Opus III Wind Orchestra series. Audio recording available separately (item CL.WFR375). Extra full score. Composed 2012. Duration 8 minutes, 12 seconds. Opus III Wind Orchestra Publications #012-4109-01. Published by Opus III Wind Orchestra Publications (CL.012-4109-01).

Based on the well-loved hymn tune, Madrid (Come, Christians, Join To Sing), this creatively striking, rousing overture is perfectly suited to be a concert opener or closer. Energetic rhythms, effective orchestration, and warm harmonies make this piece a favorite of band members and concertgoers alike, while remaining practical for conductors to prepare, even with limited rehearsal time. Formally based on the structure of the hymn lyrics, this work features a vigorous opening section, followed by a lyrical repose that eventually transitions into an assertive, climactic crescendo to the finish. With Voice of Triumph Raised will be the highlight of your concert!

Clarinet

SKU: BT.MUSUME28490

Tuition. Book with Online Audio. 132 pages. Union Musical Ediciones #MUSUME28490. Published by Union Musical Ediciones (BT.MUSUME28490).

ISBN 9781785583384. Spanish.

Spanish clarinetist, composer and teacher  Antonio Romero y Andia  was born in 1815 in Madrid.  This new edition has been carefully reviewed and updated. It includes a brief historical introduction to the Clarinet and a small text of the Clarinet Romero System. The edition is accompanied by a download card featuring recordings of the 30 duets minus one.

(Soli,Ch,Orch)

SKU: BA.BA08393-01

Composed by Giovanni Pacini. Edited by Giuseppina Mascari. This edition: Edition of selected works, Urtext edition. Linen. Concentus Musicus 17. Edition of selected works, Score. Baerenreiter Verlag #BA08393_01. Published by Baerenreiter Verlag (BA.BA08393-01).

ISBN 9790006563968. 33 x 25.5 cm inches. Text Language: Italian. Preface: Mascari, Giuseppina.

Giovann i Pacini's (1796-1867) operaGli Arabi nelle Galliewas composed for Milano where it was successfully premiered at the Teatro alla Scala on 8 March 1827. During the same year the work was also performed in Naples and Vienna and in the years to follow - outside of Italy - also in Madrid, Barcelona and New York.

The work represents Pacini's style and creative powers in full maturity.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: M7.HDW-4294

Ballet. Composed by Georges Bizet and Rodion Shchedrin. DVD. Duration 62'. Handelsware #HDW 4294. Published by Handelsware (M7.HDW-4294).

UPC: 089948429494.

Carme n was first set as a ballet by the famed Russian choreographer Petipa in 1845. It was based on the Mérimée novella and premiered in Madrid some thirty years before Bizet's opera was first heard. Subsequent versions followed in the late 19th and early 20th centuries, some using and some discarding Bizet's music. In 1949, Roland Petit created a successful vehicle for himself and his wife Zizi Jeanmaire using the Bizet score. Maya Plisetskaya always dreamed of dancing the role of Carmen and had approached Shostakovich for a score. He demurred out of respect for Bizet's celebrated opera. It was eventually Plisetskaya's husband Rodion Shchedrin who agreed to provide the music after seeing his wife and the choreographer Alberto Alonso working on some choreographic ideas. His Carmen Suite ballet, based on Bizet, and scored only for strings and, in its theatricality, a showcase for Plisetskaya's considerable dramatic gifts. Shchedrin's Carmen Suite, one of the darkest settings of Mérimée's tragic story, deeply symbolic and overtly sensual, premiered at the Bolshoi Ballet on April 20, 1967.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

SKU: HL.50603813

Score and Parts. Composed by Benet Casablancas. String. Softcover. Duration 660 seconds. Union Musical Ediciones #UME28535. Published by Union Musical Ediciones (HL.50603813).

ISBN 9781705145913. UPC: 840126992892.

The String Quartet no. 4, subtitled Dedication, was commissioned by the CNDM of Madrid to celebrate the 250th Anniversary of Beethoven and was written for, and dedicated to, the Cuarteto Casals (2017). This one-movement work, lasting some 11 minutes, is based on a small motif from the op quartet. 130 as a tribute to the German master. The work, that explores the full range of the technical, musical, and emotional scope of the quartet medium, has a ternary arrangement, with a slow introduction and a conclusive stretta on the B-flat note (like the one that opens Op. 130). Its course includes marked contrasts between the contemplative, lyrical, static and suspensive sections - in the manner of stagnations - and those with a more lively tempo, playful and occasionally festive.

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Flute

SKU: CL.074-6039-04

Composed by G. Holmes. Orchestra Book/Folio (Concert). Flute book. Composed 1916. C.L. Barnhouse #074-6039-04. Published by C.L. Barnhouse (CL.074-6039-04).

CONTENTS: * Cupid's Call Waltz * The Master Builder March * Love's Reply Waltz * Azalea Waltz * Our Merchant Marine March * Alkahest March & Two Step * Incense Morceau Characteristic * Minstrel Days March * Primrose Intermezzo * The Banqueters March * Travelers March, The * Above the Clouds March * The Isle of Palms A Tropical Interlude * Visions of Madrid Spanish Serenade *.

Double bass and piano

SKU: BO.B.3611

Composed by R. Carnicer/J. Soler. Published by Editorial de Musica Boileau (BO.B.3611).

On May 17th (1852) Ramon Carnicer composed the Capriccio for bass with piano accompaniment expressly to be performed at first sight reading by the applicants to obtain a teacher's place of this instrument at The Real Conservatorio de Musica y Declamacion Maria Cristina (nowadays Real Conservatorio Superior de Musica de Madrid). He worked there as a teacher of composition since 1830 until his death.

This revised edition by Jordi Soler keeps the original indications of the bass voice in the script of the piano part.

This edition includes two versions: the orchestral key (D Major) and soloist key (E Major).

2 guitars

SKU: BO.B.3649

Composed by A. Soler/L. Palomo. Published by Editorial de Musica Boileau (BO.B.3649).

Padre Antonio Soler is the most important Spanish composer of keyboard instruments of the XVIII century. Born in Olot he was baptized in 1729 and died in El Escorial in 1787. As a young boy he entered the Escolania of Montserrat, where he studied composition and organ, coinciding at the same monastery with the also Spanish composer of that time, Fernando Sor. Padre Soler spent great part of his life in El Escorial as chapel master and organist and met in Madrid Italian composer Domenico Scarlatti with whom he developped a deep friendship inspired on mutual admiration.

In spite of the similar styles of both composers the fluid inspiration of Padre Soler excels for his own personality, definitely influenced by Spanish roots. Furthermore, I ask myself if the fact of being at the same monastery of Montserrat with guitarist composer Fernando Sor didn't play an important role in the future development of Padre Soler's style.

I have transcribed for two guitars these three sonatas in the hope that also the guitarists can enjoy playing these little jewels, truly musical delights, that Padre Antonio Soler left for us.

Madrid-Messe. By Domenico Scarlatti. For SATB Choir. Missa brevis, Latin. Score. Language: Latin. 28 pages. Duration 15 min. Published by Carus Verlag (German import).

2-3 octave handbells - Grade 2

SKU: BP.HB348

Composed by Michael Helman. Arranged by Michael Helman. Handbell choir music. Sacred. Handbell part. Beckenhorst Press #HB348. Published by Beckenhorst Press (BP.HB348).

The Good Shepherd (BRADBURY and RESIGNATION); Variations of Come, Christians Join to Sing (MADRID). 2-3 octaves, level 2+. Hyfrydol (HYFRYDOL).